OOC By Hungarian-Canadian artist Istvan J. Porubszky 17.25x29.25&#34;
This oil on canvas (OOC) painting by Hungarian-Canadian artist Istvan J. Porubszky measures 17.25x29.25 inches and depicts a serene waterside scene. The painting shows signs of age, adding to its vintage charm. 

The signature in the image belongs to the Hungarian-Canadian artist Istvan J. Porubszky (born 1927).
Porubszky is a contemporary artist known for his landscapes and floral paintings. He was born in Kispest, near Budapest, Hungary, and later moved to Canada. His work often features:
Landscapes: He frequently painted Canadian nature scenes, such as autumn landscapes and cabins.
Medium: He typically worked with oil on canvas or board.
Signature Style: His signature is highly distinctive, often featuring the name &#34;ISTVAN&#34; above a long, rectangular-shaped underscore that encloses his surname, &#34;PORUBSZKY&#34;.
His paintings have appeared in various auctions and online marketplaces.

Looking at the back of the painting provides a few more clues about its construction and age
:Canvas on Board
: The back shows a canvas that has been stretched over and likely glued to a solid masonite or wood board. This was a common technique for mid-century artists like Porubszky because it provided a very stable surface for oil paints.
Keys (Stretcher Slats): You can see small wooden &#34;keys&#34; or wedges tucked into the inner corners of the frame. These are typically used to keep the canvas taut, though here they seem to be part of the inner support structure for the board.
Framing Style: The wide, rustic wooden frame and the saw-tooth hanger at the top are very characteristic of the 1960s and 70s. This fits perfectly with the period when Istvan Porubszky was most active in Canada.
Condition: The back appears to be in original, &#34;as-found&#34; condition. The blue tape is likely a later addition, possibly covering a small tear or a previous owner&#39;s note.The way the canvas is wrapped and secured is consistent with a mass-produced original, meaning the artist created many similar versions of this scene for commercial galleries and home decor shops during that era
Dimensions:
17.25x29.25&#34;
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OOC By Hungarian-Canadian artist Istvan J. Porubszky 17.25x29.25&#34;

Acrylic on Paper by Joan Miró 13x18&#34;, Image 4.5x12&#34;
This is an acrylic on paper piece by Joan Miró, framed and ready to hang. The dimensions are 13x18 inches for the frame, with the image itself measuring 4.5x12 inches. 
Joan Miró (1893–1983), a celebrated Spanish Surrealist artist known for his playful, abstract compositions and biomorphic shapes.

About the Artist and Work
Miró was a central figure in 20th-century art, famous for his playful, wandering linear style and use of bold, symbolic colors. His work often combined abstract elements with recurring personal symbols.
Style: This piece features the vibrant primary colors (red, blue, yellow) and black calligraphic lines typical of his later work.

Symbolism in Miró&#39;s 
WorkMiró&#39;s art is deeply rooted in a symbolic language he developed throughout his career. While often appearing playful and childlike, his shapes carry significant meaning:
Cosmic Elements: The asterisk-like shape at the bottom left is a common Miró symbol for a star or a celestial body, representing a connection to the infinite universe.Biomorphic Shapes: The flowing, organic forms are &#34;personages&#34; or figures that suggest human or animal-like creatures, often inspired by his Catalan heritage and nature.
Linearity and Freedom: The wandering black lines reflect his interest in automatism, a surrealist technique where the artist allows the hand to move freely to tap into the subconscious
The piece is in good condition and ready to add a touch of modern art to your space. 
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Acrylic on Paper by Joan Miró 13x18&#34;, Image 4.5x12&#34;

Woodblock Print "One Hundred Famous Views of Edo" by the artist Utagawa Hiroshige #77, 20.75x25" Image 8.5x14"
This is a woodblock print titled "One Hundred Famous Views of Edo" by the artist Utagawa Hiroshige, print #77. The framed dimensions are 20.75x25 inches, while the image itself measures 8.5x14 inches. A beautiful piece ready to enhance any space. 

Identification of Text
The text is divided into two distinct boxes, typical of this series:
Vertical Red Box (Cartouche): This contains the series title, "One Hundred Famous Views of Edo" (Meisho Edo Hyakkei).
Square Yellowish Box: This contains the specific title of this particular scene. The calligraphy is in a fluid, running script common in the Edo period.
The first vertical line on the right reads "Sumidagawa" (墨田河), referring to the Sumida River in Tokyo.The remaining text identifies the specific location as "Hashiba no Watashi" (橋場の渡), meaning the Hashiba Ferry.

Context of the Artwork
Artist: Utagawa Hiroshige (also known as Ando Hiroshige), a master of the ukiyo-e genre.
Period: The series was originally published between 1856 and 1858.
Subject: This specific print typically depicts a serene view of the Sumida River near the Hashiba ferry crossing, often characterized by soft blue gradients in the sky, as seen in the top edge of your photo

Context and Visual Features
The artwork depicts a tranquil view of the Sumida River near the Hashiba ferry crossing, a popular location for travelers in old Edo (modern-day Tokyo). Key visual characteristics of original prints from this series include:
Color Gradations: The deep blue gradient at the top is a technique called bokashi, which was meticulously hand-applied during the printing process.
Delicate Line Work: Hiroshige's style is noted for its atmospheric perspective and delicate, flowing lines

The Birds
The small black shapes to the left of the signature are miyako-dori (black-headed gulls). These birds are a famous symbol of the Sumida River in Japanese literature and art, dating back to classical poems from the 9th century. Their presence is a deliberate touch by Hiroshige to enhance the "local flavor" and poetic atmosphere of the scene

This 1857 woodblock print is celebrated for its dramatic, vertical plume of smoke from the tile kilns and the small white gulls (miyako-dori) floating on the water

Frame Details
The frame features an ornate, carved floral and leaf edge  with a scroll pattern typical of the Victorian era  (late 19th century). This style combines the natural beauty of oak with more elaborate, classical decorative motifs, heavy. 


Similar antique oak frames with ornate hand-carved details are valued based on their size and condition:
Antique Victorian Carved Oak Frames
*   Artist: Utagawa Hiroshige
*   Title: One Hundred Famous Views of Edo, Print #77
*   Framed Dimensions: 20.75 x 25 inches
*   Image Dimensions: 8.5 x 14 inches
Dimensions:
20.75x25" Image 8.5x14"
                
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Woodblock Print &#34;One Hundred Famous Views of Edo&#34; by the artist Utagawa Hiroshige #77

vintage Mexican folk art Vase by TACAT MEXICO, 13x6&#34;
Add a touch of vintage charm to your home with this lovely Mexican folk art vase by TACAT MEXICO, measuring 13x6 inches. The vase features a unique design with hand-painted birds and floral motifs, showcasing traditional craftsmanship. This piece has a rustic aesthetic that would complement any decor. 

