Historical Context & Origin

Region: Southern Russia, Eastern Europe
Material: Brass with pierced plates, Cornelian stones, riveted fittings
Period: 17th–18th century

Description

This ornate bridal belt, studded with vibrant orange Cornelian gemstones, represents a rare survival of Jewish wedding customs from Southern Russia in the 17th–18th centuries. Weighing heavily and crafted with brass fittings and pierced plates, the belt is not only a striking ornament but also a sacred ceremonial object imbued with spiritual meaning. The fine workmanship and use of semi-precious stones reflect its role as both a protective talisman and a display of family status.

Features

- Rows of orange Cornelian stones, associated with vitality, protection, and fertility

- Heavy brass construction with riveted and pierced plates, showcasing skilled craftsmanship

- Ceremonial wedding use, traditionally tied with the groom’s belt to symbolize unity

- Preserved with visible wear consistent with its age, underscoring authenticity

Cultural Significance

Within Jewish communities of Southern Russia and Eastern Europe, bridal belts carried deep symbolic meaning. They were tied together with the groom’s belt during the marriage ceremony, representing the sacred union of husband and wife. Believed to enhance fertility and ensure prosperity, these belts were cherished family heirlooms, sometimes borrowed when too costly to own.

The use of Cornelian, with its rich orange tones, reflects long-standing associations with healing, vitality, and protection, making this piece a powerful spiritual and cultural artifact.

Condition

Good condition with expected wear and patina; gemstones intact and brass plates showing aged character consistent with a ceremonial object of this age.

Age (Approximate)

225–425 years old

Provenance 

From a private collection in Toronto, Ontario. Acquired by the current owner in 2018.
Dimensions:
Diameter: 11 in
 

Price Estimate: CAD 900 - 1500

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Southern Russian Jewish Bridal Belt | Brass and Cornelian Stones | 17th–18th Century

Historical Context & Origin

Region: Europe (likely Western European medical/academic setting)
Material: Human bone, mounted on hardwood base
Period: 19th Century

Description

A rare and meticulously articulated anatomical specimen of a human foot skeleton, mounted on a polished wooden base. The bones are carefully wired together to preserve the natural structure and demonstrate the intricacies of human anatomy. Likely produced for medical education or academic study during the 19th century, this piece reflects the growing interest in anatomical science and the precision craftsmanship associated with teaching specimens of the era.

Features

- Meticulously articulated bones wired together for anatomical accuracy

- Mounted on a polished hardwood base for stability and display

- Natural patina and coloration of bone reflecting authenticity and age

- Compact, detailed construction ideal for study or collection

Cultural & Scientific Significance

Anatomical specimens such as this foot skeleton were integral to 19th-century medical education. They provided physicians, students, and scholars with tangible references for studying the human body at a time when scientific understanding was rapidly expanding. Beyond their scientific utility, such specimens have become valued cultural artifacts, symbolizing the intersection of medicine, education, and craftsmanship in the modern era.

Condition

Excellent preservation. Bones retain stable natural patina with age-related coloration. Wiring remains intact; wooden base polished and secure. No major losses or replacements.

Age (Approximate)

125–225 years old

Provenance 

Formerly part of a doctor’s office display. Subsequently held in a private collection in Hatboro, Pennsylvania, USA. Acquired by the current owner in 2024.
Dimensions:
7 in x 13 in x 4 in
 

Price Estimate: CAD 350 - 700

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Antique Human Foot Bone Specimen | Mounted on Wooden Base | 19th Century

Historical Context & Origin

Region: Northern Italy, Renaissance Europe
Material: Hand-carved hardwood with early wrought-iron lockwork
Period: Circa 1550–1650 CE

Description

This exceptional Renaissance cassone—also known as a forziere or valuables chest—exemplifies the artistic craftsmanship of Northern Italy during the late Renaissance to early Baroque period. Carved from dense hardwood and richly decorated on all sides, it features deeply sculpted figural panels framed by flowing foliate scrolls and classical motifs.

The lid presents an intricate narrative tableau within a quatrefoil-style border, while the front and sides display additional relief scenes including animals, draped figures, and architectural elements. Resting on carved scroll feet and fitted with an early wrought-iron internal lock mechanism, this chest would originally have served as a dowry chest, ceremonial strongbox, or household repository for treasured possessions.

The interior retains its original compartmented structure, including a traditional side till. A warm, aged patina with traces of its original finish highlights centuries of preservation and continuous history.

Features

- Finely hand-carved Renaissance figural and foliate panels

- Early wrought-iron hinges and internal locking mechanism

- Original compartmented interior with traditional side till

- Carved scroll feet and decorative Renaissance borderwork

- Deep, warm patina consistent with 16th–17th century craftsmanship

- A museum-worthy example of Italian domestic art and dowry tradition

Cultural Significance

Renaissance cassoni were central to Italian households and wedding traditions, often presented as marriage chests symbolizing prosperity, lineage, cultural refinement, and the formation of a new household. Their sculptural reliefs frequently depicted mythological, pastoral, or moral narratives, reflecting Renaissance values and artistic sophistication.

Beyond symbolism, they functioned as secure strongboxes for textiles, jewelry, documents, and family heirlooms. Today, surviving examples like this provide invaluable insight into Renaissance domestic life, craftsmanship, and cultural identity—bridging fine art and functional design.

Condition

Very good antique condition with age-appropriate wear. Surface displays patina, handling marks, and minor abrasions to carved panels. Expected shrinkage and oxidation to iron fittings present. Scroll feet show historical restoration, typical and appropriate for cassoni of this age. Interior remains original with no modern reconstruction. Structurally sound and suitable for display.

Age (Approximate)

375–475 years old

Provenance 

From a private collection in New York, New York, USA. The owner was a lifelong collector of antique arms and armour. Acquired by the current owner in 2025.
Dimensions:
Width: 28.25 in Height: 16.5 in
 

Price Estimate: CAD 2000 - 4500

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Historic Italian Carved Wooden Chest | Circa 16th–17th Century

Historical Context & Origin

Region: Egypt
Material: Sandstone with mineral surface deposits
Period: Late Period, 26th–30th Dynasty (Circa 664–332 BCE)

Description

This ancient Egyptian sandstone ushabti is a finely carved funerary figure created during the Late Period, when ushabtis were produced in great numbers to serve the deceased in the afterlife. Standing in the classic mummiform posture, the figure retains its traditional proportions and crossed-arm stance, with faint remnants of facial detailing still present beneath millennia of mineral accretion.
Sandstone ushabtis are significantly less common than the more typical faience examples, making this piece a desirable and unusual variant with strong archaeological presence. Its warm, earthen coloration and naturally weathered patina reflect long-term burial conditions and the authentic aging expected from a Late Period tomb artifact.

Features

- Carved from solid sandstone

- Classic mummiform shape with crossed arms

- Deep mineral deposits and surface weathering from ancient burial

- Distinctive Late Period proportions and silhouette

- Rare sandstone variant (far less common than faience counterparts)

Cultural Significance

Ushabtis (also shabtis or shawabtis) served as ritual attendants for the deceased, intended to perform agricultural and labour duties in the afterlife as described in Chapter 6 of the Book of the Dead. Their presence within tombs symbolized protection, continuity, and service beyond death.
This figure, crafted during the Late Period—a time marked by foreign influence and artistic revival—reflects the enduring religious beliefs and funerary customs that shaped Egyptian mortuary culture for over a millennium.

Condition

Good archaeological condition with expected surface wear from burial. Mineral deposits, erosion, and smoothing are consistent with age and authenticity. No modern restoration detected.

Age (Approximate)

2,350–2,700 years old

Provenance 

From a private collection in Tallahassee, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
Width: 1.0 in x Height: 3.5 in
 

Price Estimate: CAD 500 - 900

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Egyptian Sandstone Ushabti Figure | Late Period (664–332 BCE)

Historical Context & Origin

Region: Primarily United States and Europe
Material: Iron, steel, brass, and mixed metals in a shadow box frame
Period: Mostly late 19th to mid-20th century

Description

This striking framed collection of antique and vintage locks and keys presents a visually compelling study in historic security hardware, industrial design, and everyday utilitarian craftsmanship. Mounted in a deep black shadow box for display, the grouping includes 18 locks and 7 keys, arranged as a decorative assemblage that highlights the remarkable diversity of form, scale, and construction found in older locking mechanisms.

The collection features a wide variety of padlock styles, from heavy iron and steel examples with broad rounded shackles to smaller brass and nickel-finished locks intended for trunks, cabinets, luggage, postal use, and general utility. Several examples retain an especially appealing aged surface, with oxidation, patina, wear, and minor abrasions that speak to long service and authentic age. Together, the locks form a highly decorative wall display while also offering strong appeal to collectors of industrial antiques, railroadiana, postal memorabilia, and historic hardware.

Among the most notable pieces is the large central lock, a substantial iron example with a bold geometric case and imposing shackle, giving the display a strong visual anchor. Flanking it are additional oversized locks of differing shapes, including shield-form and rounded-bodied examples that illustrate the stylistic range of 19th- and early 20th-century lock manufacture. One circular example has an especially distinctive silhouette, while another large rectangular-top lock exhibits a more architectural profile.

Several smaller locks appear to be marked, adding interest and individuality to the group. Visible examples include a U.S. Mail lock, a lock marked “Made for U.S.”, a brass WB example, and a square-form lock marked M.I.Co Jackson. Other locks bear decorative lettering or trade names such as “Safe” and “Our Very Best,” while one arched example includes Chicago on the shackle. These markings suggest the collection was assembled from a variety of sources and uses, likely spanning commercial, institutional, and domestic settings.

The included keys further enhance the presentation, with both functional and decorative examples visible. Most striking are the two long skeleton-style keys mounted along the lower portion of the display, each with elegant bow forms and elongated shafts that provide strong contrast to the more compact padlocks above. Smaller keys positioned beside select locks help reinforce the historical association between individual lock forms and their original mechanisms.

As a whole, this is not merely a group of old locks, but a curated decorative display celebrating the material culture of protection, privacy, and craftsmanship.

Features

- Framed shadow box display containing 18 locks and 7 keys

- Includes a broad mix of iron, steel, brass, and mixed-metal examples

- Strong variety of forms, including rounded, shield-shaped, rectangular, and miniature padlocks

- Includes several marked examples such as U.S. Mail, Made for U.S., WB, M.I.Co Jackson, Chicago, and other decorative stamped locks

- Features two long antique-style skeleton keys mounted along the lower section

- Attractive aged patina, oxidation, and honest wear throughout

- Ready for decorative wall display

Cultural Significance

Historic locks and keys offer a fascinating window into everyday life, trade, transportation, communication, and security in the 19th and early 20th centuries. Once essential objects of daily use, they now stand as sculptural artifacts of industrial design and mechanical ingenuity. Groupings such as this are especially appealing because they bring together differing forms of security hardware into a single presentation, preserving both their practical history and their aesthetic charm.

Condition

Overall very good decorative antique/vintage condition for display. The locks and keys show expected age-related wear, surface oxidation, patina, rubbing, finish loss, and minor scratches consistent with age and prior use. Not all locks are expected to function, and the keys are present as display components rather than guaranteed working matches for each lock. The shadow box frame presents well and displays the collection attractively.

Age (Approximate)

70–140+ years old overall

Provenance 

Formerly housed in the Elmer&#39;s Lock Museum collection. Subsequently purchased from a private collection in Valparaiso, Indiana, USA. Acquired by the current owner in 2026.
Dimensions:
17.25 x 2.5 x 21
 

Price Estimate: CAD 250 - 650

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Framed Collection of Antique Locks &#38; Keys | 19th – Early 20th Century Display

Historical Context & Origin

Region: Roman Empire
Material: Cast bronze ring with inset red glass intaglio (possible stylized bee or symbolic motif)
Period: Circa 2nd Century AD

Description

This authentic ancient Roman bronze finger ring dates to the height of the Roman Imperial period and features an inset red glass intaglio at its center. The stone displays age wear and internal cracking consistent with centuries of burial, yet retains a striking depth of color and visual presence. The square bezel and rounded band are characteristic of Roman adornment from this era, when such rings were worn as personal status symbols, talismans, and expressions of identity.

The intaglio appears to depict a small symbolic form — possibly a bee or abstract motif — reflecting Rome’s appreciation for meaningful iconography. Compact, evocative, and wearable with care, it represents a genuine piece of daily life from nearly two millennia ago.

Features

- Authentic ancient Roman bronze finger ring

- Inset red glass intaglio with visible age character

- Classic Roman square bezel design

- Beautiful olive-green ancient patina

- A true wearable artifact of Roman civilization

Cultural Significance

Rings in the Roman world carried deep meaning, symbolizing social standing, allegiance, faith, and personal identity. Intaglios were often engraved with deities, animals, or symbolic imagery believed to provide protection or convey status. This ring embodies the sophistication, craftsmanship, and cultural symbolism of the Roman Empire, offering a tangible connection to its people and history.

Condition

Excellent archaeological condition for its age. Bronze band structurally sound with attractive ancient patina. Glass intaglio shows expected age wear and fracturing, stable and seated within bezel. Suitable for careful wear or premium display.

Age (Approximate)

1,825–1,925 years old

Provenance 

Originally purchased in Vienna, Austria, during the 1990s. Subsequently held in a private collection in New York, New York, USA. Acquired by the current owner in 2025.
Dimensions:
Ring Size: US 2.5
 

Price Estimate: CAD 140 - 220

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Ancient Roman | Bronze Ring with Red Glass Intaglio | Circa 2nd Century AD

Historical Context & Origin

Region: United States, Mississippi Valley (attributed)
Material: Mixed metals (iron, brass, lead), glass/ceramic, wood display tray with wire mounts
Period: American Civil War, ca. 1861–1865

Description

Large, visually striking shadow-box assemblage of dug Civil War relics, mounted in a compartmented wooden tray. An old hand-written label reads “Battle of Vicksburg,” suggesting the items were recovered in or around that campaign; the group appears to have been arranged by a mid-20th-century collector and left largely undisturbed since. Contents include multiple Minie balls and carved bullets, round-shot/canister and shell fragments, horse equipment (spur, stirrup, buckles), accoutrement hardware (US plate and eagle breastplate fragments, belt/suspender buckles, knapsack/strap fittings, scabbard piece), canteen spout, pipe bowl fragment, glass bottle, iron tools and camp items, and miscellaneous brass/lead field finds—all with honest excavated patina.

Features

- Compartmented wooden display with dozens of identified relics

- Highlights: US oval plate fragment, eagle motif disk, spur & stirrup, canteen spout, buttons/buckles, Minie balls and carved examples, artillery/shell fragments, camp hardware

- Historic hand-written label “Battle of Vicksburg” retained (provenance note)

- Ready to hang or stand; an impressive decorator’s piece and study collection

Cultural Significance

Vicksburg (May–July 1863) was pivotal in securing Union control of the Mississippi River. Battlefield-recovered groupings like this preserve material culture of soldier life—ammunition, equipment, and camp detritus—providing a tangible record of the conflict.

Condition

Relic/excavated condition throughout: oxidation, encrustation, and losses consistent with ground recovery; several pieces wired or wedged into compartments; some movement possible—handle gently. The tray shows age wear, chips, and minor separations but is stable for display.

Age (Approximate)

160–165 years old

Provenance 

From a private collection in York, Pennsylvania, USA. Formerly housed at a historical society. Purchased by the current owner in 2025.
Dimensions:
Width: 21.5 in x Height: 18.5 in
 

Price Estimate: CAD 225 - 400

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Vicksburg Campaign Battlefield Finds | Compartmented Display Collection | Circa 1861–1865

Historical Context & Origin

Region: Egypt, Rome, Byzantium, Scandinavia, Western Europe
Material: Primarily bronze, with varied patinas and designs
Period: Circa 1000 BCE – 15th Century CE

Description

This exceptional collection of fifteen ancient rings represents a sweeping journey through world history, spanning more than two millennia. From the elegance of Ancient Egypt to the martial artistry of the Viking era, and from Roman administrative rings to medieval wedding bands, each piece demonstrates the artistry, symbolism, and craftsmanship of its respective culture. The rings showcase diverse functions, including personal adornment, ceremonial symbolism, and practical use in sealing documents.

Features

- Roman Bronze Signet Ring (1st–4th Century CE): Circular bezel design once used for sealing official documents.

- Medieval Bronze Wedding Ring (12th–15th Century CE): Smooth and simple band symbolizing marriage vows.

- Viking-Era Bronze Ring (8th–11th Century CE): Square bezel with intricate Norse design embodying ceremonial artistry.

- Ancient Egyptian Ring (ca. 1000 BCE): Flat bezel with rich patina reflecting Egypt’s enduring love of jewelry.

- Byzantine Bronze Finger Ring (6th–9th Century CE): Elegant with finely engraved detail representing status and sophistication.

- Late Roman Bronze Ring (3rd–5th Century CE): Likely once inlaid with a gem or glass signifying higher social rank.

- Additional Pieces (not individually listed): The remaining rings present a variety of styles and functions completing the 15-piece ensemble spanning antiquity to the medieval world.

Cultural Significance

Rings served as powerful symbols across civilizations—denoting status, identity, devotion, and authority. Egyptian rings reflected spiritual and daily adornment; Roman rings embodied administrative power; Byzantine pieces showcased artistic refinement; Viking rings conveyed cultural pride and ceremonial meaning; and medieval wedding bands symbolized enduring vows. Together these artifacts provide a panoramic view of jewelry’s role across cultures and centuries.

Condition

Each ring shows age-appropriate wear and patina, with some retaining traces of their original finishes. Despite their antiquity, the collection remains remarkably intact, preserving the artistry and authenticity of multiple civilizations.

Dimensions (Approximate)

Varied sizes across the collection, each suitable for display.

Age (Approximate)

525–3,025 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Varied sizes across the collection, each suitable for display.
 

Price Estimate: CAD 300 - 650

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Collection of 15 Ancient &#38; Medieval Rings | Egypt to Europe | 1000 BCE – 15th Century CE

Historical Context & Origin

Region: Western Asiatic (Near East, encompassing modern-day Iraq, Iran, Syria, Turkey, Israel, Lebanon, and Jordan)
Material: Cast bronze
Period: 1st Millennium BCE

Description

This ancient bronze dagger blade represents the metallurgical and artistic achievements of the Western Asiatic world during the Bronze Age. With its imposing form and refined craftsmanship, the piece reflects both practical utility and symbolic significance. Weapons such as this were essential not only for survival and defense but also as expressions of power, ritual devotion, and status within early civilizations.

Features

- Tapered blade form with a strong central spine for durability

- Perforations near the base for attachment to a now-lost handle

- Distinctive green patina with red and brown earthen tones from burial

- Substantial size measuring approximately 15 inches in length

Cultural Significance

Bronze weaponry was a cornerstone of ancient Near Eastern culture, reflecting the technological advancements of the time. This dagger blade likely served dual purposes: as a practical weapon in combat and as a ceremonial object symbolizing protection, authority, and warrior identity. Its survival into the present offers a rare glimpse into the ways ancient societies blended functionality with spiritual and cultural expression.

