Two Fiesta Serving Ware Pieces: Plater
& Gusto Bowl
• Brothers Homer and Shakespeare
Laughlin founded a partnership in 1871,
and introduced the Fiesta wear in 1936
through the Design director Frederick
Hurten Rhead. The &#34;new&#34; Fiesta ware
was introduced in 1986.
• The circular, in-mold &#34;fiesta HLC USA&#34;
mark is the standard for contemporary
production.
• This specific turquoise shade was
reintroduced in 1988.
• The &#34;H&#34; was added starting in 1998 to
help collectors distinguish new pieces
from original vintage ones.
• The letters on the platter serve as
production codes. The first two letters
typically signify the year. Based on the
standard sequence where &#34;AA&#34; is 1986,&#34;
MM&#34; represents 1998.
• The &#34;Gusto Bowl&#34; was also produced in
1998.
• Both in excellent condition, no cracks,
breaks, or chips. View Images.
• Platter: 3 cm. x 24.5 cm. x 17.3 cm.
• Bowl: 6.5 cm. x 15 cm. x 15 cm.
Dimensions:
• Platter: 3 cm. x 24.5 cm. x 17.3 cm.                 • Bowl: 6.5 cm. x 15 cm. x 15 cm.
Pickup category timeslot {A}

Two Fiesta Serving Ware Pieces: Plater &#38; Gusto Bowl

Stuart Carmichael -Walnut Turned Vase
• Stuart Lindsay Carmichael (1933-2020),
was born in Escuminac, Quebec. lived in
Sidney, and was a member of the
Vancouver Is. Woodturner&#39;s Guild.
• He had a distinguished career as an
aircraft engineer, including time with the
RCMP Air Division.
• His technical background in
engineering contributed to the precision
of his &#34;hollow form&#34; woodturning.
• He was known for his high-quality
finished pieces, often working with local
woods like walnut.
• The walnut grain shows off the various
depth of colour, and even the &#34;worm
holes&#34; add character.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 12.5 cm. x 15 cm. x 15 cm.
Dimensions:
 12.5 cm. x 15 cm. x 15 cm.
Pickup category timeslot {A}

Stuart Carmichael - Walnut Turned Vase

MASQ &#34;Domino&#34; Collection - Mats
Jonasson of Mäleräs Glassworks
• Mats Jonasson the Swedish designer at
the Mäleräs Glassworks in Sweden.
• This striking piece is made of lead
crystal and features a sandblasted,
hand-painted abstract face.
• The hand-etched markings on the base
are a specific &#34;fingerprint&#34; for the piece:
Signature: The stylized &#34;MJ&#34; (or written
as &#34;Mats Jonasson&#34;) identifies it as an
authentic work by the artist.
Origin: The word &#34;Sweden&#34; confirms it
was made at the Mäleras Glassworks.
Model Number (8162): This is the most
telling detail. The number 8162 is the
specific pattern code for the &#34;Domino&#34;
face sculpture.
• While not a &#34;limited edition&#34;, this piece
was made between 1990&#39;s & early 2000&#39;s
• In excellent condition, no cracks,
bruises, breaks or dents. View Images.
• Weight: 94 grams or 3.25 oz.
• 6.5 cm. x 5.4 cm. x 2 cm.
Dimensions:
6.5 cm. x 5.4 cm. x 2 cm.
Pickup category timeslot {A}

MASQ &#34;Domino&#34; Collection - Mats Jonasson of Mäleräs Glassworks

Reproduction Harley-Davidson &#34;Hog&#34;
Gas Tank Piggy Bank &#34;Mini-Size&#34;
• The Taiwan Production Era: In the mid-
to-late 1980&#39;s and early 1990&#39;s, Harley-
Davidson transitioned its novelty
merchandise manufacturing to Taiwan.
• This exact large, thick, semi-flexible
black rubber plug stamped with &#34;MADE
IN TAIWAN&#34; is identical to official Harley-
Davidson parts catalog releases from
that specific era (specifically parts series
99401-83).
• The logo featured is a mid-1970s retro
style rather than the modern Bar & Shield
or standard modern block lettering.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 10 cm. x 15.5 cm. x 7.5 cm.
Dimensions:
 10 cm. x 15.5 cm. x 7.5 cm.
Pickup category timeslot {A}

Reproduction Harley-Davidson &#34;Hog&#34; Gas Tank Piggy Bank &#34;Mini-Size&#34;

