Sound  Neck straight   MOP Inlaid struts couple tiny age/use wear edge scuffs 39.5&#34; x 13.5&#34;  Grover keys
Upon opening back plate previous owners schematic note was discovered as pictured   Untested
Dimensions:
39.5&#34; x 13.5&#34;
Pickup category timeslot {A}

Quality Vintage Unsigned Les Paul ? Stylized Electric Guitar Good Weight

 Excellent clean sound original shape 2.5&#34; x 1.75&#34;
Dimensions:
 2.5&#34; x 1.75&#34;
Pickup category timeslot {A}

Old Version Royal Doulton Porcelain Dog Figure Seated Foxhound K7 Miniature Figurine

Painting excellent   normal light frame age/use wear  Frame 10&#34; x 8&#34; painting 7&#34; x 5&#34;
Dimensions:
Frame 10&#34; x 8&#34; painting 7&#34; x 5&#34;
Pickup category timeslot {A}

Vintage Gilt Wood Framed Autumnal Oil Painting On Board C.1960

Sound no issues Frame 16&#34; x 13&#34;  painting 11&#34; x 8&#34;  unsigned
Pickup category timeslot {A}

Mid-Century Framed Farm Landscape Oil Painting On Canvas

Perfect   Frame 40&#34; x 33&#34;   painting 29.5&#34; x 22&#34;

Born in New York City in 1935, Irving is a true devotee of abstract expressionism and a former student of abstract expressionist artist Helen Frankenthaler.  Lila Lewis Irving  embraced abstraction early on.  Irving earned a Master of Fine Arts from the University of Wisconsin in 1963 as well as a Master of Fine Arts in Theatre Arts from the University of Iowa in 1958.  She emigrated to Canada in 1964 and is currently based near Toronto.  Irving has exhibited extensively throughout Ontario and is know for her expressive, gestural, and moody abstract paintings

https://lilalewisirving.com

https://www.mississauga.com/things-to-do/agm-shows-50-years-of-lila-lewis-irving/article_6cf733f4-cc3f-54b8-922e-42d1deef5957.html


Pickup category timeslot {A}

Gorgeous Impressionist Landscape Oil Painting On Arches Paper Artist Signed Lila Lewis Irving

 Kate Church&#34;Combining the line and form of sculpture with the playful anima of puppetry has been my livelihood for more than 20 years. I stumbled into it during my time as a textile associate with Mermaid Theater of Nova Scotia. A desire to do more than clothe puppets and puppeteers was part of creating my first little doll. Enchanted from the first moment, that doll still sits in my studio charming everyone who sees her.
The gesture of my work draws on a continuing practice and study of the human figure. Quietly engaging the tender emotional place I work from with an earned depth of experience, my intention is to carry a silent imprint or sense of emotion through the posture and expression of the figure evolving in front of me. Built using a simple armature that is movable throughout its construction, a tangible sense of emerging comes naturally to the finished sculpture. In fact, movement is part of the design.
I am proud to have created figures for Cirque du Soleil, which were sold internationally. For twenty years I produced an annual collection for  the One-of-A-Kind Show in Toronto. In 2012 I began to teach others what I have taught myself: a method and approach to building sculptural character. Fueled by the enthusiasm of the students, I facilitate everything from discovering a new art form to finding the confidence to tackle a career.&#34;

https://katechurch.blog/sculptural-puppetry-available-w-o-r-k/
https://www.fluevog.com/community/fluevog-creative/winners/kate-church/?srsltidAfmBOoqMUE3Sh_cX01qt6QolTXq1MTWSJ7FnzBeoAdJClFMScIhcFx2c
See companion Kate Church fairy sculpture #15
Dimensions:
11&#34; x 4/5&#34; x 4.5&#34;
Pickup category timeslot {A}

Cirque De Soleil &#34;Peonies + Pillows&#34; Sleeping Fairy Folk-Art Sculpture Signed Nova Scotia Artist Kate Church

Fine shape 48&#34; x 40&#34;

Elena Henderson was born in 1965 in Tula, Russia and has a Fine Arts Degree from Moscow. Elena immigrated to Canada from Moscow in 1996. Since then, she has graduated from the International Academy of Design and Technology in Toronto with a degree in Design. She’s been working as a full-time artist in her studio in Orangeville, Ontario, since 2009. Her latest floral abstract series uses a variety of textured acrylic paint and mixed media. The resulting canvases feature a quiet and calming colour palette with organic shapes and an overall sophisticated and elegant feel. Her style is sophisticated and elegant, her colour palette is unique and fresh, her shapes are organic and electrifying.