Condition

The blade remains structurally intact despite centuries of aging. The surface exhibits natural corrosion and an uneven texture consistent with ancient burial, while the vibrant patina attests to its authenticity and antiquity. The perforations for handle attachment remain visible, though the organic handle has long since vanished.

Age (Approximate)

2,500–3,000 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Length: 15 in
 

Price Estimate: CAD 225 - 500

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Western Asiatic | Bronze Dagger Blade | Circa 1st Millennium BCE

Historical Context & Origin

Region: Neo-Assyrian Empire (modern-day Iraq)
Material: Bronze with garnet intaglio
Period: 9th–7th Century BCE

Description

This ancient artifact is a remarkable example of Neo-Assyrian craftsmanship, featuring a bronze band with a rich green patina and a striking garnet intaglio set into a raised bezel. Rings of this type were not only adornments but also important cultural objects, often serving as status symbols and practical tools for sealing documents. The finely polished garnet, engraved with a tiny intaglio design, reflects both the artistic mastery and symbolic traditions of the Neo-Assyrian Empire.

Features

- Deep red garnet intaglio with fine engraving, likely symbolic or mythological

- Raised bezel enhancing both durability and visual prominence

- Bronze band with natural green patina from centuries of aging

- Combination of adornment, authority, and functional sealing tool

Cultural Significance

Within the Neo-Assyrian Empire, jewelry was more than decoration—it conveyed status, power, and divine or symbolic association. Garnet intaglios were often engraved with protective or religious motifs, serving as both personal adornments and markers of identity. Such rings were typically worn by high-ranking individuals, further emphasizing their prestige and authority within society.

Condition

The bronze band is well-preserved, with a natural patina consistent with its great age. The garnet remains intact, polished, and securely set, with traces of engraved intaglio design still visible. Overall, the ring is in excellent ancient condition, enhancing both its rarity and authenticity.

Age (Approximate)

2,600–2,900 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
 Ring Size: 3.25 US
 

Price Estimate: CAD 500 - 900

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Neo-Assyrian | Bronze Ring with Garnet Intaglio | Circa 9th to 7th Century BCE

Historical Context & Origin

Region: England or Wales, likely provincial
Material: Oak
Period: Late 17th to early 18th century, circa 1680–1720
Style: Cromwellian / William & Mary period vernacular

Description

This handsome provincial oak side chair embodies the restrained strength and practical elegance associated with late 17th-century English seating furniture. Tall and commanding in profile, the chair features a shaped crest rail above a vertical arrangement of five narrow back splats, framed by robust uprights with turned and block-carved transitions. The silhouette is architectural yet functional, reflecting the enduring vernacular traditions of English and Welsh joinery during the Cromwellian and early William & Mary periods.

The chair stands on block-and-ball turned front legs and rear stile supports, united by a high ball-and-fillet turned front stretcher with plain side and rear rails, creating a solid and balanced base. The seat is formed from two broad oak planks, a feature often encountered in early country-made chairs, and the frame shows pinned mortise-and-tenon construction throughout. The visible peg work, substantial stiles, and hand-finished surfaces all contribute to its honest period character.

The back is especially appealing, with its shaped crest and long vertical slats lending the piece a strong, almost ecclesiastical presence. The turnings are restrained rather than overly refined, suggesting a provincial workshop rather than metropolitan cabinetmaking. This gives the chair a particularly authentic country-house quality.

Rather than excessive ornament, the chair relies on proportion, sound joinery, and the natural beauty of aged oak. The worn patina, softened edges, and evidence of centuries of use add to its appeal as a genuine survivor of early domestic life. The stamp to the underside reading “SYBIL THOMAS” is most likely a later ownership or inventory mark.

Construction Details

- Shaped crest rail above a high rectangular back

- Five narrow vertical back splats mortised into the crest and lower back rail

- Rear uprights extending from the back legs with turned and block transitions

- Broad two-plank seat set within a stout seat frame

- Block-and-ball turned front legs

- High ball-and-fillet turned front stretcher

- Plain side stretchers and plain rear stretcher

- Pegged mortise-and-tenon joinery visible at major joints

- Heavy provincial oak construction with hand-finished surfaces

Features

- Tall high-back form in the Cromwellian tradition

- Rich aged oak with deep, naturally developed patina

- Hand-turned front stretcher and leg details

- Early vernacular plank seat construction

- Strong architectural presence suited to country, primitive, or period interiors

- Underside stamped “SYBIL THOMAS”

Cultural Significance

Chairs of this type reflect the sturdy craftsmanship of provincial British furniture making at the turn of the 18th century. Unlike more elaborate urban examples, country-made seating prized durability, utility, and proportion over ornament. Today, such chairs are valued for their sculptural silhouettes, honest construction, and direct connection to everyday domestic life in early modern Britain.

Condition

Good antique condition consistent with age and long use. Surface wear, abrasions, edge losses, shrinkage, small separations, and old marks throughout. Expected wear to the seat, stretchers, and lower legs from centuries of handling and use. The finish has mellowed attractively with age. The underside bears a later name stamp reading “SYBIL THOMAS.” Overall, the chair presents well with strong decorative impact and pleasing structural integrity, though it should be understood as an early vernacular piece with typical age-related wear.

Dimensions (Approximate)

Seat Height: 19.5 in
Width: 18.5 in
Depth: 14 in

Overall Height: 49 in

Age (Approximate)

305–345 years old

Provenance 

Previously sold through Waddington’s Fine Furniture Auction in 2012. Subsequently held in a private collection in Toronto, Ontario. Acquired by the current owner in 2019.
Dimensions:
18.5 in x 14 in x 49 in
 

Price Estimate: CAD 400 - 750

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

English Provincial | Oak High-Back Side Chair | Circa 1680–1720

Historical Context & Origin

Region: Tibet, Himalayan Region
Material: Hand-carved bone, brass, and wood with inlaid decoration
Period: Late 19th Century

Description

This pair of Tibetan prayer wheels represents the profound intersection of Buddhist devotion and Himalayan craftsmanship. Traditionally used in meditation and prayer, spinning such wheels was believed to accumulate merit, purify negative karma, and spread blessings. Monks and devoted practitioners filled them with mantras or sacred texts, employing them as daily spiritual tools to focus the mind and invoke divine protection.

The first wheel is adorned with brass inlays featuring floral and geometric designs, embellished with circular star-like motifs symbolizing cosmic balance. Its design is enhanced with gilded panels, while a bone counterweight ensures smooth, meditative spinning. The second wheel is distinguished by a deeply carved seated Buddha figure, encircled by mantra script and intricate floral ornamentation. A temple-like finial crowns the wheel, while the wooden handle bears traditional Tibetan carvings, completing its functional and spiritual purpose.

Features

- Intricate brass inlays with floral, geometric, and cosmic motifs

- Carved Buddha figure in meditation, encircled by sacred Tibetan script

- Gilded rectangular panels for symbolic protection

- Side chains with counterweights for smooth, balanced spinning

- Traditional wooden handles with detailed Tibetan carving

- Custom museum-quality stands included for display

Cultural Significance

Tibetan prayer wheels such as these were more than ritual objects—they embodied a portable form of Buddhist practice, allowing devotees to carry prayer into every moment of their lives. Each rotation was considered equivalent to reciting the mantras within, amplifying spiritual merit and extending blessings to the wider world. Their dual function as both sacred and artistic objects underscores the deep integration of spirituality and craftsmanship in Tibetan culture.

Condition

Both prayer wheels exhibit a rich, natural patina with minor surface wear consistent with devotional use. The aged finish enhances their authenticity and historical depth. Structurally sound and complete, each is mounted on a custom stand, ensuring both preservation and elegant display.

Age (Approximate)

120–140 years old

Provenance 

From a private collection in Anaheim, California, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 4 in x Height: 10 in
 

Price Estimate: CAD 450 - 800

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Pair of Tibetan Buddhist Prayer Wheels | Hand-Carved Bone, Brass &#38; Woo

Historical Context & Origin

Region: West Mexico / Mesoamerica
Material: Hand-formed terracotta clay with original painted slip decoration
Period: Circa 300 BCE – 700 CE

Description

This striking ancient Pre-Columbian tripod bowl exemplifies classic Mesoamerican craftsmanship, featuring a wide open bowl supported on three hollow, tubular legs — a distinctive and culturally significant form associated with ceremonial function and elevated importance.

The exterior and interior are decorated with bold painted banding in warm red, cream, and earthy tones, creating strong vertical striping around the body and a patterned ceremonial border within the interior basin. The hollow legs include slotted openings, characteristic of tripod vessels that originally functioned as rattle or sound-chamber supports, frequently associated with ritual performance and ceremonial use.

The interior shows beautiful archaeological surface patina, mineral deposits, and ritual wear, contributing to its authenticity and presence. Even after centuries, this piece retains remarkable artistic character, balance, and visual impact.

Features

- Authentic Pre-Columbian ceramic tripod bowl

- Hollow tubular legs with slit vents, characteristic of ritual “rattle leg” vessels

- Bold hand-painted band decoration in classic Mesoamerican palette

- Deep culturally significant tripod support form

- Excellent sculptural presence and display quality

- Beautiful ancient surface patina and earthen toning

Cultural Significance

Tripod bowls held important ceremonial, ritual, and social functions throughout ancient Mesoamerica. Their elevated stance symbolized prestige, importance, and ritual purity, while rattle-legs are believed to have played roles in ceremony, movement, and sound symbolism. These vessels are frequently associated with offerings, elite households, feasting, burial deposits, and sacred ritual spaces.

Condition

Good authentic ancient condition with expected surface wear from age and archaeological burial. Encrustation deposits, pigment fading, and surface weathering throughout. Hollow tripod legs remain present, with slit openings intact and natural edge losses consistent with age. No modern repairs observed. Structurally stable and highly displayable.

Dimensions (Approximate)

Height: 5.25 in
Diameter: 9 in

Age (Approximate)

1,300–2,300 years old

Provenance 

From a private collection in Ottawa, Ontario. The owner was a lifelong collector of Pre-Columbian art and artifacts who traveled extensively throughout South America. Following their passing, the collection was liquidated by the family, with numerous artifacts acquired by the current owner in 2025.
Dimensions:
Height: 5.25 in Diameter: 9 in
 

Price Estimate: CAD 650 - 950

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Pre-Columbian | West Mexican Tripod Bowl with Painted Decoration | Circa 300 BCE – 700 CE

Historical Context & Origin

Region: Roman Empire
Material: Cast bronze ring with inset garnet gemstone
Period: Circa 2nd Century AD

Description

This authentic ancient Roman bronze ring dates to the height of the Roman Empire and features a beautiful inset garnet gemstone. With its distinctive sculpted shoulders, rounded bezel, and deep wine-red stone, this ring embodies the luxury, symbolism, and craftsmanship of Roman personal adornment. Garnet was highly prized throughout antiquity, revered for its beauty and believed protective qualities, making rings such as this both decorative and meaningful to their original wearer.

This example displays a rich olive-green patina developed over nearly two millennia, while the garnet remains seated securely in place, showing a warm polished luster under light. Compact, evocative, and historically important, it offers a direct, wearable link to the ancient world.

Features

-Genuine ancient Roman bronze finger ring

- Inset garnet gemstone — symbolic of protection, passion, and vitality

- Beautiful ancient patina developed over centuries

- Distinctive Roman band and bezel design

- A remarkable, museum-quality artifact suitable for collection or careful wear

Cultural Significance

Jewelry in the Roman world represented far more than ornamentation. Rings signified status, wealth, identity, and personal spirituality. Garnet was among the most treasured stones of the period, often associated with protection, vitality, love, and divine favor. Owning such a piece offers a tangible connection to the daily lives, beliefs, and elegance of Roman civilization.

Condition

Excellent archaeological condition for its age. Bronze band structurally stable with attractive patina. Garnet securely set and displays natural age character. Suitable for careful wear or premium display.

Age (Approximate)

1,825–1,925 years old

Provenance 

Formerly part of the BC Galleries Collection, Australia. Subsequently held in a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
 Ring Size: US 3.8
 

Price Estimate: CAD 100 - 260

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Roman Imperial | Bronze Ring with Deep Red Garnet Stone | Circa 2nd Century AD

Historical Context & Origin

Region: United States & Europe
Material: Steel, iron, leather, paper, synthetic plaque
Period: Late 19th – Mid 20th Century

Description

A rare, one-of-a-kind framed collection presenting a chronological survey of restraint devices spanning the late 1800s through the 1950s. Featuring both American and European innovations, it highlights the evolution of mechanical design, craftsmanship, and security technology. Professionally mounted in a black wood shadow box with glass front, each piece is secured against a deep black fabric backing to maximize visibility of form, mechanism, and historical detail.

The display includes handcuffs, leg irons, mechanical nippers, chain restraints, keys, original leather pouches, and original packaging—several examples of which are extremely rare outside museum collections. Centered above the display is a synthetic plaque titled: &#34;Late 19th–20th Century American & European Handcuffs.&#34;

Collection Highlights (Top to Bottom)

Chain-Handled Mechanical Nippers / T-Bar Nipper (USA, Late 19th Century) – Specialized control tool with T-bar handles connected by twisted steel chains; designed for simultaneous control of both wrists or arms.

British Steel Figure 8 Handcuffs (England, Early 20th Century) – Rigid Figure 8 form limiting wrist movement; classic British design.

Original Leather Pouch for Iron Claw / Mechanical Nipper – Vintage leather pouch with snap closure; includes handwritten officer’s name.

Instruction Box for Peerless Handcuffs (USA, Early 20th Century) – Original cardboard box with printed instructions.

Tower Bean’s Pattern Handcuffs with Key (USA, Early 20th Century) – Short-link chain and smooth oval cuffs; transitional American design.

Mattatuck Manufacturing Co. Handcuffs (USA, Mid 20th Century) – Durable double-lock handcuffs with original key.

Argus Iron Claw Mechanical Nippers – Hook Variant (USA, Late 19th Century, Set of 3) – Hooked ends with linked chains for wrist or arm restraint.

Peerless Standard Handcuffs with Key (USA, Mid 20th Century) – Classic dual-sided locking mechanism; includes key.

Features

- Comprehensive historical display of restraint devices spanning 70+ years of American and European innovation.

- Includes rare mechanical nippers (T-bar variant), iron claws, original leather storage pouch, original packaging, and multiple keys.

- Mounted on a deep black fabric backing within a black wood shadow box for optimal visibility.

- Each piece highlights intricate mechanisms, authentic wear, and patina.

- Shadow box and glass front in excellent, museum-quality condition.

Cultural Significance

This collection provides a tangible representation of the evolution of restraint technology, from late 19th-century iron claws to refined mid-20th-century locking handcuffs. It illustrates advances in security design, mechanical ingenuity, and the historical practices of law enforcement in both the United States and Europe. The display is significant both as a scholarly resource and as a museum-quality presentation of restraint device history.

Condition

All items display age-appropriate wear, patina, and minor surface rust. Each piece is securely affixed within the shadow box.

Dimensions (Approximate)

Framed: 
Height: 32 in
Width: 17 in

Age (Approximate)

75–145 years old

Provenance 

From the collection of Matthew G. Forte, noted expert on police equipment and author of American Police Equipment and American Police Collectibles. Subsequently held in a private collection in Cranston, Rhode Island, USA. Acquired by the current owner in 2024.
Dimensions:
Height: 32 in Width: 17 in
 

Price Estimate: CAD 1200 - 1800

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Framed Antique Handcuffs &#38; Restraint Collection | 19th–20th Century Police Artifacts

Historical Context & Origin

Region: American Southwest, likely Hopi Pueblo Culture
Material: Handwoven wool and cotton textile with dyed wool embroidery
Period: Mid 20th Century

Description

This striking ceremonial sash is believed to represent a traditional Hopi Kachina dance sash, handwoven in a cream-colored ground and richly decorated with vibrant geometric embroidery in red, turquoise green, black, white, and muted purple tones. The textile features repeating stepped and diamond motifs framed by bold black pattern bands and red stitched edging, terminating in hand-tied fringe elements.

Kachina ceremonial textiles played an important role within Hopi ritual traditions and were often worn during dances connected to seasonal ceremonies, spiritual observances, and community gatherings. The vivid geometric designs and symbolic motifs are characteristic of Pueblo textile traditions, where pattern and color conveyed spiritual meaning and cultural identity.

The piece demonstrates a strong visual balance between traditional weaving techniques and decorative embroidered detailing, reflecting the continuation of ceremonial textile production into the 20th century.

Features

- Handwoven ceremonial sash construction

- Vibrant geometric embroidered motifs

- Traditional Pueblo-inspired symbolic patterns

- Red stitched edging and hand-tied fringe

- Strong ethnographic and display appeal

- Decorative ceremonial textile from the American Southwest

Cultural Significance

Within Hopi ceremonial culture, Kachina-related garments and sashes formed part of a broader spiritual tradition centered on Katsinam—spiritual beings associated with rain, fertility, agriculture, and ancestral teachings. Ceremonial textiles such as this were often integral to ritual dress and dance regalia.

Condition

Displays age-related wear, scattered discoloration, light staining, and minor thread loss consistent with age and ceremonial use. Overall well preserved with strong coloration and visual presentation.

Age (Approximate)

60–90 years old

Provenance

Private collection Albuquerque, New Mexico, USA. Acquired by the current owner in 2026.
Dimensions:
Length: 76 in x Width: 9 in
 

Price Estimate: CAD 275 - 425

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Hopi | Handwoven Kachina Ceremonial Sash | Circa Mid 20th Century

Historical Context & Origin

Region: Ancient Egypt
Material: Carved Stone (Amulet Form)
Period: Third Intermediate Period, circa 1070–664 BCE

Description

This rare Egyptian amulet depicts Maahes, the lion-headed god of war, protection, and weather. Revered as the son of Ptah and the feline goddesses Bast or Sekhmet, Maahes embodied ferocity and divine guardianship within the Egyptian pantheon. The amulet portrays the deity with a lion’s head, symbolizing strength and protective power. Objects of this type were commonly worn as personal charms intended to invoke divine protection, courage, and strength in both daily life and times of conflict.

Features

- Lion-headed figure representing the god Maahes

- Compact amulet form for personal devotion or ritual use

- Detailing consistent with Third Intermediate Period craftsmanship

- Smooth stone surface with preserved carved features

Cultural Significance

Amulets depicting Maahes were especially meaningful during the politically unstable Third Intermediate Period, when Egypt experienced internal divisions and external pressures. As a deity associated with warfare and protection, Maahes was believed to defend both rulers and common people, guarding against enemies and supernatural dangers. Worn close to the body, such amulets served as tangible expressions of faith and protection within ancient Egyptian religious life.

