Beautiful art glass bowl has naturally formed interior bubble burst from creation process as pictured   5&#34; x 5&#34; x 3&#34;

https://www.1stdibs.com/furniture/decorative-objects/bowls-baskets/decorative-bowls/venini-carlo-scarpa-sommerso-bollicine-green-glass-bowl-italy-circa-1940/id-f_30721052/

Carlo Scarpa is widely recognized one of the most important architects and glass makers of the twentieth century. He was born in Venezia, Italy in 1906.  His first projects spanned the years 1922-1924, when he collaborated with the architect V. Rinaldo.  Scarpa then attended the Royal Academy of Fine Art in Venice, and acquired his diploma of Professor in Architectural Drawing in 1926.

Once he obtained his degree, Scarpa began a career at the Royal Superior Institute of Architecture of Venice.  He began as the assistant to Professor G. Cirilli, and eventually began teaching at Venice’s Istituto Universitario di Architettura.  He remained a part of the faculty at Venice’s Istituto Universitario di Architettura until 1976, and served as director from 1972 to 1974.

While architecture was Scarpa’s main focus, he was also very interested in glass making.  During the 1920s, Scarpa created his first pieces while working for Cappelin.   He later became the artistic director of Venini from 1933 to 1947.  Venini was one of the most important Venetian glass makers during this time, and Scarpa’s natural understanding of raw materials allowed him to flourish as artistic director.  Scarpa sculpted with glass to create objets d’art and lamps, and brought a theatrical element to his designs.  He was influenced by the environment, as well as the Orient, and applied these influences to his designs.  He also invented a variety of techniques that became trademarks of Venini glass during the thirties and forties.  These techniques include filigrana, velato, opalini, lattimi, murrine, sommersi, and battutto.

Many of the techniques that he pioneered were very difficult technically, which is one of the reasons that they command high prices. Working with glass of different colors is difficult, as each color has its own co-efficient of expansion, and reacts to heat differently.  The battutto, in which the surface is hand-worked to create a “hammered” texture, was difficult, as the pattern had to be carefully controlled, and the pressure could easily cause a piece to break. This was an important technique that Scarpa pioneered in 1940.  Filigrana, another important technique, involves spiraling very thin strands of glass onto an already blown form – the strands had to be perfectly spaced.

The murrine technique is a very ancient one, and involved first forming the “murrines” -rods containing different colors of glass in specific colors into a specific pattern, which could be flowers, faces, or the abstract geometric motifs that Scarpa favored. These rods were then cut into thin sections. Melding these slices seamlessly was challenging, as was  forming the actual piece. The extreme thinness of his pieces made the work even more difficult technically. Usually, the finished pieces were given a very fine battutto finish. This process of blowing glass to extreme thinness was called soffiati. His murrine pieces are, perhaps, his most important achievement.  When translucent glass was used, the effect is like a stained-glass window. When opaque glass, sometimes referred to as pasta vitreo was used, the resulting pieces look as if carved from some kind of magical wood.

Another important and difficult technique used by Scarpa was tessuto, in which very thin canes of glass of different colors were fused, and then the vase was blown very thin. The rods had to form perfect vertical lines – any pieces that were not perfect were discarded. Sometimes, the surface was left shiny, and for some pieces, it was subjected to battutto for added texture, and a matte finish.

Another important style of glass introduced by Scarpa was the corroso series. These pieces were of very thick and heavy glass, known as pesanti, in which various knobs, swirls and other elements of form were pulled directly from the hot glass, and then the piece was treated with acid to give it a “corroded” finish. A similar technique was used for the sommerso vases, which differed from the corroso by having two layers of differently colored glass.

Scarpa also designed glass with very simple forms, known as Cinese, as they were influenced by the shapes of Chinese ceramics. These pieces were richly colored, and had a shiny finish, almost like glazed ceramic. Occasionally, he would give these pieces a very fine battutto finish, resulting in a velvety surface known as velato.

