Navajo &#34;Fred Harvey&#34; Era Sterling
Silver Bracelet with 3 Green Turquoise
Stones
• This is a &#34;Fred Harvey Era&#34; jewelry (C.
1900-1955) piece. This piece is not
signed by the silversmith.
• Characteristic techniques include
impressing decorative motifs using steel
dies (stamping) with &#34;Southwest&#34;
symbols, including thunderbirds, arrows,
lightning bolts, whirling logs (sunbursts),
or medicine wheel designs.
• These stamps, and the colour and
texture of the turquoise date this piece
between the 1920&#39;s to the 1940&#39;s.
• This bracelet has been &#34;altered&#34; or
adjusted to accommodate a larger wrist
at some point in the past.
• In excellent condition for age. Note
chipped and cracked centre stone. View
images.
• Weight: 1.5 oz. or 42 grams
• 20 cm. x 2.1 cm. X .1 cm.
Dimensions:
20 cm. x 2.1 cm. X .1 cm.
Pickup category timeslot {A}

Navajo &#34;Fred Harvey&#34; Era Sterling Silver Bracelet with 3 Green Turquoise Stones

Vintage Navajo Sterling Silver &#34;Woven
Rope Design&#34; Cuff Bracelet
• This piece is signed with the letters
&#34;LF&#34;, but I have not been able to find the
silversmith&#39;s full name.
• The bracelet is made p of four separate
sections; 2 solid bands, 2 &#34;twisted&#34;
bands, and a central braided panel made
up of fine twisted silver wire.
• The cuff ends are held together with
&#34;recycled&#34; &#34;Fred Harvey Era&#34; jewelry 
(c. 1900-1955) silver sections.
• Characteristic techniques include
impressing decorative motifs using steel
dies (stamping) with crossed arrows,
wave arrows, water elements, and half
moon designs. These stamps date
between the 1920&#39;s to the 1940&#39;s.
• In excellent condition for age. View
images.
• Weight: 1 7/8 oz. or 53 grams
• 20.6 cm. x 1.8 cm. x .2 cm.
Dimensions:
 20.6 cm. x 1.8 cm. x .2 cm.
Pickup category timeslot {A}

Vintage Navajo Sterling Silver &#34;Woven Rope Design&#34; Cuff Bracelet

Vintage Navajo Sterling Silver Concho
Cuff Bracelet
• This is a &#34;Fred Harvey Era&#34; jewelry (c.
1900-1955) piece. This piece is not
signed by the silversmith.
• Motifs: Recognizable &#34;Southwest&#34;
symbols created for tourists, including
thunderbirds, arrows (crossed or bent),
lightning bolts, whirling logs (sunbursts),
and animals like snakes or dogs.
• Stamping & Repoussé: Characteristic
techniques include impressing decorative
motifs using steel dies (stamping) and
raising designs from the back (repoussé).
• Designs: Frequent use of scalloped
edges, twisted wire detailing, and small
&#34;raindrop&#34; or silver ball accents.
• In good condition for age. Was broken
and repaired, does have some
&#34;dents&#34; in the centre dome. View images.
• Weight: 7/8 oz. or 26 grams
• 16 cm. x 2.8 cm. x .5 cm.
Dimensions:
16 cm. x 2.8 cm. x .5 cm.
Pickup category timeslot {A}

Vintage Navajo Sterling Silver Concho Cuff Bracelet

William Baron of Barnstaple &#34;Puzzle Jug&#34;
• These jugs were created by William
Baron, a notable potter who originally
worked for C.H. Brannam in Barnstaple.
• Made of glazed earthenware or pottery,
often featuring a distinctive mottled
&#34;powder blue&#34; or &#34;cobalt blue&#34; finish.
• An identical jug marked &#34;Baron
Barnstaple 281&#34; is held in the collection
of the Museum of Barnstaple and North
Devon, where it is dated to approximately 1930.
&#34;This jug was made to try your skill /
Drink if you can, but do not spill.&#34;
• Incised on base &#39;Baron Barnstaple
281&#39;, which refers to both the shape of
the puzzle jug, and the motto on the jug.
• In excellent condition, no breaks, or
chips. View images.
• 10 cm. x 10 cm. x 7 cm.
Dimensions:
 10 cm. x 10 cm. x 7 cm.
Pickup category timeslot {A}