Identification of the MarkSignature: 
The text reads &#34;TACAT MEXICO.&#34; &#34;Tacat&#34; is the signature of the artist or studio that produced the piece.
Logo: The stylized bird below the text is a signature motif for this maker, often described by collectors as a pelican or heron.
Material: This type of pottery is typically hand-painted sandstone or stoneware, known for its earthy, matte finish and traditional folk art designs like birds, flowers, and sun/moon motifs

This style of pottery is highly collectible and originated in the Jalisco region of Mexico, specifically the town of Tonalá. These pieces were popular mid-century exports and are known for their intricate, hand-painted details

Design Details
Subject Matter: The central artwork depicts two stylized long-necked birds, likely cranes or herons, which are classic subjects in this style of pottery.
Artistic Style: This is hand-painted Tostado or sandstone pottery. It is characterized by its matte, earthy background and vibrant yet natural color palette of blues, greens, and browns.
Symbolism: The &#34;Flor de Tonalá&#34; (Tonalá flower) and intricate leaf patterns surrounding the birds have been a staple of this region&#39;s pottery design since the early 1900s.

Production Background
The piece was produced in the Jalisco region of Mexico, specifically in Tonalá, which is world-renowned for its ceramics. Artisans like those at the Tacat studio use techniques passed down through generations to create these unique, hand-crafted pieces

Additional details:

- Dimensions: 13 inches tall, 6 inches wide
- Material: Ceramic
- Design: Hand-painted birds and floral patterns
- Origin: TACAT MEXICO
- Condition: Very Good  
Dimensions:
13 x 6&#34;
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vintage Mexican folk art Vase by TACAT MEXICO, 13x6&#34;

hand-blown soft Swirl glass water pipe/Vase, 3.75x9&#34;
I&#39;m offering a hand-blown soft glass water pipe/Vase with unique design, measuring 3.75x9 inches. This piece is a unique blend of functionality and art. Please see images for exact condition.

Modern Functional Art: Similar pieces are often categorized as &#34;heady glass&#34; and crafted by individual lampworkers or specialized glass studios.

Item DetailsType: 
A hand-blown soft glass water pipe. These are typically created using techniques like those found in Murano or Bohemian glass making but adapted for functional use.
Design Features:
Colors: Vibrant &#34;ruby red&#34; or &#34;cranberry&#34; body with white glass threading (swirls).
Handle & Bowl: An applied glass &#34;coil wrap&#34; handle terminates in a worked glass bowl. The circular element seen in the vase is the top of this bowl, which often features an &#34;eye&#34; or flower-like &#34;murrina&#34; design.
Construction: It features a &#34;smushed&#34; or pedestal base for stability

Key Observations from the Base:
Finish: The base is fire-polished and smooth, which is common in modern soft glass work, unlike the rough &#34;pontil scar&#34; found on some older vintage vases.
Technique: The white swirling pattern continues all the way through the foot, indicating the white glass threads were integrated into the red glass gather before the final shaping

Specifications:

- Dimensions: 3.75x9 inches
- Material: Soft Glass
- Very good Vintage condition 
Dimensions:
3.75 x 9&#34;
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hand-blown soft Swirl glass water pipe/Vase, 3.75x9&#34;

Hand-blown &#34;cased&#34; glass with 24k gold encrusted scrollwork 6x13&#34;
I&#39;m offering a beautiful, hand-blown &#34;cased&#34; glass vase, adorned with intricate 24k gold encrusted scrollwork. This elegant piece measures 6x13 inches and is in excellent condition. It would make a stunning addition to any collection or a sophisticated accent to your home decor. 

Key Features and Identification
Type of Glass: 
Cranberry glass (sometimes called &#34;ruby glass&#34;) is created by adding gold salts to molten glass, which results in the characteristic pink-to-red color.
Style and Origin: Vases with this specific combination of a ruffled rim and dense scrolling decoration are most commonly associated with Venetian (Murano) or Bohemian glassmakers from the mid-20th century (circa 1940s–1960s).
Venetian/Murano: Often identified with brands like Vecchia Venice or &#34;Veneto&#34; glass, which frequently utilized these elaborate metallic overlays.
Bohemian: Produced extensively in the Czech Republic, often featuring &#34;flashed&#34; cranberry glass (a thin layer of color over clear glass) with hand-painted or etched designs.

Based on the intricate scrolling pattern and the &#34;cranberry&#34; base color, the vase is likely one of the following:
Bohemian Art Glass: Many vintage Bohemian cranberry glass vases&nbsp; feature this exact type of raised gold scroll design. These were often produced by studios like Moser (Czech Republic) in the early 20th century.
Venetian/Murano (Tre Fuochi style): This &#34;Three Fires&#34; technique involves multiple kiln firings to fuse the glass, the gold, and any hand-painted details. Murano Tre Fuochi vases from the 1960s often use similar 24k gold finishes.
Italian Art Glass (Arte Italica style): Some mid-century Italian pieces, like those from Arte Italica&nbsp;, used similar gold-encrusted designs on pink glass bodies

The view from the top reveals a feathered or &#34;swirled&#34; texture within the glass, which is common in hand-blown art glass from the mid-20th century.
Because the color isn&#39;t a solid, uniform &#34;cranberry&#34; but instead has those white-to-pink wisps, this piece is very likely Venetian (Murano) glass or Bohemian glass that has been &#34;cased&#34;—meaning a layer of colored glass was fused with a layer of white or clear glass.

Key Observations:
The Rim: The ruffled (crimped) edge is consistent with the &#34;Tre Fuochi&#34; (Three Fires) style mentioned earlier, popular in Murano, Italy.
The Texture: That streaky, feathery look is often found in &#34;Alabastro&#34; or &#34;Opaline&#34; glass, which was a specialty of Italian makers like Venini or Seguso, though it was also widely imitated.
Condition Check: Looking down the neck, the gold/silver scrollwork on the outside seems very well-preserved.