 “I became an artist to translate the surrounding world into my own language. I transform my emotions into art pieces which can say about me more than anything else. The only time I am truly content is when I have a chance to create. My paintings are an emotional manifesto, which emphasize the ultimate visual impact. My uncontrolled imagination is a crucial part of my work and the greatest formation of my visual language. I use my brush as a powerful tool of self-expression. I transform simple and refined shapes into dramatic scenery of graceful forms, brilliant colours and texture. This is where they all together become a true reflection of forever changing world.”

https://galeriebeauchamp.com/en/collections/henderson-elena?srsltidAfmBOorvnKFFXQe4bSYVuvfJHj4jNiau8kDG7Un7Nsrlnm74odDwyvDp
Dimensions:
48&#34; x 40&#34;
Pickup category timeslot {A}

&#34;Insomnia #1&#34; LARGE Artist Signed Elena Henderson Abstract Impasto Oil Painting On Canvas 48&#34;

Fine no loss frame 24.5&#34; x 20.5&#34;  art work 19.75&#34; x 11.5&#34;

Since the 1970s, Sue Coe has worked at the juncture of art and social activism to expose injustices and abuses of power. Born in England in 1951, she moved to New York City in the early 1970s and made it her home; in 2012 she became an American citizen. Coe has always been ahead of the curve on social issues, her art a conduit for her progressive politics. Thinking of herself as an activist first and artist second, she has trained her gaze on a wide variety of ills, translating such diverse topics as the perils of apartheid, the life of Malcolm X, and the horror that is the American meat industry into artworks, exhibitions, and books. Coe’s graphic art, filled with unblinking politics, struck nerves when it appeared throughout the 1980s and continues to do so today.
 
Working as an illustrator since moving to the United States, Coe’s reputation over the next two decades allowed her to set her own agenda with her editors. Her politically pointed illustrations graced the pages of a variety of disparate publications, including The New York Times, The New Yorker, The Nation, Rolling Stone, Esquire, Mother Jones, Entertainment Weekly, and The Progressive, among countless others. While she was able to get a fair number of uncompromised images into print, however, she also grew frustrated by the growing corporatization of the American publishing industry. She started creating her own body of work and sought outlets to get the work published, and soon developed a working relationship with Art Spiegelman and Françoise Mouly, co-founders of the groundbreaking Comics magazine Raw (1979-1991). Not only was Coe’s work featured in almost every issue, Raw also published her books How to Commit Suicide in South Africa (1983) and X (1986). In the mid 1980s, Coe also became a contributor to the left-wing comics anthology World War 3 Illustrated, a relationship that continues to this day. Coe’s work has also appeared in numerous Blab! anthologies published over the past two decades. She is widely regarded as one of the best and most scathing political artists of her time. 

In 1983, PPOW opened its gallery with a solo exhibition of Coe’s paintings and went on to successfully represent the artist for several years. Coe would later join Galerie St. Etienne, home to some of Coe’s favorite German Expressionist artists. By the late 80s, Coe had been featured on the cover of Art News and her work appeared in numerous museum collections and exhibitions, including a 1994 retrospective at the Hirshhorn Museum in Washington.
 
Aware of the rarified air of the gallery and museum world, Coe remains committed to making art accessible for the masses. Through printmaking, Coe found a way to serve that broad audience, disseminating her messages through affordably priced prints accessible to people of all financial means. Numerous books and visual essays published over the years have served a similar purpose; over the past two decades, book projects have included Bully: Master of the Global Merry-Go-Round (2004), a scathing critique of the Bush administration, as well as the book Sheep of Fools: A Song Cycle for Five Voices (2005),which gives a broad history of sheep farming, highlighting the abuses of the animals for human gain. Cruel (2012), is a continued, critical look at the animal industry, built upon her groundbreaking book Dead Meat (1996). The Animals’ Vegan Manifesto (2016) features close to 100 original woodcuts and linocuts advocating for animal abolition, while Zooicide: Seeing Cruelty, Demanding Abolition (2018), uses original drawings and linocuts to show why Zoos should be abolished. Earlier publications include the aforementioned How to Commit Suicide in South Africa (1983) and X (1986), as well as Police State (1987), and Pit’s Letter (2000).