William Baron of Barnstaple &#34;Puzzle Jug&#34;

Large Hand Hammered Copper Bowl
• This copper bowl does not have a label
or signature from the maker, so can&#39;t
specify the country of origin.
• The bowl has a
&#34;distressed&#34;
&#34;, and hand
hammered texture finish, and is possibly
a vintage or antique item.
• The specific texture on the base of this
bowl is similar to pieces from Spain
dating to the mid century, but again no
confirmation on this.
• The interior of the bowl has a graduated
patina from dark to light which suggests
that this bowl held water, or was used as
a planter base.
• In very good condition, has a good
weight, but one spot of discolouration.
View images.
• Weight: 15.25 oz. or 431 grams
• 3&#34; x 10 1/8&#34; x  10 1/8&#34;
Dimensions:
 3&#34; x 10 1/8&#34; x  10 1/8&#34;
Pickup category timeslot {A}

Large Hand Hammered Copper Bowl

Hand Hammered Copper Bowl-
County Cork Ireland
• This copper bowl was made in
Clonakilty, County Cork, Ireland. Mallon
• Hand hammered copper bowls from
Mallow are part of a broader, rich
tradition of copper craftsmanship in
County Cork, Ireland, which has roots
stretching back to the Bronze Age.
• The type of stamp on the back of this
piece often dates them from the 1950&#39;s
to the 1970&#39;s.
• The colour differences around the text
are a result of a chemical patination
process, which can be induced by an
acid wash.
• In very good condition, has a good
weight, but one spot of discolouration.
View images.
• Weight: 10 1/8 oz. or 289 grams
• 2&#34;  X 8&#34;  X 8&#34;
Dimensions:
 2&#34;  X 8&#34;  X 8&#34;
Pickup category timeslot {A}

Hand Hammered Copper Bowl- County Cork Ireland

&#34;Ambrosia&#34; Maple Bowl with &#34;Live Edge Bark&#34; by Don Stinson
• This bowl was handcrafted by Don
Stinson of Stinson Studios, a noted
woodwork studio located in Tamworth,
Ontario, Canada.
• Stinson Studios was founded in 1982.
The studio is now a two-generation
business known for its high-quality,
hand-turned wooden art.
• Ambrosia Maple: This wood is prized
for its &#34;finger spalting&#34;, dramatic dark
streaks and colourful patterns caused by
the ambrosia beetle.
• Website: Stinson Studios
https://stinsonstudios.ca/pages/about-
ussrsltidAfmBOogONitGunhi255hJZITs
4IRXAa-ckU7JUtcHHcvtPeaaCOp5n12
• In excellent condition, no breaks,
cracks, or chips,. View images.
• 11.5 cm. x 21.5 cm. x 20.5 cm.
Dimensions:
11.5 cm. x 21.5 cm. x 20.5 cm.
Pickup category timeslot {A}

&#34;Ambrosia&#34; Maple Bowl with &#34;Live Edge Bark&#34; by Don Stinson

Large Danish Mid-Century Modern Teak Wooden Bowl
• The bowl features a minimalist,
&#34;Scandinavian/Danish Modern&#39;
&#39; aesthetic
characterized by organic curves and a
smooth finish.
• This is a large bowl that was used for
serving salad, and as decorative fruit
bowl.
• This one was purchased in the late
1970&#39;s, and has been with one family
since that time/
• In excellent condition, no cracks,
breaks, or chips. View images.
• 9.5 cm. x 30 cm. x 30 cm.
Dimensions:
 9.5 cm. x 30 cm. x 30 cm.
Pickup category timeslot {A}

