Tall &#34;Murano Stvle&#34; Turquoise &#34;Ribbed
Glass&#34; Vase
• While this is in the Murano style of glass
blown pieces, and does resemble
Rossini, Empoli, and Archimede Seguso
in the ribbing, the colour, and the weight,
there is no comparison with the base of
this vase, so this was not made in Italy.
• Similarly the base shows a distinct
pontil and interesting &#34;pebbly&#34; foot, so
not Chinese either, and I think it will
remain a &#34;mystery&#34;
• The exterior is ribbed, textured and is
visually optical.
• The top lip has nine &#34;curved petals&#34;
and the glass itself many interior bubbles
which add to the overall look.
• In excellent condition, no cracks,
bruises, or chips. View Images.
• Weight:
1 kg. 652 grams or 3 lb. 10.25 oz.
• 32 cm. x 15 cm. x 15 cm.
Dimensions:
32 cm. x 15 cm. x 15 cm.
Pickup category timeslot {A}

Tall &#34;Murano Stvle&#34; Turquoise &#34;Ribbed Glass&#34; Vase

Blue & White Marbled Glass Swung
Vase
• I have not been able to &#34;pin down&#34; the
exact maker of this vase. It could be
Fostoria, Akro Agate, or Imperial Glass?
• The swirled blue and white pattern is
commonly referred to as slag glass or
marbled milk glass.
• This two-part mold was manufactured
during the 1930&#39;s or 1940&#39;s.
• Style: This is a swung vase, created by
swinging a hot glass vessel in a circle to
lengthen it, which results in its tall,
slender form and &#34;stretched&#34; look.
• Rim Detail: The top features a scalloped
rim adorned with small glass beads,
often called a crimped edge.
• In very good condition, no cracks,
breaks, but 1 small chips on lip. View
Images.
• Weight: 523 grams or 1 lb. 2.5 oz.
• 24.5 cm. x 11 cm. x 10.5 cm.
Dimensions:
 24.5 cm. x 11 cm. x 10.5 cm.
Pickup category timeslot {A}

Blue &#38; White Marbled Glass Swung Vase

Orrefors &#34;Bird on a Branch&#34; Blown
Glass Vase
• The company was founded in 1898 in
Smäland, Sweden. They started art
glass between (1913-1939). Post-WWII,
Orrefors became a leader in creativity,
known for &#34;frozen liquid&#34; designs.
• The motif is officially called the &#34;Bird on
a Branch&#34; or &#34;Lovebirds&#34; design,
although these were all individually
etched, so each is unique.
• There are no markings of any kind on
the base or around the edge, this was
because many Orrefors pieces were
originally identified only by a gold or red
foil sticker. Once washed or used, these
labels frequently fell off, leaving the glass
itself unmarked. &#34;Bird on a Branch&#34; motif match
cataloged Orrefors designs from the
1940&#39;s-1960&#39;S.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 398 grams or 14 oz.
• 13 cm. x 11 cm. x 7.2 cm.
Dimensions:
 13 cm. x 11 cm. x 7.2 cm.
Pickup category timeslot {A}

Orrefors &#34;Bird on a Branch&#34; Blown Glass Vase

Turquoise Blue &#34;Bullicante&#34; Drinking
Vessel
• There is no signature on this glass, so
have not been able to find out who the
maker might be.
• This is a hand blown glass, with
bullicante (controlled bubble) technique,
which is created by the glassblower by
first blowing molten glass into a spiked
metal mold. These spikes create
indentations that trap air when a second
outer layer of clear glass is added.
• There is a pontil mark that has been fire
polished.
• Note the size of the &#34;bubbles&#34; changes
from small to large from the base to the
lip, showing how the glass blower
&#34;stretched&#34; the molten glass.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 241 grams or 8.5 oz.
• 10.4 cm. x 8.2 cm. x 8.2 cm.
Dimensions:
 10.4 cm. x 8.2 cm. x 8.2 cm.
Pickup category timeslot {A}