In 2013, Coe was awarded the prestigious Dickinson College Arts Award in Carlisle, Pennsylvania. She also received the Lifetime Achievement Award from the Women’s Caucus for Art in 2015 and the Lifetime Achievement in Printmaking Award by the Southern Graphics Council International in 2017. The Culture and Animals Foundation recognized Coe with the 2022 Nancy Regan Arts Prize. In 2018, Coe’s solo exhibition at MoMA PS1, Sue Coe: Graphic Resistance, received rave reviews. Since 2016, the artist has focused on documenting the misdeeds of the Trump administration as well as the continued undermining of democracy and slide into fascism guided by the Trump-led Republican party. Many of these recent artworks have now been published in the anti-fascist political pamphlets American Fascism Now (2020) and American, Fascism Still! (2022), a collaboration between the artist and art historian Stephen F. Eisenman.

https://www.suecoe.com/artworks/
Dimensions:
Frame 24.5&#34; x 20.5&#34;  art work 19.75&#34; x 11.5&#34;
Pickup category timeslot {A}

&#34;Nuclear Missiles On German Soil&#34; English Artist Signed Sue Coe #29/450 Macabre Photo Etching

Painting sound clean intact normal light age/use wear to floating frame
Frame 19.5&#34; x 16.5&#34;  painting 9.75&#34; x 6.75&#34;
https://legereart.com/about/artist-statement/
https://legereart.com/
Pickup category timeslot {A}

&#34;Interpretation Libre&#34; Oil Painting On Board Artist Signed Therese Legere

Displays well small rim nick under chin   15&#34; x 5.5&#34;  Vintage JiCo Murano Glass Sommerso Horse Sculpture, Midcentury Modern Tall Equine Figurine, MCM Venetian Glass

Pickup category timeslot {A}

Large Murano Soimmerso Art Glass Abstract Equine Horse Sculpture 

Fine shape  Frame 20.5&#34; x 16.5&#34;   Painting   16&#34; x 12&#34;
Dimensions:
Frame 20.5&#34; x 16.5&#34;   Painting   16&#34; x 12&#34;
Pickup category timeslot {A}

Artist Signed Leonard Amos &#34;Spring Willows By The Brook&#34; Oil Painting On Board 

Fine no issues 13.5&#34; x 6.5&#34; at base
This sculpture is in perfect condition.
Bronze Dimensions with Marble Base:Height 13 1/2&#34; x Width 6 1/2&#34;
Marble Dimensions:Diameter 6 1/2&#34;
Weight :10 LBS
The sculpture is a natural mythical pure essence. One of the children is a mythical half-goat half-human hybrid. This sculpture was crafted using the lost wax method. It stands on a black marble base and is signed by artist Milo.

https://bronzhaus.com/products/original-milo-beautiful-nude-mother-with-children-bronze-sculpture-marble-statue
Dimensions:
13.5&#34; x 6.5&#34; at base
Pickup category timeslot {A}

Solid Bronze Venus And Satyr Child Sculpture Artist Signed Milo

Excellent condition   
&#34;Rice Weeding — Variant 1&#34; depicts the tedious but essential task of removing weeds from the rice paddy during the growing season — labor that required repeated entry into the muddy, flooded field under summer heat. Weeding was predominantly women&#39;s work in traditional Japanese agriculture, and images of women bent over in the paddy under round bamboo hats are common in Japanese genre art. Bakufu&#39;s first variant of this subject suggests he explored the composition through multiple prints, each finding a different resolution of the visual problem.

https://myhanga.com/artworks/ohno-bakufu-rice-weeding-variant-1

Frame 17.25&#34; x 12.25&#34;    art work  14.75&#34; x 9.75&#34;


Dimensions:
Frame 17.25&#34; x 12.25&#34;    art work  14.75&#34; x 9.75&#34;
Pickup category timeslot {A}

&#34;Rice Weeding Variant 1&#34; Artist Signed Bakufu Ohno Japanese Woodblock Wood Frame C.1950

 Excellent original condition 4.25&#34;  x 2.25&#34; 
Dimensions:
4.25&#34;  x 2.25&#34; 
Pickup category timeslot {A}