Pentax Espio 140 35 mm &#34;Point &
Shoot&#34; Film Camera
• Lens: 38mm to 140mm power zoom.
Focus: Multi-AF (Autofocus) system with
a spot focus mode.
• Exposure: Fully automatic with DX film
coding from ISO 25 to 3200.
• Modes: Includes built-in flash with red-
eye reduction, self-timer (10 seconds),
and a panorama switch.
• The camera requires one CR123A 3V
Lithium battery.
• Film: Use standard 35mm film. ISO 400
is generally recommended for the best
balance in different lighting.
• Shooting: Slide or press the power
button, aim, and press the shutter
halfway to focus before pressing it fully
to take the photo.
• This camera was produced between
1994 and 2000.
• In excellent condition, but needs a
battery. View Images.
• 7 cm. x 13 cm. x 6 cm.
Dimensions:
7 cm. x 13 cm. x 6 cm.
Pickup category timeslot {A}

Pentax Espio 140 35 mm &#34;Point &#38; Shoot&#34; Film Camera

Sterling Silver - Bali Heart Shape
Prayer/Lover Box Pendant
• This pendent was made in Celuk
Village, located in the Gianyar Regency
of Bali, Indonesia.
• From the amount of detail. the filigree,
and the type of hallmark, this piece was
made between the 1980&#39;s and 2000&#39;s.
• The hallmark on the pendant is an
official stamp used to guarantee the
metal&#39;s purity, 925 sterling, and certify its
authenticity.
• These hallmarks are placed in less
visible areas; one on the back of the
pendent, the another inside of the box.
• The beads on the necklace are either
glass or carnelian. I have not been able
to determine which.
• The centre cabochon in the pendent is
a Banded Agate, specifically a variety
often called &#34;Lace Agate&#34;
• In very good condition, no breaks,
cracks, or chips, but some tarnishing due
to age. View images.
• Weight with the Stones:
1 5/8 oz. or 47 grams
• Total length: 60.5 cm.
• Pendent only:
6 cm. x 1.5 cm. x 3.5 cm.
Dimensions:
6 cm. x 1.5 cm. x 3.5 cm.
Pickup category timeslot {A}

Sterling Silver - Bali Heart Shape Prayer/Lover Box Pendant

Lausitzer Glaswerke - &#34;Gent Mode!&#34; Vase
• This was produced by the German
glassmaker Lausitzer Glaswerke (VLG
Lausitzer) which is based in
Weisswasser, Germany.
• This design is often associated with the
year 1969. It features a distinctive
geometric, stepped, or &#34;getreppte&#34;
pattern.
• Model Name: &#34;Gent&#34; and the Pattern
Number is 51983.
• Because the glass varies in thickness
due to the deep pattern, the &#34;ice blue&#34;
appears darker and more saturated in the
recessed areas and &#34;steps,&#34; while
looking lighter and more ethereal on the
thinner edges, but a very &#34;Art Deco&#34; feel.
• In excellent condition, no cracks,
bruises, or chips. View Images.
• Weight: 1 kg. 416 grams or 3 lb. 1 7/8 oz.
• 20 cm. x 14 cm. x 14 cm.
Dimensions:
 20 cm. x 14 cm. x 14 cm.
Pickup category timeslot {A}

Lausitzer Glaswerke - &#34;Gent Mode!&#34; Vase

1920&#39;s to 1930&#39;s Hansel and Gretel
Gingerbread House Coin Bank
• This bank is a Viking Plate piece, which
was a registered trademark for Lipman-
Levinter Industries based in Toronto, Ca.
• The Viking Plate and Silver plate
Denmark models are virtually identical in
design because they likely originated
from the same master molds as it was
common for manufacturers to share or
license these repoussé designs.
• The front and back show Gretel standing in
a doorway. The facade includes symbols of
the four card suits- spades, hearts,
diamonds, and clubs-along with
gingerbread men and pretzels. The sides
often depict Hansel sticking a bone out of a
window.
• &#34;Viking Plate E.P. Brass, which indicates
they are silver-plated over brass.
• In excellent condition, no cracks,
bruises, breaks or dents, but
unfortunately the removable plate is
missing. View Images.
• 10 cm. x 11.5 cm. x 8.3 cm.
Dimensions:
10 cm. x 11.5 cm. x 8.3 cm.
Pickup category timeslot {A}

