Acrylic on Paper by Joan Miró 13x18&#34;, Image 4.5x12&#34;
This is an acrylic on paper piece by Joan Miró, framed and ready to hang. The dimensions are 13x18 inches for the frame, with the image itself measuring 4.5x12 inches. 
Joan Miró (1893–1983), a celebrated Spanish Surrealist artist known for his playful, abstract compositions and biomorphic shapes.

About the Artist and Work
Miró was a central figure in 20th-century art, famous for his playful, wandering linear style and use of bold, symbolic colors. His work often combined abstract elements with recurring personal symbols.
Style: This piece features the vibrant primary colors (red, blue, yellow) and black calligraphic lines typical of his later work.

Symbolism in Miró&#39;s 
WorkMiró&#39;s art is deeply rooted in a symbolic language he developed throughout his career. While often appearing playful and childlike, his shapes carry significant meaning:
Cosmic Elements: The asterisk-like shape at the bottom left is a common Miró symbol for a star or a celestial body, representing a connection to the infinite universe.Biomorphic Shapes: The flowing, organic forms are &#34;personages&#34; or figures that suggest human or animal-like creatures, often inspired by his Catalan heritage and nature.
Linearity and Freedom: The wandering black lines reflect his interest in automatism, a surrealist technique where the artist allows the hand to move freely to tap into the subconscious
The piece is in good condition and ready to add a touch of modern art to your space. 
Pickup category timeslot {A}

Acrylic on Paper by Joan Miró 13x18&#34;, Image 4.5x12&#34;

Tadas Zaicikas (TedyZet) – &#34;Specific Love&#34; (2020)  Original Mixed Media
Key Specifications:
Artist: Tadas Zaicikas (Lithuanian/French, b. 1974)
Year: 2020
Medium: Mixed media (Oil, acrylic, oil pastel, spray paint, and collage on canvas)
Size: 36 x 28 inches
Documentation: Fully authenticated with an official Certificate of Authenticity (ID: Z111952). Hand-signed by the artist on both the front and the verso.
Key Artist Information:
Artist Name: Tadas Zaicikas (alias TedyZet).
Style: Lithuanian/French Neo-expressionism and Abstract Graffiti.
Techniques: His &#34;Billboard&#34; series and other works often feature original mixed-media graffiti on canvas, utilizing materials like oil, acrylic, spray paint, and stenciling.
Themes: His bold compositions often include animals, flowers, and abstract forms layered with rich color and text
Why This Piece?
Zaicikas is a prize-winning artist whose works are featured in high-end galleries globally. This piece features the heavy texture and bold &#34;Billboard&#34; style that has made his work a favorite for modern investors and urban art collectors
Zaicikas is known for his vibrant, mixed-media neo-expressionist paintings that often incorporate bold colors, dynamic compositions, and layers of text and texture. The style of this piece is consistent with his work, which frequently blends elements of street art, abstract forms, and expressive brushwork
Dimensions:
28x36&#34;
Pickup category timeslot {A}

Tadas Zaicikas (TedyZet) – &#34;Specific Love&#34; (2020) | Original Mixed Media

Chinese ink and wash painting of red plum blossoms by Xue Bei
This beautiful framed painting, &#34;The fragrance of plum blossoms comes from the bitter cold&#34; by Xue Bei, created in 1979, measures 26.5x35.5 

This phrase is a metaphor for perseverance and resilience. It means that true success or beauty (like the plum blossom&#39;s scent) is achieved only after enduring hardship and struggle (the bitter cold of winter).
It is the second half of a well-known couplet from the &#34;Mirror of Wisdom&#34; (Jing Shi Xian Wen), a collection of proverbs from the Ming Dynasty. The full couplet is:
宝剑锋从磨砺出 (The sharp edge of a sword comes from grinding),
梅花香自苦寒来 (The fragrance of plum blossoms comes from the bitter cold)

The painting is characterized by its use of expressive brushwork for the dark, rugged branches and vibrant red washes for the blossoms. This style is consistent with 20th-century Chinese masters who sought to capture the resilient spirit of the plum blossom, which blooms in late winter as a symbol of perseverance and hope


The Artist
The artist is Xu Bei (徐北), as indicated by the red seal and signature colophon. 
Signature: The calligraphy reads &#34;写于雪北&#34; (Xiě yú Xuě Běi), which translates to &#34;Painted by Xu Bei.&#34; In traditional Chinese art, &#34;Xuě Běi&#34; refers to the artist&#39;s name or art name (hao).
The Seal: The red square seal is a personal &#34;name seal&#34; (míngzhāng). It is carved in ancient seal script and acts as the artist&#39;s formal authentication, much like a modern legal signature

Context of the Work
Xu Bei was an active painter during the late 20th century. This particular piece, dated to the year 1979 (Jǐwèi nián), belongs to the post-Cultural Revolution period when traditional subjects like the plum blossom saw a major artistic revival. The style aligns with the expressive, bold brushwork seen in masters of that era who specialized in the &#34;Three Friends of Winter&#34; (pine, bamboo, and plum).

Final Verdict 
Artist: Xue Bei (雪北). This is a pseudonym (Hao). While he is not a globally famous master, he was clearly a very skilled professional active during the artistic revival of the late 1970s.
Historical Context: Being painted in 1979 makes this a &#34;late modern&#34; work. This was a significant era in Chinese art history when traditional styles returned to favor after the Cultural Revolution.
Dimensions:
26.5x35.5 
Pickup category timeslot {A}

Chinese ink and wash painting of red plum blossoms by Xue Bei

Serigraph Canadian Listed Artists Peter & Tradl Markgraf Coastal Range 10.25x8.25&#34;
I&#39;m offering a serigraph print by Canadian listed artists Peter & Tradl Markgraf, titled &#39;Coastal Range,&#39; framed in gold and measuring 10.25x8.25 inches. This piece captures the serene beauty of the coastal mountains. This used item is in good condition. Own a piece of Canadian art history! If you&#39;re reading this, it&#39;s still available! Don&#39;t miss out!
Signed Coastal Range Artwork 10.25x8.25&#34;
This is a Coastal Range artwork piece, measuring 10.25&#34; x 8.25&#34;. It features a beautiful mountain scene and is signed by the artists. The artwork is in good condition, perfect for adding a touch of nature to your home or office decor. 
A framed serigraph (silkscreen) print titled &#34;Coastal Range&#34; signed by Canadian Listed artists Peter and Traudl Markgraf. 
Silkscreen printing (serigraphy) featuring a distinct shading technique developed by the artists.
* **Size**: 10.25 x 8.25 inches
* **Subject**: Coastal Range Mountain Scene
* **Signature**: Peter & Tradl Markgraf
Dimensions:
10.25x8.25&#34;
Pickup category timeslot {A}