Turquoise Blue &#34;Bullicante&#34; Drinking Vessel

Blown Glass Satin Yellow Parot
Paperweight
• I have not been able to &#34;pin down&#34; the
maker of this piece. It was possibly made
by Westmoreland in the States, or
Barolac in the Czech Republic.
• Both companies made yellow satin
frosted birds between 1960 and 1980.
However, I have found nor equivalent
forms to match.
• I believe that Selenium or Silver Oxide
was used in the glass formation to create
this soft yellow colour. It is unusual to
find in this frosted example.
• The design has an &#34;Art Deco&#34; feel, and
a streamlined, stylized silhouette.
• In excellent condition, no cracks,
bruises breaks or chips. View Images.
• Weight: 209 grams or 7 3/8 oz.
• 9 cm. x 12.5 cm. x 3.8 cm.
Dimensions:
 9 cm. x 12.5 cm. x 3.8 cm.
Pickup category timeslot {A}

Blown Glass Satin Yellow Parot Paperweight

Savannah Pattern Carafe by Belfor
Crystal
• This glassware was produced in the
Czechoslovakia/Czech Republic,
specifically by the famed Bohemia-
Crystalex factories.
• Most Belfor items of this design date
between the 1996 and the early 2000&#39;s
when this &#34;pattern&#34; was discontinued.
• This specific &#34;grass-like&#34; etched design
was one of their distinctive patterns,
often seen on carafes and stemware.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight:  1 kg. 44 grams or 2 lb. 4.75 oz.
• 27 cm. x 10.5 cm. x 10.5 cm.
Dimensions:
27 cm. x 10.5 cm. x 10.5 cm.
Pickup category timeslot {A}

Savannah Pattern Carafe by Belfor Crystal

A Pair of Hand & Signed Blown Glass
Goblets
• I believe these were hand blown by an
artist in BC, or in Canada. There is alo
the possibility, they were made in
Washington State at Philchuck or
Tacoma. I have not been able to pin
down the exact artist.
• These hand-blown glass goblets have a
pink-to-clear gradient called cranberry or
ombre with a textured spiked design at
the base of the bowl.
• Both goblets show a distinct pontil
mark with the etched initials of “ML&#34; &#34;MB&#34; or &#34;MLS&#34;.
• Both in excellent condition, no cracks,
breaks or chips. View Images.
• Goblet #1:
327 grams or 11.5 oz.
• 16 cm. x 8 cm. x 8 cm.
• Goblet #2:
376 grams or 13.25 oz.
• 16.3 cm. x 9 cm. x 9 cm.
Dimensions:
See description for sizes
Pickup category timeslot {A}

A Pair of Hand &#38; Signed Blown Glass Goblets

Two Krosno (Poland) Vases w/
&#34;Bubbles&#34;
• Krosno is a world-renowned glassworks
in southeastern Poland, where they have
been perfecting the art of glassmaking
since 1923.
1) Large Clear Vase: 1970&#39;s - 1980&#39;s
• This was Krosno&#39;s &#34;golden era&#34; for
heavy art glass. During this time, they
produced substantial, hand-blown
pieces. This vase&#39;s organic, irregular rim
was a common feature of this period&#39;s
handcrafted production.
• This piece is not signed as they used
paper labels, but the highly polished
base is typical of their work.
• In excellent condition. no cracks or
breaks, but one tiny chip on the base.
Tall Clear Vase:
• Weight: 1 kg. 124 grams or 2 lb. 7 5/8 oz.
• 20 cm. x 10 cm. x 10 cm
2) Oval Purple Vase: 1970&#39;s - 1980&#39;s
• This vase has a vertical (seams) on the
sides which indicates that the vase was
blown into a multi-part mold to achieve
its specific shape and the centred
bubble.
• Some styles of this vase there is an &#34;air
port&#34;, rather than being sealed shut.
• In very good condition, no cracks or
breaks, but one tiny chip on the lip.
Small Purple Vase:
• Weight: 392 grams or 13.75 oz.
• 9 cm. x8.5 cm. x 7 cm.
Dimensions:
See description for sizes
Pickup category timeslot {A}

Two Krosno (Poland) Vases w/ &#34;Bubbles&#34;

Murano Six-Sided Art Glass Vase
• The company was established in 1934
by Benjamin Mandruzzato. The 2nd & 3rd
Generations (Luigi & Gianfranco) focused
on art glass, ornaments, and vases. In
the 1960&#39;s, they collaborated with Pablo
Picasso, Marc Chagall, and Max Ernst.
• Alessandro Mandruzzato was highly
renowned for these geometric, cold-cut
faceted vases produced throughout the
1960&#39;s and 1970&#39;s.
• This is a cased glass or &#34;Sommerso&#34;
technique, where a rich, dark amber core
is submerged within a thick layer of clear,
hand-polished crystal.
• The base has several scratches, which
also reflects the age and &#34;love&#34; of this
small vase.
• In good condition, no cracks, breaks,
but there are 2 chips on the rim, and a
very small chip on the base. View
Images.
• Weight: 558 grams or 1 lb. 3 5/8 oz.
• 10 cm. x 10.5 cm. x 5.8 cm.
Dimensions:
10 cm. x 10.5 cm. x 5.8 cm.
Pickup category timeslot {A}