Condition

Excellent condition with clear depiction of the lion-headed deity and minor wear consistent with age. The surface remains smooth and the carved features remain well preserved.

Age (Approximate)

2,689–3,095 years old

Provenance 

From a private collection in Savannah, Georgia, USA. Acquired by the current owner in 2023.
Dimensions:
Width: 1.75 in x Height: 2 in
 

Price Estimate: CAD 500 - 850

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Egyptian Amulet of Lion God Maahes | Circa 1070 to 664BCE

Historical Context & Origin

Region: Eastern Mediterranean / Near East
Material: Brass or copper alloy (cast and hand-finished), aged patina
Period: Late Roman to Early Byzantine / Early Medieval

Description

This ancient ring features a narrow hand-formed band supporting an oval bezel engraved with small circular and geometric motifs. The surface displays a warm brass or copper-alloy tone beneath darkened archaeological oxidation, indicating centuries of burial and age-appropriate patination.
The engraved bezel reflects the stylistic tendencies of provincial workshops active from the Late Roman through Early Byzantine period, where simple geometric iconography was widespread. Rings of this type served not only as decorative adornments but also as personal talismans believed to offer protection, status, or identity within local communities.

Features

- Hand-cast brass/copper-alloy construction

- Oval bezel with geometric circle-dot motifs

- Distinct untouched archaeological patina

- Slender tapered band with ancient surface wear

- Strong display presence for collectors of early metalwork

Cultural Significance

Provincial rings from this period were used across the Roman and Byzantine world by civilians, traders, soldiers, and craftsmen. Their engraved geometric motifs often carried protective or symbolic meaning, functioning as intimate personal objects tied to identity and belief. This ring stands as a well-preserved example of early metalworking and personal adornment from over 1,300 years ago.

Condition

Excellent preservation for its age. Stable patina with surface wear consistent with antiquity. No modern repairs observed.

Age (Approximate)

1,325–1,825 years old

Provenance 

From a private collection in Tallahassee, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
Ring Size: US 3.5
 

Price Estimate: CAD 80 - 175

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Brass Ancient Ring with Incised Oval Bezel | Circa 3rd–7th Century CE

Historical Context & Origin

Region: Ancient Near East or Indian Subcontinent
Material: Bronze with natural green patina
Period: 1st Millennium BCE

Description

This exceptional ancient bronze ring features a finely detailed elephant motif on its bezel, symbolizing strength, wisdom, and royal power. The elephant was a revered figure across ancient civilizations, celebrated in both religious iconography and ceremonial traditions. Its posture and carefully rendered features highlight the artistry of ancient metalworkers, who imbued even personal adornments with deep symbolic meaning.

Features

- Finely engraved bezel depicting an elephant in relief

- Crafted from bronze with a rich, natural green patina from centuries of aging

- Symbolic motif representing wisdom, protection, and leadership

- Wear consistent with age, enhancing its authenticity and historic character

Cultural Significance

In the ancient Near East and Indian subcontinent, elephants were powerful symbols of divine protection, royal authority, and wisdom. They featured prominently in religious and ceremonial practices, and jewelry like this ring not only served as personal adornment but also as a symbolic representation of status and belief.

Condition

The ring is well-preserved, with a developed green patina and surface wear consistent with its age. The bezel retains visible details of the elephant motif, providing a strong connection to its cultural and symbolic origins.

Age (Approximate)

2,025–3,025 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Ring Size: 6.5 US
 

Price Estimate: CAD 200 - 500

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Ancient Bronze Ring with Elephant Motif | Circa 1st Millennium BCE

Historical Context & Origin

Region: Eastern Mediterranean, Roman Empire
Material: Cast bronze
Period: Circa 2nd–4th Century AD

Description

This authentic Ancient Roman bronze ring, dating from the 2nd to 4th century AD, is a beautifully preserved example of Roman craftsmanship and symbolism. Cast from bronze, the ring features a broad, sturdy band and a circular bezel adorned with a dotted or rosette motif—an emblem thought to represent the sun or cosmic order, invoking protection and harmony for its wearer.

With its minimalist yet elegant design, this piece reflects the refined aesthetic of Roman personal adornment—functional, durable, and symbolically charged. The smooth, naturally aged patina enhances its timeless appeal, offering a tangible link to everyday life in the Roman Empire.

Features

- Cast bronze construction with rich greenish-brown patina

- Circular bezel featuring raised dotted or rosette motif

- Broad, solid band typical of late Roman craftsmanship

- Excellent preservation with distinct ancient surface texture

- Authentic artifact representing Roman social and artistic culture

Cultural Significance

Rings held great importance in Roman society, serving as emblems of rank, identity, and personal devotion. While gold and silver rings were reserved for the elite, bronze examples like this one were worn by soldiers, merchants, and free citizens, embodying both practicality and pride. The dotted bezel design may also carry solar or divine associations, symbolizing light, order, and protection.

Condition

Good ancient condition with stable patina, minor surface wear, and light encrustation consistent with archaeological preservation. No modern restoration.

Age (Approximate)

1,600–1,800 years old

Provenance Summary
Previously held by Arte Primitivo, New York, New York, USA. Acquired by the current owner in 2025.
Dimensions:
Ring Size: 1 US Bezel Diameter: 0.3 in
 

Price Estimate: CAD 60 - 125

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Ancient Roman | Bronze Ring | with Circular Rosette Motif | Circa 2nd–4th Century AD

Historical Context & Origin

Region: Likely North America or Europe (Devonian fossil beds)
Material: Fossilized trilobite exoskeletons preserved in sedimentary stone
Period: Devonian Period, circa 419–359 million years ago

Description

This collection of three trilobite fossils showcases the intricate detail and natural beauty of one of Earth’s earliest and most iconic arthropods. Each specimen demonstrates the classic three-lobed body structure from which trilobites derive their name, consisting of a cephalon (head), thorax, and pygidium (tail). Their exceptional preservation highlights the segmented anatomy that made trilobites highly successful marine organisms for over 270 million years.

Specimen 1 (Left): Light tan coloration with a well-defined segmented thorax and a clearly visible cephalon and pygidium. Its symmetry and clean preservation give it strong visual appeal.

Specimen 2 (Middle): Darker brown in tone, with sharply pronounced ridges across the thorax and cephalon. The fine segmentation gives this piece a vivid, textured presence.

Specimen 3 (Right): Golden-brown hue with a robust exoskeleton and smooth edges, showcasing durability alongside clear anatomical detail.

Features

- Distinct three-lobed trilobite structure clearly visible in each specimen

- Segmented thorax, cephalon, and pygidium preserved with clarity

- Natural coloration ranging from tan to golden brown with earthen tones

- Intricate surface details and mineral patina from millions of years of fossilization

Cultural & Scientific Significance

Trilobites represent one of the earliest complex life forms on Earth and provide invaluable insight into evolutionary biology. As index fossils, they help scientists date and interpret ancient marine strata. Beyond their scientific value, these specimens carry strong aesthetic appeal—each fossil a natural work of art, shaped by time and geology. They remain highly collectible for their combination of educational significance and visual beauty.

Condition

Well-preserved with excellent anatomical detail. Each fossil exhibits natural surface patina, mineral encrustation, and minor imperfections such as small fractures and surface wear, consistent with millions of years of burial. These features enhance their authenticity and add character to the collection.

Age (Approximate)

419–359 million years old (Devonian Period)

Provenance 

From a private collection in Brea, California, USA. Acquired by the current owner in 2024.
Dimensions:
Largest specimen length: 3 in
 

Price Estimate: CAD 200 - 350

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Fossilized Trilobite Collection | 400–359 million years ago

Historical Context & Origin

Region: Roman Empire, Mediterranean World
Material: Cast bronze with ancient patina
Period: Circa 1st–4th Century CE

Description

An authentic ancient Roman bronze ring featuring a raised depiction of a small rodent—likely a mouse—shown in profile along the bezel. Despite centuries of age, the imagery remains clearly defined, with the animal’s body, posture, and tail visible in subtle relief. The ring has developed a deep archaeological patina from burial, lending it a powerful sense of antiquity and presence.

Features

- Hand-cast bronze Roman ring

- Raised rodent / mouse motif bezel

- Attractive ancient patina with earthen deposits

- Smoothly worn band from centuries of age and handling

Cultural Significance

Rodent imagery in Roman symbolism was associated with intelligence, survival, protection, household spirit guardianship, and sometimes good fortune. Rings such as this were often worn as personal talismans, reflecting belief, identity, and superstition in everyday Roman life.

Condition

Good ancient condition with expected surface patina, burial wear, and natural age deposits. No modern repairs detected. Presents exceptionally well with strong character.

Age (Approximate)

1,600–1,900 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
US Ring Size: 5
 

Price Estimate: CAD 90 - 180

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Ancient Roman | Bronze Ring with Mouse Motif | Circa 1st–4th Century CE

Historical Context & Origin

Region: United States
Material: Ink on paper, framed under glass
Period: Early 20th Century (Prohibition & Gangster Era, circa 1930s)

Description

This rare historical artifact preserves an authenticated ink signature of George “Machine Gun” Kelly Barnes (1900–1954), one of the most notorious criminals of America’s Prohibition-era underworld. Signed on paper and professionally framed under glass, the piece offers collectors a tangible connection to the turbulent period of organized crime that shaped early twentieth-century American history.

Kelly rose to national infamy during the 1930s through bootlegging, bank robbery, and the highly publicized 1933 kidnapping of oil magnate Charles F. Urschel. The case led to his capture and eventual imprisonment at Alcatraz, cementing his reputation as one of the era’s most recognizable “Public Enemies.” Artifacts associated with figures of the Prohibition era remain compelling historical relics tied to the origins of modern federal law enforcement.

Features

- Authentic ink signature of George “Machine Gun” Kelly Barnes (1900–1954)

- Professionally framed for preservation and display

- Accompanied by forensic Certificate of Authenticity (COA)

- Rare relic from the Prohibition and gangster era of American history

- Historical connection to early FBI investigations and Alcatraz imprisonment

Cultural Significance

During the Prohibition era (1920–1933), organized crime flourished across the United States, fueled by the illegal alcohol trade and the hardships of the Great Depression. Figures such as Machine Gun Kelly, John Dillinger, and Al Capone became infamous symbols of this turbulent period. Artifacts connected to these individuals represent an important chapter in American history, reflecting the rise of federal law enforcement and the transformation of criminal justice in the twentieth century.

Condition

Signature remains clear and legible with minor natural toning consistent with age. The document is professionally mounted and framed under protective glass, presenting well for display while preserving the historical integrity of the piece.

Age (Approximate)

90–95 years old

Provenance 

From a private collection in Washington, Pennsylvania, USA. Acquired by the current owner
Dimensions:
Width: 31 in x Height: 22 in
 

Price Estimate: CAD 1300 - 2000

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George “Machine Gun Kelly” Barnes | Authentic Gangster Era Signature &#38; COA | Circa 1930&#39;s

Historical Context & Origin

Region: Netherlands, Dutch Golden Age
Material: Oil on canvas with gilded Baroque-style frame
Period: Early 17th Century CE

Description

This striking Old Master–style oil painting presents a powerful Ecce Homo depiction of Jesus Christ crowned with thorns. Executed in the dramatic Caravaggesque tradition, the composition employs strong contrasts of light and shadow to emphasize the solemn expression of Christ and the emotional weight of the scene.

The work reflects the artistic influence of the Utrecht Caravaggisti, a group of Dutch painters active in the early 17th century who were inspired by the revolutionary lighting and realism of Caravaggio. Paintings of this kind were intended to evoke contemplation, empathy, and devotion.

The ornate Baroque-style gilded frame enhances the visual impact of the composition, presenting the work in a manner consistent with historical European devotional paintings.

Features

- Dramatic Caravaggesque chiaroscuro with strong contrasts of light and shadow

- Expressive rendering of Christ’s face and crown of thorns

- Old Master–style religious composition rooted in the Dutch Baroque tradition

- Decorative gilded Baroque-style frame

Cultural Significance

Paintings depicting Ecce Homo (“Behold the Man”) were widely produced throughout Catholic and Protestant Europe during the Baroque period. The subject portrays the moment when Christ is presented to the crowd before the crucifixion, emphasizing themes of sacrifice, humility, and spiritual endurance.

Artists associated with the Utrecht Caravaggisti introduced Caravaggio’s dramatic lighting and realism into Dutch painting, creating emotionally powerful religious works that remain significant within the history of European art.

Attribution

The painting reflects the style and influence of the Utrecht Caravaggisti, a group of Dutch painters active during the early 17th century. While the work shares stylistic similarities with artists such as Hendrick ter Brugghen, it is presently offered as a Dutch Baroque Ecce Homo painting in the Caravaggesque tradition.

Condition

The painting displays age-appropriate craquelure and minor paint loss consistent with historical works on canvas. A recent ultraviolet (UV) fluorescence examination reveals areas of conservation and touch-up typical for paintings of this period.

Age (Approximate)

375–425 years old

Provenance 

Formerly part of a private collection in Rotterdam, Netherlands. Subsequently held in a private collection in Carroll, Ohio, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 26 in x Height: 24 in
 

Price Estimate: CAD 3000 - 7000

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Dutch | Caravaggesque School | Ecce Homo Painting | Early 17th Century

Historical Context & Origin

Region: Persia (Sassanian Empire)
Material: Bronze or brass with natural patina
Period: 224–651 CE

Description

This extraordinary ancient ring features an intricately engraved bezel depicting a lion and antelope in a dynamic scene. The motif of predator and prey was a favored theme in Sassanian art, symbolizing the balance between strength and grace, as well as the harmony and struggle inherent in both nature and human life. Likely used as both a personal adornment and a seal, the ring reflects the cultural and artistic sophistication of the Sassanian Empire.

Features

- Engraved bezel showing a lion and antelope in motion

- Symbolic predator-prey motif representing strength, grace, and balance

- Crafted from bronze or brass with centuries-old patina

- Functional as both a seal and a symbol of social status

Cultural Significance

The lion and antelope design reflects the Sassanian fascination with nature and symbolic dualities. Such rings were not merely decorative but also practical, used for sealing documents in wax or clay. They often carried deeper meaning, denoting power, spiritual beliefs, and cultural values central to Sassanian society.

Condition

The ring displays a rich green patina and surface wear consistent with its great age. Despite natural weathering, the engraved design remains distinct and legible, preserving its symbolic and artistic value.

Age (Approximate)

1,375–1,800 years old

Provenance 

Formerly part of the BC Galleries Collection, Australia. Subsequently held in a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Ring Size: 6 US
 

Price Estimate: CAD 300 - 650

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Bronze/Brass Signet Ring with Lion and Antelope Motif | Circa 224–651 CE

Historical Context & Origin

Region: Eastern Mediterranean
Material: Cast bronze with earthen encrustations
Period: 1st Millennium BCE – Early 1st Millennium CE (Circa 800 BCE–300 CE)

Description

This excavated bronze ring originates from a larger curated collection of ancient rings acquired from a private antiquities holding. The piece features a circular raised bezel heavily encrusted with mineral deposits, indicative of long-term burial and authentic archaeological aging. The band displays a deep green patina with areas of brown earthen adhesion—an aesthetic hallmark of bronze that has undergone centuries of oxidation.
Despite its modest size and time-worn condition, the ring retains a strong, recognizable silhouette. Its handmade construction, irregular shaping, and uneven surface texture reflect early metalworking traditions practiced throughout the wider Eastern Mediterranean world.

Features

- Solid bronze cast with heavy archaeological patina

- Circular bezel, possibly once engraved or fitted with a small inlay

- Uneven band thickness typical of hand-forged ancient rings

- Mineral accretions and soil encrustation preserved on the surface

- Authentic burial wear confirming genuine antiquity

Cultural Significance

Ancient bronze rings served as personal adornments but also conveyed status, identity, and symbolic meaning. Many were worn daily, while others were placed as votive offerings or buried with individuals as part of ritual practice. Rings with round bezels such as this often served simple decorative roles, though some may have once featured intaglio motifs or seals. The untouched, encrusted condition of this example enhances its archaeological value and visual authenticity, preserving the physical story of the centuries it spent beneath the earth.

Condition

Excavated condition with heavy patination. Stable structure with no active corrosion. Mineral deposits and earthen adhesions present across the surface. Band remains intact.

Age (Approximate)

1,700–2,800 years old

Provenance 

From a private collection in Tallahassee, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
US ring size 8.25
 

Price Estimate: CAD 200 - 350

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Ancient Bronze Signet Ring | Circa 1st–4th Century CE

Historical Context & Origin

Region: England (recovered from shipwreck context, likely colonial trade routes)
Material: Copper alloy with marine encrustation and patina
Period: 18th–19th century

Description

This group of five copper trade tokens/coins was recovered from a shipwreck context, dating to England’s colonial trade era of the 18th and 19th centuries. These small-denomination tokens were widely issued by merchants, taverns, and local authorities as substitutes for official coinage, making them indispensable in everyday commerce. Each token exhibits heavy marine corrosion and encrustation from long submersion, though faint traces of legends and devices remain visible under sea-wear. Together, they form a rare and evocative relic of global maritime commerce and colonial-era trade.

Features

- Five individual shipwreck-recovered copper trade tokens/coins

- Distinctive marine patina and encrusted surfaces from centuries underwater

- English merchant tokens used in everyday and colonial trade

- Tangible relics of maritime commerce and naval risk

- Displayable as both a collector’s artifact group and conversation piece

Cultural Significance

Trade tokens played a vital role in sustaining local economies in Georgian and Victorian England and throughout colonial possessions. Their circulation reflected the challenges of small-denomination coin shortages while also facilitating daily transactions across expanding trade networks. The survival of these tokens in a shipwreck context underscores the inherent risks of maritime transport and colonial exchange. Rediscovered today, they offer a direct connection to the realities of global commerce, seafaring, and the circulation of wealth during one of England’s most expansive periods of trade.

Condition

Shipwreck condition: heavy corrosion, surface encrustation, and loss of fine detail from prolonged marine exposure. Legends and designs obscured but forms remain intact. Stable and suitable for display as an authentic shipwreck-recovered group.

Dimensions (Approximate)

Largest token: 1 in

Age (Approximate)

125–325 years old

Provenance 

From a private collection in Brea, California, USA. Acquired by the current owner in 2025.
Dimensions:
Largest token: 1 in
 

Price Estimate: CAD 250 - 400

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Set of Five Shipwreck-Recovered Copper Coins | Maritime Relics | 18th–19th Century

Historical Context & Origin

Region: Japan
Material: Iron, lacquer, silk, leather, and chainmail
Period: Muromachi Period, circa 1333–1573

Description

This authentic suit of Samurai armor from Japan’s Muromachi Period (circa 1333–1573) is a remarkable relic of the warrior culture that shaped Japanese history. Crafted from iron, lacquer, silk, leather, and chainmail, this historically significant set once symbolized both strength and honor among Japan’s elite samurai class.