1920&#39;s to 1930&#39;s Hansel and Gretel Gingerbread House Coin Bank

Gino (Eugene) Seward - Killer Whale &
Eagle Carving
• Gino Seward was born in 1972 in
Nanaimo, BC, and has Snuneymuxw
First Nation and Kwakwaka&#39;wakw
heritage.
• He was taught by his grandfather and
master carvers Jackson and William
Robertson.
• He is highly regarded globally for his
deep-relief carving style, intentionally
leaving clear knife marks for highlights.
• This carving, made of yellow cedar, has
been stain to enhance the
&#34;shadows” of the carving.
• The carving integrates the classic
ovoids, rounded rectangular shapes
representing joints or eyes, and U-
shapes to compose the anatomy of the
whale and the eagle.
• In excellent condition, no breaks,
cracks or chips. View images.
• 2 cm. x 19.2 cm. x 12 cm.
Dimensions:
2 cm. x 19.2 cm. x 12 cm.
Pickup category timeslot {A}

Gino (Eugene) Seward - Killer Whale &#38; Eagle Carving

Elm Burl with &#34;Live Edge&#34; Turned Vase
•  have not been able to discover who
the wood turner is that made this piece,
but believe it was made on Vancouver Is.
• This sculptural piece is a hand-turned
Elm wood vase crafted from a burl, a tree
growth characterized by intricate,
swirling grain patterns and knots.
• Unlike standard straight-grained wood,
elm burl features complex, swirling
patterns often filled with small, eye-like
knots. Its appearance is frequently
compared to marble because of its
sinuous and intertwined veins.
• The vase features a live edge or natural
edge at the rim, preserving the raw,
rugged exterior texture of the wood
• Elm trees were significantly devastated
by Dutch Elm Disease in the 20th
century. This has made larger elm burls
increasingly rare and valuable to artisans.
• In excellent condition, no cracks,
breaks or chips. View Images.
• 14.5 cm. x 13 cm. x 13 cm.
Dimensions:
 14.5 cm. x 13 cm. x 13 cm.
Pickup category timeslot {A}

Elm Burl with &#34;Live Edge&#34; Turned Vase

Michael Donaldson - 2 Flower Candle
Holders
• Michael Donaldson has been blowing
glass since 1991. He was married to the
late glass artist Susan Glass, and
together with their son, they operated
The Glass Kingdom Studio is located in
Seattle, Wash.
• Both these pieces are dated
(5-14-2001), and inscribed on labels at
the back.
• Donaldson was deeply involved with
the Pratt Fine Arts Center in Seattle, a
renowned institution for glass education.
He both practiced his craft and exhibited
his work there during the early 2000&#39;s.
• His work is known for its &#34;free-form&#34;
organic shapes, often featuring the
vibrant swirls of color seen in your piece.
• Both flowers have five &#34;pulled&#34; petals
made of mixed varied colours. While the
&#34;centres&#34; vary slightly in style they are
also &#34;pulled&#34; glass forms.
• The &#34;orange flower is in perfect
condition, no breaks, cracks, or chips.
The &#34;Purple Flower&#34; has a chip on the
centre section. View images.
• Orange Flower Weigh:
95 grams or 3 3/8 oz.
• 3.5 cm. x 10 cm. x 9.5 cm
• Purple Flower Weigh:
127 grams or 4.5 oz.
• 4 cm. x 9 cm. x 9 cm
Dimensions:
See description for sizes
Pickup category timeslot {A}

Michael Donaldson - 2 Flower Candle Holders

(#A) Cutting Board - Walnut, Maple,
Purpleheart, Padauk, & Cherry
• I believe this was made by local
Vancouver Is. wood worker, but there is
signature or image on this piece, and
was most likely sold at a craft fair.
• The board shown includes a cutout
handle, and most of the wood is on
&#34;edge grain&#34;. The wood strips are glued
together with the edge of the grain facing
up, which is considered gentler on knife
blades.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 2 cm. x 24.3 cm. x 15 cm.
Dimensions:
 2 cm. x 24.3 cm. x 15 cm.
Pickup category timeslot {A}

(#A) Cutting Board - Walnut, Maple, Purpleheart, Padauk, &#38; Cherry

Meira Mathison - Altered Pedestal
Bowl
• Meira Mathison of &#34;Dancerwood
Pottery&#34;, has worked in clay for over 45
years.
• For the past 40 years she has
conducted workshops throughout British
Columbia, Alberta, Canada, U.S.A.,
England and Mexico.
• Meira is a member of the collective,
Fired UP! Contemporary Works in Clay. •
She has a unique high-fire, altered
porcelain, a distinctive style, and superb
organic surfaces.
• The exterior is finished in a light,
creamy slip or glaze, allowing the subtle
teal and copper tones at the rim to &#34;drip&#34;
downward. This creates an atmospheric,
misty effect reminiscent of the West
Coast shoreline.
• In excellent condition, no cracks,
breaks or chips. View Images.
• 7.5 cm. x 17 cm. x 17 cm.
Dimensions:
 7.5 cm. x 17 cm. x 17 cm.
Pickup category timeslot {A}