Large Danish Mid-Century Modern Teak Wooden Bowl

Cheri Sydor. - Erotic Copper Red Vase
• Born in 1955.
• She studied and worked in ceramics in
Calgary, in the 1970&#39;s through the 1990&#39;S
then moved to Vancouver Is. Later
moving back to Calgary, and now living
in Ontario.
• Cheri Sydor&#39;s had a showing of her
vessels at The Craft Gallery in Toronto in
October 6-30 1988.
• Cheri was part of the &#34;Studio Ceramics
from the AGGV Collection&#34; show in 2019,
and has some pieces in the permanent
collection.
• White stoneware, thrown and altered.
Fired to cone 10 gas fired with a copper
red / celadon crackle glaze.
• In excellent condition, no breaks,
cracks, or chips. View images.
6&#34; x 4 7/8&#34; x 4 7/8&#34;
Dimensions:
6&#34; x 4 7/8&#34; x 4 7/8&#34;
Pickup category timeslot {A}

Cheri Sydor. - Erotic Copper Red Vase

Red Enamelled Cast Iron Dutch Oven
• This Cast Iron Dutch Oven does not
have a makers mark, so I believe it was
made in China.
• This enamelled cast iron Dutch ovens
are compatible with all cooktops,
including gas, electric, ceramic, and
induction, and are oven safe (often up to
500F or higher).
• The bumps on the inside of the cast
iron lid are a design feature for self-
basting. As food cooks, steam rises,
condenses on the cooler lid, and then
drips evenly from the spikes back onto
the food, rather than just running down
the sides of the pot.
• This Dutch Oven will hold 6 quarts
(approximately 5.7 liters) to 6.5 quarts.
• In very good condition, no breaks,
little staining, some small chips. View
images.
• With Lid: 20cm x 41cm x 10.3cm
Dimensions:
 With Lid: 20cm x 41cm x 10.3cm
Pickup category timeslot {A}

Red Enamelled Cast Iron Dutch Oven

Kirkland Signature Stainless Steel Skillet
• This series of cookware was made
between 2020 and 2022, and was
manufactured in China.
• Multi-ply construction; a 5-ply clad
design, which includes layers of stainless
steel, aluminum, and a copper core for
efficient and even heat distribution.
• Made with 18/10 stainless steel, known
for its longevity and non-reactive properties.
• Safe for use on all types of cooktops,
including induction, and is oven safe up
to 400F (204C).
• In excellent condition, no dents, shows
minor wear. View Images
• Pan: 5.2 cm. x 32 cm. x 32 cm.
Dimensions:
Pan: 5.2 cm. x 32 cm. x 32 cm.
Pickup category timeslot {A}

Kirkland Signature Stainless Steel Skillet

Large &#34;Birdseye Maple&#34; Bowl by D.M. Kerr of New Brunswick
• I have not been able to find any
biographical information about this wood
turner.
• This piece was produced
between 1952-1964: The organization
operated as a branch of the Canadian
Handicrafts Guild and later as the
Handicrafts Association (often referred to
as the &#34;The Guild of New Brunswick
Craftsmen.&#34; in this early transitional
period.
• In New Brunswick, Birdseye maple is
considered a &#34;rare gem&#34; of the forest,
highly prized for its unique, shimmering
appearance. It is not a separate species
of tree, but rather a rare growth anomaly
that occurs in roughly 1% of hard maple
trees (Acer saccharum).
• In excellent condition, no cracks,
breaks, or chips. View images.
• 6 cm. x 31 cm. x 31 cm.
Dimensions:
6 cm. x 31 cm. x 31 cm.
Pickup category timeslot {A}