Features

- Intricately Lacquered Cuirass (Dō): The black lacquered cuirass is accented with elegant gold embellishments, designed to project both authority and refinement

- Kote Sleeves with Reinforced Chainmail: The arm guards are constructed with iron splints and fine chainmail, providing superior protection across the forearms and shoulders

- Protective Chainmail Extensions: Additional chainmail across the torso and back reflects advancements in battlefield defense during Japan’s warring states era

- Jingasa War Hat: The lacquered jingasa bears the mon (family crest) of the Takeda clan, one of the most powerful and influential warrior families of medieval Japan

- Traditional Dark-Blue Silk Lacing: The vibrant blue lacing remains exceptionally well-preserved, contrasting beautifully against the dark lacquered armor

- Certified Authenticity: Includes documentation (COA) verifying its age and origin, aligning with the craftsmanship and stylistic elements of the Muromachi Period

Cultural Significance
Samurai armor represented far more than protection — it was an emblem of social status, lineage, and the Bushidō code of honor. This exceptional Muromachi-period set reflects Japan’s artistic ingenuity and the unwavering spirit of its warrior class. Each element embodies discipline, craftsmanship, and the reverence for battle and ceremony that defined feudal Japan.

Condition
Remarkably preserved for its age, with minor lacquer wear, silk fraying, and patination consistent with centuries of age. Structurally sound, stable, and visually impressive for display.

Age (Approximate)

450–690 years old

Provenance 

From a private collection in Toronto, Ontario. Acquired by the current owner in 2025.
Dimensions:
Overall Height (including stand): 45.7 in
 

Price Estimate: CAD 5000 - 10000

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Japanese Samurai Do-Maru Armour with Takeda Clan Crest | 14th–16th Century

Historical Context & Origin

Region: Tibet
Material: Gilded bronze with traces of polychrome
Period: Circa 18th–19th Century

Description

An evocative fragmentary Buddha head cast in bronze and richly adorned with remnants of gilding. The serene facial features—gentle smile, half-closed eyes, and elongated ears—express the meditative calm characteristic of Tibetan Buddhist art. The ornate crown, decorated with fine floral and geometric patterns, suggests this is likely an image of a crowned Buddha or Bodhisattva, possibly Avalokiteshvara (Chenrezig).

Features

- Finely cast bronze with traces of original gilding and pigment

- Distinctive crown with incised decorative patterns and central finial

- Elegant proportions with stylized eyes, nose, and lips conveying spiritual tranquility

- Presented on a modern custom wooden display base

Cultural Significance

Buddha heads in Tibetan art embody not only the likeness of the Enlightened One but also the ideals of wisdom, compassion, and serenity. This fragment, though once part of a larger statue, remains a powerful devotional image and a valuable collector’s piece reflecting Tibetan Buddhist traditions.

Condition

Fragmentary as shown, with surface wear, patina, and loss of gilding consistent with age. Mounted for display.

Dimensions (Approximate)

Height (including base): 5.5 in

Age (Approximate)

125–325 years old

Provenance 

Part of an old private collection in New York, New York, USA. Acquired by the current owner in 2025.
Dimensions:
Height (including base): 5.5 in
 

Price Estimate: CAD 900 - 1600

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Tibetan Buddha Head with Crown | Fragmentary Sculpture | 18th–19th Century

Historical Context & Origin

Region: France, Western Europe
Material: Forged steel with brass studs, linen and leather lining
Period: Early 19th Century (Napoleonic Period, circa early 1800s CE)

Description

An impressive early 19th-century French cuirassier armor set comprising a forged-steel breastplate and matching backplate, mounted with traditional brass studs. Measuring approximately 16 inches high by 15 inches wide, this example remarkably retains its original linen lining with leather-trimmed edges—an increasingly rare survival on pieces of this age. The surface displays attractive historic patina and honest period wear, while the interior shows expected darkening from age and service. The refined contouring and precision brass riveting exemplify the superior craftsmanship of French military armories during the Napoleonic era.

Features

- Authentic French cuirassier breastplate and backplate from the Napoleonic era

- Brass-studded construction and reinforced edgework

- Original linen lining and leather trim elements retained

- Excellent display presence with beautiful historical patina

- A museum-quality example of elite European cavalry armor

Cultural Significance

Cuirassiers represented the elite heavy cavalry of Napoleon Bonaparte’s famed Grand Armée. Recognized for their imposing battlefield presence, discipline, and status, they wore breast and back armor as both functional protection and a symbol of military prestige. This cuirass stands as a powerful representation of European cavalry tradition and one of the most defining eras in military history.

Condition

Excellent presentation with stable patina throughout. Minor age-related wear, surface marks, and interior staining consistent with period use and age. Structurally strong and visually impressive, retaining notable original interior components.

Age (Approximate)

200–225 years old

Provenance 

Property from the collection of Harrison M. Scheak, Toronto. Subsequently sold through Waddington’s, Toronto, in June 2011 as Lot 10. Acquired by the current owner in 2017.
Dimensions:
Width: 15 in x Height: 16 in
 

Price Estimate: CAD 1000 - 1500

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French Cuirassier Brass-Studded Breastplate &#38; Backplate | Circa Early 19th Century

Historical Context & Origin

Region: Ancient Egypt
Material: Faience with mineral pigmentation
Period: Circa 1069–664 BCE (Third Intermediate Period)

Description

This exceptional trio of ancient Egyptian faience ushabti figures is a beautifully preserved funerary grouping, each modeled in traditional mummiform posture with arms crossed and detailed facial features. Exhibiting a striking palette of aged turquoise, sandy brown, and mineral-green surface encrustations, the figures retain traces of their original faience glaze, now softened by centuries of burial.

Each ushabti stands with characteristic poise—iconic representations of servants intended to accompany and serve the deceased in the afterlife. Variations in sculptural detail across the three indicate they were crafted individually, likely by the same workshop, making this an unusually cohesive miniature assemblage.

Mounted on a custom dark hardwood display base, the grouping presents as both an archaeological relic and an elegant presentation piece for collectors of Egyptian antiquities.

Features

- Authentic Ancient Egyptian faience ushabti trio

- Distinct sculptural differences showing handmade individuality

- Attractive mineral patina with turquoise, sandstone, and earthen tones

- Well-preserved facial details and traditional mummiform forms

- Mounted on a custom museum-style hardwood base

- A rare curated set — ideal for display or academic collection

Cultural Significance

Ushabtis, also known as shabtis or shawabtis, played a vital role in Egyptian funerary tradition. Placed inside tombs, they were believed to magically animate in the afterlife to perform agricultural and labor tasks on behalf of the deceased. Often inscribed with spells from Chapter 6 of the Book of the Dead, their presence symbolized comfort, provision, and eternal service.

A grouped set such as this echoes the ancient Egyptian belief in having numerous attendants to ensure abundance and security throughout eternity.

Condition

Excellent archaeological condition with expected surface wear from burial. Stable mineral deposits, encrustations, and light losses consistent with age. No modern restorations observed. Mounted securely for display.

Dimensions (Approximate)

Each Ushabti:
Height: 2.75–3.25 in
Width: 0.75–1 in

Mounted Display Base:
Length: 6.5 in
Depth: 2.5 in

Age (Approximate)

2,700–3,100 years old

Provenance 

From a private collection in Sarasota, Florida, USA. Acquired by the current owner in 2025.
 

Price Estimate: CAD 375 - 650

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Ancient Egyptian Ushabti Figures (3) | Circa 1069–664 BCE

Historical Context & Origin

Region: Andean Colonial, Peru (Cuzco or Upper Peru workshop)
Material: Oil on canvas, laid to wooden panel; later gilt-and-black frame
Period: Late 18th–Early 19th Century (ca. 1780–1820)

Description

A magnificent Andean Colonial Madonna and Child devotional oil painting from the renowned Cuzco School tradition. Depicting the crowned Virgin and Christ Child surrounded by angelic putti, the composition exemplifies the vivid Andean palette, baroque symbolism, and spiritual intensity that defined post-colonial South American art.

Below, a kneeling pilgrim saint—possibly St. James (Santiago)—and a uniformed donor evoke the fusion of European iconography and local piety. The Virgin’s radiant nimbus and coral-and-gold highlights typify late-18th-century regional workshops. The canvas, later laid to panel, reflects traditional 19th-century conservation methods used throughout Peru and Bolivia.

Features

- Crowned Madonna and Child with radiant nimbus

- Cherubic putti among luminous clouds

- Pilgrim saint with rosary and staff

- Uniformed donor holding halberd; colonial architecture in distance

- Vivid Andean pigments and folk-baroque brushwork

- Oil on canvas, laid to wooden panel; later gilt-and-black frame

Cultural Significance

The Escuela Cuzqueña united European Counter-Reformation ideals with Andean symbolism, producing spiritual masterpieces for churches and private devotion. Such paintings represented divine intercession, often commissioned by noble families or colonial militias—making this example both historically and culturally significant.

Condition

Stable with fine craquelure and light restoration from past conservation. Minor wear and toning consistent with age. Frame with gentle abrasions and small nicks.

Age (Approximate)

205–245 years old

Provenance 

From a private collection in Dania Beach, Florida, USA. Acquired in 2026.
Dimensions:
Width: 36 in x Height: 27.5 in 
 

Price Estimate: CAD 2500 - 4500

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Andean Colonial Oil on Canvas: Virgin &#38; Child, Donor and Saint | Cuzco School | Circa 1780–1820

Historical Context & Origin

Region: Egypt
Material: Linen wrappings, polychrome gesso mask, organic remains, wooden display base
Period: Ptolemaic Period, circa 300–100 BCE

Description

This ancient Egyptian votive cat mummy is a truly remarkable artifact, dating to the Ptolemaic Period (circa 300–100 BCE) — over 2,000 years old. Representing the sacred connection between humans and the divine in ancient Egypt, this exquisitely preserved mummy offers a rare opportunity to own a genuine relic of one of history’s most spiritual civilizations. The mummified feline displays extraordinary craftsmanship and preservation, featuring a finely modeled polychrome gesso mask with almond-shaped eyes, stylized whiskers, and traces of ochre, red, and blue-green pigments — a stunning survival of original ancient color.

Features

- Intricate linen wrappings arranged in geometric cross-banding, demonstrating the skill and care of ancient embalmers

- Finely detailed gesso mask combining ritual artistry and religious devotion, likely created for temple offering to the goddess Bastet

- X-rayed and scientifically verified to contain genuine feline skull and organic remains

- Mounted on a custom wooden base for museum-quality display and protection

- Includes provenance documentation confirming genuine Ptolemaic-era origin

Cultural Significance

Votive animal mummies such as this were sacred temple offerings presented by worshippers seeking divine favor, fertility, or protection under the goddess Bastet — the revered symbol of grace and guardianship in ancient Egyptian religion. This specimen embodies the intersection of art, faith, and preservation, serving as a rare testament to the spiritual devotion and ritual sophistication of ancient Egypt. Whether displayed as a centerpiece or educational artifact, it bridges the modern world with the mysticism of Egypt’s sacred temples.

Condition

Exceptionally preserved with visible pigment traces and intact wrappings. Minor surface wear and loss consistent with antiquity. The wooden base remains stable and secure for long-term exhibition.

Age (Approximate)

2,100–2,325 years old

Provenance 

From a private New England estate, USA, where the piece remained within the family for more than 50 years. Subsequently held in a private collection in Santa Fe, New Mexico, USA. Acquired by the current owner in 2025.
Dimensions:
Width: 2.5 in x Height (with base): 7.875 in
 

Price Estimate: CAD 5000 - 8500

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Ancient Egyptian Cat Mummy | Mummified Bastet Offering | 300–100 BCE

Historical Context & Origin

Region: United Kingdom / New Zealand (Mount Everest expedition history)
Material: Ink on U.S. 1 banknote, framed under glass with archival backing
Period: Mid–Late 20th Century (signature of Sir Edmund Hillary, 1919–2008)

Description

This rare and historically significant artifact preserves the authenticated signature of Sir Edmund Hillary (1919–2008), the legendary mountaineer who, together with Sherpa Tenzing Norgay, achieved the first confirmed ascent of Mount Everest in 1953. Signed in ink on a United States one-dollar banknote and preserved beneath glass within a professional archival frame, the piece offers collectors a tangible connection to one of the greatest achievements in the history of exploration.

The presentation has been professionally framed for preservation and display, creating a striking museum-quality exhibit measuring 37 inches wide by 28 inches high. The autograph has been authenticated by a forensic document examiner and is accompanied by a Certificate of Authenticity (COA), ensuring its provenance and legitimacy.

Beyond his historic Everest ascent, Sir Edmund Hillary became renowned for his humanitarian work in Nepal, where he helped establish schools, medical clinics, and infrastructure for the Sherpa communities who had supported Himalayan expeditions. His legacy remains one of courage, perseverance, and service.

Features

- Authentic ink signature of Sir Edmund Hillary

- Signed on a U.S. 1 banknote

- Professionally framed museum-style presentation

- Authenticated by forensic document examiner

- Certificate of Authenticity included

Cultural Significance

The first successful ascent of Mount Everest in 1953 marked a defining moment in the history of human exploration. Sir Edmund Hillary and Sherpa Tenzing Norgay’s achievement symbolized determination, international cooperation, and the limits of human endurance. Memorabilia associated with Hillary remains highly sought after by collectors of exploration history, mountaineering artifacts, and historic autographs. Objects such as this signed banknote preserve the memory of a transformative moment in the story of human achievement.

Condition

Excellent condition. Signature remains clear and well-preserved. Professionally mounted within a secure archival frame under glass.

Age (Approximate)

30–60 years old

Provenance 

From a private collection in Washington, Pennsylvania, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 37 in x Height: 28 in
 

Price Estimate: CAD 300 - 600

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Sir Edmund Hillary | Authentic Hand-Signed U.S. $1 Banknote | Certified Autograph &#38; Professionally Framed Display | 20th Century Collectible

Historical Context & Origin

Region: Continental Europe (Central/Eastern Europe—likely Alpine/Germanic or Polish)
Material: Hand-carved hardwood (walnut/fruitwood) with deep, oxidized patina
Period: Late 18th to early 19th century (c. 1780–1830)

Description

Folk-carved devotional panel depicting a mitered bishop—almost certainly a saint such as St. Nicholas—shown in benediction with his right hand raised and holding a crozier in his left. The figure is executed in shallow relief within a bold foliate border of palm/laurel fronds; fan and rosette motifs anchor the base. The carving retains a rich, dark surface with centuries of handling and wear. Likely produced for a domestic shrine or as a decorative architectural panel (e.g., chest or cupboard door) and later fitted for wall display.

Features

- Naïve/vernacular carving of a bishop-saint with crozier and blessing gesture

- Strong symmetrical foliate border; scalloped “shell” fan and floral rosettes

- Warm hand-rubbed patina; chisel and punch marks visible throughout

- Later hanging eyelet at the top for display

Cultural Significance

Rural devotional panels like this brought ecclesiastical imagery into the home. The bishop’s crozier and blessing hand are traditional signs of pastoral authority and protection; St. Nicholas is among the most commonly portrayed bishop-saints in Central and Eastern Europe.

Condition

Good, age-consistent wear: scattered abrasions, minor old losses to the carving, small age cracks (notably at the top), and surface smoothing from handling. Stable and ready to hang; later small brass hanging loop added.

Age (Approximate)

195–245 years old

Provenance 

From a private collection in Poughkeepsie, New York, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 9.75 in x Height: 18.88 in
 

Price Estimate: CAD 500 - 850

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St. Nicholas with Crozier | Hand-Carved | Hardwood Shrine Panel | Circa 1780–1830

Historical Context & Origin

Artist: Edward John Cobbett R.B.A. (1815–1899)
Title: Happy Moments
Region: England
Period: Circa 1860–1880
Medium: Oil on Canvas

Edward John Cobbett was a celebrated Victorian artist and member of the Royal Society of British Artists, renowned for his idyllic rural and domestic scenes. His paintings embody the sentimental humanity and technical refinement that defined 19th-century British genre art.

Description

Happy Moments captures the tranquil beauty of Victorian life through a warm and intimate family scene. A mother tenderly holds her child beside two companions set against a calm coastal landscape. Cobbett’s signature attention to detail—visible in the soft modeling of faces and the glow of natural light—creates a sense of quiet joy and domestic peace.
Signed lower right: E.J. Cobbett R.B.A.

Features

- Victorian rural genre painting of mother and child by E.J. Cobbett

- Serene coastal composition with refined Victorian palette

- Signed lower right: E.J. Cobbett R.B.A.

- Period gilt gesso frame with foliate scrollwork and shell motifs

- Stretcher stamped Charles Roberson, 99 Long Acre, London—prestigious 19th-century art supplier

Cultural Significance

Cobbett exhibited regularly at the Royal Academy and Suffolk Street Galleries, presenting over 100 paintings throughout his career. His work reflected Victorian values of family, faith, and simplicity—making him a key figure in Britain’s domestic genre tradition.
Happy Moments exemplifies this ideal, blending emotional depth with painterly precision.

Condition

Stable canvas with fine craquelure typical of age. Minor frame wear consistent with antiquity. Vibrant color retention and excellent tonal balance throughout.

Provenance

Handwritten notes on stretcher reference Cobbett’s exhibition history at the Royal Academy and other British institutions.

Dimensions (Approximate)

Canvas:
Height: 30 in
Width: 25.5 in

Frame:
Height: 37 in
Width: 33 in

Age (Approximate)

145–165 years old

Provenance 

From a private collection in Montreal, Quebec. Acquired by the current owner in 2025.
Dimensions:
Width: 33 in x Height: 37 in
 

Price Estimate: CAD 1100 - 1800

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&#34;Happy Moments&#34; Oil by E.J. Cobbett | British Genre Scene | 19th Century

Historical Context & Origin

Region: Myanmar (Burma)
Material: Carved wood with parcel gilding and painted surface
Period: Mandalay Period, circa 19th century

Description

This striking devotional sculpture depicts a kneeling Buddhist devotee with hands pressed together in prayer (añjali mudrā), a traditional gesture of reverence offered before images of the Buddha. Figures of this type were commonly placed within Burmese temples and monastery shrines as symbolic attendants participating in eternal devotion.

The figure is shown seated upon a rectangular base with legs folded beneath the body, the palms joined in respectful prayer at chest height. The serene facial expression, elongated ears, and smooth stylized features reflect the refined sculptural traditions associated with Burmese religious art of the Mandalay period (1857–1885).

Traces of original parcel gilding remain throughout the sculpture, particularly along the robes, facial features, and prayer hands, highlighting the contours of the carving. The surface retains areas of dark lacquer and painted decoration, now naturally worn through decades of devotional use and age. This weathered patina creates a rich visual texture characteristic of authentic temple sculpture.

The figure’s simplified robe forms and gentle modeling emphasize spiritual calm and humility. Such sculptures were traditionally displayed before larger Buddha images, symbolizing the perpetual reverence of the faithful.