Serigraph Canadian Listed Artists Peter &#38; Tradl Markgraf Coastal Range 10.25x8.25&#34;

George Edgar Treweek watercolor 20x16&#34;

Key Details About the Artist
Artist Name: George Edgar Treweek.
Active Period: Late 19th to mid-20th century (lived 1869–1961).
Typical Subject Matter: He frequently painted peaceful coastal scenes, such as those at Lee Bay near Ilfracombe and various Cornish landscapes.
Professional Background: He worked in banking until retiring in 1929, after which he moved to Devon and continued to exhibit his artwork, notably with the Ipswich Arts Club
The notation &#34;Mar 5&#34; below the name likely refers to a specific date (March 5th) or possibly a cataloging number for the piece

Observations on Style and Subject
Technique: The painting uses wet-on-wet watercolor techniques, allowing colors to bleed into one another to create atmospheric effects like mist or reflection.
Subject Matter: Although abstract, it is consistent with his lifelong focus on the natural world and light. Many of his works, like those at Lee Bay or Kynance Cove, deal with the interplay between rugged land and the sea.
Evolution of Style: Later in his life, particularly after his retirement in 1929 and move back to Cornwall, his work often leaned into more atmospheric and personal interpretations of the scenery he knew so well

I am offering a lovely George Edgar Treweek watercolor painting, with dimensions of 20x16 inches. This piece, signed by the artist and dated March 5, is a unique find for art collectors. The painting is in good condition, showcasing Treweek&#39;s signature style and vibrant use of color. It has been previously owned.

Here are some of the painting&#39;s details:

*   Artist: George Edgar Treweek
*   Medium: Watercolor
*   Size: 20x16 inches
*   Signature: Signed and dated by the artist
*   Condition: Good
Dimensions:
20x16
Pickup category timeslot {A}

George Edgar Treweek watercolor 20x16&#34;

2 vintage Yderängen in Båstad, Sweden mahogany cloverleaf Leather Tops side tables 13x20&#34;
These vintage Yderängen side tables from Båstad, Sweden, feature mahogany cloverleaf tops with leather inserts, each measuring 13x20 inches. These tables show signs of wear consistent with their age, adding to their vintage charm. Perfect as accent pieces in any room, they offer a touch of Scandinavian design with a unique cloverleaf shape and classic leather tops. 
Design & Features

These tables are characteristic of Mid-Century Modern (MCM) or Colonial Revival styles: 

Cloverleaf Top: The tabletop is uniquely shaped like a three-leaf clover, often with three distinct inset leather panels.
Tooled Leather: The inset panels are made of leather, often featuring embossed or &#34;tooled&#34; decorative patterns around the edges.
Pedestal Base: They typically feature a central pedestal with a tripod base, sometimes with faux bamboo detailing on the legs.
Material: Most examples are crafted from mahogany wood. 
*   Brand: Yderängen
*   Origin: Båstad, Sweden
*   Material: Mahogany, Leather
*   Shape: Cloverleaf
*   Dimensions: 13x20 inches

These charming tables are ready to find a new home. Don&#39;t miss the chance to add a piece of Swedish craftsmanship to your collection.
Dimensions:
13x20&#34;
Pickup category timeslot {A}

2 vintage Yderängen in Båstad, Sweden mahogany cloverleaf Leather Tops side tables 13x20&#34;

Material: The base is a &#34;Black Amethyst&#34; glass, which appears opaque black 
Design: It features a vibrant, multi-colored swirl pattern in shades of orange, yellow, and blue. This style is often described as &#34;Modern Organic&#34; or &#34;Space Age&#34;
At 18.5&#34; x 16&#34;, it is a substantial piece! That size is exactly what collectors look for in studio glass platters.

Based on the dimensions, color palette, and that specific mounting hole, this is almost certainly a work by Ross Neder, an American glass artist known for his &#34;Landscape&#34; and &#34;Cloud&#34; series.

Why it’s likely Ross Neder:
The Mounting Hole: Neder is one of the few prominent glass artists who consistently designs these large &#34;wing&#34; platters specifically to be hung on a wall.
The Pattern: His signature style involves these broad, sweeping ribbons of color—often &#34;Solar&#34; (oranges/yellows) or &#34;Celestial&#34; (blues/whites)—encased in a deep, dark glass.The Size: These 18-inch platters are his most recognized format.
Pro-Tip for Display
Because it’s heavy (likely several pounds), if you decide to hang it, make sure the wall anchor is drilled into a stud. It creates a stunning effect when light hits it from the side, as it makes those internal colors &#34;glow&#34; against the dark background.
Pickup category timeslot {A}

art glass decorative centerpiece  &#34;Space Age&#34; bowl 18.5x16&#34;

Description:
Elevate your kitchen decor or teapot collection with this beautiful, vintage Pottery Barn figural teapot. Shaped like a classic Mallard duck, this piece features vibrant, hand-painted details including a signature green head, textured "feathers," and a unique reed-style handle.
This is an authentic early Pottery Barn piece, confirmed by the original "Pottery Barn Japan" stamp on the base. Unlike modern mass-produced items, this teapot showcases the high-quality ceramic craftsmanship Japan was known for in the 1980s and 90s
Dimensions: Approx. 10" L x 6.5" H
Material: Hand-painted ceramic with a high-gloss finish.

Features:
Brand: Pottery Barn
Origin: Made in Japan
Material: Hand-painted ceramic with a high-gloss glaze.
Style: Rustic, Cabin Core, Majolica-inspired.
Condition: Excellent vintage condition. No visible chips, cracks, or crazing. The lid fits securely and the spout is clean.
Care: To preserve the hand-painted finish, hand wash only.
Perfect For:
Vintage Pottery Barn collectors.
Duck/Waterfowl enthusiasts.
Rustic cottage or farmhouse-style kitchen decor

                
Pickup category timeslot {A}

Rare Vintage Pottery Barn Mallard Duck Teapot – Japan

Original vintage bullfighting Pastel painting by the Listed artist B. Clerk 19.5x24.75&#34;
I&#39;m offering a striking original vintage pastel painting by the listed artist B. Clerk, capturing a dynamic bullfighting scene. The artwork measures 19.5x24.75 inches and is framed, ready to add a touch of classic artistry to your space. This piece, while not new, is in good condition, showcasing vibrant colours and intricate details that bring the intensity of the bullfight to life.
Biographical information on B. Clerk is limited, as the artist is primarily recognized for creating a prolific series of mid-century bullfighting and landscape works. While Clerk is a &#34;listed artist&#34;—meaning his work has appeared in auction records and art databases—they are often categorized alongside other illustrative and commercial artists of the 1950s and 1960s

Artist Profile and Career
Active Period: Clerk was most active during the mid-20th century, a time when interest in Spanish and Mexican bullfighting culture was at a peak in Western decor. in Postwar & Contemporary figurative art. While best known for bullfighting scenes, Clerk also produced landscapes, including plein air impressionist oil paintings.
Mediums: Clerk’s work is diverse in its execution, ranging from delicate pastels on paper and watercolors to original oil paintings on board.
Artistic Style: The artist’s bullfighting pieces are noted for their use of bold gestural brushstrokes and a vibrant color palette, often set against clean, minimalist backgrounds to emphasize the movement of the matador and bull

This artist is known for a series of mid-century bullfighting scenes, typically executed in pastel on paper or watercolor. 