The circular mark on the base of the vase features a fleur-de-lis, which is a classic heraldic symbol frequently used by high-end European glassmakers.
Potential Makers
Based on the fleur-de-lis motif and the high quality of the vase, two makers are the most likely candidates:
Steuben Glass Works: Steuben used an etched fleur-de-lis logo&nbsp; on many of its luxury art glass pieces. Their mark is typically quite detailed and etched into the glass rather than molded.
Cristalleries de Saint-Louis: This prestigious French manufacturer often uses a circular acid-etched mark&nbsp; that includes the name &#34;Saint-Louis&#34; and sometimes a fleur-de-lis variant, especially on mid-20th-century pieces.
Stevens & Williams: This British company, later known as Royal Brierley, is also known to have used a fleur-de-lis motif alongside &#34;ENGLISH MADE&#34; on some specialized lines

Summary of Identification
Cased Pink/White Glass
Hand-blown, mid-century origin.
Raised Gold Scrollwork
High-end decorative technique (likely 24k).
Smooth Polished Base
Skilled artisan finishing; common in Murano or fine Bohemian glass

The way the clear base is fused to the pink body is a classic &#34;stuck shank&#34; technique, confirming this is a hand-blown art glass piece. Mass-produced glass is typically one solid mold, but high-end European makers crafted these in multiple parts

Final Identification Recap
Everything about this vase points to a prestigious mid-20th-century European glasshouse, most likely Cristalleries de Saint-Louis (France) or a top-tier Murano studio (Italy) utilizing the &#34;Tre Fuochi&#34; style.
Materials: Hand-blown &#34;cased&#34; glass (pink over white/clear) with 24k gold encrusted scrollwork.
The Mark: The circular fleur-de-lis on the base is your &#34;smoking gun&#34; for quality. It separates this from common giftware and elevates it to a collector&#39;s item.
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Hand-blown &#34;cased&#34; glass with 24k gold encrusted scrollwork 6x13&#34;

&#34;Wagging Tail&#34; dog pin by the Jonette Jewelry Company 2x2&#34;
This is a &#34;Wagging Tail&#34; dog pin by the Jonette Jewelry Company, measuring 2x2 inches. It&#39;s a charming piece that adds a touch of whimsy to any outfit! The unique wagging tail design is sure to catch the eye and spark conversation. It&#39;s  still in great condition. 

Key Features
Moveable Tail: The standout feature of this pin is its mechanical tail, which is designed to swing back and forth, simulating a wagging motion.
Material: These pins are most commonly crafted from pewter or silver-toned and gold-toned metals.
Size: They typically measure approximately 2 inches tall by 1 inch wide

Brand History
The Jonette Jewelry Company was founded in 1935 in Rhode Island. While they produced jewelry under various names, they began marking all their pieces with the &#34;JJ&#34; logo in 1970. The company is well-known among collectors for its whimsical, novelty designs, particularly those featuring animals like dogs, cats, and birds.

Looking for a paw-some addition to your jewellery collection? This pin might just be the one you&#39;ve been searching for. 
Dimensions:
2x2&#34;
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&#34;Wagging Tail&#34; dog pin by the Jonette Jewelry Company 2x2&#34;

vintage aircraft brooch model of the B-25 Mitchell bomber from the World War II era 4 inches in wingspan
Check out this vintage aircraft brooch, a detailed model of the B-25 Mitchell bomber from World War II with a wingspan of 4 inches. This unique piece is perfect for collectors and history buffs alike. It&#39;s in good condition, ready to be worn or displayed. 

The back of the pin features dual butterfly clutch fasteners (the two round, squeeze-to-release backs) and a hollow-cast construction, which is common for larger metal brooches to reduce weight while maintaining a 3D appearance

Physical Characteristics
Fasteners: The use of dual clutches suggests this is a relatively large or heavy pin, designed to stay level when worn on a jacket or lapel.
Construction: The textured, &#34;dapped&#34; (hollowed-out) design seen in the image is often created from older metalworking tools, typical for vintage-style or antique military-themed jewelry

Key Design Elements
Cockpit Detail: The grid-like patterns on the cockpit area are meant to represent the multi-paneled greenhouse style characteristic of the B-25&#39;s nose and cockpit canopy.
Material and Finish: The item appears to be made from a matte or slightly oxidized metal, consistent with 925 sterling silver or antiqued silver plating.
Construction: The visible seams and the &#34;hollow&#34; nature seen in previous views suggest it was created using a pressed metal or casting process, which is typical for these larger brooches to keep them lightweight

Quick Tip for Collectors
If you&#39;re interested in its history, these were very popular as &#34;sweetheart jewelry&#34; during WWII, given by servicemen to their loved ones. To keep the finish looking its best, a light rub with a jewelry polishing cloth will restore the shine without damaging the vintage patina

Add a touch of aviation history to your collection! 
Dimensions:
4 inches in wingspan
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vintage aircraft brooch model of the B-25 Mitchell bomber from the World War II era 4 inches in wingspan

Canadian Artist Grant McConnell Watercolor painting 19x17&#34;
This is a Grant McConnell original watercolour painting, featuring a winter scene with a barn, signed by the artist. The piece is framed and measures 19&#34; x 17&#34;. This painting has been previously owned and is in good condition, ready to bring a touch of Canadian winter into your home.

Artist Profile
Born in York County, Ontario, in 1958, McConnell is primarily known for his acrylic paintings that investigate Canadian historical themes and cultural identity. His work often takes a critical look at official historical narratives, frequently incorporating imagery of animals, landscapes, and public architecture to provoke thought about how power and status are distributed. 
 
Style and Medium
Primary Medium: He is best known for acrylic paintings on wood panels or canvas.
Other Works: He also creates mixed media works on paper, watercolours, and sculptures in bronze and stone.
Key Themes: His collections have explored diverse subjects, from Canadian legislative buildings to more recent series like &#34;Finer Things,&#34; which features detailed textures of luxury items like champagne bottles and jewelry storefronts. 

Professional Roles and Achievements
McConnell is highly active in the Canadian art community:
Educator: He teaches studio art and Canadian Art History at the University of Saskatchewan  and St. Peter&#39;s College.
Leadership: He has served as the President and National Spokesperson for CARFAC  (Canadian Artists Representation), advocating for artist rights such as the Artist&#39;s Resale Right.
Collections: His work is represented in major public collections, including the Mackenzie Art Gallery  in Regina and the Remai Modern in Saskatoon.
Public Art: He has created several public monuments, including &#34;Duke,&#34; a bronze huskie at Griffiths Stadium in Saskatoon. 

*   Artist: Grant McConnell
*   Medium: Watercolour
*   Size: 19&#34; x 17&#34; (framed)
*   Subject: Winter Landscape

I&#39;ve always thought art has the power to transform a room.
Dimensions:
19x17&#34;
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Canadian Artist Grant McConnell Watercolor painting 19x17&#34;

the Canadian artist Mary Tuck Corelli Watercolour Landscape 19.5x24&#34;
This captivating landscape watercolour painting, created by the Canadian artist Mary Tuck Corelli, measures 19.5x24 inches, showcasing a serene and picturesque natural scene. The piece is in good condition, highlighting Corelli&#39;s artistic talent and attention to detail. 