Features

- Large devotional Burmese temple sculpture

- Traditional añjali mudrā prayer gesture

- Remnants of original parcel gilding and lacquer decoration

- Mandalay-style facial features and robe carving

- Sculptural base typical of temple attendant figures

- Authentic age-related patina from long-term devotional use

Cultural Significance

In Burmese Buddhist temples, kneeling figures representing devotees or monks are often placed before Buddha images as eternal worshippers. Their hands pressed together symbolize reverence, humility, and devotion to the Buddha’s teachings.

During the Mandalay period, Burmese religious sculpture flourished under royal patronage. Figures such as this were carved for monasteries, temple interiors, and domestic shrines, often finished with lacquer and gold leaf. Over time, the gilding would wear naturally through ritual handling and environmental exposure, creating the beautifully aged surfaces seen today.

These devotional sculptures represent the deeply spiritual artistic traditions of Myanmar and remain important expressions of Theravada Buddhist culture.

Condition

Good antique condition consistent with age and devotional use. Surface wear to the original gilding and painted layers is present, along with areas of exposed wood and lacquer patina. Minor abrasions and surface irregularities are visible, but the structure remains stable with no major damage observed.

Age (Approximate)

140–180 years old

Provenance 

From a private collection in San Francisco, California, USA, where the piece remained within the family for over 50 years. Subsequently held in a private collection in Los Angeles, California, USA. Acquired by the current owner in 2026.
Dimensions:
Width: 8.5 in x Depth: 10 in x Height: 18 in 
 

Price Estimate: CAD 300 - 600

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Large Gilt Painted Stone Kneeling Buddha Figure | Southeast Asian Buddhist Devotional Sculpture | Circa 19th Century

Historical Context & Origin

Region: Central Asia / Persian Cultural Sphere
Material: Cast brass or copper-alloy with natural aged patina
Period: Circa 17th–19th Century CE

Description

This unusually large and sculptural brass piece is an archer’s thumb ring, traditionally used across Central Asia and Persia by mounted archers employing the “Mongolian draw.” Unlike a standard finger ring, the broad flared lip and expanded face were engineered to protect the archer’s thumb from the intense tension and release of the bowstring.
The exterior preserves hand-engraved vegetal and abstract motifs, softened by centuries of wear and exhibiting deep green oxidation in recessed areas. Its rich olive-brown patina, smoothened surfaces, and natural textural aging are fully consistent with prolonged use and long-term burial or storage.
This example is particularly striking, rising into a pointed shield-like form that blends martial functionality with bold, sculptural presence.

Features

- Large protective lip typical of traditional thumb-draw archery rings

- Hand-engraved designs with age-darkened recesses

- Thick, heavy cast construction

- Beautiful natural patina ranging from olive to deep brown

- Impressive display presence with strong cultural and historical character

Cultural Significance

Thumb rings were essential tools for traditional archers across the Near East and Central Asia, where mounted cavalry and elite bowmanship shaped warfare for centuries. These rings served as both functional equipment and symbols of rank or martial skill. Many were finely decorated, merging artistry with purpose.
Today, they are treasured as weapons-related artifacts and sculptural objects that embody a long-standing martial tradition.

Condition

Good archaeological condition with expected surface wear, patination, and minor edge softening consistent with age. No modern repairs observed.

Age (Approximate)

125–425 years old

Provenance 

From a private collection in Tallahassee, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
US ring size: 17
 

Price Estimate: CAD 225 - 400

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Brass Archer’s Thumb Ring with Engraved Motifs | Central Asian/Persian Tradition | Circa 17th–19th Century

Historical Context & Origin

Region: India or Nepal
Material: Hand-carved hardwood with traces of original polychrome pigment
Period: Circa 18th–19th Century

Description

A magnificent and powerful depiction of Garuda, the mythic eagle-like deity venerated in Hindu and Buddhist traditions. Hand-carved from dense hardwood, this imposing figure stands 32&#34; tall. The sculpture portrays Garuda kneeling with wings extended and palms raised in offering—an iconic representation of his eternal devotion to Vishnu. Traces of early pigments remain visible across the surface, revealing hints of red, green, and gold that once accentuated its divine form.

Features

- Finely carved facial features with expressive eyes and conical headdress

- Original layered pigment remnants throughout body and wings

- Mounted on a modern museum base for stability and display

- Exceptional scale and presence, ideal for gallery or temple collection

Cultural Significance

In Hindu mythology, Garuda symbolizes strength, protection, and spiritual freedom. As the celestial mount of Vishnu, he represents the triumph of good over evil and the soul’s liberation from earthly bonds. Sculptures of Garuda were often positioned at temple entrances or above sanctuaries to guard against malevolent forces, serving both ritual and architectural purposes.

Condition

Excellent preservation for its age, with expected weathering, surface wear, and pigment loss consistent with antique temple carvings. Stable and structurally sound with a rich, aged patina.

Age (Approximate)

125–325 years old

Provenance 

From a private collection in Houston, Texas, USA. Acquired by the current owner in 2025.
Dimensions:
34 in x 28 in x 32 in
 

Price Estimate: CAD 1100 - 2400

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Antique Winged Temple Guardian | Hand-Carved Wooden Figure | Circa 18th–19th Century

Historical Context & Origin

Region: Mesoamerica (Central Mexico or West Mexico)
Material: Terracotta, carved stone/bone, painted ceramic, and woven textile
Period: Pre-Columbian, circa 300 BCE – 900 CE

Description

This finely curated shadowbox collection brings together multiple Pre-Columbian artifacts, each reflecting a different aspect of Mesoamerican ritual and daily life. At its center rests a small carved white skull effigy in stone or bone, a potent symbol of death, regeneration, and the cyclical nature of existence in Mesoamerican belief. Flanking it are two terracotta mask fragments with hollow eyes and stylized features, once used in ceremonial or funerary contexts.

Beneath these, a green-painted pottery shard preserves traces of ancient pigment, while a terracotta figurine fragment retains the feet and legs of a larger ancestral figure. A small cylindrical piece — likely a bead or ritual implement — adds further depth. Completing the ensemble is a woven textile fragment decorated with red geometric motifs, underscoring the role of weaving as a cultural and ceremonial art form. Professionally mounted in a shadowbox frame, the grouping presents as both an archaeological cross-section and a compelling display piece.

Features

- Carved white stone/bone skull effigy, symbolizing mortality and regeneration

- Two terracotta mask fragments with stylized ceremonial features

- Figurine fragment showing feet and legs of an ancestral figure

- Painted ceramic shard retaining traces of green pigment

- Small cylindrical fragment, likely bead or ritual element

- Woven textile fragment with geometric motifs

- All mounted in a custom shadowbox for preservation and exhibition

Cultural Significance

This collection reflects the interconnected ritual and artistic traditions of Pre-Columbian Mesoamerica. Masks were integral to ceremony and funerary rites; skull imagery conveyed powerful cosmological beliefs in death and renewal; figurines embodied fertility, lineage, and household ritual; painted ceramics enriched social and ceremonial life; and textiles carried immense symbolic and economic weight. Displayed together, the ensemble offers a rare, tangible glimpse into the material culture of one of the world’s most sophisticated ancient civilizations.

Condition

All artifacts are fragmentary with surface wear, pigment loss, and mineral accretions consistent with excavation and age. Textile fragment remains fragile but stable. Shadowbox frame in very good condition, ready for display.

Age (Approximate)

1,100–2,300 years old

Provenance 

From a private collection in Ottawa, Ontario. The owner was a lifelong collector of Pre-Columbian art and artifacts who traveled extensively throughout South America. Following their passing, the collection was liquidated by the family, with numerous artifacts acquired by the current owner in 2025.
Dimensions:
11.25 in x 4.5 in x 11.25 in
 

Price Estimate: CAD 600 - 1000

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Pre-Columbian | Shadowbox Display: Skull Effigy, Masks, Figurine &#38; Shard | Circa 300 BCE – 900 CE

Historical Context & Origin

Region: Colonial Latin America (likely Mexico or Central America)
Material: Polychrome wood, metal chain, silver cross (marked “Sterling, Mexico”)
Period: 18th–19th Century

Description

This is an antique polychrome wooden figure of an angel or saint, carved in the traditional colonial Latin American style. The figure stands upon a rounded globe-like base, symbolizing heavenly dominion. The figure retains remnants of its original painted surface, now heavily worn with age, displaying traces of gilding and black drapery. The angel’s wings are gilded and attached at the back, while a sterling silver chain with an ornate cross pendant (hallmarked “Sterling, Mexico”) was later added, enhancing its devotional presentation.

Carved devotional statues such as this were central to Catholic practice in the Spanish colonies, often housed in churches, monasteries, and private shrines. The style and wear are consistent with 18th–19th century folk-religious carving traditions.

Features

- Hand-carved wooden devotional figure with wings

- Remnants of original polychrome and gilding

- Angelic figure standing on symbolic orb base

- Later addition: silver chain with hallmarked Mexican sterling cross

- Highly expressive folk-colonial craftsmanship

Cultural Significance

Colonial religious art in Latin America blended European Catholic iconography with indigenous and local traditions. Angels, saints, and the Virgin Mary were often depicted in wooden sculptures, which became focal points for prayer and devotion. This piece exemplifies the enduring religious heritage of colonial Mexico or Central America, embodying both faith and artistry.

Condition

Significant wear and patina consistent with age. Surface shows flaking, cracks, and areas of loss to polychrome. The orb base has a large age crack and repair, but remains stable. Wings and halo show wear and possible later repairs. Chain and sterling cross pendant are later additions.

Age (Approximate)

125–325 years old

Provenance 

From a private collection in Norfolk, Virginia, USA. The extensive collection belonged to a professor at a local college who traveled internationally from the age of 15 and made it his lifelong mission to visit every country in the world. Acquired by the current owner in 2025.
Dimensions:
Height: 16.5 in
 

Price Estimate: CAD 300 - 650

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Polychrome Wooden Angel Statue | Spanish Colonial Ecclesiastical Art | 18th–19th Century Mexico

Historical Context & Origin

Region: Egypt
Material: Linen wrappings, organic remains
Period: Late Period to Early Roman Period, circa 664 BC – 100 AD

Description

This authentic ancient Egyptian mummified juvenile crocodile is a captivating and exceedingly rare specimen, dating from the Late Period to the Early Roman Period (circa 664 BC – 100 AD) — over 2,000 years old. Revered as a sacred representation of Sobek, the crocodile god of fertility, protection, and the life-giving power of the Nile, this artifact embodies Egypt’s profound spiritual reverence for the natural world.

Originally part of a matched pair, this specimen has been X-ray verified, with the radiograph image included in the photo gallery. The scan confirms the presence of an intact crocodilian skeleton within the linen wrappings, affirming its authenticity and votive nature. Measuring approximately 11.5 inches in length, the crocodile retains its original votive form, carefully bound in layers of aged linen. Despite its immense age, it remains remarkably well preserved, offering rare insight into Egypt’s animal-mummification rituals and temple-based devotional practices.

Features

- Tightly bound linen wrappings showing darkened tonality and fraying consistent with antiquity

- Ritual mummification reflecting professional embalming methods used for votive offerings to Sobek

- X-ray verified with confirmed internal crocodile skeleton and wrapping pattern

- Originally created as one of a matched pair of votive crocodiles

- Dedicated as a sacred gift for divine favor and protection under Sobek’s power

- Placed in temple crypts or sacred caches, symbolizing the link between faith, fertility, and preservation

- Accompanied by a Certificate of Authenticity with comparative analysis to examples in the Cairo Museum and British Museum

- Professionally stabilized and conserved for long-term preservation and display

Cultural Significance

Mummified crocodiles were sacred votive offerings to Sobek, venerated as the divine lord of the Nile’s fertility and its fearsome guardian. Worshippers offered such mummies within temples at Kom Ombo and Fayum to secure protection and prosperity. The enduring preservation of this example reflects not only Egypt’s remarkable embalming skill but also the deep spiritual devotion that defined its funerary and religious culture.

Condition

Exceptionally well preserved with stabilized linen wrappings and light age-related wear. Professionally conserved and X-ray verified; no modern restoration or alteration.

Age (Approximate)

1,900–2,700 years old

Provenance 

Formerly in the collection of renowned British architect Sir William Whitfield (1920–2019), United Kingdom, acquired in the early 1940s. Later offered by Dreweatts 1759 Fine Sales, Newbury, United Kingdom, The Collection of Sir William Whitfield CBE Part One, 10 March 2020, Lot 140. Acquired by the current owner in 2022.
Dimensions:
Length: 11.5 in 
 

Price Estimate: CAD 2500 - 4500

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Ancient Egyptian Crocodile Mummy | X-Ray Verified | Authentic Animal Votive Offering | 664–100 BCE

Historical Context & Origin

Region: United States
Material: Brass, glass, and oak wood
Period: Circa 1925

Description

This fine marine compass was produced by the legendary American maker E.S. Ritchie of Boston, renowned for his precision nautical instruments. Housed in a beautifully dovetailed oak case with brass fittings, the piece features a dry card compass encased within a gimballed brass ring. It bears the serial number 27216 and is marked with the maker’s name, ensuring authenticity.

What sets this example apart is its provenance: this compass was originally mounted on the personal bridge deck cruiser Argossy, belonging to the Honourable Louis Orville Breithaupt, who served as the 18th Lieutenant Governor of Ontario (1952–1957). A notable figure in Canadian public life, Breithaupt came from a prominent German-Canadian family with deep industrial and civic roots in Kitchener (formerly Berlin), Ontario. Before his vice-regal appointment, he was the Mayor of Kitchener, a Member of Parliament, and President of Breithaupt Leather Company, one of the leading tanneries in Canada at the time.

The Argossy, his elegant bridge deck cruiser, was a fixture of Ontario’s lakes during the mid-20th century. Outfitted with the finest equipment of the time—including this very compass—it embodied both sophistication and progress. The yacht often hosted dignitaries and guests during Breithaupt’s years in public life, serving not only as a personal retreat but also as a venue for diplomacy and recreation.

Features

- Gimballed dry card compass with floating needle

- Original oak case with dovetail joinery and brass fittings

- Clearly marked: “E.S. RITCHIE – BOSTON – 27216”

- Provenance: From the Argossy, yacht of Lt. Governor Louis Orville Breithaupt

- Includes original handwritten navigational notes beneath the housing

Cultural Significance

This compass represents a rare intersection of nautical history and Canadian political heritage. As both a precision navigational tool and a historically linked artifact, it holds exceptional value. Its connection to a Lieutenant Governor of Ontario and his legacy of industrial leadership and public service elevates it beyond utility—it becomes a story, a symbol of Canadian statesmanship and refinement. The inclusion of navigational notes provides a rare, personal glimpse of its use aboard Argossy.

Condition

The compass is in excellent vintage condition. It floats and rotates freely within its gimbal, while the printed bearing diagram remains intact beneath the housing. The oak and brass case displays minor surface wear consistent with age and use, contributing to its authentic character. No restorations have been detected.

Compass Diameter: 9.25 in

Age (Approximate)

101 years old

Provenance

Originally mounted on Lieutenant Governor Louis Orville Breithaupt’s bridge deck cruiser, Argosy. Subsequently sold through Waddington’s, Toronto, in November 2017 as Lot 473. Acquired by the current owner in 2022.
Dimensions:
Width: 15.25 in x Length: 15.25 in x Height: 7 in
 

Price Estimate: CAD 700 - 1100

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

E.S. Ritchie Marine Compass in Oak Case | From Yacht Argossy of Lt. Governor Louis Orville Breithaupt | Circa 1925

Historical Context & Origin

Region: Tibet
Material: Cast bronze with original leather or fiber cords
Period: 19th to Early 20th Century

Description

This authentic set comprises six Tibetan bronze amulets, each individually cast and decorated with powerful Buddhist and folk imagery. Traditionally worn or carried by pilgrims, monks, and lay practitioners, these amulets served as talismans of protection, fortune, and blessing throughout the Himalayan region. Each piece retains its original patina and signs of devotional use, offering both spiritual resonance and cultural artistry.

The set includes:

- St. George Slaying the Dragon – A framed depiction of the warrior saint mounted on horseback, triumphing over a dragon. Symbolizes the eternal victory of good over evil.

- Mask Amulet – A stylized protective face, likely representing a local guardian deity or spirit invoked for protection.

- Om Mani Padme Hum – A domed amulet inscribed with the sacred Tibetan mantra, mounted in a shrine-shaped frame and suspended from an original leather strap.

- Bull Head Amulet – A small stylized bull’s head, symbolizing strength, resilience, and protection.

- Miniature Ritual Dagger (Phurba) – A hand-cast phurba, a ritual implement associated with spiritual authority and the subjugation of negative forces.

- Skull Amulet (“KILL”) – A cast bronze talisman featuring a human skull engraved with “KILL,” likely used for protection or ritual purposes within Himalayan or Tibetan folk traditions.

Features

- Hand-cast bronze with original leather or fiber cords

- Iconography includes protective deities, sacred mantras, and folk symbols

- Natural patina with verdigris and devotional wear

- Designed for personal use, ritual travel, and daily protection

Cultural Significance

Amulets such as these were central to Tibetan religious practice, serving both protective and devotional purposes. Whether invoking Buddhist blessings or reflecting localized folk traditions, these pieces embodied the wearer’s prayers and faith. Their portability allowed practitioners to carry their beliefs through pilgrimages, trade routes, and everyday life, making them deeply personal expressions of spirituality.

Condition

Overall good antique condition. Natural patina, oxidation, and verdigris consistent with age and use. The bronze surfaces are well preserved, and original leather straps show expected aging. No restorations or modern alterations.

Dimensions (Approximate)

Largest amulet:
Height: 2.5 in
Width: 2 in

Age (Approximate)

100–150 years old

Provenance 

From a private collection in Flushing, New York, USA. Acquired by the current owner in 2025.
Dimensions:
Largest amulet: Height: 2.5 in Width: 2 in
 

Price Estimate: CAD 225 - 425

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Tibetan Bronze Amulet Set | Six Protective Talismans with Sacred Imagery | 19th–Early 20th Century

Historical Context & Origin

Region: India (South Asia, also historically used in Pakistan and Nepal)
Material: Lacquered card; paper-covered wood box with polychrome painted decoration
Period: 19th Century

Description

This complete Indian Ganjifa set, comprising 98 hand-painted round cards and an ornate storage box, represents a traditional form of playing cards that was popular across India, Pakistan, and Nepal. Known for their artistic and cultural significance, Ganjifa cards were highly detailed and often served as both game pieces and works of art.

The box is crafted from paper-covered wood panels with a cinnabar-red interior and finely painted polychrome designs on all sides. Its sliding lid provides both elegance and practicality. Exterior decoration includes palace scenes, courtly processions, and hunting motifs, all executed in the vibrant miniature painting tradition of India.