Large &#34;Birdseye Maple&#34; Bowl by D.M. Kerr of New Brunswick

Large Tasmanian Sassafras Turned Bowl by Brad Moss
• Brad Moss, a renowned Australian
wood artist and turner based in Tasmania
• He was trained within the family and
has been wood turning for over 30 years.
• He has had exhibitions of his work in
Australia, The USA, Switzerland, and in
Japan.
• He has done commissions&#34;:
- 1995 Sisters of St. Joseph Mary
Mackillop Beautification, presentation
gift to John Paul Il.
- March 1993 Clarence City Council,
Document Box, gift to sister city in
Japan.
• He has been published in:
- Craft Arts International. Issue 91, 2014
- A.A.W. American Wood Turner April
2017 vol.32, no.2
• Website:
https://bradmoss.info/brad-moss-wood-
artist-tasmania/
• In excellent condition, no cracks or
chips, as new. View Images
• 8.2 cm. x 29 cm. x 29 cm.
Dimensions:
8.2 cm. x 29 cm. x 29 cm.
Pickup category timeslot {A}

Large Tasmanian Sassafras Turned Bowl by Brad Moss

Japanese Kasuri (Ikat) Indigo Dyed Shirt
• Vintage Japanese Kasuri (Ikat) indigo
dyed shirt, bought in Kyoto Japan in
1980&#39;s.
• The base material is hand spun cotton
hand knotted to create the pattern, and
then dyed with indigo grown on the
weavers property.
• This dyed fabric is specifically a style
known as Chiri-kasuri scattered ikat.
• The repeating diamond motif is likely
the Narihirabishi pattern, a traditional
&#34;wagara&#34; design over 1,300 years old
that symbolizes health and prosperity.
• This shirt does not have a tag, and
is more tightly woven then the more
modern versions, which indicates it was
most likely woven between 1960&#39;s or
1970&#39;s.
• This is not a commercially made shirt,
but rather hand sewn and tailored, and
even has a &#34;hanging loop&#34; on the back.
• In extremely fine condition, worn rarely
View images.
• Size: Large to Extra Large
• Chest: 46&#34;
• Body Length: 29&#34; front, 30&#34; back
• Sleeve Length &#34;short sleeve&#34;: 9.5&#34;
• Hem/Waist Width: 21&#34;
Dimensions:
See description for size (Large to Ex-Large)
Pickup category timeslot {A}

Japanese Kasuri (Ikat) Indigo Dyed Shirt

Elly Shodell - Bicycle Mug
• Elly Shodell, director of the Port
Washington, New York library&#39;s Local
History Center, has received a 2011/12
Fulbright Specialist grant in the field of
library science.
• Elly is widely known as a historian, but
is also a potter. Her &#34;Dirt Light&#34; series
often featured functional, wheel-thrown
or mold formed stoneware with intricate,
hand-applied transfer illustrations, such
as vintage bicycle design.
• These pieces are produced in small
batches for local exhibitions.
• This piece is a white stoneware clay
body, fired to cone 6 in an electric kiln.
There is a cobalt oxide transfer design of
overlapping bicycles, and a heart inside.
• In excellent condition, no breaks, or
chips. View images.
• 10 cm. x 12.5 cm. x 9 cm.
Dimensions:
10 cm. x 12.5 cm. x 9 cm.
Pickup category timeslot {A}

Elly Shodell - Bicycle Mug

Kinichi Shigeno - Two Yunomi
• Kinichi born in 1953 in Nagano, Japan.
• Kinichi Shigeno received extensive
training in Japan, and immigrated to
Canada in 1981.
• He brought with him his skills as cobalt
painter, and embellishes his fine pottery
with intricate designs. These on the
other hand are a much simpler in form
with sgraffito &#34;mountains, and a darker
blue &#34;water line&#34; design.
• He lives, teahes and works in
Richmond, and exhibits widely in Canada
and internationally in Japan, Italy, China,
USA and New Zealand.
• He has received recognition; the 2009
the BC Creative Achievement Award, a
Circle Craft Scholarship and a Canada
Council Travel Grant in 1997.
• These are hand thrown with porcelain,
and vary slightly in shape.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Yunomi #1 8.4 cm. x 7.5 cm. x 7.5 cm.
• Yunomi #2 8 cm. x 7 cm. x 7 cm.
Dimensions:
• Yunomi #1 8.4 cm. x 7.5 cm. x 7.5 cm.             • Yunomi #2 8 cm. x 7 cm. x 7 cm. 
Pickup category timeslot {A}