Artist and Style
Artist: B. Clerk is considered a Postwar & Contemporary artist whose works have appeared at various auctions.
Subject Matter: The piece captures a dramatic moment in a bullfight (corrida), showing a matador in a traditional &#34;suit of lights&#34; (traje de luces) executing a pass with a red cape (muleta) against a black bull.
Historical Context: Bullfighting art became highly popular in the mid-20th century, influenced by major artists like Pablo Picasso and Salvador Dalí, who frequently depicted the spectacle. Many works like this were created as high-quality souvenirs for travelers in Spain or Mexico during the 1950s and 1960s.

This art piece has the following features:

*   Artist: B. Clerk
*   Subject: Bullfighting Scene
*   Medium: Pastel
*   Dimensions: 19.5 x 24.75 inches (framed)
Dimensions:
19.5 x 24.75 inches (framed)
Pickup category timeslot {A}

Original vintage bullfighting Pastel painting by the Listed artist B. Clerk 19.5x24.75&#34;

Nanking Crackle Ware 8&#34;
The close-up shows the etched brown band at the base and the painter&#39;s brushwork in more detail.
The Brown Band: Notice the incised texture designed to mimic &#34;bronze-effect&#34; borders. This is a classic hallmark of Nanking Ware.
The Painting Style: The blue brushstrokes are relatively quick and broad, which is typical for late 19th-century and early 20th-century export pieces produced in large quantities.

This close-up shows the etched brown band at the base and the painter&#39;s brushwork in more detail.
The Brown Band: Notice the incised texture designed to mimic &#34;bronze-effect&#34; borders. This is a classic hallmark of Nanking Ware.
The Painting Style: The blue brushstrokes are relatively quick and broad, which is typical for late 19th-century and early 20th-century export pieces produced in large quantities.

The top-down view shows the rim, which is another defining feature of this ware.
The Brown Edge: The very top edge of the rim has that same brown iron-oxide dressing seen on the bands and the base mark. This was often applied to mimic the &#34;brown mouth&#34; found on much older, prestigious Song Dynasty ceramics.
Condition: Looking at this angle, the rim appears to be in very good shape. I don’t see any significant &#34;flea bites&#34; (tiny chips) or cracks, which is great for its value.
Glaze Details: You can see some small dark specks in the white glaze; these are &#34;iron spots&#34; or kiln debris, which are perfectly normal for this type of provincial porcelain and add to its character.
Based on everything shown—the 8-inch height, the scholar scene, the &#34;Chenghua&#34; mark, and this clean rim—you&#39;ll have a solid, authentic piece of early 20th-century Nanking Crackle Ware.
Dimensions:
3.5x8&#34;
Pickup category timeslot {A}

Nanking Crackle Ware 8&#34;

Large Handcrafted Raku Studio Pottery Vase – Iridescent Copper Matte Glaze

Tall 16&#34; Handcrafted Raku Art Pottery Vase – Stunning Iridescent Glaze
Description:
For sale is a gorgeous, oversized American Raku studio pottery vase standing 16 inches tall. This is a true statement piece with a brilliant &#34;copper matte&#34; finish that shifts colors in the light—displaying deep flambé reds, shimmering golds, and hits of metallic teal.
The exterior is exceptionally smooth and glass-like, while the interior features the classic charred black, textured finish unique to the Raku firing process.
Dimensions: 16&#34; Tall x 7&#34; Wide
Style: Mid-Century Modern / Art Deco / Bohemian Decor
Condition: Excellent. No chips, cracks, or repairs.
Note: This is a decorative art piece. As is standard with Raku pottery, it is porous and best suited for dried botanicals or as a standalone sculpture (not intended to hold water).
Why this price?
Scale: Vases over 12 inches are considered &#34;large&#34; in the pottery world and command higher prices because they are more difficult to fire successfully without cracking.
Visual Impact: The 16x7&#34; dimensions make it ideal for entryway tables or fireplace hearths, which is a big selling point for interior decor enthusiasts
Dimensions:
16x7&#34;
Pickup category timeslot {A}

Large Handcrafted Raku Studio Pottery Vase – Iridescent Copper Matte Glaze

traditional Mongolian three-stringed lute Shudraga (also known as a Shanz) 12&#34;
Discover the enchanting sounds of this traditional Mongolian three-stringed lute, known as a Shudraga or Shanz, measuring approximately 12 inches in length. This used instrument features intricate detailing, including mother-of-pearl inlay, adding to its unique character and charm. It&#39;s a beautiful piece for collectors and musicians alike, showcasing the rich cultural heritage of Mongolian music.

This instrument appears to be a Shudraga (also known as a Shanz), a traditional Mongolian three-stringed lute.
This identification fits perfectly with the Morin Khuur (Horsehead Fiddle) I shared in the Lot #23, as these two instruments are often played together in Mongolian folk music.
Here are the key features that identify it as a Shudraga rather than a standard Chinese Sanxian or Japanese Shamisen:
Oval Body: The most distinct feature is the rounded, oval-shaped soundbox. While its Chinese cousin (the Sanxian) typically has a squarish body with rounded corners, the Mongolian Shudraga often features this smoother, elliptical shape.
Three Strings & Long Neck: Like the Sanxian, it has three strings and a very long, fretless fingerboard, which allows for the sliding notes and wide vibrato characteristic of Mongolian music.
Matching Decoration: The diamond and flower inlay on the dark wood frame matches the style seen on the Morin Khuur, suggesting these might be part of a matching set of traditional Mongolian instruments (or high-quality decorative models of them).The Shudraga is plucked or strummed and is commonly used to accompany long songs (Urtyn duu) and traditional dances