After Scarpa left his position as artistic director of Venini, he began his career as an architect.  Beginning with his design of a Paul Klee exhibition in 1948, Scarpa became associated with the Venice Biennale. Scarpa’s unique ability to transform spaces made him a master of exhibition design.  He had an instinctive understanding of works of art, and used innovative materials, lighting effects, and chromatic relationships to create spaces that had never been constructed before.

https://www.latitudenord.com/en/portfolio/carlo-scarpa/
Dimensions:
5&#34; x 5&#34; x 3&#34;
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C.1960 Carlo Scarpa Venini Bollicine Emerald Green Mod Era Art Glass Bowl 

&#34;Sunnyside Toronto&#34; Impressionist Oil Painting On Canvas Artist Signed 

Excellent    12.5&#34; x 4&#34; ITALY Stamped on base.

Alvino Bagni (1919 - 2009) was a renowned Italian ceramist who played an important role in the development of modern ceramics. He was born in Lastra a Signa, Italy, in 1919, a region known for its ceramics industry. From a young age, he showed an interest in ceramics.

Bagni started his career in ceramics by working in the workshop of Arnaldo Pugi&#39;s ceramics factory in Ponte a Signa. After the Second World War, Pugi provided Bagni with financial support to open his own workshop. And so, the story of Ceramiche Bagni began.

The fifties and sixties were important years for Bagni, during which he established privileged relationships with several important names in American design and business, including Raymor (N.Y.) and Rosenthal.

In 1970, the company moved to a larger, more modern factory, where Bagni surrounded himself with highly-skilled collaborators and artists.
By 1980, the factory had as many as 100 employees, and Bagni&#39;s company was renowned for its elegant objects and use of innovative techniques, but it finally closed in 1990.

However, Bagni wasn&#39;t finished yet. In 1993, he started a new venture called Nuove Forme, which continued his work in ceramics until he retired eight years later for health reasons. Alvino Bagni passed away in 2009 at the age of 90, leaving behind a legacy of creativity, passion, and technical skill. Alvino Bagni&#39;s career was a fascinating journey that spanned several decades. He was a master ceramist who played a vital role in the development of modern ceramics.
Dimensions:
12.5&#34; x 4&#34;
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Classic Mid-Century Large Alvino Bagni (Italy) For Raymor Autumn Sunset Mod Era Italian Art Pottery Bowl 

Excellent   37.75&#34; x 36&#34;    stretchered canvas   unsigned
https://bid.waddingtons.ca/auction-lot/unidentified-artist-20th-21st-century-untitled-ab_d2187ec2e7
Dimensions:
 37.75&#34; x 36&#34;
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Large Pollock Inspired Textured Abstract Oil Painting On Canvas 

Works fine  few light finish rubs on base Dimmer switch intact   68.5&#34; x 9&#34; base x 6&#34; shade
Dimensions:
 68.5&#34; x 9&#34; base x 6&#34; shade
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Vintage Standing Floor Up Light With Stained Glass Shade Working

Excellent totally sound clean intact wood stretchered canvas 48&#34; x 36&#34;
https://www.joerichgallery.com/
https://www.saatchiart.com/en-ca/joerich?srsltidAfmBOorgvqLrzQPT2EifLYCkSsVJr_-n3ZhUvG3mVQZNrGoMJR6byrhe


Joe Rich is a Toronto based artist. Working in acrylic, ink, spray paint and a variety of mediums Joe primarily paints on canvas and wood. Joe has studied art for the past 18 years and his work has shown in a variety of settings and galleries including the McMichael Gallery and two one person shows. Committed to ongoing education Joe has studied in various settings and institutions, experimenting and painting in a variety of genres - but somehow always returning to nature as a subject matter. Bold. Expressive. Works for the viewer to explore.


ARTIST’S STATEMENT


I see my work as a collaboration between the viewer, the canvas and myself. Within this triad I often see some remarkable and exceptional exchanges take place. I see the art of painting as a behaviour, designed to express feeling and thoughts. I measure each work upon completion with what are best described as the underpinnings of a well executed work and - if satisfied with the outcome - let go of the work for others to contemplate, enjoy and I imagine accept or reject.