Kinichi Shigeno - Two Yunomi

Two Vintage &#34;Red&#34; Pyrex 501 Refrigerator Dishes
• These are from the &#34;Primary Colours&#34;
• Because of the style of the lid with the
even bars, they were produced by
Corning in the U.S. from the 1970&#39;s to the 1980&#39;s.
• The lids are marked 501C. One has the
# 11, and the other # 17.
• They have a capacity to hold approx.
1.5 cups (12 oz).
• These two have lost their &#34;lustre&#34;. but
retain their full colour, and have no
scratches.
• In very good condition, no cracks, or
major chips, but lack lustre to finish. View
images.
• Weight: 13 3/8 oz. or 380 grams
• With Lid: 8 cm. x 11 cm. x 11 cm.
Dimensions:
With Lid: 8 cm. x 11 cm. x 11 cm.
Pickup category timeslot {A}

Two Vintage &#34;Red&#34; Pyrex 501 Refrigerator Dishes

Mavis Mooney - Raku Fired Vase
• Mavis has been potting on Vancouver
Island in either North Saanich or Comox
for over seventy years.
• Her first instructors were the German
master potters Jan and Helga Grove.
•  She studied fine arts at the
Univ. of Victoria and later at North Island
College.
• In 1983, she worked with CUSO to
establishment a pottery in Zambia which
provided employment for that small
community.
• This vase is an interesting piece. It&#39;s
stoneware fired to cone 10 with a cream
white glaze on the interior, but the
exterior with it&#39;s sgraffito grooves was
fired in a separate &#34;pit kiln&#34; to create the
metallic raku type finish.
• Because of this proceed, the vase is
totally waterproof.
• In excellent condition, no breaks,
cracks, or chips. View images.
• 4.75&#34; x 6&#34; x 6&#34;
Dimensions:
 4.75&#34; x 6&#34; x 6&#34;
Pickup category timeslot {A}

Mavis Mooney - Raku Fired Vase

Victorian-Era C.F Monroe Wave Crest &#34;Opal Ware&#34; Ferner or Dresser Box
• The manufacturers were C.F. Monroe
Company, which operated from 1886 to
the early 1900&#39;s in Meriden, Connecticut.
• It is made of &#34;Opal Ware,
&#34; an opaline glass blank produced by other
companies (like the Mt. Washington
Glass Co.) and then purchased and
decorated by Monroe artists.
• The piece features a characteristic &#34;egg
crate&#34; or &#34;swirl&#34; molded shape with a
brass or ormolu rim around the top
opening. The decoration consists of
hand-painted red and brown fern fronds
and small white enamel &#34;jewel&#34; accents.
• This style is called a &#34;ferner&#34; or
&#34;jardinière,&#34; a low bowl designed to hold
a small potted fern for display.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight: 2 lb. 2.25 oz. or 971 grams
• 3.5&#34; x 8.75&#34; x 8.75&#34;
Dimensions:
3.5&#34; x 8.75&#34; x 8.75&#34;
Pickup category timeslot {A}

Victorian-Era C.F Monroe Wave Crest &#34;Opal Ware&#34; Ferner or Dresser Box

Hand Thrown Teapot by &#34;Lillian&#34;
• I have not been able to find out much
information about Lillian, although I
believe she lived up island in the
Courtnay Comox area.
• The teapot is made with an Iron rich
stoneware clay. The glaze is a semi-
matte &#34;oatmeal glaze&#34; on the inside, and
semi-matte light brown speckled glaze
on the exterior. Cone 10 gas fired.
• There&#39;s a clear signature on the bottom
of &#34;Lillian&#34;. Judging by the clay and the
glaze, I believe this piece was made in
the late 1970&#39;s or early 1980&#39;s.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Excluding handle: 4.25&#34;  x 7&#34; x 5.25&#34;
Dimensions:
 Excluding handle: 4.25&#34;  x 7&#34; x 5.25&#34;
Pickup category timeslot {A}