The inlaid figure on the headstock of the shudraga is likely a depiction of a Heavenly Musician or an apsara (celestial maiden).
These figures are a classic motif in East Asian art, particularly in Buddhist-influenced regions like China and Mongolia.
The Figure: The inlay shows a figure floating or sitting on a stylized cloud, playing a transverse flute (dizi). This imagery typically represents harmony, spirituality, and the connection between earthly music and the heavens.
The Clouds: The swirling cloud pattern beneath the figure is known as &#34;auspicious clouds&#34; (xiangyun). In traditional iconography, these clouds symbolize good fortune, blessings, and the celestial realm.
Cultural Context: Depicting a musician on a musical instrument reinforces the object&#39;s purpose—creating beautiful sound that can &#34;reach the heavens&#34; or bring peace to the listener. The use of mother-of-pearl for such a delicate scene is a sign of quality craftsmanship, often reserved for instruments meant for professional performance or significant cultural display.This specific inlay confirms that this instrument is likely a high-quality piece, designed with traditional aesthetic values in mind, where every detail serves a symbolic purpose

Completeness:
Having a matched set (bowed and plucked instruments with the same aesthetic theme, See Lot23 makes them more appealing to collectors of Asian decor or ethnomusicology enthusiasts.
Imagine strumming this unique instrument, its melodies carrying you away to the vast steppes of Mongolia. A chance to own a piece of musical history!
Dimensions:
12
Pickup category timeslot {A}

traditional Mongolian three-stringed lute Shudraga (also known as a Shanz) 12&#34;

Pair of Vintage MCM parchment shade table lamps  by the Bradley & Hubbard Manufacturing Company 19&#34;

These Mid-Century Modern parchment shade table lamps are distinctive 19&#34; pieces that embody the &#34;Atomic Age&#34; aesthetic popular in the 1950s and 60s. They feature classic fiberglass or faux-parchment shades with a textured, &#34;spaghetti&#34; or marbled pattern, often finished with whipstitched or scalloped edges.
Key Features & Identification
Design Style: A blend of Mid-Century Modern and Hollywood Regency, characterized by the use of decorative glass and textured materials.
Base Construction: The bases typically consist of faceted or diamond-cut glass columns resting on a dark  metal, square base.
Dimensions: At 19 inches tall, these are ideal as bedside nightstand lamps or decorative accents on side tables.
This detailed view confirms these are vintage Mid-Century Modern (MCM) table lamps, likely from the 1950s or 60s, featuring classic &#34;Atomic Age&#34; design elements.
Design Details
Shades: The shades are made of spun fiberglass, often referred to as &#34;spaghetti&#34; or &#34;parchment&#34; shades due to their textured, fibrous appearance. The whipstitched edges with dark lacing are a signature MCM detail.
Base: The column features faceted crystal or diamond-cut glass segments, accented with decorative silver or chrome-tone collars.Construction: These are designed as boudoir or accent lamps, standing roughly 19 inches tall, which makes them highly collectible as a matched pair.
Unique Features: The multifaceted glass acts as a prism to refract light, while the whipstitched edges on the shades are highly sought after by MCM collectors
The initials &#34;HB&#34; or &#34;BH&#34; on the base of these lamps strongly suggest they were manufactured by the Bradley & Hubbard Manufacturing Company.
Bradley & Hubbard (B&H) Identification
The Mark: Bradley & Hubbard lamps are frequently stamped on the bottom with either &#34;B&H&#34; or &#34;BH&#34;, often accompanied by a triangular logo or specific model numbers.
Company Legacy: Based in Meriden, Connecticut, B&H was a premier American manufacturer known for high-quality metalwork and lighting from the mid-19th century through the 1940s.
Style Match: While they are famous for Victorian-era oil lamps, they also produced electrified designs. The lamps’ combination of faceted glass and textured fiberglass shades (popularized in the 1950s) suggests they may be later Mid-Century pieces or were updated with these &#34;Atomic Age&#34; shades during that era.
Value & Market
Collectibility: Bradley & Hubbard is a highly respected name among collectors. A matched pair of their lamps with original fiberglass shades typically commands a higher market value.
Dimensions:
19&#34;
Pickup category timeslot {A}

Pair of Vintage MCM parchment shade table lamps  by the Bradley &#38; Hubbard Manufacturing Company 19&#34;

Vintage Lektro Miracle Maid Electric Skillet / Roaster (Model 13669)
Experience the &#34;Miracle&#34; of waterless cooking with this heavy-duty, cast-aluminum roaster. Whether you&#39;re baking a moist holiday turkey or whipping up a quick weeknight stir-fry, this vintage gem (Model 13669) delivers professional results with classic style.
Why You’ll Love It:
Massive Capacity: The deep-domed lid means you can roast whole chickens or a 12lb turkey right on your countertop.
Even Heating: Thick cast aluminum construction eliminates hot spots for perfect baking and searing.
Fully Immersible: Once the temperature probe is removed, the entire unit can be safely washed in the sink.
Built to Last: A true &#34;Buy It For Life&#34; item that has already stood the test of time and is ready for decades more use

This vintage Miracle Maid roaster isn&#39;t just a skillet—it&#39;s a countertop powerhouse. With its high-dome lid and heavy-duty cast aluminum construction, you can achieve oven-perfect results for family feasts, potlucks, or team lunches while saving energy.
Details:
Model: 13669 (1400W/1500W)
Includes: Skillet, High-Dome Lid, and Original Precision Temperature Control Probe.
Roasting: Achieving golden-brown skin on whole chickens or turkeys up to 14 lbs.
One-Pan Meals: Simultaneously cooking meats and root vegetables like carrots, potatoes, and onions.
Flavor-Seal Technology: The deep-domed lid locks in moisture for exceptionally juicy results. &#34;Ditch the Oven, Not the Flavor!&#34;

Top Things You Can Cook
Whole Roasts: This unit is famous for roasting a whole turkey (up to 16 lbs) or whole chickens side-by-side. It’s also ideal for large beef roasts and ham.
One-Pan Family Dinners: You can cook an entire meal at once by placing a meatloaf or roast in the center and surrounding it with potatoes, carrots, and onions.Baking: It is powerful and deep enough to bake cakes, brownies, and even cornbread or biscuits.
Everyday Staples: Use it for standard skillet tasks like frying bacon and eggs, making large batches of pancakes, or simmering stews and chili.
Holiday Sides: It’s a great &#34;bonus oven&#34; for keeping dinner rolls warm or steaming large quantities of vegetables like broccoli and cauliflower
Condition: Never been used 
Pickup category timeslot {A}

Vintage Lektro Miracle Maid Electric Skillet / Roaster (Model 13669)

Woodblock Print "One Hundred Famous Views of Edo" by the artist Utagawa Hiroshige #77, 20.75x25" Image 8.5x14"
This is a woodblock print titled "One Hundred Famous Views of Edo" by the artist Utagawa Hiroshige, print #77. The framed dimensions are 20.75x25 inches, while the image itself measures 8.5x14 inches. A beautiful piece ready to enhance any space. 