About Mary Tuck Corelli
Mary Tuck Corelli is a contemporary artist based in Canada, primarily known for her watercolors. Her work often captures serene landscapes and natural subjects. 
Affiliations: She has been a long-standing member of the Arts and Letters Club of Toronto, which she joined in April 1981.
Artistic Style: Her signature, as shown in your photo, is distinctive for its fluid, cursive script. Her paintings are often characterized by soft textures and a focus on capturing the essence of the Canadian landscape.
Recognition: Her works occasionally appear in auctions and private sales, such as through platforms like Silent Bidders . 
While her work is sometimes confused with the 19th-century Italian artist Giuseppe Corelli, the specific signature &#34;Mary Tuck Corelli&#34; identifies her as the modern Canadian painter.
*   Artist: Mary Tuck Corelli
*   Medium: Watercolour
*   Size: 19.5x24 inches
*   Subject: Landscape
Dimensions:
19.5x24&#34;
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the Canadian artist Mary Tuck Corelli Watercolour Landscape 19.5x24&#34;

vintage Mexican terracotta &#34;Vendedora de Flores&#34; (Flower Seller) statue 12x12&#34;
This is a beautiful Mexican terracotta &#34;Vendedora de Flores&#34; (Flower Seller) statue, measuring approximately 12x12 inches. The statue depicts a woman carrying flowers and has a lovely, rustic charm. It&#39;s in good condition considering its age. It shows a bit of wear and tear, which only adds to its unique character. It&#39;s a stunning piece that would make a fantastic addition to any collection or as a standalone decorative item. 

Subject: It depicts a seated woman, sometimes referred to as an &#34;Abuela&#34; (grandmother) figure, with a serene expression and braided hair.
Action: She is holding what appears to be a large bundle of calla lilies (a common motif in Mexican art) or a stylized vessel.
Style & Material: The statue is typically made of red clay or terracotta with a rustic, matte finish. It is designed in a Pre-Columbian revival style, mimicking ancient aesthetic techniques but created as a decorative artisan piece rather than being an ancient artifact.These statues are often sold as vintage home decor items, celebrating traditional indigenous aesthetics
The Braid: The thick, textured braid down the back is a traditional hairstyle often depicted in indigenous Mexican art.
The Calla Lilies (Alcatraces): The large flowers on her shoulder are clearly calla lilies. This is a very famous theme in Mexican art, most notably popularized by Diego Rivera, who frequently painted indigenous women carrying large bundles of these flowers

The style is heavily influenced by the work of artists like Josefina Aguilar from Ocotlán de Morelos, Oaxaca, who is famous for her clay figures
Dimensions:
12x12&#34;
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vintage Mexican terracotta &#34;Vendedora de Flores&#34; (Flower Seller) statue 12x12&#34;

red &#34;Eyeball&#34; desk lamp from the Space Age era (late 1960s to 1970s) 13&#34;
Illuminate your space with this striking red &#34;Eyeball&#34; desk lamp, a true vintage piece from the Space Age era of the late 1960s to 1970s, standing at approximately 13 inches tall. This lamp features a unique spherical design with a chrome accent ring, set on a sturdy three-legged base, perfect for adding a retro touch to any room. It shows some signs of wear consistent with its age. 

Key Features:

*   Design: Iconic &#34;Eyeball&#34; shape with chrome trim
*   Era: Late 1960s to 1970s
*   Height: Approximately 13 inches
*   Base: Three-legged stand
*   Origin: Similar lamps were produced in Italy (often attributed to manufacturers like Veneta Lumi) and Yugoslavia (by Sijaj Hrastnik).
*   Adjustable Head: The spherical head can pivot to direct light.
*   Design Style: &#34;Space Age&#34; or &#34;Atomic,&#34; reflecting the fascination with space exploration during the mid-20th century.
*   The cord entry point (the black plastic piece where the wire goes in) is in good condition, which is great since that&#39;s a common stress point.
*   Bulb Type: These take an E12 (small Edison screw) bulb.
Dimensions:
13
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red &#34;Eyeball&#34; desk lamp from the Space Age era (late 1960s to 1970s) 13&#34;

Heavy Brutalist or Industrial Chic Table Lamp with mottled, pitted metallic surface 27.5&#34;
I&#39;m offering a very cool and unique table lamp, standing 27.5 inches tall, that would be a great addition to any industrial or brutalist decor. The lamp features a heavily textured, mottled metallic surface with a pitted design, giving it a distinctive and edgy look. 

The close-up view of the lamp base shows a mottled, pitted metallic surface. This texture appears to be a deliberate design choice, likely intended to mimic raw, weathered steel or distressed metal. The surface shows what looks like pitting or intentional roughness, consistent with an industrial or brutalist aesthetic. It&#39;s not corrosion in the sense of damage needing repair, but rather a decorative finish often found on &#34;faux industrial&#34; home decor items

The lamp shade features a silver mica or faux-metallic parchment finish, designed to complement the industrial base

Material: The texture strongly resembles silver mica (a mineral often used in Arts & Crafts or Mission-style lighting) or a heavy parchment paper treated with a &#34;cracked ice&#34; or marbled effect. When lit, these shades typically glow with a cool, translucent light, highlighting the mineral-like flakes or veining.
Trim: It has a distinct black banding (likely faux leather or fabric tape) on the top and bottom rims, which frames the textured panel and reinforces the modern industrial look.
Design: This style is often categorized as Brutalist or Industrial Chic. The shade is meant to look like weathered metal, stone, or concrete, matching the &#34;galvanized&#34; look of the base

Here are some details about the lamp:

*   Style: Brutalist or Industrial Chic
*   Height: 27.5 inches
*   Surface: Mottled, pitted metallic
Dimensions:
27.5
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Heavy Brutalist or Industrial Chic Table Lamp with mottled, pitted metallic surface 27.5&#34;

Original vintage bullfighting Pastel painting by the Listed artist B. Clerk 19.5x24.75&#34;
I&#39;m offering a striking original vintage pastel painting by the listed artist B. Clerk, capturing a dynamic bullfighting scene. The artwork measures 19.5x24.75 inches and is framed, ready to add a touch of classic artistry to your space. This piece, while not new, is in good condition, showcasing vibrant colours and intricate details that bring the intensity of the bullfight to life.
Biographical information on B. Clerk is limited, as the artist is primarily recognized for creating a prolific series of mid-century bullfighting and landscape works. While Clerk is a &#34;listed artist&#34;—meaning his work has appeared in auction records and art databases—they are often categorized alongside other illustrative and commercial artists of the 1950s and 1960s

Artist Profile and Career
Active Period: Clerk was most active during the mid-20th century, a time when interest in Spanish and Mexican bullfighting culture was at a peak in Western decor. in Postwar & Contemporary figurative art. While best known for bullfighting scenes, Clerk also produced landscapes, including plein air impressionist oil paintings.
Mediums: Clerk’s work is diverse in its execution, ranging from delicate pastels on paper and watercolors to original oil paintings on board.
Artistic Style: The artist’s bullfighting pieces are noted for their use of bold gestural brushstrokes and a vibrant color palette, often set against clean, minimalist backgrounds to emphasize the movement of the matador and bull

This artist is known for a series of mid-century bullfighting scenes, typically executed in pastel on paper or watercolor. 