Hand Thrown Teapot by &#34;Lillian&#34;

Cobalt Blue Chantal Enamel-on-Steel Whistling Teakettle
• Chantal is a cookware co. founded by
<span class"bg-warning nswreasons" id"rid-125">German</span>-born engineer Heida Thurlow in
October 1971. Thurlow has the
distinction of being the first woman in the
U.S. to launch and run a cookware co.
• This 2018 design is called the "Vintage
Series" or "Classic Series"
• It is constructed from durable, high-
tensile carbon steel finished with a non-
reactive porcelain enamel interior and
exterior, designed to prevent rust and
resist calcium buildup.
• The kettle is a whistling model, typically
featuring a single-tone or "Hohner"
whistle when the water has reached a
rolling boil.
• The capacity is typically around 1.7 to
1.8 quarts (approx. 1.6 to 1.7 liters).
• In excellent condition, no dents, or
chipped enamel. View images.
• 23.5 cm. x 24 cm. x 21 cm.
Dimensions:
23.5 cm. x 24 cm. x 21 cm.
                
Pickup category timeslot {A}

Cobalt Blue Chantal Enamel-on-Steel Whistling Teakettle

Hand-Carved Wooden Hooded Merganser Hen Sculpture
• I have not been able to discern any
information about this carver as the
signature is not clearly written, however
the piece is marked B.C.
• This Hooded Merganser sculpture is
finely carved with attention to detail. The
head carved with a slight tilt, the glass
eyes, the extremely fine detail of the
veined feathers, and the attention given
to the staining to highlight the various
sections. Note carving under the tail as
well.
• On the base of this piece isis MH3
(Merganser Hen #3), Hooded Merganser
Hen, and the carver&#39;s name &#34;G S ....
• In excellent condition, no breaks,
cracks, or chips. View images.
• 4&#34;  X 8.5&#34;  X 3&#34;
Dimensions:
 4&#34;  X 8.5&#34;  X 3&#34;
Pickup category timeslot {A}

Hand-Carved Wooden Hooded Merganser Hen Sculpture

&#34;Set of 10 Pieces&#34; Vintage Chinese Sgraffito Porcelain Plates, Bowls, and Sauce Bowls
• These bowls were made in Jingdezhen,
China, for the export market.
• Based on the various stamps on the
base of these pieces, they date around
the 1950&#39;s and 1960&#39;s also referred to as
&#34;Republic period&#34; or &#34;Early People&#39;s
Republic&#34; styles.
• These pieces are hand thrown
porcelain, not a mould. The diameter of
the rims vary, slight shape differences, as
well as the depth of the foot.
• This set was hand decorated and there
are individual differences in designs,
dragons, sizes and shapes of the
designs. Each is a &#34;unique&#34;
• They are decorated using a multi-step
process centered on the sgraffito (or
yazhao ‡Lit) technique, which involves
&#34;scratching&#34; through layers of colour to
reveal the material underneath.
• All in very good to excellent condition,
no breaks, cracks. One small chip one of
the smaller plate&#39;s foot. View images.
• Large Plates:
2.9 cm. x 25.2 cm. x 25.2 cm.
3 cm. x 25.4 cm. x 25.4 cm.
• Side Plates:
2.6 cm. x 17.8 cm. x 17.8 cm
2.5 cm. x 17.7 cm. x 17.7 cm.
• Medium Bowls:
5 cm. x 11 cm. x 11 cm
4.9 cm. x 10.7 cm. x 10.7 cm.
• Smaller Bowls:
4.4 cm. x 9.3 cm. x 9.3 cm.
4.5 cm. x 9.2 cm. x 9.2 cm.
• Sauce Bowls:
2.5 cm. x 9.9 cm. x 9.9 cm.
2.5 cm. x 9.8 cm. x 9.8 cm.
Dimensions:
See description for sizes
Pickup category timeslot {A}