Identification of Text
The text is divided into two distinct boxes, typical of this series:
Vertical Red Box (Cartouche): This contains the series title, "One Hundred Famous Views of Edo" (Meisho Edo Hyakkei).
Square Yellowish Box: This contains the specific title of this particular scene. The calligraphy is in a fluid, running script common in the Edo period.
The first vertical line on the right reads "Sumidagawa" (墨田河), referring to the Sumida River in Tokyo.The remaining text identifies the specific location as "Hashiba no Watashi" (橋場の渡), meaning the Hashiba Ferry.

Context of the Artwork
Artist: Utagawa Hiroshige (also known as Ando Hiroshige), a master of the ukiyo-e genre.
Period: The series was originally published between 1856 and 1858.
Subject: This specific print typically depicts a serene view of the Sumida River near the Hashiba ferry crossing, often characterized by soft blue gradients in the sky, as seen in the top edge of your photo

Context and Visual Features
The artwork depicts a tranquil view of the Sumida River near the Hashiba ferry crossing, a popular location for travelers in old Edo (modern-day Tokyo). Key visual characteristics of original prints from this series include:
Color Gradations: The deep blue gradient at the top is a technique called bokashi, which was meticulously hand-applied during the printing process.
Delicate Line Work: Hiroshige's style is noted for its atmospheric perspective and delicate, flowing lines

The Birds
The small black shapes to the left of the signature are miyako-dori (black-headed gulls). These birds are a famous symbol of the Sumida River in Japanese literature and art, dating back to classical poems from the 9th century. Their presence is a deliberate touch by Hiroshige to enhance the "local flavor" and poetic atmosphere of the scene

This 1857 woodblock print is celebrated for its dramatic, vertical plume of smoke from the tile kilns and the small white gulls (miyako-dori) floating on the water

Frame Details
The frame features an ornate, carved floral and leaf edge  with a scroll pattern typical of the Victorian era  (late 19th century). This style combines the natural beauty of oak with more elaborate, classical decorative motifs, heavy. 


Similar antique oak frames with ornate hand-carved details are valued based on their size and condition:
Antique Victorian Carved Oak Frames
*   Artist: Utagawa Hiroshige
*   Title: One Hundred Famous Views of Edo, Print #77
*   Framed Dimensions: 20.75 x 25 inches
*   Image Dimensions: 8.5 x 14 inches
Dimensions:
20.75x25" Image 8.5x14"
                
Pickup category timeslot {A}

Woodblock Print &#34;One Hundred Famous Views of Edo&#34; by the artist Utagawa Hiroshige #77

Italian art glass vase, most likely made in the Murano or Empoli regions 13x5&#34;
This is a vintage Italian art glass vase, most likely made in the Murano or Empoli regions of Italy during the mid-20th century (1960s–1970s).In the collector&#39;s market, this specific shape is often called a &#34;Splash Vase&#34; or &#34;Rocket Vase&#34; due to its upright form and the fin-like details on the sides.

Key Features & Identification
Style: Mid-Century Modern (MCM) Italian Art Glass.
Design: It features a cobalt blue body (sometimes cased in clear glass) with applied clear or white glass &#34;wings,&#34; &#34;fins,&#34; or &#34;ruffles&#34; running down the sides.
Base: The feet are a distinct identifier. It has a &#34;root base&#34; (also called a &#34;pulled claw&#34; or &#34;tenaculum&#34; base), where the clear glass is pulled out into 3 or 4 legs. This specific base style is a strong indicator of Italian origin, distinguishing it from American &#34;swung&#34; vases (like those by Viking or LE Smith) which usually have flat or pedestal bases.
Origin: While almost always sold as &#34;Murano,&#34; many of these were actually produced in the Empoli region of Tuscany, which was famous for producing coloured glass for the export market. You might find labels on similar pieces that read &#34;Vetro Eseguito Secondo la Tecnica dei Maestri di Murano&#34; (Glass executed according to the technique of the Murano masters), indicating it is a vintage export piece made in the style of the high-end Venetian furnaces

1. Maker & Origin: 
Empoli vs. Murano
The &#34;Root&#34; Base: The way the clear glass base is pulled into four &#34;roots&#34; or toes is a classic signature of Empoli glassmakers (Tuscany), rather than Murano (Venice). While sellers often label these as &#34;Murano&#34; to catch search traffic, this specific foot style is almost exclusive to Empoli production.
Potential Makers: This style is frequently attributed to Cristalleria Fratelli Betti or imported by companies like Rossini or Alrose. These companies produced colorful, decorative glass specifically for the American export market.
2. Design Terminology&#34;Rocket Vase&#34;: 
This is the most common nickname for this specific shape due to the cylindrical body and &#34;fin&#34; stabilizers.
&#34;Splash Vase&#34;: Another common term, referring to the white glass fins looking like splashing water.
&#34;Lattimo&#34;: The white glass used for the fins is known as lattimo (milky) glass, a technique historically used in Italian glassmaking to mimic porcelain
The vase is in excellent condition 
Dimensions:
5x13&#34;
Pickup category timeslot {A}

Italian art glass vase, most likely made in the Murano or Empoli regions 13x5&#34;

Mongolian Lute Morin Khuur 12&#34;
This is a unique, used, Mongolian Lute Morin Khuur measuring 12 inches, featuring traditional craftsmanship with inlaid detailing.