Artist and Style
Artist: B. Clerk is considered a Postwar & Contemporary artist whose works have appeared at various auctions.
Subject Matter: The piece captures a dramatic moment in a bullfight (corrida), showing a matador in a traditional &#34;suit of lights&#34; (traje de luces) executing a pass with a red cape (muleta) against a black bull.
Historical Context: Bullfighting art became highly popular in the mid-20th century, influenced by major artists like Pablo Picasso and Salvador Dalí, who frequently depicted the spectacle. Many works like this were created as high-quality souvenirs for travelers in Spain or Mexico during the 1950s and 1960s.

This art piece has the following features:

*   Artist: B. Clerk
*   Subject: Bullfighting Scene
*   Medium: Pastel
*   Dimensions: 19.5 x 24.75 inches (framed)
Dimensions:
19.5 x 24.75 inches (framed)
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Original vintage bullfighting Pastel painting by the Listed artist B. Clerk 19.5x24.75&#34;

Folk ONB Painting by Toronto Artist W. Laflamme 1956 30.75x24.75&#34; 
I&#39;m offering a folk art ONB (oil on board) painting by Toronto artist W. Laflamme, created in 1956. The painting depicts a serene landscape with a pond and houses. The dimensions are 30.75 inches by 24.75 inches. This vintage piece adds a touch of nostalgia and Canadian artistry to any space. Because this is a used item, there are small blemishes around the frame of the art. 
The frame is gold coloured. 
 On verso:
&#34;Painted by W. Laflamme&#34;
&#34;30 Marjory Ave Toronto&#34;
&#34;1956&#34;

About the Artist: W. Laflamme
While not a &#34;listed&#34; artist commonly found in major auction databases, this inscription suggests W. Laflamme was a local Toronto-based painter active in the mid-20th century.
Location: The address 30 Marjory Avenue is located in the Leslieville neighborhood of Toronto. In the 1950s, this area was a working-class residential community.
Context: Finding an artist&#39;s home address on the reverse often indicates the work was a personal commission, a gift, or sold directly from the artist&#39;s studio rather than through a commercial gallery.
Style and Period: The date of 1956 and the traditional landscape style align with the mid-century Canadian interest in impressionistic, local nature scenes.
Dimensions:
30.75x24.75&#34; 
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Folk ONB Painting by Toronto Artist W. Laflamme 1956 30.75x24.75&#34; 

OOC Painting by Tony Deff or Tony de H., 20x24&#34;
Spruce up your space with this original oil on canvas (OOC) painting, signed by Tony Deff (or possibly Tony de H.). Measuring 20x24 inches, it captures a serene winter scene with a snow-covered church. This is a used painting, but the art adds a touch of rustic charm to any room. The artist&#39;s signature adds a unique touch, making it a great conversation piece. Perfect for art collectors or anyone looking to add a bit of beauty to their home! 

This painting is a winter landscape depicting a snowy church scene, signed by the artist Tony de H. (also referenced as &#34;jonydeff&#34; in some online listings). 
The artwork features a rustic church with a steeple and a smaller outbuilding, situated in a snowy field with a winding path leading toward them. This specific composition—a solitary, snow-covered church with a prominent steeple—is a very popular theme in vintage-style holiday and winter art, similar to works by artists like William Henry Chandler

The signature in the painting is from an artist often listed as Tony Deff or Tony de H.
Information about this specific artist is somewhat limited, suggesting they may have been a regional or commercial painter rather than a widely recognized &#34;fine art&#34; master. However, examples of their work, including original oil paintings on canvas, have appeared on secondary markets. 
Key Observations
Artist Name: While the signature appears to be &#34;Tony de H.,&#34; it is frequently identified and sold under the name Tony Deff.
Style and Technique: The artwork is an original oil on canvas, characterized by textured impasto brushwork and a traditional landscape theme.
Similar Artists: The painting&#39;s style is consistent with mid-to-late 20th-century decorative landscapes, similar to works by Philip Sandee or Jerrold Siegal . 

Speaking of beauty, did you know that art has been proven to boost creativity and reduce stress? It&#39;s like a visual vacation for your mind!
Dimensions:
20x24&#34;
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OOC Painting by Tony Deff or Tony de H., 20x24&#34;

George Edgar Treweek watercolor 20x16&#34;

Key Details About the Artist
Artist Name: George Edgar Treweek.
Active Period: Late 19th to mid-20th century (lived 1869–1961).
Typical Subject Matter: He frequently painted peaceful coastal scenes, such as those at Lee Bay near Ilfracombe and various Cornish landscapes.
Professional Background: He worked in banking until retiring in 1929, after which he moved to Devon and continued to exhibit his artwork, notably with the Ipswich Arts Club
The notation &#34;Mar 5&#34; below the name likely refers to a specific date (March 5th) or possibly a cataloging number for the piece

Observations on Style and Subject
Technique: The painting uses wet-on-wet watercolor techniques, allowing colors to bleed into one another to create atmospheric effects like mist or reflection.
Subject Matter: Although abstract, it is consistent with his lifelong focus on the natural world and light. Many of his works, like those at Lee Bay or Kynance Cove, deal with the interplay between rugged land and the sea.
Evolution of Style: Later in his life, particularly after his retirement in 1929 and move back to Cornwall, his work often leaned into more atmospheric and personal interpretations of the scenery he knew so well

I am offering a lovely George Edgar Treweek watercolor painting, with dimensions of 20x16 inches. This piece, signed by the artist and dated March 5, is a unique find for art collectors. The painting is in good condition, showcasing Treweek&#39;s signature style and vibrant use of color. It has been previously owned.

Here are some of the painting&#39;s details:

*   Artist: George Edgar Treweek
*   Medium: Watercolor
*   Size: 20x16 inches
*   Signature: Signed and dated by the artist
*   Condition: Good
Dimensions:
20x16
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George Edgar Treweek watercolor 20x16&#34;

2 vintage Yderängen in Båstad, Sweden mahogany cloverleaf Leather Tops side tables 13x20&#34;
These vintage Yderängen side tables from Båstad, Sweden, feature mahogany cloverleaf tops with leather inserts, each measuring 13x20 inches. These tables show signs of wear consistent with their age, adding to their vintage charm. Perfect as accent pieces in any room, they offer a touch of Scandinavian design with a unique cloverleaf shape and classic leather tops. 
Design & Features

These tables are characteristic of Mid-Century Modern (MCM) or Colonial Revival styles: 

Cloverleaf Top: The tabletop is uniquely shaped like a three-leaf clover, often with three distinct inset leather panels.
Tooled Leather: The inset panels are made of leather, often featuring embossed or &#34;tooled&#34; decorative patterns around the edges.
Pedestal Base: They typically feature a central pedestal with a tripod base, sometimes with faux bamboo detailing on the legs.
Material: Most examples are crafted from mahogany wood. 
*   Brand: Yderängen
*   Origin: Båstad, Sweden
*   Material: Mahogany, Leather
*   Shape: Cloverleaf
*   Dimensions: 13x20 inches

These charming tables are ready to find a new home. Don&#39;t miss the chance to add a piece of Swedish craftsmanship to your collection.
Dimensions:
13x20&#34;
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2 vintage Yderängen in Båstad, Sweden mahogany cloverleaf Leather Tops side tables 13x20&#34;

high-quality Balinese folk art Signed IKT WIDEN (I Ketut Widen) 9x5.5&#34;
This is a beautiful, high-quality Balinese folk art piece, signed by the artist IKT WIDEN (I Ketut Widen), measuring 9x5.5 inches; it&#39;s a striking piece of art that would make a wonderful addition to any collection.