Meira Mathison - Altered Pedestal Bowl

Wood Turned &#34;Hardwood&#34; Vase
• This vase is not signed, but was most
likely made locally on Vancouver Is.
• This is a hollow form wood turned
vessel. It shows a distinctive contrast
between a darker wood at the top which
I believe is either walnut or rosewood,
and a lighter grained wood for the body,
which I believe is a fruit wood either
cherry or apple, or possibly maple.
• The inside depths 7 cm., and approx.
the same for the interior width.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 8 cm. x 11 cm. x 11 cm.
Dimensions:
 8 cm. x 11 cm. x 11 cm.
Pickup category timeslot {A}

Wood Turned &#34;Hardwood&#34; Vase

Large &#34;Big Leaf Maple&#34; Salad Bowl
• This turned bowl does not have a
signature, but I believe is a local turner
from Vancouver Is.
• The wall thickness of the bowl is (4 mm
to 5 mm). This is a piece made by a high
level craftsmanship, and an experienced
woodturning. This style is considered a
&#34;thin-walled&#34; bowl.
• Most commercial bowls are ‘ &#34;twice-
turned.&#34; The wood is roughed out while
wet, dried until stable, and then turned a
second time. This bowl was finished in
one sitting while the wood was still
&#34;green&#34; (wet), so slightly warped.
• In excellent condition, no cracks,
breaks or chips. View Images.
• 11.5 cm. x 24.3 cm. x 24.6 cm.
Dimensions:
 11.5 cm. x 24.3 cm. x 24.6 cm.
Pickup category timeslot {A}

Large &#34;Big Leaf Maple&#34; Salad Bowl

Kosta Boda Snowball Candleholder:
by Ann Warff (Medium Size)
• Created by the sculptor and glass artist
Ann Wärff (later Ann Wolff).
• The textured form was inspired by
childhood snow lanterns and developed
from an experimental technique where
molten glass was blown directly into
fresh snowdrifts.
• The weight and dimensions listed
correlate with the medium size.
• While the first production started in
1973, this one was produced between
the 1990&#39;s - 2000&#39;s, as there is no etched
name, and this person used plastic
labels.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 1 lb. 12.5 oz. or 807 grams
• 7 cm. x 8.7 cm. x 8.7 cm.
Dimensions:
 7 cm. x 8.7 cm. x 8.7 cm.
Pickup category timeslot {A}

Kosta Boda Snowball Candleholder: by Ann Warff (Medium Size)

Ann Rusch - Large Pottery Bowl
• Ann Rusch is a British Columbia-based
ceramic artist who operated a studio in
Williams Lake, BC. She is known for her
expertise in crystalline glazes.
• Ann studied at Thompson Rivers
University, formerly known as Cariboo
College) in Williams Lake, BC.
• This well thrown and even walled bowl
has been fired to cone 6 in an electric
kiln with overlay 3-D slips which are very
textural.
• 10 cm. x 24 cm. x 24 cm.
Dimensions:
 10 cm. x 24 cm. x 24 cm.
Pickup category timeslot {A}

Ann Rusch - Large Pottery Bowl

Jackie Seaton - Salt-Glazed
StonewareTea Light / Candle Luminary
• Jackie Seaton (1945-2013)
• Seaton was a highly celebrated, local
legend in the Canadian ceramic
community.
• He established his home studio and
custom-built a salt-glaze kiln in Perth,
Ontario. There is a &#34;PERTH. O&#34; stamped
into the edge of this piece.
• This piece is dated 1986.
• He is also fondly remembered for
founding &#34;Empty Bowls Perth,&#34; an
ongoing charitable organization raising
money for local food security.
• Orange-Peel Texture: The vessel
exhibits a dimpled, glossy finish classic
to the salt-firing process. This occurs
when common salt is thrown into a high-
temperature kiln, vaporizing and reacting
with the silica in the clay body to form a
sodium silicate glaze.
• 8.5 cm. x 10.2 cm. x 10.2 cm.
Dimensions:
 8.5 cm. x 10.2 cm. x 10.2 cm.
Pickup category timeslot {A}