Murano Six-Sided Art Glass Vase

Michael Donaldson - 2 Flower Candle
Holders
• Michael Donaldson has been blowing
glass since 1991. He was married to the
late glass artist Susan Glass, and
together with their son, they operated
The Glass Kingdom Studio is located in
Seattle, Wash.
• Both these pieces are dated
(5-14-2001), and inscribed on labels at
the back.
• Donaldson was deeply involved with
the Pratt Fine Arts Center in Seattle, a
renowned institution for glass education.
He both practiced his craft and exhibited
his work there during the early 2000&#39;s.
• His work is known for its &#34;free-form&#34;
organic shapes, often featuring the
vibrant swirls of color seen in your piece.
• Both flowers have five &#34;pulled&#34; petals
made of mixed varied colours. While the
&#34;centres&#34; vary slightly in style they are
also &#34;pulled&#34; glass forms.
• The &#34;orange flower is in perfect
condition, no breaks, cracks, or chips.
The &#34;Purple Flower&#34; has a chip on the
centre section. View images.
• Orange Flower Weigh:
95 grams or 3 3/8 oz.
• 3.5 cm. x 10 cm. x 9.5 cm
• Purple Flower Weigh:
127 grams or 4.5 oz.
• 4 cm. x 9 cm. x 9 cm
Dimensions:
See description for sizes
Pickup category timeslot {A}

Michael Donaldson - 2 Flower Candle Holders

Abstract Blown Glass Vase or Goblet
• There is no maker&#39;s mark, but the style
closely resembles pieces done in Makora
Krosno, Poland, and former Yugoslavia.
• This hand-blown vessel with the design
shows a three-legged base sometimes
referred to as an &#34;octopus” or &#34;tripod&#34;
base. This supports a slender vase/
goblet decorated with internal red swirls
and multicoloured textural speckles.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 82 grams or 2 7/8 oz.
• 17.5 cm. x 8 cm. x 8 cm.
Dimensions:
17.5 cm. x 8 cm. x 8 cm.
Pickup category timeslot {A}

Abstract Blown Glass Vase or Goblet

Hand Blown Asymmetrical Vase
• This is a &#34;heavy-walled&#34; vessel which
suggests it was designed to have
&#34;optical depth,&#34; where the glass acts like
a lens for the colours inside.
• There is a &#34;tropical&#34; palette&#34; with
vibrant chartreuse, a sunny yellow, and a
contrasting &#34;aqua&#34; blue.
• Because of the unpolished base, and
no signature this was most likely made in
Eastern Europe or China.
• This specific technique of marbling
different colors to imitate semi-precious
stones (like agate or chalcedony) is
historically known as the Calcedonio
style in Murano glassmaking.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 381 grams or 9 7/8 oz.
• 11 cm. x 9.5 cm. x 9.5 cm.
Dimensions:
 11 cm. x 9.5 cm. x 9.5 cm.
Pickup category timeslot {A}

Hand Blown Asymmetrical Vase

Egg Paperweight - European Made
• Paperweights with this abstract,
balloon-like green bubbles resting on a
textured golden &#34;cushion&#34; or base-are
frequently identified as Czech Republic
or Bohemian art glass from the 1990&#39;s.
• However, since the object bears neither
a signature nor a sticker, a definitive
attribution is not possible.
• Other possible countries of origin
include Poland, and Lithuania
• Egg-shaped. The paperweight features
a ring of air enclosing four abstract,
balloon-like green bubbles. The structure
rests on a textured golden cushion
containing numerous tiny bubbles. A
wonderful play of colors and beautiful
optical effects -especially under
appropriate lighting.
• In excellent condition, no cracks,
bruises, breaks or dents. View Images.
• Weight: 291 grams or 10.25 oz.
• 8.2 cm. x 5.2 cm. x 5.2 cm.
Dimensions:
8.2 cm. x 5.2 cm. x 5.2 cm.
Pickup category timeslot {A}