Inside are 98 large, round lacquered cards, each individually hand-painted with miniature scenes and bordered with fine decorative patterns. Together, they create a visually stunning and historically rich set.

Features

- Complete set of 98 round, hand-painted Ganjifa cards

- Lacquered card material with intricate miniature paintings

- Paper-covered wood box with polychrome painted panels and cinnabar-red interior

- Palace, procession, and hunting scenes on box exterior

- Sliding lid for secure closure and storage

Cultural Significance

Ganjifa cards have deep roots in South Asian history, dating back to the Mughal period. Popular among royal courts, they served as entertainment while also reflecting artistry, mythology, and cultural values. The miniature painting style used on the cards and box demonstrates the precision and storytelling central to Indian art traditions.

Condition

Excellent condition overall. The box retains strong colors and decorative detailing with only minor handling wear. The cards are well-preserved with vibrant pigments and intact lacquer, showing minimal age-related surface wear.

Age (Approximate)

125–225 years old

Provenance 

Previously sold through Waddington’s East Auction in 2012. Subsequently held in a private collection in Toronto, Ontario. Acquired by the current owner in 2019.
Dimensions:
Box – Height: 4 in Box – Width: 7 in Card – Diameter: 3 in
 

Price Estimate: CAD 3200 - 5800

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Indian Ganjifa Playing Cards | 98 Hand-Painted Circular Cards in Decorative Wooden Box | 19th Century

Historical Context & Origin

Region: Mediterranean or Near East
Material: Silver with carnelian intaglio
Period: 1st Millennium BCE

Description

This ancient silver ring features a polished carnelian intaglio set into a smooth, rounded bezel. The stone displays a warm reddish-orange hue with natural striations, once finely engraved with a motif that has softened through centuries of wear. Likely originating from the Mediterranean or Near Eastern world, this piece exemplifies the artistic refinement and symbolic importance of carnelian in antiquity.

Features

- Finely polished carnelian intaglio with traces of ancient engraving

- Smooth silver band with natural age patina

- Elegant, balanced design highlighting the central stone

- Durable craftsmanship, blending function and symbolism

Cultural Significance

Carnelian was one of the most prized gemstones in the ancient world, believed to confer vitality, courage, and divine protection. Used widely in amulets, seals, and signet rings, carnelian symbolized prestige and spiritual strength. This ring, once a personal adornment and possible seal, would have been both an emblem of status and a protective talisman.

Condition

Good ancient condition with soft silver patina and surface wear consistent with age. The carnelian retains its luster and vibrant coloration, though the engraved intaglio design has worn, adding to the authenticity and historical character of the piece.

Age (Approximate)

2,025–3,025 years old

Provenance 

From a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Ring Size: 6.5 US
 

Price Estimate: CAD 350 - 650

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Ancient Silver Ring with Carnelian Intaglio | Circa 1st Millennium BCE

Historical Context and Origin Region: Ancient Italy (Etruria) Material: Terracotta with mineral pigment decoration Period: Archaic Period, circa 7th–5th Century B.C. Description This ancient Etruscan terracotta skyphos is a beautifully preserved example of early Italic pottery from the Archaic period. The vessel features a wide flared rim and a stable pedestal foot, accompanied by two horizontal loop handles extending from the shoulder—an elegant form associated with ceremonial drinking cups used throughout the ancient Mediterranean. The exterior is decorated with a striking radial floral motif composed of elongated petal-like elements surrounding a central rosette. Rendered in dark mineral pigment against the warm buff terracotta surface, the decoration reflects the geometric and stylized floral patterns characteristic of Etruscan ceramic workshops influenced by both indigenous Italic traditions and Greek artistic exchange. The vessel’s interior and exterior surfaces exhibit extensive mineral accretions, burial patina, and age-related surface wear consistent with significant antiquity. Wheel-turning marks remain visible on the underside, offering further evidence of ancient manufacture. The decorative motif, balanced proportions, and robust construction suggest the piece was both functional and symbolic, likely used in ritualized drinking or domestic ceremonial contexts. Features - Authentic Etruscan terracotta skyphos form with twin loop handles - Hand-painted radial floral rosette decoration - Flared rim and pedestal foot typical of Archaic Italic pottery - Visible wheel-throwing marks on the base - Heavy mineral patina and burial accretions consistent with age - Classic Mediterranean drinking vessel form used in ritual and domestic settings Cultural Significance Skyphoi were widely used drinking vessels in the ancient Mediterranean, adopted by both Greek and Etruscan cultures. In Etruria, such vessels often appeared in domestic banquets as well as funerary contexts, reflecting the importance of communal drinking and ritual feasting in Etruscan society. Floral and rosette motifs were symbolic decorative elements frequently associated with life, regeneration, and cosmological order in ancient Italic art. Condition Ancient condition with expected surface wear, mineral encrustation, and areas of pigment loss consistent with age and burial. Structurally stable and well preserved for its antiquity. Age (Approximate) 2,400–2,700 years old Provenance From a private collection in South Paris, Maine, USA. The owner was a lifelong collector of antiquities, with numerous artifacts from the collection acquired by the current owner in 2026. Dimensions: 8.5 x 5.25 x 4 in Price Estimate: CAD 600 - 900 Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Etruscan | Terracotta Skyphos with Floral Rosette Decoration | Circa 7th–5th Century B.C.

Historical Context & Origin

Region: Ancient Egypt
Material: Bronze
Period: Late Period to Ptolemaic Period, circa 664–30 BCE

Description

This ancient Egyptian bronze statuette depicts a standing female deity, likely representing the goddess Neith, one of the oldest and most revered deities of the Egyptian pantheon. The figure stands upright in a traditional frontal pose upon an integral rectangular base, a common format used for small votive bronzes dedicated in temples and shrines throughout ancient Egypt.

The figure displays stylized facial features, elongated proportions, and a simplified headdress consistent with Late Period Egyptian bronze casting traditions. The arms are positioned close to the body, suggesting the figure may once have held ritual objects or attributes now lost to time.

Small bronze votive figures such as this were widely offered by worshippers to temples as devotional gifts seeking divine favor or protection. Many were dedicated in sanctuaries associated with the cults of powerful deities such as Neith, a primordial goddess connected with warfare, wisdom, and creation.

The surface exhibits an attractive ancient green patina developed over centuries of burial and oxidation, enhancing both the visual character and authenticity of this evocative relic of ancient Egyptian religious practice.

Features

- Authentic ancient Egyptian bronze votive figure

- Likely depicting the goddess Neith or a related female deity

- Classic Egyptian frontal standing pose on integral base

- Cast bronze construction with attractive aged patina

- Fine example of Late Period Egyptian devotional sculpture

Cultural Significance

Neith was one of Egypt’s most ancient goddesses, worshipped for thousands of years as a deity of creation, war, and wisdom. Her principal cult center was located at Sais in the Nile Delta, where she was revered as a powerful protective and creative force.

Bronze statuettes such as this were commonly placed in temples or dedicated by private individuals as votive offerings, forming part of a vast devotional tradition that connected worshippers with the divine world and the sacred rituals of Egyptian religion.

Condition

Ancient bronze with natural patination and surface wear consistent with age. Minor losses and casting irregularities typical of ancient votive figures. Overall stable with strong sculptural presence.

Age (Approximate)

2,000–2,600 years old

Provenance 

Purchased from Los Robles Gallery, Palo Alto, California, circa 1965, and formerly part of the Pebble Beach Collection. Subsequently held in a private collection in Missoula, Montana, USA. Acquired by the current owner in 2026.
Dimensions:
1.50 x 1.13 x 4.13
 

Price Estimate: CAD 4000 - 6000

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Ancient Egyptian Bronze Votive Statuette | Late Period Temple Offering | Circa 664–30 BCE

Historical Context & Origin

Region: Indonesia (Java, Majapahit Kingdom)
Material: Volcanic andesite/basalt stone
Period: 14th–15th Century CE

Description

Own a rare and museum-worthy Majapahit stone sculpture of Brahma, the Hindu god of creation, dating to the 14th–15th century CE. This exceptional three-faced carving originates from Java, Indonesia, during the height of the Majapahit Kingdom — a period renowned for its fusion of Hindu and Buddhist artistry. The sculpture depicts Brahma with three serene faces, each rendered with arched brows, almond eyes, and calm expressions beneath a tall, tiered crown. Carved from dense volcanic andesite stone, the figure represents divine omniscience and the creative power central to Hindu cosmology. Its large size and temple-style craftsmanship suggest it once formed part of a shrine or sacred courtyard ensemble within a Javanese temple.

Features

- Monumental Temple Origin: Standing approximately 17 inches high, this sculpture is among the few surviving examples of large-scale Brahma figures from the Majapahit period, likely created for a royal or temple setting

- Distinct Three-Faced Design: Each visage of Brahma embodies a different cosmic aspect — creation, preservation, and wisdom — representing Hindu theological mastery in pre-Islamic Indonesia

- Certified Provenance: Documented in the Cecil Blocker Collection (1955–1958) and exhibited at the Cincinnati Art Museum in 1985, confirming its authenticity and institutional recognition

- Archaeological Significance: Unearthed during a tiger pit excavation in Java, offering a rare archaeological context that enhances its historical narrative

- Museum Exhibition Record: Displayed at the Cincinnati Art Museum, March 7, 1985, validating its historical and artistic importance

Cultural Significance

This sculpture embodies the spiritual sophistication of the Majapahit Kingdom, a powerful empire that harmonized Hindu and Buddhist beliefs. Brahma, as the god of creation, symbolizes wisdom, divine order, and the eternal cycle of existence. The three-faced depiction mirrors the Javanese adaptation of Indian theology, illustrating Indonesia’s pivotal role as a cultural bridge between South and Southeast Asia.

Condition

Excellent for its age, with stable structure and natural surface patina typical of ancient volcanic stone. Minor surface wear consistent with antiquity and outdoor temple exposure. 

Age (Approximate)

600–700 years old

Provenance 

Purchased from local Indigenous individuals by the consignor in 1957, who was informed the piece had been unearthed during the excavation of a tiger pit. Formerly part of the Cecil Blocker Collection, with portions of the collection exhibited at the Cincinnati Art Museum from March 7, 1985, to April 18, 1985. Mr. Blocker acquired the piece in Indonesia between 1955 and 1958 while residing there for business. Subsequently held in a private collection in Allentown, Pennsylvania, USA. Acquired by the current owner in 2025.
Dimensions:
11 in x 6.6 in x 17 in
 

Price Estimate: CAD 6000 - 9000

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Majapahit Stone Sculpture of Three-Faced Brahma | 14th–15th Century | Indonesian Hindu Artifact for Sale

Historical Context & Origin

Region: Europe, likely Southern/Northern Continental (workshop unknown)
Material: Hand-carved hardwood (oak or similar) with traces of original gesso, polychrome, and parcel gilding
Period: Baroque, late 17th to early 18th century (circa 1650–1750)

Description

A powerful architectural lion mascaron carved in deep relief as a beam-end corbel, its mane rendered in swirling Baroque scrolls and its muzzle worked in bold, angular planes. Traces of original blue-grey paint and parcel gilding survive in recessed areas, testifying to its once richly polychromed surface.

The reverse retains its integral tenon/shoulder where the block was keyed into a timber, along with two old fixing holes through the side web—clear evidence of period architectural use. Monumental in scale and presence, the carving displays dramatically on a stand or wall.

Features

- Baroque lion mascaron corbel, carved as a structural beam end

- Single-block hardwood with centuries of patina and visible tool marks

- Surviving traces of gesso, paint, and gilding on mane and scrollwork

- Integral tenon and fixing holes indicating original architectural placement

- Strong decorative and sculptural presence for display

Cultural Significance

Lions were a popular apotropaic motif in European art and architecture from the Renaissance through the Baroque, symbolizing vigilance, strength, and civic authority. Carved corbels and mascarons like this adorned churches, guild halls, and palazzi, reinforcing both spiritual and civic ideals through architectural ornament.

Condition

Stable but weathered historical condition consistent with great age and architectural use. Losses to lower section and edges, age shrinkage cracks, inactive old insect channels, and surface abrasions throughout. Retains untouched patina and remnants of historic polychrome; structurally sound for display.

Age (Approximate)

275–375 years old

Provenance 

From a private collection in York, Pennsylvania, USA, specializing in architectural salvage. Acquired by the current owner in 2025.
Dimensions:
7.5 in x 7.5 in x 21.5 in
 

Price Estimate: CAD 650 - 1000

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Carved Lion Mascaron In Hardwood With Traces Of Gilding | Continental Europe | Circa 1650–1750

Historical Context & Origin

Region: Tibet, Himalayan Region
Material: Human and animal bone, cotton backing, natural pigments
Period: 19th Century

Description

This extraordinary Tibetan Tantric ritual apron (rus gyan) represents one of the most sacred and esoteric forms of Himalayan Buddhist art. Crafted from human and animal bone, this ceremonial garment was worn by advanced Tantric practitioners during Chakrasamvara and cemetery rituals to symbolize impermanence, divine power, and spiritual transformation.

Six meticulously carved elliptical plaques depict wrathful deities (Heruka figures) surrounded by intricate bone beadwork and cotton strapping. The geometric lattice of bone spacers and beads forms an ornate network across the surface, combining sacred symbolism with the highest craftsmanship of 19th-century Tibet.

Features

- Authentic 19th-century Tibetan Tantric ritual apron (rus gyan)

- Six carved Heruka or Chakrasamvara deities on bone plaques

- Hand-carved human and animal bone beads in complex latticework

- Cotton cloth backing, aged but intact from ceremonial use

- Rich natural patina attesting to genuine ritual age and use

- Symbolic reference to mortality, transformation, and enlightenment

Cultural & Ritual Significance

These aprons were sacred vestments of Tantric Buddhist priests and practitioners engaged in advanced esoteric meditation. The use of human bone invoked awareness of death and rebirth, while the iconography of fierce protector deities embodied wisdom overcoming ignorance. Within the Chakrasamvara tantric system, the rus gyan served as both an instrument of ritual invocation and a marker of spiritual mastery. Today, such pieces are revered as rare Himalayan relics blending art, devotion, and profound metaphysical meaning.

Condition

Excellent preservation for its age. Surface wear, accretions, and patina consistent with centuries-old ritual use. Bone plaques and beadwork remain stable; cotton backing shows minor age-related fraying but remains intact. A powerful and authentic example of Himalayan Buddhist ritual art suitable for museum or private collection display.

Age (Approximate)

126–225 years old

Provenance 

Previously sold through Waddington’s, Toronto, in 2023. Subsequently held in a private collection in Toronto, Ontario. Acquired by the current owner in 2025.
Dimensions:
25 in x 2.5 in x 31 in
 

Price Estimate: CAD 2200 - 4200

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Tibetan Tantric Ritual Apron (Rus Gyan) | Human &#38; Animal Bone with Deity Carvings | 19th Century

Historical Context & Origin

Region: Persia (Iran)
Material: Steel with gold koftgari inlay, chain-mail, and fabric lining
Period: Qajar Dynasty, 1789–1925 CE

Description

This Persian warrior’s bazu band (arm guard) is a striking example of Qajar-era armor, crafted from steel and decorated with intricate gold koftgari (damascene) inlay. The arm guard retains its original chain-mail lining and rare red fabric interior, both of which significantly enhance its authenticity and historical importance. Designed to protect the forearm during combat, bazu bands formed an essential component of Persian defensive armor while also serving as displays of status and craftsmanship.

Features

- Gold koftgari inlay forming ornate decorative patterns on steel

- Original chain-mail lining providing additional protection

- Rare surviving red fabric interior

- Complete example, uncommon for surviving Qajar-period armor

Cultural Significance

During the Qajar dynasty, finely decorated armor symbolized both martial function and social prestige. Warriors and nobles often commissioned elaborately embellished pieces that reflected both military readiness and artistic refinement. Koftgari decoration—gold or silver inlay hammered into steel surfaces—was a defining feature of Persian metalwork, demonstrating extraordinary technical skill while emphasizing the authority and prestige of elite warriors.

Condition

Exceptionally well-preserved condition with original gold inlay, chain-mail lining, and fabric interior intact. Minor wear consistent with age and historical use reinforces its authenticity as a functional piece of armor.

Age (Approximate)

100–236 years old

Provenance 

From a private collection in Carrollton, Texas, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 4.5 in x Length: 11.5 in
 

Price Estimate: CAD 900 - 1600

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Qajar Persian Warrior Arm Guard | Gold Koftgari Steel Armor Cuff | Circa 19th Century

Historical Context & Origin

Region: Cyprus, Eastern Mediterranean
Material: Bronze
Period: Early Bronze Age, Early Cypriot III (circa 2500–1900 BCE)

Description

This ancient Mediterranean bronze spear is a fine example of early Cypriot weaponry, crafted during the Early Bronze Age. It features a distinct leaf-shaped blade paired with a hooked tang, a hallmark of Cypriot innovation in metalworking. Such spears were designed for both hunting and combat, embodying the technological advancements and cultural exchanges that defined Cyprus as a major hub in the ancient Mediterranean world.

Features

- Finely crafted leaf-shaped blade, ideal for cutting and thrusting

- Hooked tang for secure attachment to a wooden shaft, preventing splitting on impact

- Evidence of advanced Early Bronze Age metallurgy

- Distinctive Cypriot form reflecting both practical and ceremonial use

Cultural Significance

Weapons such as this spear not only served practical roles in hunting and warfare but also held ceremonial importance, often deposited in tombs as grave offerings. Cyprus, strategically located at the crossroads of Greece, Syria, Turkey, and Egypt, became a center of cultural and technological exchange. This spear reflects that dynamic interaction and highlights the island’s importance in early Mediterranean trade and craftsmanship.

Condition

Excellent preservation for its age, with a stable structure and a rich natural bronze patina. Signs of age, including surface wear, affirm its authenticity as an Early Bronze Age artifact.

Age (Approximate)

3,925–4,525 years old

Provenance 

From a private collection in Brea, California, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 2.5 in x Length: 17 in
 

Price Estimate: CAD 650 - 950

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Ancient Leaf Form Bronze Spear | Circa 2500-1900 BCE

Historical Context & Origin

Region: Central Africa (Angola, Zambia, Democratic Republic of Congo)
Material: Carved wood with wickerwork and fiber adornments
Period: Likely 19th–20th Century CE

Description

This finely carved wooden mask is a remarkable example of Chokwe artistry originating from Central Africa. The Chokwe people are renowned for their ceremonial masks, which combine artistic refinement with spiritual meaning. This example features a pronounced brow, serene closed eyes, and geometric forehead designs—distinctive hallmarks of Chokwe craftsmanship. Wickerwork and fiber adornments add texture and dimensionality, enhancing both its visual presence and ceremonial significance.