&#34;Set of 10 Pieces&#34; Vintage Chinese Sgraffito Porcelain Plates, Bowls, and Sauce Bowls

Colleen Underwood - Dragonfly Vase
• Colleen studied at Calvin University
formerly Calvin College, a private
Christian University in Grand Rapids,
Michigan, United States.
• She runs a studio called &#34;The Mud
Room Clayworks&#34; in Cowichan Bay, BC.
• This is a white stoneware clay body
with a bright yellow underglaze and a
clear glaze on top. It has a hand drawn
dragonfly on either side of the vase.
• In excellent condition, no breaks,
cracks, or chips. View images.
• 5&#34; x 3.5&#34; x 3.5&#34;
Dimensions:
5&#34; x 3.5&#34; x 3.5&#34;
Pickup category timeslot {A}

Colleen Underwood - Dragonfly Vase

Victoria (British Columbia, Canada) SELLER MANAGED Reseller Online Auction - Balfour Avenue                        

dimensions_inch

weight_oz

material

signature

Clear glass free-form wave paperweight with green aventurine flake base, etched artist signature, approximately 3 in x 4 in x 3.25 in, weight 14.25 oz, no chips or cracks

signed clear and green aventurine glass wave paperweight

front view of wave sculpture showing clear crest and green aventurine base

side angle showing wave curvature and base thickness

rear profile highlighting aventurine flakes and overall dimensions

Transparent cresting wave sculpture with textured ridges; base infused with metallic green aventurine flecks giving shimmering effect

Clear and Green Aventurine Glass Wave Paperweight

&#34;Water Wave&#34; ed Sign Paperweight
• This &#34;Wave&#34; has metallic flakes, also
known as aventurine on the base section
which is also used in Venetian Murano
glass making.
• The wave itself is a clear glass formed
&#34;freehand, and then altered to create the
lines and form of the wave, and then the
&#34;aventurine&#34; was attached for the base.
• There is an etched signature on the
base, but is very difficult to read. This
piece is not dated.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight: 14.25 oz. or 405 grams
3&#34;  4&#34;  X 3.25&#34;
Dimensions:
3&#34;  4&#34;  X 3.25&#34;
Pickup category timeslot {A}

Bid Date	Bid Amount
Mar 17, 2026, 3:07:04 AM	$23.00
Mar 17, 2026, 3:07:04 AM	$20.10
Mar 17, 2026, 3:06:41 AM	$20.00
Mar 17, 2026, 3:06:41 AM	$17.00
Mar 17, 2026, 1:50:47 AM	$13.58
Mar 17, 2026, 1:50:47 AM	$10.58
Mar 16, 2026, 4:32:32 AM	$9.58
Mar 15, 2026, 2:38:28 AM	$8.58
Mar 15, 2026, 2:38:28 AM	$8.00
Mar 15, 2026, 2:37:50 AM	$6.57
Mar 15, 2026, 2:37:50 AM	$5.57
Mar 15, 2026, 2:37:06 AM	$4.56
Mar 15, 2026, 2:37:06 AM	$3.56
Mar 11, 2026, 5:29:03 AM	$2.10
Mar 11, 2026, 5:29:03 AM	$1.10
Mar 11, 2026, 3:17:00 AM	$1.00

Lot #124: "Water Wave" ed Sign Paperweight

Only Available Pickup Date/Time: Wed, March 18 2026 09:30 AM - 02:30 PM

Category A: 09:30 AM - 02:30 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #124: "Water Wave" ed Sign Paperweight

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Only Available Pickup Date/Time: Wed, March 18 2026 09:30 AM - 02:30 PM

Category A: 09:30 AM - 02:30 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

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