Egg Paperweight - European Made

Murano Flame-work Glass &#34;Hound&#34;
Figurine
• This is a &#34;demonstration piece&#34; that
various glass blowers in the different
furnaces in Murano show when tourists
visit a factory.
• The glass blower would pull a fresh
gather off the end of a punty to show
how different animals could be formed.
• Flame-worked pieces often don&#39;t have
as obvious of tooling marks due to the
fact they can simply be stuck into the
flame and melted away.
• Whereas the small quick demonstration
animals made from the furnace don&#39;t get
reheated and features like the cut mark
on the tail where it&#39;s removed from the
punty tend to show the rough tooling.
• This piece is made with a fumé or
smoky grey/brown glass.
• In excellent condition, no cracks,
bruises, or chips. View Images.
• Weight: 67 grams or 2 3/8 oz.
• 6 cm. x 9 cm. x 6.3 cm.
Dimensions:
 6 cm. x 9 cm. x 6.3 cm.
Pickup category timeslot {A}

Murano Flame-work Glass &#34;Hound&#34; Figurine

Kuy Hepburn &#34;End of the Day&#34; Blown
Glass Vase
• Kuy Hepburn, a glass artist based on
Bainbridge Island, Washington.
• Kuy&#39;s career in glass began in the
1970&#39;s. She graduated from California
College of Arts & Crafts (now CCA) with a
Bachelor of Fine Arts (BFA) in 1982.
• Her work often utilizes&#34;end of day” 
glass mixing techniques, creating
patterns of teal, violet, blue, white, and
Clear glass.
• There is a clear pontil mark on the base,
but there is no &#34;year&#34; date.
• This vase has an oval opening, and a
circular base.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight: 355 grams or 12.5 oz.
• 11 cm. x 7 cm. x 7 cm.
Dimensions:
11 cm. x 7 cm. x 7 cm.
Pickup category timeslot {A}

Kuy Hepburn &#34;End of the Day&#34; Blown Glass Vase

Hand-Blown Murano Glass &#34;Killer
Whale&#34;
• This orca (killer whale) figurine is most
frequently attributed to the V. Nason & C.
factory in Murano, Italy.
• This factory is well-known for its line of
&#34;smoked&#34; glass animal figurines
produced from the 1960&#39;s through the
1970&#39;s. The deep smokey-grey (often
appearing black in thicker areas) to clear
gradient seen in your orca is their
signature style.
• These figurines are frequently unsigned
or only had a paper sticker, which often
wore off over time.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 330 grams or 11 5/8 oz.
• 9.5 cm. x 23 cm. x 8 cm.
Dimensions:
 9.5 cm. x 23 cm. x 8 cm.
Pickup category timeslot {A}

Hand-Blown Murano Glass &#34;Killer Whale&#34;

MCM «Ice Blue&#34; &#34;Alligator Scale
Crackle&#34; Glass Bowl
• This is a mid-century West Virginia
glass house, most likely Pilgrim Glass or
Kanawha Glass, but not Blenko.
• Because there is no label, or any
markings, a specific maker can not be
named.
• The pontil mark is ever so slightly
rough, so again does not define the
maker.
• This piece has the larger, “alligator scale&#34;
&#39; crackle pattern, which was more
dominant in the 1960&#39;s and 1970&#39;s
production.
• In excellent condition, no cracks,
breaks or chips. View mages.
• Weight: 229 grams or 8 oz.
• 6.5 cm. x 16.5 cm. x 16 cm.
Dimensions:
 6.5 cm. x 16.5 cm. x 16 cm.
Pickup category timeslot {A}

MCM «Ice Blue&#34; &#34;Alligator Scale Crackle&#34; Glass Bowl

La Mailloche - Cobalt Blue Hand-
Blown Glass Bud Vase
• The base of the vase is signed La
Mailloche, a renowned glassblowing
studio that was located in the Petit-
Champlain district of Quebec City.
• The studio was founded and led by
master glassblower Jean Vallières (1947-
2009).
• Jean Vallières founded the studio, &#34;La
Mailloche&#34; was a collaborative group of
glass blowers, and their was their
&#34;signature on all their pieces.
• The collective studio Verrerie La
Mailloche was open for 33 years, from
1976 to 2009.
• This piece dates between the 1990&#39;s
2009.
• This spherical &#34;orb&#34; design has an
organic trailing lines on one side which
was a &#34;signature style&#34; for the studio.
• In excellent condition, no cracks,
breaks or chips, but a small section of
the ribbing is missing. View Images.
• Weight: 283 grams or 10 oz.
• 11.5 cm. x 8.5 cm. x 8.5 cm.
Dimensions:
 11.5 cm. x 8.5 cm. x 8.5 cm.
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La Mailloche - Cobalt Blue Hand- Blown Glass Bud Vase