Features

- Intricately carved facial details emphasizing symmetry and stylization

- Geometric forehead patterns symbolizing mysticism and identity

- Serene closed eyes and pronounced brow characteristic of Chokwe masks

- Wickerwork and fiber attachments creating depth and movement during rituals

- Natural wooden surface with a rich aged patina

Cultural Significance

Masks such as this held profound ceremonial importance among the Chokwe people. Used in initiation rites, dances, storytelling, and spiritual ceremonies, they served as symbolic connections between the living and the ancestral world. Believed to embody spirits, these masks were worn by ritual specialists during sacred performances, guiding communities through rites of passage and religious traditions. Beyond their visual beauty, they represent cultural identity, heritage, and spiritual authority.

Condition

The mask remains in excellent condition with well-preserved carvings and adornments. Visible wear, surface patina, and natural aging affirm its authenticity and historical use.

Age (Approximate)

100–200 years old

Provenance 

From a private collection in Tavares, Florida, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 11 in x Height: 14 in
 

Price Estimate: CAD 2500 - 4500

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Traditional African Mask with Intricate Carving and Wickerwork | Mid-20th Century

Historical Context & Origin

Region: Russia (provincial workshop)
Material: Tempera and gold leaf on wood panel
Period: 18th Century (circa 1700s)

Description

This antique hand-painted Russian Orthodox icon depicts a saint in a traditional blessing pose, holding a Gospel book—a symbol of teaching and divine guidance. The figure is rendered in tempera with vibrant earth tones and highlighted with gold leaf, creating a luminous devotional image. The corners are decorated with subtle floral embellishments, while a Cyrillic inscription above the saint’s halo identifies the subject in accordance with Orthodox tradition. Likely created in a provincial workshop, this icon would have served for private devotion or as part of a small chapel setting.

Features

- Hand-painted tempera with original polychrome and gilt highlights

- Traditional blessing pose with Gospel book

- Cyrillic inscription above halo identifying the saint

- Gold-leaf embellishments with floral corner motifs

- Unpainted wooden back with age-related wormholes and hand-tooling marks

Cultural Significance

Icons of this type served as spiritual conduits in Orthodox Christianity, linking the earthly viewer to the divine presence of the saint represented. The 18th century saw widespread production of provincial icons in Russia, often created for private devotional use. The use of gold leaf symbolized divine light, while inscriptions anchored the work within Orthodox liturgical tradition. Such icons remain both sacred and historically significant, embodying centuries of religious practice and artistry.

Condition

Good antique condition. Stable craquelure across painted surface, minor paint losses, and wormholes consistent with age. Structurally sound, with no major restorations detected.

Age (Approximate)

225–325 years old

Provenance 

From a private collection in Thomaston, Maine, USA. Acquired by the current owner in 2025.
Dimensions:
Width: 9.25 in x Height: 11.5 in
 

Price Estimate: CAD 200 - 425

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Russian Religious Panel | Saint Holding Gospel Book | Hand-Painted Art | 18th Century

Historical Context & Origin

Region: Thailand (Rattanakosin Kingdom)
Material: Hand-painted ceramic with polychrome glaze
Period: Late 18th Century, Rattanakosin Period

Description

This remarkable polychrome corner tile originates from the Rattanakosin period (established 1782 under King Rama I), an era celebrated for its flourishing of Thai art, architecture, and Buddhist decorative traditions. Likely produced for use in temples or royal structures, the tile showcases the refined elegance and visual harmony characteristic of Thai craftsmanship during this golden age.

Features

- Bold polychrome glazing with vibrant yellow, blue, green, and pink pigments over a black ground

- Symmetrical floral and geometric patterns executed with meticulous precision

- Raised ridges and floral embellishments, suggesting use as an architectural accent in sacred or royal settings

- Robust ceramic construction with preserved glaze, retaining both color vibrancy and intricate detail

Cultural Significance

Tiles such as this held both decorative and spiritual meaning, reflecting Buddhist and Hindu artistic influence during the Rattanakosin period. Their integration into temples and palaces elevated architecture into a sacred visual experience, embodying the harmony, protection, and grandeur sought in Thai religious art.

Condition

The tile remains in excellent condition with vibrant glaze colors, natural patina, and minor wear consistent with age. The reverse side reveals the strong ceramic body, confirming traditional production methods and authenticity. Its well-preserved state makes it a rare and collectible artifact.

Age (Approximate)

220–240 years old

Provenance 

Formerly part of the BC Galleries Collection, Australia. Subsequently held in a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Width: 14 in x Depth: 13 in x Height: 19.25 in
 

Price Estimate: CAD 700 - 1100

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Polychrome Ceramic Corner Tile Rattanakosin Period Thailand | Circa 18th Century

Historical Context & Origin

Region: China
Material: Hand-carved wood with original polychrome painted decoration
Period: Likely Qing Dynasty, circa 18th–19th century

Description

This impressive Chinese carved wooden sculpture depicts a seated court official, a figure traditionally associated with temple, shrine, or ancestral hall display. The dignified official sits upright upon a block-form base, wearing layered ceremonial robes and a tall formal headdress typical of Chinese court attire.

The figure holds a rectangular ceremonial tablet in both hands—an attribute commonly associated with scholar-officials and magistrates within traditional Chinese bureaucratic culture. The robes retain hand-painted polychrome decoration with stylized dragons and floral motifs symbolizing authority and auspicious power.

The face is carved with a calm expression and elongated ears, reflecting stylistic conventions seen in Chinese devotional sculpture. Remnants of the original painted surface remain visible throughout, with traces of red, blue, green, and cream pigments.

A rectangular cavity carved into the back likely once held consecration materials, a feature often found in temple sculptures. Standing over 40 inches tall, the figure has a commanding presence and likely served as an attendant or guardian within a shrine or temple setting.

Features

- Large-scale Chinese carved wood temple figure

- Original polychrome painted decoration

- Depicts a seated court official or magistrate

- Tall ceremonial headdress and formal robes

- Decorative robe motifs including dragons and floral ornamentation

- Consecration cavity present on the back

- Rich aged patina from centuries of age

Cultural Significance

Figures representing civil officials or magistrates were frequently displayed within Chinese temples, ancestral halls, and folk religious shrines. These figures symbolized authority, protection, and moral order, reflecting the importance of scholar-officials within the Confucian bureaucratic system.

During the Ming and Qing dynasties, sculptures of officials were commonly produced for temple settings where they served as attendants to deities or as symbolic administrators responsible for maintaining cosmic justice. The presence of a consecration cavity suggests the sculpture was once ritually installed within a shrine environment.

Condition

Good antique condition consistent with age. The sculpture shows expected age-related cracking and natural wood splitting, along with wear and losses to the original painted surface. Areas of abrasion and pigment loss are present throughout, but the structure remains stable. The surface patina reflects long-term age and devotional use.

Age (Approximate)

150–250 years old

Provenance 

From a private collection in San Francisco, California, USA, where the piece remained within the family for over 50 years. Subsequently held in a private collection in Los Angeles, California, USA. Acquired by the current owner in 2026.
Dimensions:
Width: 12.5 in x Depth: 9.5 in x Height: 41 in
 

Price Estimate: CAD 1700 - 2900

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Large Chinese Carved Court Figure with Painted Robes | Temple Guardian Sculpture | Circa 18th–19th Century

Historical Context & Origin

Region: Europe
Material: Oil on canvas
Period: 18th Century

Description

This evocative, unsigned oil painting captures the Virgin Mary in a moment of profound sorrow and devotion. Rendered with delicate brushwork, her upward gaze and tearful yet serene expression embody both anguish and spiritual reverence. One hand rests tenderly against her chest in a gesture of sorrow, while the other provides subtle support, enhancing the painting’s intimate and contemplative tone. She is depicted wearing a rich red garment beneath a dark mantle, with her illuminated face and hands emphasized against a muted olive-green background. The use of chiaroscuro creates depth and three-dimensionality, a hallmark of 18th-century European devotional art.

Features

- Emotional portrayal of the Virgin Mary with tearful expression and upward gaze

- Subtle gestures of devotion enhancing symbolic depth

- Rich red garment and dark mantle contrasted against a muted background

- Masterful use of chiaroscuro to heighten realism and spiritual intensity

- Housed in an elegant later gilt wood frame with warm golden tones

Cultural Significance

Devotional paintings of the Virgin Mary were central to Catholic spirituality in Europe, serving as visual meditations on compassion, sacrifice, and divine suffering. This work elevates Mary’s sorrow as a universal symbol of human anguish and spiritual endurance, embodying both artistic mastery and religious devotion.

Condition

The painting remains in good condition, with minor age-appropriate wear that underscores its authenticity. The canvas retains its structural strength, and the colors have softened gracefully over time, giving the piece both historical depth and contemplative presence.

Age (Approximate)

225–325 years old

Provenance 

From a private collection in Branford, Connecticut, USA, specializing in European art. Several artifacts from the collection were purchased by the current owner in 2024.
Dimensions:
Width: 22 in x Height: 27 in
 

Price Estimate: CAD 900 - 1500

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European Oil Painting of the Virgin Mary in Mourning | Circa 18th Century

Historical Context & Origin

Region: Indo-Greek Kingdom (Modern Afghanistan, Pakistan, Northern India)
Material: Metal Band with Carved Garnet Bezel (Semi-Precious Stone)
Period: Circa 2nd–1st Century BCE

Description

This extraordinary ancient ring, dating to the Indo-Greek period, features a finely carved bezel depicting the profile of a bearded male bust. The imagery reflects the cultural and artistic fusion of Hellenistic Greek influence with Indian craftsmanship—an important hallmark of the Indo-Greek Kingdom. The ring embodies the synthesis of Eastern and Western artistic traditions that flourished during this pivotal historical era.

Features

• Carved garnet bezel depicting a bearded male bust in profile

• Metal band with a rich aged patina developed over centuries

• Elegant, simple form emphasizing the detailed bezel carving

• Natural wear consistent with an artifact over two millennia old

Cultural Significance

The Indo-Greek Kingdom represented a unique cultural crossroads where Greek artistic traditions merged with Indian cultural and religious influences. Portrait imagery—whether representing rulers, deities, or symbolic figures—often conveyed authority, identity, and cultural affiliation. Rings of this nature reflect the remarkable artistic exchange that defined the Indo-Greek world and served as both personal adornment and symbolic representation.

Condition

Well preserved with visible signs of age. The garnet bezel retains its carved details, while the band remains structurally stable with an attractive natural patina developed through centuries of age.

Age (Approximate)

2,025–2,225 years old

Provenance 

Formerly part of the BC Galleries Collection, Australia. Subsequently held in a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Ring Size: 10 US
 

Price Estimate: CAD 750 - 1250

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Indo-Greek Ring with Carved Bezel | Circa 2nd-1st centuries BCE

Historical Context & Origin

Region: Sepik River, Papua New Guinea
Material: Bone with cowrie shell inlays, human hair, and carved decoration
Period: 19th Century CE

Description

This rare ceremonial dagger from the Sepik River region of Papua New Guinea reflects the profound spiritual traditions and artistic mastery of its people. Hand-carved from dense bone and adorned with cowrie shells, human hair, and intricate tribal motifs, the dagger functioned not only as a weapon but also as a sacred ritual object. Its anthropomorphic head carving symbolizes ancestral spirits, connecting the bearer to lineage, protection, and tribal identity.

Features

- Carved anthropomorphic head representing ancestral spirits or deities

- Cowrie shell inlays symbolizing fertility, wealth, and spiritual connection

- Human hair adornment signifying lineage and protective power

- Hand-carved geometric tribal motifs reflecting ritual iconography

- Dense bone construction with aged surface patina confirming authenticity

Cultural Significance

Among the Sepik River tribes, ceremonial daggers were believed to contain spiritual energy and ancestral presence. They were used in initiation rites, ritual ceremonies, and occasionally in combat, acting as symbolic bridges between the physical and spiritual realms. The carved ancestral imagery and human hair adornments made such objects powerful markers of heritage and identity. This dagger reflects the sacred importance of ritual artifacts and the celebrated craftsmanship of Sepik River cultures.

Condition

The dagger is well preserved with natural patina and minor wear consistent with age and ceremonial use. The carved details, cowrie shell inlays, and hair adornments remain intact, underscoring its rarity and cultural significance.

Age (Approximate)

125–225 years old

Provenance 

From a private collection in Brea, California, USA. Acquired by the current owner in 2024.
Dimensions:
Length: 14 in
 

Price Estimate: CAD 175 - 400

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Papua New Guinea | Ceremonial Bone Dagger | Tribal Artifact with Cowrie Shell &#38; Hair | Circa 19th Century

Historical Context & Origin

Region: Italy (Italian School)
Material: Oil on panel, housed in ornate gilt frame
Period: 18th Century

Description

A powerful and emotionally charged Old Master painting depicting the Martyrdom of St. Catherine of Alexandria. Presented in an impressive vertical format, the executioner stands poised with his curved sword raised, while St. Catherine kneels in serene submission, blindfolded and enveloped in flowing pale robes rendered with exceptional softness and detail. The dramatic sky, burning martyrs in the distance, and architectural tower create compelling narrative depth and visual intensity, characteristic of fine Italian devotional painting of the 18th century.

Features

- Authentic 18th century Italian School devotional painting

- Strong expressive composition with dramatic movement and emotion

- Excellent attention to anatomical form, drapery, and atmospheric detail

- Beautiful period-style gilt frame enhancing presentation

- Bears an important historic gallery label to verso

Provenance

Mackenzie & Co., Matthews Art Gallery, Toronto (label to verso)

Cultural Significance

St. Catherine of Alexandria is among Christianity’s most revered early martyrs, symbolizing unwavering faith, wisdom, and spiritual devotion. Depictions of her martyrdom were highly favored subjects in European religious art, frequently commissioned for churches, noble residences, and private devotional spaces.

Condition

Good overall antique condition. Expected age-related vertical panel splits to the left areas, light abrasions near frame edges, and natural patina consistent with 18th century works. Structurally solid and visually impressive.

Dimensions (Approximate)

Panel:
Height: 45.7 in
Width: 27.2 in

Framed:
Height: 54 in

Provenance 

From a private collection in Toronto, Ontario. Acquired by the current owner in 2025.
Dimensions:
Width: 27.2 in x Height: 45.7 in
 

Price Estimate: CAD 3000 - 6000

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Italian Old Master Painting | Martyrdom of St. Catherine of Alexandria | Circa 18th Century

Historical Context & Origin

Region: Eastern Mediterranean / Near East
Material: Cast bronze with aged patina
Period: Circa 1st–3rd Century CE (Roman Imperial Era)

Description

This authentic ancient bronze ring originates from a private assemblage of antiquities acquired in Europe and represents a well-preserved example of Roman provincial metalwork. Featuring a thick, rounded shank and a subtly raised bezel, the exterior displays incised geometric scrollwork characteristic of personal adornments worn throughout the Roman Empire. The deep olive-brown patina reflects nearly two millennia of mineral interaction and stable burial conditions.
Rings of this type were commonly worn by traders, soldiers, and citizens across Roman territories, functioning both as decorative jewelry and as markers of identity, status, and regional craftsmanship.

Features

- Solid bronze construction with historic natural patina

- Incised decorative motifs around the band

- Robust, wearable form typical of Roman-era adornment

- Excellent structural preservation considering its antiquity

- From a curated private collection of ancient rings

Cultural Significance

Bronze rings served multiple roles within Roman society—everyday jewelry, protective talismans, and symbols of loyalty or occupation. Their durable material and timeless design have allowed many examples to survive as intimate relics of the ancient world. This piece offers collectors and historians a direct connection to daily life in the Roman provinces.

Condition

Stable archaeological condition with surface patination, mineral encrustation, and textural aging consistent with authentic ancient bronze. No modern repairs or alterations. Structurally sound.

Age (Approximate)

1,700–2,000 years old

Provenance 

From a private collection in Tallahassee, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
Ring Size: US 7.75
 

Price Estimate: CAD 100 - 200

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Ancient Bronze Ring with Geometric Scrollwork | Circa 1st–3rd Century CE

Historical Context & Origin

Region: Burma (Myanmar)
Material: Hand-carved wood with gold leaf and lacquer
Period: 19th Century

Description

This finely crafted Burmese wooden statue depicts a Buddhist monk seated in a kneeling meditative posture with hands pressed together in Anjali Mudra, the traditional gesture of reverence. Adorned with remnants of its original gilding and lacquer, the figure embodies the serene devotion and spiritual humility central to Buddhist practice. The robe, delicately carved and detailed, enhances the tranquil expression, while the base bears Burmese script inscriptions that may reference blessings or dedications. Such statues were often placed in temples or household shrines as objects of worship and merit-making, symbolizing devotion and spiritual guidance.

Features

- Traditional kneeling monk figure with hands in Anjali Mudra

- Original traces of gold leaf and lacquer applied as devotional offerings

- Burmese script inscriptions on the base, likely connected to blessings or dedications

- Hand-carved detailing in robe folds and serene facial expression

- Compact size ideal for both personal shrines and collection display

Cultural Significance

Monk statues such as this represent not only reverence for the Buddhist monastic community but also the broader values of humility, compassion, and spiritual discipline. In Burmese culture, gilding and lacquering devotional figures was an act of merit-making, intended to accrue spiritual blessings for the donor. This piece thus embodies both artistic craftsmanship and the deeply rooted Buddhist tradition of honoring the sangha (monastic order).

Condition

The statue retains much of its original gilding and lacquer, now aged to a warm and authentic patina. Natural wear, minor surface cracking, and areas of lacquer loss are consistent with its 19th-century origin and devotional use, adding to its historical character. Structurally, it remains solid and well-preserved, making it a highly collectible artifact of Southeast Asian religious art.

Age (Approximate)

120–180 years old

Provenance 

From a Manhattan, New York estate. Subsequently held in a private collection in East Meadow, New York, USA. Acquired by the current owner in 2024.
Dimensions:
Width: 4.25 in x Height: 7.5 in
 

Price Estimate: CAD 375 - 650

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Antique Burmese Gilded Monk Statue | Southeast Asian Buddhist Art | Circa 19th Century

Historical Context & Origin

Region: France (Possibly Paris)
Material: Gilt bronze with hand-painted portrait miniature & textile lining
Period: Mid–Late 19th Century (Napoleon III Era, c. 1850–1880)

Description

This elegant 19th-century French gilt bronze dresser box exemplifies the refined decorative artistry of the Napoleon III period, when ornate, finely crafted personal objects became hallmarks of upper-class European interiors. The lid features an exquisite hand-painted portrait miniature of a young woman, protected beneath convex glass and framed in a delicately worked oval bezel.

The body of the box is richly decorated in engine-turned and repoussé floral patterns, with braided borders and finely detailed edges typical of Parisian workshops of the mid-1800s. The original interior survives beautifully, lined in a soft aqua-blue velvet, suggesting its use as a jewelry box or personal keepsake container.

The box opens smoothly and displays a warm, aged patina that enhances its antique character. As both an object of beauty and a relic of Victorian-era luxury, it is a charming addition to any collector’s cabinet of 19th-century European decorative arts.