Artist Name: The signature &#34;IKT WIDEN&#34; is consistent with Balinese naming conventions (where &#34;IKT&#34; is a common abbreviation for I Ketut, a name typically given to the fourth-born child).
Location: Carvings with this specific signature style are often associated with Mas, Bali, a major center for fine wood carving.
Common Subjects: Artists from this region frequently carve animal figures (such as owls, elephants, or snakes), dancers, and spiritual figures like the &#34;Weeping Buddha&#34;.
Age: Many pieces with these specific incised markings surfaced in the global market during the 1970s and 1980s, often sold as high-quality  folk art.

This close-up of the frog&#39;s head reveals the smooth, expertly finished surface and deep, expressive carving typical of Suar wood. The grain patterns visible in these photos are consistent with this tropical hardwood, often used by Balinese master carvers to create pieces that feel as much like fine sculpture as folk art

About the Artist: I Ketut Widen
While specific biographical details on I Ketut Widen are limited, his name and signing style firmly place him within the influential Mas village carving tradition.
The Mas Style: This village is world-famous for its high-end wood sculptures. Artists from Mas often transitioned from traditional religious icons to more fluid, stylized, and modern animal forms throughout the mid-20th century.
Significance: Having a hand-incised signature like this is a strong indicator of a specific artisan&#39;s work, rather than a generic piece created for the mass tourist market

Final Summary of the Carving
Artist Identity: Confirmed as I Ketut Widen (signed &#34;IKT WIDEN&#34;), a Balinese artisan.
Artistic Style: Known as Bali Modernist or Mas School. This style emphasizes smooth, flowing lines and an almost abstract interpretation of nature.
Provenance: This is a vintage folk art piece, likely from the 1970s or 80s, which was the peak era for this specific signing style and quality of Suar wood export.
Condition Note: The wood shows a healthy, natural luster. To keep it from cracking (common for tropical woods in drier indoor climates), you can occasionally wipe it with a small amount of beeswax or mineral oil

Here are some details about this unique piece:

*   Artist: IKT WIDEN (I Ketut Widen)
*   Origin: Balinese folk art
*   Dimensions: 9x5.5 inches
Dimensions:
9x 5.5&#34;
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high-quality Balinese folk art Signed IKT WIDEN (I Ketut Widen) 9x5.5&#34;

CANADA POST STAMP BOX, Vintage Stamp Box & Water Dispenser Combo, 1967
Here&#39;s a piece of postal history, a CANADA POST stamp box from 1967, complete with a vintage stamp box and water dispenser combo! This collectible offers a glimpse into Canada&#39;s centennial year with its unique design and functionality and is in used condition. The stamp moistener has never been used. 

Features and DesignStamps: The plastic front cover displays 12 authentic stamps issued in 1967, ranging in value from 1 cent to 1.
Functionality: It is a hinged black plastic case designed to store postage stamps.
Water Dispenser: The cylinder at the top contains a scored wheel and a reservoir for water, allowing the user to roll and moisten stamps for application.
Internal Storage: The inside typically features dedicated sections for storing stamps, including special areas for Air Mail and Special Delivery labels.

Low-Value Denominations (1 to 5)
As noted in the text, the lower-value stamps (1, 2, 3, 4, and 5) all feature a portrait of Queen Elizabeth II. Each of these stamps also includes a small background scene representing a different region of Canada:
Northern Regions
Pacific Coast
Prairie Scene
Mid-Canada Seaway
Atlantic Coast

I&#39;ve put together a gallery so you can see the original famous Canadian paintings alongside the stamp versions from the collection.
It’s interesting to see how the stamp designers chose to crop these large-scale works to fit the small horizontal format!
ValueStamp
Original Painting
Artist
8 Alaska Highway A.Y. Jackson
10 The Jack PineTom Thomson
15 Bylot Island Lawren Harris
20 The Ferry, Quebec J.W. Morrice
25 The Solemn Land J.E.H. MacDonald
50 Summer&#39;s Stores John Ensor
1 Imp. Wildcat No. 3 H.G. Glyde
Most of these artists (Jackson, Harris, and MacDonald) were members of the famous Group of Seven, which is why these stamps are still so popular with collectors today.

*   Centennial Issue
*   Includes Original Box and Papers
*   Stamp Moistener
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CANADA POST STAMP BOX, Vintage Stamp Box &#38; Water Dispenser Combo, 1967

Chinese ink and wash painting of red plum blossoms by Xue Bei
This beautiful framed painting, &#34;The fragrance of plum blossoms comes from the bitter cold&#34; by Xue Bei, created in 1979, measures 26.5x35.5 

This phrase is a metaphor for perseverance and resilience. It means that true success or beauty (like the plum blossom&#39;s scent) is achieved only after enduring hardship and struggle (the bitter cold of winter).
It is the second half of a well-known couplet from the &#34;Mirror of Wisdom&#34; (Jing Shi Xian Wen), a collection of proverbs from the Ming Dynasty. The full couplet is:
宝剑锋从磨砺出 (The sharp edge of a sword comes from grinding),
梅花香自苦寒来 (The fragrance of plum blossoms comes from the bitter cold)

The painting is characterized by its use of expressive brushwork for the dark, rugged branches and vibrant red washes for the blossoms. This style is consistent with 20th-century Chinese masters who sought to capture the resilient spirit of the plum blossom, which blooms in late winter as a symbol of perseverance and hope


The Artist
The artist is Xu Bei (徐北), as indicated by the red seal and signature colophon. 
Signature: The calligraphy reads &#34;写于雪北&#34; (Xiě yú Xuě Běi), which translates to &#34;Painted by Xu Bei.&#34; In traditional Chinese art, &#34;Xuě Běi&#34; refers to the artist&#39;s name or art name (hao).
The Seal: The red square seal is a personal &#34;name seal&#34; (míngzhāng). It is carved in ancient seal script and acts as the artist&#39;s formal authentication, much like a modern legal signature

Context of the Work
Xu Bei was an active painter during the late 20th century. This particular piece, dated to the year 1979 (Jǐwèi nián), belongs to the post-Cultural Revolution period when traditional subjects like the plum blossom saw a major artistic revival. The style aligns with the expressive, bold brushwork seen in masters of that era who specialized in the &#34;Three Friends of Winter&#34; (pine, bamboo, and plum).