Morin Khuur (also known as a &#34;horsehead fiddle&#34;), a traditional Mongolian bowed string instrument.
Here are the key features visible in the image that point to this:
Trapezoidal Body: The soundbox is a distinctive trapezoidal shape, typically made of wood.
Two Strings: It has two strings, which historically were made of horsehair (though modern ones often use nylon or other materials).
Horse Head Scroll: The top of the neck (the scroll) is carved into the shape of a horse&#39;s head. This is the most iconic feature of the Morin Khuur and gives it its name.
Long Neck: It has a long, fretless neck, allowing for the characteristic sliding notes in Mongolian music.The Morin Khuur is a very significant cultural symbol in Mongolia, often used to play traditional folk music and even to imitate the sounds of horses

This beautiful mother-of-pearl inlay on the neck of your Morin Khuur depicts a flowering plum or cherry branch.
In Central and East Asian cultures, this specific motif carries deep symbolic meaning:
Resilience and Vitality: Plum blossoms are often the first flowers to bloom, sometimes while snow is still on the ground. They represent the ability to persevere through hardship and the arrival of spring.
Aesthetic Flow: Notice how the vine-like silver or wire inlay connects the blossoms. This &#34;flowing&#34; design isn&#39;t just decorative; it helps the musician visually track the long, fretless neck while playing.
Craftsmanship: The use of mother-of-pearl (iridescent shell) is a traditional technique. The way the colors shift from pink to green as you move the instrument is a hallmark of high-quality decorative work.
On a fretless instrument like this, these inlays sometimes serve as subtle position markers to help the player find the correct notes, though they are primarily there for their symbolic beauty

This beautiful inlay on the back of the Morin Khuur (horsehead fiddle) depicts a peony.While the other instrument featured plum blossoms, the peony—often called the &#34;King of Flowers&#34;—carries its own set of distinct meanings in Asian art:
Prosperity and Honor: The peony is a primary symbol of wealth, high social status, and overall good fortune.
Feminine Beauty: In many traditions, it also represents romance and feminine grace, often acting as a &#34;yang&#34; (bold, bright) counterpart to the more &#34;yin&#34; (resilient, winter-blooming) plum blossom.
Artistic Contrast: Placing a peony on the Morin Khuur while the Shudraga features a landscape creates a nice visual variety across the set, even though they share the same dark wood and mother-of-pearl craftsmanship.
It’s a lovely touch that makes the instrument look just as impressive from the back as it does from the front

This headstock belongs to the Morin Khuur (the trapezoidal one).
While it lacks the literal horse-head carving often seen on larger, professional models, its flared &#34;bat-wing&#34; or crown shape is a very common alternative for travel-sized or decorative versions.
The details here confirm a few things:
Flower Inlays: The two small mother-of-pearl flowers on the headstock tie it perfectly to the floral theme seen on the neck and body of both instruments.
Tuning Pegs: You can see one of the large wooden tuning pegs clearly. On a Morin Khuur, there are typically two pegs—one for each of the two strings.
Simple Nut: The white strip where the strings cross onto the headstock is the &#34;nut,&#34; which helps set the string height.
Looking at the holes on the side, it appears the second tuning peg is missing. This, combined with the simplified headstock shape, suggests these might be high-quality miniature models ( See next ad Shudraga (also known as a Shanz)) or souvenir instruments from Mongolia or Inner Mongolia. They are beautifully crafted and intended to capture the spirit of the full-sized versions.
Dimensions:
12&#34;
Pickup category timeslot {A}

Mongolian Lute Morin Khuur 12&#34;

Large 16&#34; Italian Art Glass Centerpiece Bowl – Stunning Red Sunburst
Description:
Make a statement with this oversized, hand-blown art glass centerpiece. Measuring a substantial 15.75 inches in diameter, this bowl features a mesmerizing &#34;Sunburst&#34; or &#34;Flame&#34; design with a fiery red body and a brilliant yellow/black central medallion.
The craftsmanship is truly high-end, featuring a Silver Leaf (Silver Foil) backing on the underside. This metallic finish reflects light back through the red glass, giving the bowl an inner &#34;glow&#34; that looks incredible on a dining table or under gallery lighting
Specifications & Details:
Size: Impressive 15.75&#34; Diameter—perfect for large dining tables or foyers.
Design: Radiant Sunburst pattern with organic marbling and &#34;controlled bubble&#34; details.
Finish: Hand-applied metallic silver leaf exterior.
Condition: Pristine. No chips, cracks, or scratches.
Origin: Artisan crafted (attributed to Italian studios like Quadrifoglio).
Care: Due to the delicate hand-applied silver leaf on the bottom, this piece is Hand Wash Only.
Dimensions:
15.75
Pickup category timeslot {A}

Large 16&#34; Italian Art Glass Centerpiece Bowl – Stunning Red Sunburst

Stunning Signed Lava Art: &#34;Kalapana Flow&#34; by Tradlen Wong
This striking piece, &#34;Kalapana Flow&#34; by Tradlen Wong, captures the raw beauty of Hawaiian lava flows with incredible detail. The artwork is  framed and signed by the artist. It&#39;s in excellent condition, ready to add a touch of fiery elegance to any space.

Bring the raw, elemental power of Hawaii’s Big Island into your home with this breathtaking piece of fine art photography.Captured by renowned &#34;lava chaser&#34; Tradlen Wong, this high-definition print features a mesmerizing close-up of an active pahoehoe lava flow in Kalapana, Hawaii. The vibrant oranges and molten textures contrast beautifully against the cooling basaltic rock, capturing a fleeting moment of Earth’s creation.

Highlights:
Authentic Artist Signature: Hand-signed by Tradlen Wong in white ink—a hallmark of true fine art.
Professional Presentation: Housed in a sleek, modern 15&#34; x 12&#34; black wood frame with a crisp white gallery mat.
Local Provenance: A genuine piece of Hawaiian history from one of the Big Island’s most dedicated landscape photographers.
Collector&#39;s Scale: Perfect as a high-impact desk accessory or a sophisticated accent piece for a gallery wall.

Details:
Artist: Tradlen Wong
Subject: Active Pahoehoe Lava Flow (Kalapana, HI)
Dimensions: 15&#34; x 12&#34; (Framed)
Condition: Excellent / Ready to hang
Don&#39;t miss out on this unique, autographed collector&#39;s item. Perfect for a home office, study, or as a one-of-a-kind gift for nature and photography enthusiasts.
Looking to add some heat to your art collection? You&#39;ve found it! 
Dimensions:
15x12&#34;
Pickup category timeslot {A}

Stunning Signed Lava Art: &#34;Kalapana Flow&#34; by Tradlen Wong

Michael J. Austin &#34;The Black Drape&#34; – Framed Gallery Print (2005)
Own a piece of art history with this Michael J. Austin framed gallery print, titled &#34;The Black Drape,&#34; dating back to 2005. This print captures a timeless and elegant aesthetic, perfect for enhancing any living space or collection. 
About the Artist:
Michael J. Austin is a celebrated UK figurative artist known for his dramatic use of light and color. His work has been exhibited internationally and is highly sought after by collectors of modern British art.