Silvestro Murano Glass Cat With Murrina Millefiori Pasteo Gold Leaf Aventurine

Excellent condition  frame  9.25&#34; x 8&#34;   painting 4&#34; x 3&#34;
Dimensions:
Frame  9.25&#34; x 8&#34;   painting 4&#34; x 3&#34;
Pickup category timeslot {A}

&#34;Festivity&#34; Mixed Media Collage Painting Artist Signed Yoko Yamaguchi 1994

Displays well
Small fleabite rim nick at back of head as pictured  Excellent clean sound original shape otherwise  Head fits snug on base
3&#34; x 2&#34;
Pickup category timeslot {A}

ART DECO BONZO DOG PERFUME BOTTLE SCENT GLASS POTTER AND MOORE ENGLAND 1930

Fine shape  15.25&#34; x 13.25&#34;  painting 10&#34; x 8&#34;

Robert Wilson (born 1942, NSW) is a renowned Australian landscape painter best known for his atmospheric depictions of the Australian outback and natural scenery. Largely self-taught, he developed his signature style while exploring the Towac Valley, later studying at the Royal Art Society.
Dimensions:
15.25&#34; x 13.25&#34;  painting 10&#34; x 8&#34;
Pickup category timeslot {A}

Signed Robert Wilson 1978 &#34;Wallaga Lake&#34; Australian Outback Oil Painting On Board 

 Kate Church&#34;Combining the line and form of sculpture with the playful anima of puppetry has been my livelihood for more than 20 years. I stumbled into it during my time as a textile associate with Mermaid Theater of Nova Scotia. A desire to do more than clothe puppets and puppeteers was part of creating my first little doll. Enchanted from the first moment, that doll still sits in my studio charming everyone who sees her.
The gesture of my work draws on a continuing practice and study of the human figure. Quietly engaging the tender emotional place I work from with an earned depth of experience, my intention is to carry a silent imprint or sense of emotion through the posture and expression of the figure evolving in front of me. Built using a simple armature that is movable throughout its construction, a tangible sense of emerging comes naturally to the finished sculpture. In fact, movement is part of the design.
I am proud to have created figures for Cirque du Soleil, which were sold internationally. For twenty years I produced an annual collection for  the One-of-A-Kind Show in Toronto. In 2012 I began to teach others what I have taught myself: a method and approach to building sculptural character. Fueled by the enthusiasm of the students, I facilitate everything from discovering a new art form to finding the confidence to tackle a career.&#34;


https://www.fluevog.com/community/fluevog-creative/winners/kate-church/?srsltidAfmBOoqMUE3Sh_cX01qt6QolTXq1MTWSJ7FnzBeoAdJClFMScIhcFx2c
See companion Kate Church fairy sculpture #15



https://katechurch.blog/sculptural-puppetry-available-w-o-r-k/

See companion Kate Church fairy sculpture #3

Fine condition  15&#34; x 14&#34;
Dimensions:
15&#34; x 14&#34;
Pickup category timeslot {A}

Cirque De Soleil Acrobat With Hoops Folk-Art Sculpture By Nova Scotia Artist Kate Church

Excellent shape   Frame 10&#34; x 8&#34;   Painting 6&#34; x 4&#34;   See other Jack Reid #26

Jack Reid was a Canadian watercolour artist. Born in Toronto, Reid was self-taught, beginning as a graphic artist until becoming a full-time painter in 1970. He taught workshops and demonstrations and toured worldwide began in 1971, teaching over 11,000 students by the 1990s.

He shared his expertise through three published books: &#34;Watercolour Basics: Let&#39;s Get Started&#34; (1998), &#34;Painting Snow and Water&#34; (2000), and &#34;Watercolour for the Fun of It: Easy Landscapes&#34; (2004). His instructional content also included a CD-ROM and a mini-series of painting demonstrations called &#34;Watercolour My Way,&#34; which was broadcast on Rogers Cable and released on home video.

Throughout his six-decade career, Reid received numerous honors and recognitions. In 1992, he was awarded the Commemorative Medal by the Canadian government for his contributions to Canadian art, and in 1990, he was named Arts Person of the Year in his hometown of Brampton. He exhibited in London, England with the Royal Institute of Painters in Watercolours and was a lifetime member of The Arts and Letters Club of Toronto, Visual Arts Brampton, and the Canadian Society of Painters in Water Colour. His paintings are held in major corporate collections and in the personal collection of Queen Elizabeth II at Windsor Castle.