Final Verdict 
Artist: Xue Bei (雪北). This is a pseudonym (Hao). While he is not a globally famous master, he was clearly a very skilled professional active during the artistic revival of the late 1970s.
Historical Context: Being painted in 1979 makes this a &#34;late modern&#34; work. This was a significant era in Chinese art history when traditional styles returned to favor after the Cultural Revolution.
Dimensions:
26.5x35.5 
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Chinese ink and wash painting of red plum blossoms by Xue Bei

vintage ceramics from Blue Mountain Pottery (BMP) 4 Pieces 

Blue Mountain Pottery (BMP), a famous Canadian studio based in Collingwood, Ontario, that operated until 2005. The distinctive turquoise and black finish is their signature "green flow glaze" or "drip glaze"

Identified Items
Pitcher: A rounded jug or ewer with a single handle, frequently used as a decorative vase.
Turtle Figurine: A classic BMP animal sculpture, typically measuring around 5.5 inches in length.
Fox (or Cat) Figurine: This slender piece with pointed ears is most commonly identified as a fox in collector listings, though it is sometimes described as a stylized cat, 3".
Owl Figurine: A small owl statuette, often found in a 3.25-inch miniature size

This is the classic Blue Mountain Pottery (BMP) Turtle figurine, one of the most recognizable pieces produced by the Canadian company.
Key Features
Glaze: It features the iconic "green flow" or drip glaze, where a translucent turquoise-green is fired over a dark black base.
Material: Like most BMP, it is made of red clay (often visible on the unglazed bottom rim).Dimensions: This specific mold measures approximately 5.5 inches in length.

If you flip it over, you might see a molded "BMP Canada" mark or a original gold foil sticker, though many pieces were left unmarked

This sleek, stylized figure is the Blue Mountain Pottery (BMP) Fox. While its pointed ears and slender neck sometimes lead people to call it a cat, it is officially cataloged by collectors as a fox.
Item DetailsDesign: It showcases the "mid-century modern" aesthetic that BMP was known for—minimalist, fluid lines rather than realistic detail.
Glaze: This piece has a particularly nice example of the "drip glaze" effect, with the turquoise pooling beautifully around the neck and base.
Size: This miniature version typically stands about 3 inches tall.

This is the Blue Mountain Pottery (BMP) Owl figurine. It is a charming example of the miniature animal series produced by the Collingwood, Ontario, studio.
Key Details
Design: This piece features large, stylized eyes and textured "feather" impressions on the chest, showcasing the company's distinctive mid-century aesthetic.
Glaze: It uses the signature green-and-black drip glaze. On these smaller pieces, the turquoise often settles into the molded details (like the eyes), making them pop.
Size: This is typically the 3-inch miniature version, though BMP did produce owls in various larger sizes as well.Market ValueBecause of its small size and "cute" factor, the owl is a very popular entry-point for new collectors. 

This is a Blue Mountain Pottery (BMP) pitcher, often called an "Aladdin" or "Ewer" style jug. It’s one of their larger, more functional decorative pieces.
Item DetailsDesign: It features a wide, rounded body with a flared lip and a high, elegant handle. This shape is a staple of mid-century Canadian ceramic design.
Glaze: You can see the classic "green flow" glaze particularly well here. The turquoise is streaked vertically down the sides, a result of the unique firing process where the top glaze "runs" over the black base, 8".
An 8-inch Blue Mountain Pottery (BMP) pitcher in the signature green drip glaze 

This Blue Mountain Pottery set features a beautiful, graduated green glaze on a classic water pitcher, a stately owl figurine, a curious cat figurine, and a sweet turtle figurine; each piece embodying the rustic charm and distinctive design of BMP. This vintage collection from Blue Mountain Pottery is in good condition, showcasing the unique artistry and craftsmanship of Canadian pottery, perfect for collectors and enthusiasts alike. 

Here's a whimsical thought: imagine these pieces coming to life at night, with the owl imparting ancient wisdom, the cat sharing sly secrets, and the turtle recounting tales of slow and steady adventures. The pitcher, ever the gracious host, fills with moonlight, and they all toast to the magic of Blue Mountain Pottery.
Dimensions:
3, 3.25, 5.5, 8"
                
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vintage ceramics from Blue Mountain Pottery (BMP) 4 Pieces 

Mongolian Lute Morin Khuur 12&#34;
This is a unique, used, Mongolian Lute Morin Khuur measuring 12 inches, featuring traditional craftsmanship with inlaid detailing.

Morin Khuur (also known as a &#34;horsehead fiddle&#34;), a traditional Mongolian bowed string instrument.
Here are the key features visible in the image that point to this:
Trapezoidal Body: The soundbox is a distinctive trapezoidal shape, typically made of wood.
Two Strings: It has two strings, which historically were made of horsehair (though modern ones often use nylon or other materials).
Horse Head Scroll: The top of the neck (the scroll) is carved into the shape of a horse&#39;s head. This is the most iconic feature of the Morin Khuur and gives it its name.
Long Neck: It has a long, fretless neck, allowing for the characteristic sliding notes in Mongolian music.The Morin Khuur is a very significant cultural symbol in Mongolia, often used to play traditional folk music and even to imitate the sounds of horses

This beautiful mother-of-pearl inlay on the neck of your Morin Khuur depicts a flowering plum or cherry branch.
In Central and East Asian cultures, this specific motif carries deep symbolic meaning:
Resilience and Vitality: Plum blossoms are often the first flowers to bloom, sometimes while snow is still on the ground. They represent the ability to persevere through hardship and the arrival of spring.
Aesthetic Flow: Notice how the vine-like silver or wire inlay connects the blossoms. This &#34;flowing&#34; design isn&#39;t just decorative; it helps the musician visually track the long, fretless neck while playing.
Craftsmanship: The use of mother-of-pearl (iridescent shell) is a traditional technique. The way the colors shift from pink to green as you move the instrument is a hallmark of high-quality decorative work.
On a fretless instrument like this, these inlays sometimes serve as subtle position markers to help the player find the correct notes, though they are primarily there for their symbolic beauty

This beautiful inlay on the back of the Morin Khuur (horsehead fiddle) depicts a peony.While the other instrument featured plum blossoms, the peony—often called the &#34;King of Flowers&#34;—carries its own set of distinct meanings in Asian art:
Prosperity and Honor: The peony is a primary symbol of wealth, high social status, and overall good fortune.
Feminine Beauty: In many traditions, it also represents romance and feminine grace, often acting as a &#34;yang&#34; (bold, bright) counterpart to the more &#34;yin&#34; (resilient, winter-blooming) plum blossom.
Artistic Contrast: Placing a peony on the Morin Khuur while the Shudraga features a landscape creates a nice visual variety across the set, even though they share the same dark wood and mother-of-pearl craftsmanship.
It’s a lovely touch that makes the instrument look just as impressive from the back as it does from the front