Features

- Authentic French gilt bronze dresser/jewelry box, mid-19th century

- Hand-painted portrait miniature under original convex glass

- Finely detailed repoussé and engine-turned floral metalwork

- Original aqua-blue velvet interior lining

- Warm antique patina with richly preserved gilding

- Highly collectible example of Napoleon III decorative craftsmanship

Cultural Significance

During the reign of Napoleon III, French artisans produced sophisticated luxury goods for an expanding class of affluent Europeans. Portrait miniatures were fashionable symbols of sentimentality and refinement, often incorporated into personal objects. Boxes such as this one served as cherished keepsakes, holding jewelry, letters, or tokens of affection.

Their craftsmanship, often associated with Parisian ateliers, reflects the era’s fascination with romance, beauty, and ornate detail — making them enduring symbols of 19th-century elegance.

Condition

Excellent condition for its age. Minor surface wear and patination consistent with 19th-century gilt bronze. Portrait miniature intact and well preserved. Original velvet interior shows age-appropriate fading. Hinges function smoothly; no structural issues observed.

Age (Approximate)

145–175 years old

Provenance 

Formerly part of the Dr. Robert H. Baer Collection. Subsequently held in a private collection in Hollywood, Florida, USA. Acquired by the current owner in 2025.
Dimensions:
3.5 in x 5.25 in x 1.5 in
 

Price Estimate: CAD 375 - 600

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Antique French Jewelry Box | Gilt Bronze &#38; Portrait Lid | Circa 1850–1880

Historical Context & Origin

Region: Japan
Material: Hand-carved wood
Period: Edo–Meiji Period, circa 19th Century

Description

This charming Japanese carved wooden figure depicts Hotei, the beloved laughing deity of happiness, abundance, and good fortune, rendered in a compact sculptural form reminiscent of traditional netsuke carving. The figure portrays Hotei seated with a broad smiling expression, exposed rounded stomach, and flowing robes, embodying the joyful and lighthearted iconography for which the deity is widely recognized throughout East Asian art and folklore.

Expertly hand-carved from wood, the sculpture displays expressive facial detailing and a naturally worn surface patina developed through age and handling. The softened contours and compact proportions suggest the influence of traditional Japanese netsuke carving techniques, where small-scale sculptures were crafted both as functional accessories and collectible works of art.

The underside features a small drilled aperture consistent with suspension or attachment, further supporting the possibility that the piece functioned as a netsuke or decorative personal object. The warm aged surface and visible wear contribute significant character and authenticity to the figure.

Hotei imagery became especially popular during the Edo and Meiji periods, symbolizing prosperity, contentment, and good fortune. Sculptures of this type were often collected as talismans or displayed within domestic interiors and personal collections.

Features

- Japanese hand-carved wooden Hotei figure

- Netsuke-style compact sculptural form

- Expressive smiling facial features

- Rich naturally aged surface patina

- Traditional robe and necklace detailing

- Underside aperture consistent with suspension or attachment

- Strong decorative and collector appeal

Cultural Significance

Hotei is one of the Seven Lucky Gods of Japanese folklore and is associated with happiness, generosity, abundance, and spiritual contentment. Often depicted laughing with a prominent belly, Hotei became an enduring subject in Japanese carving traditions, especially in netsuke and okimono art. Such figures were admired not only for their symbolism, but also for the skill required to render expressive personality within small sculptural forms.

Condition

Displays age-related wear, surface abrasions, patina, scattered losses, and irregularities consistent with age and handling. Areas of wear and natural aging are present throughout the surface, contributing to the figure’s authentic antique character.

Age (Approximate) 

100–175 years old

Provenance 

Private collection, Anaheim, California, USA. Acquired by the current owner in 2026.
Dimensions:
Height: 2.2 in
 

Price Estimate: CAD 200 - 400

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Japanese Carved Wooden Hotei Figure / Netsuke-Style Sculpture | Edo–Meiji Period

Historical Context & Origin

Region: Europe or North America
Material: Nickel-plated metal, wood (likely ebonized), internal glass or metal liners
Period: Circa 1900–1930

Description

This compact antique writing set represents a practical and elegant solution from the early 20th century, designed for portability and everyday use by writers, clerks, and travelers. The set consists of a central lidded ink reservoir housed within a circular wood and metal body, accompanied by two smaller detachable containers, each serving specialized roles within the writing process.

The primary vessel features a hinged lid with an interior insert, likely intended to hold ink while minimizing spillage during transport. The accompanying cylindrical container includes a flip-top lid with a recessed chamber—commonly used for concentrated ink, sealing wax, or cleaning solution. The third low-profile container appears to function as a secondary ink pot or mixing dish.

Visible interior staining and oxidation are consistent with prolonged use, supporting its original function as a working writing set. The durable metal construction and compact design reflect a period when portability and utility were essential for professionals on the move.

Features

- Complete multi-piece portable writing set

- Central lidded ink reservoir with hinged top

- Additional auxiliary containers for ink or accessories

- Nickel-plated metal with ebonized wood casing

- Evidence of authentic period use (ink residue and patina)

- Compact and travel-friendly design

Cultural Significance

Before the widespread adoption of fountain pens and later ballpoint pens, portable inkwell sets such as this were essential tools for correspondence, record-keeping, and administration.

Used by travelers, military officers, and professionals, these sets reflect a time when reliable, mobile writing equipment was a necessity in both personal and professional life.

Condition

Good antique condition with visible wear consistent with age and use. Interior ink staining, oxidation, and surface patina are present throughout. Components remain intact with no major structural damage noted.

Age (Approximate)

90–120 years old

Provenance 

From a private collection in Toronto, Ontario. Acquired by the current owner in 2026.
Dimensions:
Diameter: 2.75 in Height: 1.5 in (largest piece)
 

Price Estimate: CAD 110 - 180

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Antique Desk Inkwell Collection of Three Pieces | Travel Writing Accessories | Circa 1900–1930

Historical Context & Origin

Region: Central Europe (likely German or Austrian)
Material: Oil on canvas, mounted to board; ebonized wood frame
Period: 18th Century

Description

This compelling 18th-century devotional painting depicts Christ at the Column, a powerful scene from the Passion illustrating the moment of Christ’s scourging. Rendered in a deeply expressive and provincial Baroque style, the composition emphasizes emotional intensity over formal academic precision, characteristic of regional religious works created for private devotion.

Christ is shown bound and seated, his body marked with wounds, while an angel emerges from the heavens holding a flowing banderole inscribed with German text. The lower inscription, written in an archaic dialect, references the suffering of Christ, reinforcing the painting’s intended role as a meditative and spiritual object.

The work is executed in oil on canvas, later mounted to board for stability, and retains a richly aged surface with a network of natural aging patterns that enhance its authenticity and historical presence. It is housed in an ebonized wood frame consistent with the character of the piece.

Features

- 18th-century Central European devotional painting

- Depiction of Christ at the Column (Flagellation scene)

- Angel with inscribed scroll (banderole)

- Archaic German inscription along lower margin

- Oil on canvas mounted to board

- Presented in an ebonized wood frame

- Strong folk Baroque stylistic qualities

Cultural Significance

Scenes of Christ’s suffering were central to Christian devotional practice, particularly during the Baroque period when art was used to encourage emotional engagement and spiritual reflection. Paintings such as this were often displayed in private homes or small chapels to inspire contemplation of sacrifice, redemption, and faith.

Condition

The surface displays age-consistent characteristics including a fine network of natural aging patterns, areas of surface wear, and minor losses to the painted layer. The canvas has been historically mounted to board, likely as a stabilizing measure. The frame shows wear consistent with age.

Dimensions (Approximate) 

Art:
Length: 23.25 in
Width: 16.25 in

Frame:
Length: 24.5 in
Width: 17 in

Age (Approximate) 

225–325 years old

Provenance 

From a private collection in Dania Beach, Florida, USA, specializing in religious art and historical artifacts. Acquired by the current owner in 2026.
Dimensions:
17 x 24.5 
 

Price Estimate: CAD 700 - 1200

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Devotional Panel | Depicting Christ at the Scourging Column with Angelic Scroll | Circa 18th Century

Historical Context & Origin

Region: United States (Newtown, Connecticut)
Material: Metal and industrial gauge components
Period: Space Shuttle Era, mid-1980s

Description

This authentic NASA Space Shuttle low-pressure gauge was a vital component of the Space Shuttle Program’s Ground Support Equipment (GSE). Manufactured by Heise in Newtown, Connecticut, it was used to monitor hydraulic, fuel, and environmental control pressures during pre-launch diagnostics. Marked “Property of NASA U.S. Government,” this instrument directly contributed to maintaining system integrity and crew safety before takeoff—making it a genuine artifact of American space exploration.

Features

- Marked “Property of NASA U.S. Government,” confirming verified official use

- Retains original NASA calibration sticker, certifying accuracy testing

- Service sticker dated 11/24/86, placing it within mid-1980s shuttle missions

- Heise Model C, designed for precise low-pressure readings in launch operations

Cultural Significance

Ground support equipment such as this gauge played a critical role in the success of the Space Shuttle Program, ensuring all pressure systems operated within NASA’s exacting standards. It exemplifies 1980s aerospace innovation, precision engineering, and human ingenuity—a rare relic of an era that defined modern spaceflight history. Collectors and institutions alike value such authentic NASA instruments as museum-quality artifacts representing the technological triumphs of the United States’ Golden Age of Space Exploration.

Condition

Excellent preservation with original NASA labels and calibration marks intact. Minor surface wear consistent with authentic aerospace use, reinforcing its provenance and historic integrity.

Age (Approximate)

35–45 years old

Provenance 

This piece originates from the estate of Charles Bell, NASA electronics scientist and inventor. It was sold during the Charles Bell Space Auction in May 2000 and originates from Florida, USA.
Dimensions:
Width: 13.5 in x Height: 13.5 in
 

Price Estimate: CAD 275 - 500

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NASA Space Shuttle Low-Pressure Gauge | Authentic 1980s Heise Instrument | Space Exploration Artifact

Historical Context & Origin

Region: United States (NASA, Space Shuttle Program)
Material: Fibrous silica batting (thermal blanket insulation)
Period: April 1983 (Flown Shuttle Component)

Description

This authentic NASA Space Shuttle Blanket Insulation Actuator Pitch TVC from April 1983 is a flown artifact directly tied to the Space Shuttle Program. Measuring approximately 11 x 10 inches, this thermal protection blanket was engineered from fibrous silica batting—a lightweight, high-temperature-resistant material developed to replace earlier Low-Temperature Reusable Surface Insulation (LRSI) tiles.

Stamped with its manufacture date (April 1983), serial number S/N 008, and manufacturer code MFR 25167, this rare component showcases the precision and ingenuity behind NASA’s Thermal Protection System (TPS) design. Used in Pitch TVC (Thrust Vector Control) systems, it helped safeguard shuttle structures from the extreme heat of atmospheric re-entry and engine operations—ensuring crew and mission safety.

Features

- Authentic flown NASA shuttle insulation blanket, 1983

- Clearly stamped with serial number, date, and manufacturer code

- Constructed from high-temperature fibrous silica batting

- Key component in shuttle thermal protection and pitch vector control

- Rare NASA aerospace engineering artifact from the golden age of space exploration

Cultural Significance

Thermal insulation was crucial to every Space Shuttle mission, enabling controlled re-entry and safe flight through intense temperature extremes. This piece represents NASA’s relentless innovation during the 1980s—a period when materials science and aerospace engineering converged to advance human spaceflight. Artifacts like this stand as tangible links to NASA’s Shuttle Era, a defining chapter in humanity’s quest to explore beyond Earth.

Condition

Well-preserved with visible identification and flight markings. Minor surface wear consistent with flown shuttle use, enhancing authenticity and provenance.

Age (Approximate)

43 years old

Provenance 

This piece originates from the estate of Charles Bell, NASA electronics scientist and inventor. It was sold during the Charles Bell Space Auction in May 2000 and originates from Florida, USA.
Dimensions:
Width: 10 in x Height: 11 in
 

Price Estimate: CAD 400 - 1000

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

NASA Shuttle Blanket Insulation Actuator Pitch TVC | 1984 Flown Space Shuttle Artifact

Historical Context & Origin

Region: Northern Coast of Peru
Material: Terracotta with dark slip
Period: Moche Civilization, circa 200–700 CE

Description

This pre-Columbian stirrup-spouted vessel, crafted by the Moche civilization of ancient Peru, is modeled in the form of a stylized dog—an animal revered for its loyalty, protection, and symbolic role as a companion in the afterlife. Meticulously shaped from terracotta and finished with a dark slip, the vessel embodies both functional design and ritual significance. Its expressive facial features, including carefully rendered eyes and snout, demonstrate the Moche potters’ remarkable skill and attention to lifelike detail.

Features

- Stylized dog form with finely sculpted facial features

- Classic Moche stirrup-spout design, aiding in liquid preservation and ritual use

- Dark slip coating with natural patina from age

- Intricate detailing consistent with Moche ceramic traditions

Cultural Significance

Moche ceramics are among the most celebrated in pre-Columbian art, often portraying animals, deities, and mythological figures. Vessels such as this were not only functional but also deeply symbolic, commonly placed in burials or used in ceremonies. The dog, in Moche culture, symbolized loyalty and spiritual guidance, believed to accompany souls into the afterlife. This vessel thus bridges daily life with ritual practice, embodying both artistic beauty and sacred meaning.

Condition

Excellent preservation with robust terracotta construction. Surface wear, patina, and minor abrasions consistent with age enhance its authenticity and historical appeal.

Age (Approximate)

1,325–1,825 years old

Provenance 

From a private collection in Boonton, New Jersey, USA. Acquired by the current owner in 2024.
Dimensions:
6 in x 4 in x 12 in
 

Price Estimate: CAD 1300 - 2500

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Pre-Columbian Moche Stirrup Sprouted Vessel | Circa 200 – 700 AD

Historical Context & Origin

Region: Indo-Persian (likely Northern India under Mughal influence)
Material: Cast and engraved metal with chain attachments
Period: Late 18th to Early 19th Century

Description

This finely crafted metal censer is an exceptional example of Mughal-influenced Indo-Persian artistry, combining functionality with ornate design. Censers such as this played an important role in both religious and ceremonial life, used for burning incense during rituals, festivals, or noble gatherings. The domed lid, richly decorated with floral and geometric motifs, reflects the aesthetic fusion of Persian ornamentation and Indian floral traditions. Its heavy chain and robust handle demonstrate its dual role as a sacred and practical ritual object, designed for portability and ceremonial display.

Features

- Domed lid with intricate floral and geometric engravings

- Locking mechanism to secure incense within the chamber

- Side chains with sturdy handle for carrying or suspension

- Carved smoke vents to release incense fragrance during rituals

- Natural, aged patina developed over centuries of use

Cultural Significance

Censers were central to Indo-Persian religious and cultural practices, symbolizing purification, reverence, and divine presence. This piece would have been used in temples, noble households, or festivals, its rising incense smoke considered both spiritually protective and aesthetically symbolic. Its elaborate ornamentation reflects the cross-cultural blending of Indian and Persian traditions under Mughal influence, representing both artistic refinement and ritual function.

Condition

The censer survives in excellent condition, with the handle, chains, and locking mechanism fully intact. The engraved decoration remains sharp and detailed, while the surface exhibits a rich aged patina with areas of oxidation and wear consistent with ceremonial use. The piece retains strong structural integrity, making it both a collectible artifact and a functional ritual object.

Age (Approximate)

200–250 years old

Provenance 

Formerly part of the BC Galleries Collection, Australia. Subsequently held in a private collection in Armadale, Australia. Acquired by the current owner in 2024.
Dimensions:
Width: 8 in x Height: 10 in
 

Price Estimate: CAD 700 - 1200

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

Indo-Persian Censer | Mughal-Inspired Cast Metal Incense Burner with Floral Engraving | Late 18th–Early 19th Century

Historical Context & Origin

Region: China
Material: Hand-modeled terracotta with mineral pigment and lacquer traces
Period: Late Qing Dynasty to Early Republic Period, circa late 19th – early 20th century

Description

This striking Chinese painted terracotta bust depicts a dignified court official wearing a traditional ceremonial hat, likely representing a scholar-official or temple attendant figure. The sculpture displays finely modeled facial features including softly arched brows, almond-shaped eyes, and delicately formed lips, conveying the calm and introspective expression typical of Chinese religious and court imagery.

The figure wears a tall black ceremonial headdress with raised side panels, a form commonly associated with civil officials in Chinese visual culture. Such figures were often created for temple altars, ancestral shrines, or architectural niches where they served as attendants, guardians, or symbolic representations of authority and moral virtue.

The surface retains traces of its original painted decoration, including black lacquer on the headdress and red pigment on the lips, while the face preserves a pale mineral slip typical of temple sculpture. Natural pigment loss and surface wear have produced a rich aged patina consistent with historic devotional use.

The underside of the neck retains an early red wax export seal bearing the inscription “ANT. OUD.” This mark originates from the European antique trade, likely Dutch or Belgian, derived from the phrase Antiek Oud (“Antique / Old”). Such seals were commonly applied by European dealers or export houses during the late 19th and early 20th centuries as Asian antiquities entered Western collections.

Mounted on a later custom wooden display base, the bust likely once formed part of a larger temple or architectural sculpture before being preserved as an independent artifact.

Features

- Hand-modeled terracotta sculpture

- Remnants of original mineral pigments and lacquer

- Traditional scholar-official style headdress

- Expressive facial modeling with elongated ears

- Aged surface with natural pigment loss and patination

- Early European red wax export seal marked “ANT. OUD”

- Mounted on a later custom wooden display base

Cultural Significance

Figures representing officials, scholars, and attendants were important elements within Chinese temple and shrine decoration. They symbolized moral authority, wisdom, and bureaucratic order within the cosmological hierarchy of traditional Chinese belief systems. Such sculptures often flanked larger deity figures or formed part of architectural shrine programs.

The stylized hat and composed facial features evoke the scholarly class that played a central role in imperial Chinese society, where civil service officials were regarded as embodiments of education, governance, and moral virtue.

Condition

Good antique condition consistent with age. The sculpture shows significant surface wear and pigment loss, particularly across the headdress and facial surface. Minor chips, cracks, and areas of abrasion are present, typical of historic terracotta temple sculpture. The bust is mounted on a later custom wooden base for display.

Age (Approximate)

115–175 years old

Provenance 

From a private collection in San Francisco, California, USA, where the piece remained within the family for over 50 years. Subsequently held in a private collection in Los Angeles, California, USA. Acquired by the current owner in 2026.
Dimensions:
Width: 6.5 in x Depth: 7.5 in x Height: 12 in
 

Price Estimate: CAD 600 - 1200

Ships from Toronto, ON. No local pickup. Buyer arranges shipping and insurance directly with seller after auction closes.

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