Dimensions: 18.5&#34; x 20.5&#34; (Framed)
Description:
Add a touch of contemporary elegance to your home with this beautiful, framed open-edition print of &#34;The Black Drape&#34; by renowned British artist Michael J. Austin.
Originally published in 2005, this piece features Austin’s signature expressive style, capturing a striking back-view figure in a low-cut black dress. This specific print was produced by The Art Group Limited in London for the Park Walk Gallery (now Jonathan Cooper Gallery).
Key Features:
Authentic Gallery Print: Includes the original publisher’s credits and catalog number (21345) printed on the border.High-Quality Framing: Housed in its original, dark wood-grain frame that perfectly complements the rich, moody tones of the artwork

*   Artist: Michael J. Austin
*   Title: The Black Drape
*   Year: 2005
*   Framed: Yes
*   Gallery: Park Walk Gallery
Dimensions:
18.5x20.5&#34;
Pickup category timeslot {A}

Michael J. Austin &#34;The Black Drape&#34; – Framed Gallery Print (2005)

vintage ceramics from Blue Mountain Pottery (BMP) 4 Pieces 

Blue Mountain Pottery (BMP), a famous Canadian studio based in Collingwood, Ontario, that operated until 2005. The distinctive turquoise and black finish is their signature "green flow glaze" or "drip glaze"

Identified Items
Pitcher: A rounded jug or ewer with a single handle, frequently used as a decorative vase.
Turtle Figurine: A classic BMP animal sculpture, typically measuring around 5.5 inches in length.
Fox (or Cat) Figurine: This slender piece with pointed ears is most commonly identified as a fox in collector listings, though it is sometimes described as a stylized cat, 3".
Owl Figurine: A small owl statuette, often found in a 3.25-inch miniature size

This is the classic Blue Mountain Pottery (BMP) Turtle figurine, one of the most recognizable pieces produced by the Canadian company.
Key Features
Glaze: It features the iconic "green flow" or drip glaze, where a translucent turquoise-green is fired over a dark black base.
Material: Like most BMP, it is made of red clay (often visible on the unglazed bottom rim).Dimensions: This specific mold measures approximately 5.5 inches in length.

If you flip it over, you might see a molded "BMP Canada" mark or a original gold foil sticker, though many pieces were left unmarked

This sleek, stylized figure is the Blue Mountain Pottery (BMP) Fox. While its pointed ears and slender neck sometimes lead people to call it a cat, it is officially cataloged by collectors as a fox.
Item DetailsDesign: It showcases the "mid-century modern" aesthetic that BMP was known for—minimalist, fluid lines rather than realistic detail.
Glaze: This piece has a particularly nice example of the "drip glaze" effect, with the turquoise pooling beautifully around the neck and base.
Size: This miniature version typically stands about 3 inches tall.

This is the Blue Mountain Pottery (BMP) Owl figurine. It is a charming example of the miniature animal series produced by the Collingwood, Ontario, studio.
Key Details
Design: This piece features large, stylized eyes and textured "feather" impressions on the chest, showcasing the company's distinctive mid-century aesthetic.
Glaze: It uses the signature green-and-black drip glaze. On these smaller pieces, the turquoise often settles into the molded details (like the eyes), making them pop.
Size: This is typically the 3-inch miniature version, though BMP did produce owls in various larger sizes as well.Market ValueBecause of its small size and "cute" factor, the owl is a very popular entry-point for new collectors. 

This is a Blue Mountain Pottery (BMP) pitcher, often called an "Aladdin" or "Ewer" style jug. It’s one of their larger, more functional decorative pieces.
Item DetailsDesign: It features a wide, rounded body with a flared lip and a high, elegant handle. This shape is a staple of mid-century Canadian ceramic design.
Glaze: You can see the classic "green flow" glaze particularly well here. The turquoise is streaked vertically down the sides, a result of the unique firing process where the top glaze "runs" over the black base, 8".
An 8-inch Blue Mountain Pottery (BMP) pitcher in the signature green drip glaze 

This Blue Mountain Pottery set features a beautiful, graduated green glaze on a classic water pitcher, a stately owl figurine, a curious cat figurine, and a sweet turtle figurine; each piece embodying the rustic charm and distinctive design of BMP. This vintage collection from Blue Mountain Pottery is in good condition, showcasing the unique artistry and craftsmanship of Canadian pottery, perfect for collectors and enthusiasts alike. 

Here's a whimsical thought: imagine these pieces coming to life at night, with the owl imparting ancient wisdom, the cat sharing sly secrets, and the turtle recounting tales of slow and steady adventures. The pitcher, ever the gracious host, fills with moonlight, and they all toast to the magic of Blue Mountain Pottery.
Dimensions:
3, 3.25, 5.5, 8"
                
Pickup category timeslot {A}

vintage ceramics from Blue Mountain Pottery (BMP) 4 Pieces 

Signed J. M. Smith Stoneware Art Tile - Blue Heron with Copper Luster Finish
Description:
Elevate your collection with this exquisite, hand-crafted enameled clay wall plaque by artist J.M. Smith. This high-relief piece captures a majestic Great Blue Heron in a serene marsh landscape, brought to life through masterful sculpting and firing techniques.
Vibrant Iridescence: The water features a specialized &#34;raku-style&#34; glaze that shimmers with metallic coppery reds, golds, and emerald greens, shifting beautifully as light hits the surface.
Intricate Details: Hand-carved textural details on the heron&#39;s feathers and deep crackle-glazed clouds create a sophisticated, 3-dimensional depth.
Artist Provenance: Authentic hand-incised signature of J.M. Smith on the reverse.
Ready to Hang: Includes an integrated wire hanger for easy and secure wall mounting
Specifications:
Dimensions: 6&#34; Wide x 8.5&#34; High
Medium: Enameled Clay / Studio Pottery
Condition: Excellent, well-preserved condition.
Perfect For: Coastal, Mission, or Arts & Crafts style interiors
A perfect statement piece for a gallery wall, cottage entryway, or collection of Canadian studio pottery. The thick black matte border contrasts beautifully with the shimmering metallic water and crackle-glaze clouds.