This headstock belongs to the Morin Khuur (the trapezoidal one).
While it lacks the literal horse-head carving often seen on larger, professional models, its flared &#34;bat-wing&#34; or crown shape is a very common alternative for travel-sized or decorative versions.
The details here confirm a few things:
Flower Inlays: The two small mother-of-pearl flowers on the headstock tie it perfectly to the floral theme seen on the neck and body of both instruments.
Tuning Pegs: You can see one of the large wooden tuning pegs clearly. On a Morin Khuur, there are typically two pegs—one for each of the two strings.
Simple Nut: The white strip where the strings cross onto the headstock is the &#34;nut,&#34; which helps set the string height.
Looking at the holes on the side, it appears the second tuning peg is missing. This, combined with the simplified headstock shape, suggests these might be high-quality miniature models ( See next ad Shudraga (also known as a Shanz)) or souvenir instruments from Mongolia or Inner Mongolia. They are beautifully crafted and intended to capture the spirit of the full-sized versions.
Dimensions:
12&#34;
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Mongolian Lute Morin Khuur 12&#34;

traditional Mongolian three-stringed lute Shudraga (also known as a Shanz) 12&#34;
Discover the enchanting sounds of this traditional Mongolian three-stringed lute, known as a Shudraga or Shanz, measuring approximately 12 inches in length. This used instrument features intricate detailing, including mother-of-pearl inlay, adding to its unique character and charm. It&#39;s a beautiful piece for collectors and musicians alike, showcasing the rich cultural heritage of Mongolian music.

This instrument appears to be a Shudraga (also known as a Shanz), a traditional Mongolian three-stringed lute.
This identification fits perfectly with the Morin Khuur (Horsehead Fiddle) I shared in the Lot #23, as these two instruments are often played together in Mongolian folk music.
Here are the key features that identify it as a Shudraga rather than a standard Chinese Sanxian or Japanese Shamisen:
Oval Body: The most distinct feature is the rounded, oval-shaped soundbox. While its Chinese cousin (the Sanxian) typically has a squarish body with rounded corners, the Mongolian Shudraga often features this smoother, elliptical shape.
Three Strings & Long Neck: Like the Sanxian, it has three strings and a very long, fretless fingerboard, which allows for the sliding notes and wide vibrato characteristic of Mongolian music.
Matching Decoration: The diamond and flower inlay on the dark wood frame matches the style seen on the Morin Khuur, suggesting these might be part of a matching set of traditional Mongolian instruments (or high-quality decorative models of them).The Shudraga is plucked or strummed and is commonly used to accompany long songs (Urtyn duu) and traditional dances

The inlaid figure on the headstock of the shudraga is likely a depiction of a Heavenly Musician or an apsara (celestial maiden).
These figures are a classic motif in East Asian art, particularly in Buddhist-influenced regions like China and Mongolia.
The Figure: The inlay shows a figure floating or sitting on a stylized cloud, playing a transverse flute (dizi). This imagery typically represents harmony, spirituality, and the connection between earthly music and the heavens.
The Clouds: The swirling cloud pattern beneath the figure is known as &#34;auspicious clouds&#34; (xiangyun). In traditional iconography, these clouds symbolize good fortune, blessings, and the celestial realm.
Cultural Context: Depicting a musician on a musical instrument reinforces the object&#39;s purpose—creating beautiful sound that can &#34;reach the heavens&#34; or bring peace to the listener. The use of mother-of-pearl for such a delicate scene is a sign of quality craftsmanship, often reserved for instruments meant for professional performance or significant cultural display.This specific inlay confirms that this instrument is likely a high-quality piece, designed with traditional aesthetic values in mind, where every detail serves a symbolic purpose

Completeness:
Having a matched set (bowed and plucked instruments with the same aesthetic theme, See Lot23 makes them more appealing to collectors of Asian decor or ethnomusicology enthusiasts.
Imagine strumming this unique instrument, its melodies carrying you away to the vast steppes of Mongolia. A chance to own a piece of musical history!
Dimensions:
12
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traditional Mongolian three-stringed lute Shudraga (also known as a Shanz) 12&#34;

Toronto (Ontario, Canada) SELLER MANAGED Downsizing Online Auction - Nipigon Avenue

material

dimensions

pattern

shape

mounting_hole

color_palette

Black amethyst glass freeform platter 18.5 x 16 in with integral mounting hole, multicolor swirl ribbons in orange, yellow, blue, white on dark base, attributed to Ross Neder, heavy studio glass for wall or table display

freeform multicolor swirl art glass platter 18.5x16 in

Top view showing overall shape, swirl pattern, mounting hole

Close-up of mounting hole and color ribbons

Detail of central well and color transitions on dark base

Opaque black base reads deep purple in light, flowing space-age swirl pattern, organic winged shape with rounded well at center, glossy finish

Black amethyst art glass platter 18.5x16 in

Material: The base is a &#34;Black Amethyst&#34; glass, which appears opaque black 
Design: It features a vibrant, multi-colored swirl pattern in shades of orange, yellow, and blue. This style is often described as &#34;Modern Organic&#34; or &#34;Space Age&#34;
At 18.5&#34; x 16&#34;, it is a substantial piece! That size is exactly what collectors look for in studio glass platters.

Based on the dimensions, color palette, and that specific mounting hole, this is almost certainly a work by Ross Neder, an American glass artist known for his &#34;Landscape&#34; and &#34;Cloud&#34; series.

Why it’s likely Ross Neder:
The Mounting Hole: Neder is one of the few prominent glass artists who consistently designs these large &#34;wing&#34; platters specifically to be hung on a wall.
The Pattern: His signature style involves these broad, sweeping ribbons of color—often &#34;Solar&#34; (oranges/yellows) or &#34;Celestial&#34; (blues/whites)—encased in a deep, dark glass.The Size: These 18-inch platters are his most recognized format.
Pro-Tip for Display
Because it’s heavy (likely several pounds), if you decide to hang it, make sure the wall anchor is drilled into a stud. It creates a stunning effect when light hits it from the side, as it makes those internal colors &#34;glow&#34; against the dark background.
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Lot #29: art glass decorative centerpiece "Space Age" bowl 18.5x16"

Only Available Pickup Date/Time: Sun, June 07 2026 Category A: 12:00 PM - 04:00 PM

Pickup Location: Nipigon Avenue, Toronto, ON, M2M 2V9 View Map (opens in new window)

Lot #29: art glass decorative centerpiece "Space Age" bowl 18.5x16"

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sun, June 07 2026 Category A: 12:00 PM - 04:00 PM

Pickup Location: Nipigon Avenue, Toronto, ON, M2M 2V9 View Map (opens in new window)

Bid History

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