Jackie Seaton - Salt-Glazed StonewareTea Light / Candle Luminary

(#B) Cutting Board - Walnut, Maple.
Purpleheart, Padauk, & Cherry
• I believe this was made by local
Vancouver Is. wood worker, but there is
signature or image on this piece, and
was most likely sold at a craft fair.
• The board shown includes a cutout
handle, and most of the wood is on
&#34;edge grain&#34;. The wood strips are glued
together with the edge of the grain facing
up, which is considered gentler on knife
blades.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 2 cm. x 24.3 cm. x 15 cm.
Dimensions:
2 cm. x 24.3 cm. x 15 cm.
Pickup category timeslot {A}

(#B) Cutting Board - Walnut, Maple.

Italian &#34;Orvieto Red Rooster&#34; Pedestal
Bowl
• This piece was made in Deruta Italy.
• The &#34;16-IRC&#34; marks on the base are
production codes. &#34;16&#34; refers to the
shape or size number of the piece in the
workshop&#39;s catalog., and the &#34;IRC&#34;
identifies the specific factory or bottega
where it was made.
• Many family-owned workshops use
their initials to sign their work &#34;G..&#34;
• Because the base has a hand-painted
script, rather than a rubber stamp
indicates a high quality piece of artisan
craft, not a mass-produced imitation.
• The rooster pattern from Deruta, or the&#34;
Orvieto” or &#34;Galletto&#34; design is more than
just decorative; it is considered a
powerful symbol of good luck,
protection, and prosperity. The symbol
originates from a 15th-century legend
involving the Medici family.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 10.2 cm. x 14 cm. x 10.5 cm.
Dimensions:
 10.2 cm. x 14 cm. x 10.5 cm.
Pickup category timeslot {A}

Italian &#34;Orvieto Red Rooster&#34; Pedestal Bowl

Large Yellow Cedar &#34;Free Form” Carved Bowl
• Yellow cedar is prized for its dense grain
and golden colour.
• This piece is not signed, I believe that the
artisan who carved this is mostly was made
in Nanaimo or Comox area
• Texture Contrast: The exterior features
&#34;grooves, peaks, and valleys,
“ providing a tactile experience.
• Natural Voids: Carvers frequently
preserve natural openings or holes
formed during the burl&#39;s growth, giving
the finished bowl a sculptural,
landscape-like quality.
• Grain Reveal: Hand-sanding techniques
are used to raise and illuminate the
complex grain structures, such as bird&#39;s
eye patterns.
• This piece is not signed by the carver.
• In very good condition, no breaks or
chips, but there is a crack. View Images.
• 12 cm. x 43.5 cm. x 21.5 cm.
Dimensions:
 12 cm. x 43.5 cm. x 21.5 cm.
Pickup category timeslot {A}

Large Yellow Cedar &#34;Free Form” Carved Bowl

Novelty Woodpecker Toothpick Dispenser
• Based on the gold foil &#34;Made in Taiwan&#34;
sticker, and the molded plastic material,
this toothpick dispenser was made
during the 1970&#39;s or 1980&#39;s.
• How It Works:
• Push Down: Push the bird&#39;s head or
body downward toward the base.
• Grab: The beak dips into the hidden
storage compartment inside the base.
• Retrieve: The beak mechanically
clamps and lifts a single toothpick up as
the bird springs back.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 11 cm. x 9 cm. x 9 cm.
Dimensions:
11 cm. x 9 cm. x 9 cm.
Pickup category timeslot {A}

Novelty Woodpecker Toothpick Dispenser

Chinese Bronze Sculpture with Crane
Standing on a Turtle
• The bottom has a hand written note
saying China 2001, but this piece could
have been made in Taiwan, Vietnam, or
Japan, as ther are no &#34;maker&#39;s marks.
• This sculpture dates to the late 20th
century, roughly the 1970&#39;s to the 1990&#39;s.
• Symbolism and Meaning:
In Chinese culture, this specific pairing of
&#34;Crane and Turtle&#34; is called (He Gui)
which is the symbol of longevity and
eternal life.
The Crane: Represents long life,
wisdom, and nobility. It is often referred
to as the &#34;patriarch of feathered tribes.&#34;
The Turtle: Represents endurance,
strength, and stability. Because of its
long lifespan.
Together: They represent a wish for a
long, healthy life and are often given as
gifts for birthdays or to elders.
• The weight and size of this piece
strongly suggest it is a hollow-cast
copper alloy, most commonly brass or
bronze.
• In excellent condition, no cracks,
breaks or dents. View Images.
• Weight: 337 grams or 11 7/8 oz.
• 19 cm. x 9 cm. x 4.5 cm.
Dimensions:
 19 cm. x 9 cm. x 4.5 cm.
Pickup category timeslot {A}