Dimensions:
48&#34; x 36&#34;
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&#34;In The Woods&#34; Large 48&#34; Vibrant Abstract Acrylic Painting On Canvas Artist Signed Joe Rich

Excellent  no chips or loss Brass spigot intact  Base signed Made in France  19&#34; x 5&#34;  cup 2.25&#34;
Dimensions:
19&#34; x 5&#34;  cup 2.25&#34;
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Antique French Emerald Green Glass + Brass Whiskey/Abisinthe Tap + Cup

Excellent   no issues  28.5&#34; x 4.25&#34; tall x 4.25&#34; wide

https://michaelaram.com/en-ca/products/noahs-ark-centerpiece?srsltidAfmBOopUH8wBQ32dVELufTIuvZvvehom8-MsUaTiI_w0XWQCMO-wqL0r

The Noah&#39;s Ark Centerpiece takes its inspiration from the narrative of Noah&#39;s Ark and the survival of man and animal after the great flood. Drawing profoundly from Aram&#39;s background as an Armenian American, this piece celebrates the potent story of the ark landing on Mt. Ararat.

&#34;There is so much power in the story of Noah&#39;s Ark resting on Mount Ararat in historic Armenia. All great monotheistic religions accept the ark as symbolic of mankind&#39;s salvation. I wanted to represent it for everyone!&#34;
Dimensions:
28.5&#34; x 4.25&#34; tall x 4.25&#34; wide
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Large Designer Signed Michael Aram Brutalist Style Footed Noah&#39;s Ark Centerpiece Bowl

Excellent sound complete  No damage loss or repairs  
6&#34; x 5.5&#34;
https://www.ebay.ca/itm/311738037496?_skwHubley+Cast+Iron+Art+Deco+Scarf+Dancer&itmmeta01KMDBKRYPAJR1KRVA8EJEFPMB&hashitem489508f4f8:g:pW4AAOSw44BYJAGO&itmprpenc%3AAQALAAAA4GfYFPkwiKCW4ZNSs2u11xBeBP2AAg15Iq2aJeq4JelKwnz4VPakHTqvZ1fqO76Us6Dzk5OhOXL4JA05h2rUFNO0Smrm0%2Fw3e0ya86MMRZ6x9xoBpG9VaoucUUw%2FCicRH9MtHb6aDUzwULA%2Fci1RVOHmsBDooh6muDQfGfO0%2BzcS2WZaxgav2YHD4RohjW%2BK5f8dmF1h7D7hQ1TEgsoTIhcU56pBghGBNKdH3vzvF6K8W2FZ87OHwPj8AvT2BS%2B9WY%2BIFkUiN545Y74PD%2BwsrNgYfswxY4%2Bacgc50c18vgvH%7Ctkp%3ABk9SR8iPz6ujZw
Dimensions:
6&#34; x 5.5&#34;
Pickup category timeslot {A}

C.1920 Pair Hubley Solid Cast Iron Nude Art Deco Lady Bookends 

Excellent sound clean original condition   Artist matted unframed  Mat 27.5&#34; x 21.5&#34;   Art work  24&#34; x 17.75&#34;  Blair Drawson is a Toronto based artist. He studied drawing and painting at the Ontario College of Art. He has appeared in Canadian publications like Maclean’s, Radio Guide, Saturday Night, Toronto Life and in newspaper inserts like The Canadian, Toronto Star Sunday Magazine and Weekend plus international magazines like Esquire, New Yorker, New York Times, Rolling Stone and Time.  He is one of Canada&#39;s best-known illustrators. 
https://visualdiplomacyusa.blogspot.com/2025/03/artist-of-day-march-22-2025-blair.html  

https://blairdrawson.com/gallery/
Dimensions:
Mat 27.5&#34; x 21.5&#34;   Art work  24&#34; x 17.75&#34;  https://visualdiplomacyusa.blogspot.com/2025/03/artist-of-day-march-22-2025-blair.html  
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&#34; You And Me &#34; Sensual Couple Signed Blair Drawson Artist Proof Professionally Matted C.1980