Altaglass Teal/Green Decorative Dish
• The Altaglass Manufacturing Company
in Medicine Hat, Alberta operated from
1950 to 1988, and specialized in hand-
blown and hand-shaped decorative
pieces.
• The company was founded in 1950 by
J.H. Yuill, who purchased equipment
from the Glass Guild of Canada to
convert the Alberta Potteries Ltd. plant in
Redcliff to glass production.
• This bowl is a classic example of their
&#34;pulled&#34; or &#34;free-form&#34; style.
• This piece has both styles of the gold
foil stickers; the gold on green maple
leaf, and the silver on black sticker.
• The &#34;Hand Made in Canada&#34; maple leaf
sticker was a common feature on pieces
from the 1950&#39;s and 1960&#39;s.
• In very good condition, no cracks,
breaks, but does have one small chip on
one of the &#34;wings&#34;. View images.
• Weight: 11 5/8 oz. or 331 grams
• 7.8 cm. x 15.5 cm. x 14 cm.
Dimensions:
 7.8 cm. x 15.5 cm. x 14 cm.
Pickup category timeslot {A}

Altaglass Teal/Green Decorative Dish

Antique Victorian Cranberry Glass
Sauce Boat
• This piece is an unmarked, hand-blown
Victorian art glass dish, made in Britain
or Bohemian (Czech).
• Produced between 1860 & 1890. This
style of glassware is characterized by its
deep red &#34;cranberry&#34; or &#34;gold ruby&#34;
color, which was traditionally achieved by
adding gold salts to molten glass.
• While referred to as a &#34;sauce boat&#39;
they are also used as candy dishes,
&#34;nappy&#34; dishes, or for holding bonbons.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 99 grams or 3.5 oz.
• 5.5 cm. x 9.2 cm. x 7.5 cm.
Dimensions:
 5.5 cm. x 9.2 cm. x 7.5 cm.
Pickup category timeslot {A}

Antique Victorian Cranberry Glass Sauce Boat

Vintage Imperial Glass &#34;Loganberry&#34;
Milk Glass Vase
• This vase was produced by the Imperial
Glass Company of Ohio between 1950
and 1970.
• The glass content of this vase shows a
&#34;pink tint&#34; on the rim when a light is
pressed against it, which means that the
glass contains Manganese. So this vase
was produced in the 1960&#39;s.
• The raised Imperial Glass mark, on the
base, confirms it was manufactured
between 1951 and late 1972.
• Milk glass is a type of opaque or
translucent glassware that has a smooth,
creamy appearance resembling milk.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 1 kg. 280 grams or 2 lb. 13 1/8 oz.
• 26 cm. x 13.5 cm. x 13.5 cm.
Dimensions:
26 cm. x 13.5 cm. x 13.5 cm.
Pickup category timeslot {A}

Vintage Imperial Glass &#34;Loganberry&#34; Milk Glass Vase

Duncan Miller Clear Pressed Crystal
Flower Bridal Basket
• The Duncan & Miller Glass Co. (1865-
1955), founded by George Duncan.
• The factory closed on June 13, 1955.
Its molds were sold to companies like
U.S. Glass (Tiffin) and later Indiana Glas
• There is a scalloped or &#34;fan&#34; edge that
gives the basket fluted appearance.
• The base has a molded starburst
pattern, a design of Duncan & Miller from
the 1920&#39;s to the 1940&#39;s.
• The etching on the vase is known as a
&#34;Gray Cut&#34; or &#34;Matte&#34; etching. Gray cuts
are left unpolished after the design is
ground into the glass, giving the flowers
their soft, frosty, and opaque
appearance.
• In excellent condition, no cracks,
bruises, or chips. View Images.
• Weight: 138 grams or 4 7/8 oz.
• 12 cm. x 9 cm. x 5.5 cm.
Dimensions:
12 cm. x 9 cm. x 5.5 cm.
Pickup category timeslot {A}