J.M. Smith is a recognized but elusive North American studio potter, likely active during the &#34;Craft Revival&#34; era of the 1970s–1990s.
While there is no museum biography for this specific artisan, their work appears consistently in vintage markets across Canada and the US, specifically in &#34;cottage country&#34; regions. They are distinct from the 19th-century silversmiths or English coppersmiths of the same name.
Artist Profile: The J.M. Smith Style
Identification Guide
Because the name is common, you must rely on the visual trademarks to confirm the artist. This specific &#34;J.M. Smith&#34; works almost exclusively in Raku-fired relief.
The Medium: Raku CeramicTheir signature technique involves &#34;Western Raku&#34;—taking hot clay out of the kiln and placing it in combustible material (sawdust/leaves). This creates the metallic &#34;oil slick&#34; glaze and the black, smoky unglazed clay seen on the borders of your piece
The &#34;Studio Pottery&#34; Context
During the 1970s and 80s, North America saw a massive boom in independent ceramic studios. Many skilled artisans like J.M. Smith produced high-quality work for regional galleries and craft fairs without ever entering the academic &#34;fine art&#34; record.
Status: &#34;Listed Studio Potter&#34; (Known by dealers, but not biographed).
Region: Likely Ontario or Great Lakes Region, given the density of findings in Canadian vintage shops and the subject matter (the Great Blue Heron is an icon of the Canadian shield)
Dimensions:
6x8.5&#34;
Pickup category timeslot {A}

Signed J. M. Smith Stoneware Art Tile - Blue Heron with Copper Luster Finish

red &#34;Eyeball&#34; desk lamp from the Space Age era (late 1960s to 1970s) 13&#34;
Illuminate your space with this striking red &#34;Eyeball&#34; desk lamp, a true vintage piece from the Space Age era of the late 1960s to 1970s, standing at approximately 13 inches tall. This lamp features a unique spherical design with a chrome accent ring, set on a sturdy three-legged base, perfect for adding a retro touch to any room. It shows some signs of wear consistent with its age. 

Key Features:

*   Design: Iconic &#34;Eyeball&#34; shape with chrome trim
*   Era: Late 1960s to 1970s
*   Height: Approximately 13 inches
*   Base: Three-legged stand
*   Origin: Similar lamps were produced in Italy (often attributed to manufacturers like Veneta Lumi) and Yugoslavia (by Sijaj Hrastnik).
*   Adjustable Head: The spherical head can pivot to direct light.
*   Design Style: &#34;Space Age&#34; or &#34;Atomic,&#34; reflecting the fascination with space exploration during the mid-20th century.
*   The cord entry point (the black plastic piece where the wire goes in) is in good condition, which is great since that&#39;s a common stress point.
*   Bulb Type: These take an E12 (small Edison screw) bulb.
Dimensions:
13
Pickup category timeslot {A}

red &#34;Eyeball&#34; desk lamp from the Space Age era (late 1960s to 1970s) 13&#34;

Unique Raku-Fired Studio Pottery Vase – Signed &#34;NG&#34;
For Sale: A striking, one-of-a-kind studio pottery vase featuring a bold &#34;brutalist&#34; aesthetic and vibrant metallic accents. This hand-built piece was created using the traditional Raku firing technique, resulting in a unique, iridescent finish that shifts in the light
Product Highlights:
Artist: Hand-signed &#34;NG&#34; on the base (attributed to Nan Gunnett & Co.).
Technique: Authentic Western Raku-fired ceramic.
Aesthetic: Dark, textured &#34;oily&#34; metallic glaze with flashes of copper red, deep blue, and purple iridescence.
Design: Features a unique trilobed rim and symmetrical raised ring accents at the base.
Dimensions: Approximately 7&#34; tall x 6&#34; wide.
Condition: Excellent vintage condition with no chips or cracks
Description:This sculptural vase is a perfect statement piece for collectors of mid-century modern, brutalist, or Canadian studio pottery. The Raku process ensures that no two pieces are ever identical—the &#34;flashing&#34; colors on the surface are a permanent record of the intense heat and fire used to create it.
Dimensions:
6x7&#34;
Pickup category timeslot {A}

Unique Raku-Fired Studio Pottery Vase – Signed &#34;NG&#34;

Toronto (Ontario, Canada) SELLER MANAGED Downsizing Online Auction - Nipigon Avenue

width_in

height_in

medium

Hand-painted acrylic on canvas reproduction of Wassily Kandinsky’s 1927 artwork "Points in the Curve," 30" x 40". Very good condition.

30"x40" hand-painted acrylic canvas reproduction of Wassily Kandinsky’s "Points in the Curve"

Full view of entire 30"x40" acrylic canvas showing overall composition

Mid-section close-up displaying geometric forms and paint texture

Upper section close-up of shapes and colors

Large geometric abstract composition with triangles, circles and linear forms on a dark green ground; visible acrylic texture and layered brushwork.

Hand-Painted Acrylic Kandinsky Reproduction "Points in the Curve" 30"x40"

Large Hand-Painted Wassily Kandinsky Reproduction – &#34;Points in the Curve&#34; (30x40&#34;)
Description:
Elevate your home or office with this stunning, hand-painted acrylic reproduction of Wassily Kandinsky’s 1927 masterpiece, &#34;Points in the Curve&#34; (Spitzen im Bogen). Unlike a flat digital print, this piece features the rich texture and vibrant depth that only real acrylic on canvas can provide.
This large-scale 30x40&#34; work captures the energy of the Bauhaus movement, using a complex arrangement of triangles, circles, and linear forms to create a sense of movement and musicality. It is an ideal statement piece for modern, minimalist, or mid-century interior designs.
Key Details:
Artist: Reproduction of Wassily Kandinsky (1927).
Medium: Hand-painted acrylic on high-quality canvas (not a print).
Size: 30&#34; x 40&#34; (Large statement format).Style: Abstract / Bauhaus / Geometric.
Condition: very good
Since the painting is a hand-painted 30x40&#34; acrylic on canvas, it holds significantly more value than a standard poster or print. 
Dimensions:
30x40&#34;
Pickup category timeslot {A}

Bid Date	Bid Amount
Jun 4, 2026, 11:25:57 PM UTC	$8.00
Jun 4, 2026, 11:25:53 PM UTC	$7.00
Jun 4, 2026, 11:25:53 PM UTC	$6.00
Jun 4, 2026, 11:24:46 PM UTC	$5.00
Jun 4, 2026, 7:06:27 PM UTC	$4.00
Jun 4, 2026, 7:06:10 PM UTC	$3.00
Jun 4, 2026, 7:06:10 PM UTC	$2.00
Jun 4, 2026, 1:26:37 PM UTC	$1.00

Lot #46: Large Hand-Painted Wassily Kandinsky Reproduction – "Points in the Curve" (30x40")

Only Available Pickup Date/Time: Sun, June 07 2026

Category A: 12:00 PM - 04:00 PM

Pickup Location: Nipigon Avenue, Toronto, ON, M2M 2V9 View Map (opens in new window)

Lot #46: Large Hand-Painted Wassily Kandinsky Reproduction – "Points in the Curve" (30x40")

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sun, June 07 2026 Category A: 12:00 PM - 04:00 PM

Pickup Location: Nipigon Avenue, Toronto, ON, M2M 2V9 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Sun, June 07 2026

Category A: 12:00 PM - 04:00 PM