Fine sound original condition   72&#34; long x 24&#34; tall   https://www.mutualart.com/Artist/Sarah-Brooke/5359FD6BC9F5D311
https://www.ebay.ca/itm/156069969044

The Middle of Nowhere painting collection is originally designed and painted here in Melbourne by our co-founder Sarah Brooke. Sarah completed her Bachelor of Visual Communication Design at Monash University and later her Honours at RMIT University. With an intuitive approach to colour and composition, Sarah creates richly textured and layered works on canvas. Her paintings have created such interest that Middle of Nowhere has quickly attained a large international following. Sarah continually works on new collections, whilst co-directing Melbourne based design studio Middle of Nowhere with her father Grant Brooke. 
Dimensions:
6 Feet {72&#34;} x 24&#34; wide
Pickup category timeslot {A}

Middle Of Nowhere&#34; Mixed Media Textured Painting By Australian Artist Sarah Brooke 6 Feet Long

Sound no issues  18&#34; x 8&#34; wide
Dimensions:
18&#34; x 8&#34; wide
Pickup category timeslot {A}

Gothic Brass Figural Art Painting Table Top Easel Holder

Excellent Frame 21.5&#34; x 19&#34;  painting 16&#34; x 14&#34;

Julius Damasdy is a Hungarian-Canadian painter and sculptor. He was born in Budapest, Hungary in 1937 and immigrated to Canada in 1957. He enrolled in the Ontario College of Art and graduated with honours in 1964. That same year, he was awarded the Eaton Foundation Travelling Scholarship and the Governor General&#39;s Award.

His work can be found in such collections as the Art Gallery of Ontario, Sony Canada, Hewlett Packard, the Government of Alberta, Yamaha Motor Co, Canadian Imperial Bank of Commerce and IMB Canada.
https://www.waddingtons.ca/auction/off-the-wall-art-online-auction-feb-27-2014/gallery/lot/183/
Dimensions:
 Frame 21.5&#34; x 19&#34;  painting 16&#34; x 14&#34;
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Mid-Century Framed Male Faces Character Study Artist Signed Julius Damasdy (Canadian, 1937-2020)

Fine no issues   15&#34; diameter
Dimensions:
15&#34; diameter
Pickup category timeslot {A}

C.1900 Large Schütz Cilli Austria Majolica Gnome Fairy- Majolica  Wall Charger

Perfect  Frame 37&#34; x 31&#34;  painting 30&#34; x 24&#34;
Dimensions:
 Frame 37&#34; x 31&#34;  painting 30&#34; x 24&#34;
Pickup category timeslot {A}

Amazing Large Mid-Century Framed Impressionist Lush Poppies Oil Painting On Canvas Artist Signed Zinaida

Fine  7.6 grams in weight   2&#34; x 1&#34;
Dimensions:
2&#34; x 1&#34;
Pickup category timeslot {A}

Vintage Sterling Silver Figural Dollar Sign Money Clip

26” x 22”
Fine.
https://artworkbynaomi.com/galleryNaomi Pollak

Naomi has been painting and drawing for the past 12 years, exhibiting and selling her work both in local juried art exhibitions as well as abroad.  She continues to attend classes at the Evanston Art Center in Evanston, IL.   Naomi&#39;s still life paintings include toys, flowers, daily gadgets and Judaica. In addition to her artwork, Naomi works in the community as a physical therapist.   