Chinese Bronze Sculpture with Crane Standing on a Turtle

Mosaic &#34;Puppy&#34; Statue - Made in
Barcelona, Spain
• Barcino Design is a Barcelona-based
company founded in 1999 in the city&#39;s
historic Gothic Quarter.
• The brand&#39;s lead designer and artistic
director is Agustí Peña.
• This figurine is part of a collection of
Spanish mosaic art inspired by the
colorful Trencadís technique of Antoni
Gaudí.
• These are crafted from a mix of marble
dust and resin and hand-painted with
vibrant enamels.
• Artisans hand-paint each fragment one
by one with vibrant enamels. so each has
a slight variation.
• In excellent condition, no cracks,,
breaks or chips. View Images.
• 6 cm. x 5.5 cm. x 3.5 cm.
Dimensions:
 6 cm. x 5.5 cm. x 3.5 cm.
Pickup category timeslot {A}

Mosaic &#34;Puppy&#34; Statue - Made in Barcelona, Spain

Victoria (British Columbia, Canada) SELLER MANAGED Reseller Online Auction - Balfour Avenue

material

origin

dimensions_cm

decorative_style

mark

Porcelain plate, underglaze blue dragon motif, iron-red enamel accents, hand-painted cobalt double borders, rice grain translucent pattern, gilt rim, red stamped mark, circa 1960s-1980s, 1.8H x 25.7W cm, made in Jingdezhen, China

Porcelain plate with dragon motif

Front view of porcelain dragon plate showing full design

Alternate angle of plate highlighting rim gilding and rice grain pattern

White porcelain with translucent rice grain ovals, central blue fierce dragon design, surrounding blue scroll border, scattered iron-red cloud motifs, high-gloss gold rim

Vintage Tienshan Rice Grain Fierce Dragon Plate

Vintage Tienshan &#34;Rice Grain&#34; &
&#34;Fierce Dragon Plate
• These bowls were made in Jingdezhen,
China.
• The high-gloss gold gilding, bright iron-
red enamels, and the red stamped mark
on this plate places this as being made
between 1960&#39;s & 1980&#34;s
• The blue cobalt lines are hand painted
to define the space for the printed or
transfer designs. This is a &#34;transitional&#34;
piece between the &#34;Republic Period&#34;
and the modern period.
• The lack of a &#34;Made in China&#34; stamp
and the presence of kiln grit on the foot
is unusual for export ware, so this may
have been used in China, and brought
with a family when they moved.
• In excellent condition, no cracks, breaks
or chips. View Images.
• 1.8 cm. x 25.7 cm. x 25.7 cm
Dimensions:
 1.8 cm. x 25.7 cm. x 25.7 cm
Pickup category timeslot {A}

Bid Date	Bid Amount
Jun 13, 2026, 3:14:40 AM UTC	$24.00
Jun 13, 2026, 2:58:19 AM UTC	$21.00
Jun 13, 2026, 1:42:43 AM UTC	$18.00
Jun 12, 2026, 10:50:56 PM UTC	$15.00
Jun 12, 2026, 10:50:56 PM UTC	$12.00
Jun 12, 2026, 8:47:30 PM UTC	$11.00
Jun 12, 2026, 8:47:24 PM UTC	$10.00
Jun 12, 2026, 8:47:25 PM UTC	$10.00
Jun 7, 2026, 10:09:28 PM UTC	$9.00
Jun 7, 2026, 10:09:28 PM UTC	$8.00
Jun 7, 2026, 10:09:17 PM UTC	$7.00
Jun 7, 2026, 10:09:17 PM UTC	$6.00
Jun 4, 2026, 4:12:52 AM UTC	$1.00

Lot #155: Vintage Tienshan "Rice Grain" & "Fierce Dragon Plate

Only Available Pickup Date/Time: Mon, June 15 2026

Category A: 09:00 AM - 03:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #155: Vintage Tienshan "Rice Grain" & "Fierce Dragon Plate

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Mon, June 15 2026

Category A: 09:00 AM - 03:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Bid History

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