Duncan Miller Clear Pressed Crystal Flower Bridal Basket

(1939 -1954) Fenton French
Opalescent Hobnail Cornucopia Vase
• Fenton Art Glass produced these
between 1939 and 1964. The design
shape is called a Cornucopia, or Horn of
Plenty, or &#34;Jack in the Pulpit&#34; due to its
flared rim.
• This vase features a classic clear
pressed glass body with the iconic
textured &#34;hobnail&#34; pattern and a milky
white/blue opalescent rim.
• Based on the sharpness of the
hobnails, the smooth base and no logo,
and the fiery opalescence, this piece is a
an example of the original production era
Primary Period: 1939 - 1954.
• In excellent condition, no cracks,
breaks or chips. View Images.
• Weight: 163 grams or 2 lb. 5.75 oz.
• 9.2 cm. x 7.5 cm. x 8.2 cm.
Dimensions:
 9.2 cm. x 7.5 cm. x 8.2 cm.
Pickup category timeslot {A}

(1939 -1954) Fenton French Opalescent Hobnail Cornucopia Vase

Bertil Vallien - Lion- Kosta Boda
• Kosta Bod is Sweden&#39;s oldest active
glassworks, with a history spanning
nearly 300 years.
• Bertil Vallien (born 1938), and now 88
years old is widely regarded as Sweden&#39;s
most famous and innovative glass artist.
His career at Kosta Boda has spanned
over 60 years, during which he
revolutionized the medium by inventing a
unique sand-casting technique.
• The &#34;Zoo&#34; series (originally Boda Zoo)
is one of the most iconic and extensive
collections of Swedish art glass was
introduced in 1975. There were over 40
animals.
• The label reads &#34;KOSTA BODA.&#34;
&#34;SWEDEN.&#34; and, &#34;HANDMADE.
Because of this, it signifies that the piece
is a vintage original from the 1970 era.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 380 grams or 13 3/8 oz.
• 9.5 cm. x 13 cm. X 4 cm.
Dimensions:
9.5 cm. x 13 cm. X 4 cm.
Pickup category timeslot {A}

Bertil Vallien - Lion- Kosta Boda

Victoria (British Columbia, Canada) SELLER MANAGED Reseller Online Auction - Balfour Ave.

dimensions_cm

material

style

Early-1970s buff stoneware two-socket candlestick, textured Brutalist body, oxide rubbed surface, blue glazed fan sgraffito panel, artist chop mark AG, firing crack on base, one upper chip, approx 5.5×21×10.5 cm

Stoneware Brutalist double candlestick by Alan Grout

Left side view showing blue glazed panel, fan sgraffito and overall form

Right side view highlighting textured body and profile

Top underside view revealing two candle sockets and firing crack pattern

Angular sculptural form combining rough crackle-textured stoneware and a glossy deep-blue inset; radiating fan motif incised through glaze; earthy brown-buff clay with darker oxide wash highlighting relief; two cylindrical candle cups integrated along top ridge

Alan Grout Brutalist Stoneware Candlestick

Alan Grout - Brutalist Candlestick
• There are no formal records of Alan&#39;s
birth or death, only reference that he pre.
deceased his wife who died at age 83.
• Alan Grout was a potter based in
Gibsons, B.C. in Grantham&#39;s Landing,
where he operated
&#34;Grout Pottery/
Clayforms Pottery&#34; alongside his wife,
Joan Schaefer Grout.
• Alan Grout&#39;s individual work often
explored Brutalist and biomorphic styles.
• This piece was made in the early 70&#39;s.
• Buff stoneware clay, with texturized
patterns on the main body with an oxide
rubbed on, guessing bernard slip. A fan
sgraffito section with a blue glaze.
• There is a major firing crack on the
base. Cone ten gas fired. There is a chop
mark of &#34;AG&#34; on the side of this piece.
• In very good condition, no cracks,
breaks, but one chip on the upper
section. View Images.
• 5.5 cm. x 21 cm. x 10.5 cm.
Dimensions:
5.5 cm. x 21 cm. x 10.5 cm.
Pickup category timeslot {A}

Lot #118: Alan Grout - Brutalist Candlestick

Only Available Pickup Date/Time: Mon, June 15 2026 Category A: 09:00 AM - 03:00 PM

Pickup Location: Balfour Ave., Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #118: Alan Grout - Brutalist Candlestick

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Mon, June 15 2026 Category A: 09:00 AM - 03:00 PM

Pickup Location: Balfour Ave., Victoria, BC, V9A 1S1 View Map (opens in new window)

Bid History

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