 



Naomi Pollak    Lulav and Etrog   Oil on Canvas	28 x 30&#34;	250  SOLD



Dimensions:
26” x 22”
Pickup category timeslot {A}

Large Framed Harvest Pumpkins Gourds Oil Painting On Canvas Chicago Skokie Artist Signed Naomi Pollak

Sound clean intact Male 8.75&#34; x 8&#34;   Female 8.25&#34; x 8&#34;
Dimensions:
Male 8.75&#34; x 8&#34;   Female 8.25&#34; x 8&#34;
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&#34;Youth&#34; Large Pair Abstract Nude Couple Austin Bookends Products 1980 David Fisher

Fine condition Frame 16&#34; x 13&#34;  painting 12&#34; x 9&#34;
Pickup category timeslot {A}

C.1890 Gilt Framed Antique Oil Painting On Board 

Sound original shape  Wrist opening 3&#34; x 2.25&#34;
Dimensions:
Wrist opening 3&#34; x 2.25&#34;
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Vintage Sterling Silver Lapis Etc Rainbow Stone Ladies Bracelet

Sound intact  36&#34; x 28.5&#34; including 2.5&#34; wood frame
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Large &#34;Sun Moon + Stars&#34;&#34; Indigenous Oil Painting On Board Artist Signed Roy Bernard 88

Excellent no issues  13.5&#34; x 7&#34; x 1.5&#34; tall
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Vintage Limoges French Porcelain Brass Lion&#39;s Paw Footed Stand  

Excellent  well-aged condition  9&#34; handle up 10&#34; long x 4&#34; wide
Dimensions:
  9&#34; handle up 10&#34; long x 4&#34; wide
Pickup category timeslot {A}

Antique Indian Folk Art Hand-Carved Wooden Lidded Tinder Box Spice Purse 

Sound clean intact fully working 16.5&#34; x 8.5&#34;
Dimensions:
16.5&#34; x 8.5&#34;
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Lovely Vintage Lily Pad Accent Table Lamp Frosted Pink Glass Shade Working

Toronto (Ontario, Canada) PARTNER MANAGED Reseller Online Auction - Railside Road

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Framed copperplate etching on paper of the apse of Notre Dame Cathedral, stamped Chalcography Department of the Louvre, artist Louis Orr, circa 1920. Frame 25" x 23"; image 19.5" x 19". Some age wear to mat.

Framed copperplate etching of the apse of Notre Dame Cathedral, Paris

Full view of framed etching with mat and frame visible

Close-up of lower left section showing architectural detail and paper texture

Close-up of upper section showing cathedral towers and etching lines

Black-and-white architectural etching with detailed line work, matted under glass in a slim black metal frame; off-white mat shows light discoloration at edges.

Framed L’Apse de Notre Dame etching by Louis Orr

Frame 25&#34; x 23&#34;  Art work 19.5&#34; x 19&#34;   Art work fine some age wear to mat as pictured  Framed etching of the Apse of Notre Dame Cathedral in Paris by Louis Orr (1879-1961). The copperplate engraving comes from a plate in the copperplate collection of the Chalcography Department of the Louvre, an institution founded in 1797. The oldest examples come from the Royal collections and date back to the 17th century. It was Louis XIV who encouraged the art of engraving, and his commissions were carried out by the great artists of the time.
https://www.ebay.ca/itm/334186761937
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Lot #38: C.1920 Authentic Framed L'Apse De Notre Dame Paris Chalcography Etching With Seal Stamp

Only Available Pickup Date/Time: Sat, April 04 2026 Category A: 08:00 AM - 12:00 PM

Pickup on Sun, April 5 2026
Category A: 09:00 AM - 11:00 AM

Pickup Location: Railside Road, Toronto, ON, M3A 3L9 View Map (opens in new window)

Lot #38: C.1920 Authentic Framed L'Apse De Notre Dame Paris Chalcography Etching With Seal Stamp

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sat, April 04 2026 Category A: 08:00 AM - 12:00 PMPickup on Sun, April 5 2026Category A: 09:00 AM - 11:00 AM

Pickup Location: Railside Road, Toronto, ON, M3A 3L9 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Sat, April 04 2026 Category A: 08:00 AM - 12:00 PM

Pickup on Sun, April 5 2026
Category A: 09:00 AM - 11:00 AM