Following the death of his wife Maggie in 2002 after 33 years of marriage, Reid spent his final years with his companion Pat. He passed away on August 24, 2009, in Orillia, Ontario, at the age of 84. In 2014, Reid was posthumously honored with a star on Brampton&#39;s Walk of Fame, which was received by his nephew Robert McAffee.
Dimensions:
 Frame 10&#34; x 8&#34;   Painting 6&#34; x 4&#34;
Pickup category timeslot {A}

Charming Old River Mill Autumnal Watercolour Artist Signed Jack Reid  

Sound intact  very light age oxidization  Made by Joseph Sankey & Son  8.75&#34; x 5&#34; diameter  has 1.5&#34; liter or 6.25 cup capacity
http://www.historywebsite.co.uk/Museum/metalware/sankeys/sankey02.htm

https://acstickley.com/metalware/joseph-sankey-sons/joseph-sankey-sons-english-art-nouveau-copper-pitcher-c1900s-2
Dimensions:
8.75&#34; x 5&#34; diameter
Pickup category timeslot {A}

C.1890 Art Nouveau Solid Brass Lidded Pitcher Jug Signed J.S &#38; S England

Sound no issues   Measurements   26.25&#34; x 22&#34;   painting  18&#34; x 14&#34;
Dimensions:
Measurements   26.25&#34; x 22&#34;   painting  18&#34; x 14&#34;
Pickup category timeslot {A}

Atmospheric Hotel Nelson Montreal MCM Framed Oil Painting On Board Artist Signed Grenier

Sound no issues  19&#34; x 9.5&#34;
Dimensions:
 19&#34; x 9.5&#34;
Pickup category timeslot {A}

Vintage 1960 Cast-Iron Bi-Plane Figural Aircraft Door Stop

Sound no issues   32.5&#34; x 26.5&#34;
Dimensions:
32.5&#34; x 26.5&#34;
Pickup category timeslot {A}

Vibrant &#34;Leaping Dancers&#34; Artist Signed Sandu Liberman #21/250 Framed Lithograph

No chips or cracks  some normal light age/use wear as pictured      
Aynsley 2.5&#34; x 4.6&#34;  rim to handle  saucer 5.5&#34;    Atlas  2.5&#34; x 4.25&#34; saucer 5.5&#34;   Salisbury 2.5&#34; x 4.5&#34;  saucer 5.75&#34;

Dimensions:
Aynsley 2.5&#34; x 4.6&#34;  rim to handle  saucer 5.5&#34;    Atlas  2.5&#34; x 4.25&#34; saucer 5.5&#34;   Salisbury 2.5&#34; x 4.5&#34;  saucer 5.75&#34;
Pickup category timeslot {A}

Set 3 Antique English Teacup Saucer Sets Aynsley Atlas Etc

Toronto (Ontario, Canada) PARTNER MANAGED Reseller Online Auction - Railside Road

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Japanese woodblock print signed and sealed by Bakufu Ohno, Rice Weeding – Variant 1, circa 1950, image 14.75" x 9.75", housed under glass in simple light-stained wood frame 17.25" x 12.25"

Framed Japanese woodblock print, signed Bakufu Ohno

Front view of framed Bakufu Ohno woodblock print

Close-up of artist seal and baskets detail

Color woodblock on paper depicting two women bent over in flooded rice paddy with mountains and thatched hut in background, subdued blue-green palette, artist’s red seal lower left, mounted in thin rectangular oak-tone frame behind glass

Lot #10: "Rice Weeding Variant 1" Artist Signed Bakufu Ohno Japanese Woodblock Wood Frame C.1950

Only Available Pickup Date/Time: Sat, June 27 2026 Category A: 08:00 AM - 12:00 PM

Sun, June 28 2026
Category A: 09:00 AM - 11:00 AM

Pickup Location: Railside Road, Toronto, ON, M4A 2K7 View Map (opens in new window)

Lot #10: "Rice Weeding Variant 1" Artist Signed Bakufu Ohno Japanese Woodblock Wood Frame C.1950

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sat, June 27 2026 Category A: 08:00 AM - 12:00 PMSun, June 28 2026Category A: 09:00 AM - 11:00 AM

Pickup Location: Railside Road, Toronto, ON, M4A 2K7 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Sat, June 27 2026 Category A: 08:00 AM - 12:00 PM

Sun, June 28 2026
Category A: 09:00 AM - 11:00 AM