Hand-carved vintage Pacific Northwest First Nations  portrait mask. Carved from solid wood (likely red cedar or alder), this wall plaque showcases the classic &#34;Horizon Man&#34; design featuring bold, multicolor horizontal stripes stretching across the face.High-quality gallery studio art,the interior cavity displays clear, visible hand-tool gouge marks and texturing, proving it is a genuine hand-crafted piece .
Dimensions: 11 inches (Height) x 9 inches (Width) x 3.5 inches (Depth)
Material: Solid wood with flat, matte pigments
Display: Features a pre-installed integrated rear metal wire hanger for  display.
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Vintage Pacific Northwest Coast First Nations Carved Wood Portrait Mask – 11&#34;

Large  14.5-inch ceramic display charger plate from the limited Blue Mountain Pottery indigenous&nbsp;Artist Series (produced in Collingwood, Ontario, circa 1975–1980). This  piece features a bold, stylized Thunderbird designed by the legendary Anishinaabe artist Daphne Odjig, the "Grandmother of Canadian Indigenous Art." 
Signature: Odjig’s lowercase facsimile signature 
* Beautiful vintage display condition. No chips or cracks. 
Dimensions:
Diameter: 14.5 x 2  inches 
                
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Daphne Odjig Blue Mountain Pottery Thunderbird Charger Plate (1970s)

Hand-carved soapstone sculpture depicting a walking polar bear. 
This piece showcases excellent craftsmanship, featuring meticulously incised &#34;fur&#34; texture details along the spine and face.
Natural stone boasts , multi-toned coloration with rich earthy brown, tan, and cream striations running beautifully throughout the figure.

Markings: Unsigned (No visible syllabics, artist stamps, or tags on the base)
Dimensions:
Dimensions: 6.5&#34; Long x 3&#34; Tall x 2&#34; Wide
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Vintage Indigenous Inuit  Carved Soapstone Polar Bear Sculpture 

Authentic Inuit stone sculpture depicting a ringed seal, hand-carved by the recognized master carver Peter Iqaluk (b. 1959) from Sanikiluaq, Nunavut.
This  piece is carved from local Sanikiluaq argillite, a fine-grained stone known for its elegant, deep gray-green coloration and matte-to-gloss finish. The sculpture features Iqaluk’s signature stylistic traits, including fluid, minimalist body contours paired with crisp, hand-scribed ring patterns detailed along the seal&#39;s back.
 Igloo Tag: Features the official Canadian government Igloo Tag sticker on the base (Registration Number: 99166880), guaranteeing authentic Inuit craftsmanship.
Artist Signature: Hand-etched by the artist in traditional Inuktitut syllabics on the underside of the stone.

Condition: Excellent vintage/contemporary condition.
Dimensions:
Dimensions: 8&#34; L x 2.5&#34; W x 2.5&#34; H
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Peter Iqaluk Signed Inuit Argillite Ringed Seal Sculpture w/ Igloo Tag

 Inuit Inunnguaq (human-form Inukshuk) hand-carved from a striking, highly polished, grey-veined stone. 
This piece of Indigenous Canadian art was hand-sculpted by Inuit artist Jerry Eyaituq (Authentic signature hand-etched on the bottom of the base) 
 Date of Creation: June 8, 2012 (Inscribed as 6/8/12 on the base)
Material: Premium hand-carved stone with deep natural veining and a smooth, polished finish.
Condition: Good pre-owned condition. 

Dimensions:
Dimensions: Approximately 6.3 inches tall 
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Inuit Inunnguaq (Inukshuk) Stone Sculpture by Jerry Eyaituq (2012)

 Stone Inukshuk carved by acclaimed contemporary Inuit artist Samonie Shaa, Known for his precision and mastery of balance, from the world-renowned art community of Kinngait (Cape Dorset). 
Premium Arctic serpentine stone features gorgeous natural white veining contrasting against a deep charcoal-grey backdrop, with subtle olive-green undertones appearing under direct light. 
The base securely displays the artist’s hand-incised signature.
Conditions :* There is a small structural fracture/chip on the upper back corner of the head block, and a matching impact dent/chip on the lower rear edge of the left foot block
Dimensions:
7 inches High 
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Inukshuk Stone Sculpture – Signed S. Shaa 

Vintage Mixed-Media Inuit Sculpture of Two Birds on Whalebone Base
Artist: Unidentified Inuit Artist
Region/Community: Arctic Canada (Style consistent with Taloyoak / Sanikiluaq)Date: c. 1970s–1980s
Medium: Polished dark serpentine/soapstone and aged, weathered whalebone
Condition: Excellent vintage condition. The stone figures are securely mounted with no visible chips or fractures. The organic whalebone base displays natural weathering, calcification, and stable age-related fissures consistent with authentic, sun-bleached Arctic marine materials.Provenance: Private Collection, Mississauga, Ontario.
Dimensions:
Dimensions: 7 x 4 x 4 in (17.8 x 10.2 x 10.2 cm)
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Inuit Sculpture of Two Birds on Whalebone Base

 Mid-century Canadian folk art model totem pole. 
Features intricate hand-carved details, including deep pierced pass-through cuts beneath the central figure. 
Hand-painted in traditional black, white, red, and green tones,and with prominent Thunderbird with outstretched wings at the top, a humanoid/ancestor face, a Grizzly Bear with a bared mouth, and a Killer Whale/Orca at the base. 
Solid flat-back design mounted on a painted rectangular wooden base. 
No visible artist signature or labels. 
Dimensions:
12.5&#34; High x 9&#34; Wide 
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Vintage Hand-Carved &#38; Painted 12.5&#34; Wooden Totem Pole

First Nations Model Totem Pole. Pacific Northwest Coast (likely Kwakwaka&#39;wakw or Nuu-chah-nulth style)
Estimated Era: Mid-20th Century (circa 1950s–1970s). 
Material: Hand-carved Western Red Cedar or Alder, affixed to a circular wooden base with a central nail.
Figure Sequence (Top to Bottom): Features 7 classic stylized figures including an Eagle/Thunderbird, a deeply undercut crouching Frog, a Human/Ancestor figure, a Bear, a Raven, a Beaver, and a Killer Whale (Orca) base.
Good vintage condition  . Unsigned.
Dimensions:
Dimensions: 12.8&#34; Height
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Vintage Hand-Carved Pacific Northwest Indigenous Model Totem Pole - 12.8&#34;

Dynamic 1987 composition features two stylized whales (beluga/bowhead) mounted on a textured, integrated central stone base mimicking a caribou antler display. Hand-carved from deep green variegated serpentine stone with a polished finish.

Artist: Kootoo Munno (Iqaluit / Frobisher Bay, Nunavut)
Year: 1987
Material: Serpentine Stone

Condition Notes (Please Review Photos):
Being sold As-Is with noted condition issues common for aged stone sculptures:
One fluke (tail tip) is missing/broken off on the top whale.
Visible vertical hairline fracture/crack line on the tail section of the lower whale (remains structurally attached but delicate).
Multiple impact bruises, minor chips, and scuff marks showing as white spots on the noses/heads of both whales.
Dimensions:
Dimensions: 6.0&#34; L x 3.8&#34; H x 3.3&#34; W
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 Kootoo Munno (b. 1952) mid-century Canadian Inuit multi-figure stone carving handcrafted

Mid-century Inuit stone sculpture of a loon 
Artist: Samwillie Iqaluq (1925–1993)
Community: Sanikiluaq (Belcher Islands, Nunavut)
Subject: Stylized Loon / Waterfowl
Material: Striated Argillite / Serpentine Stone
Estimated Era: Pre-1970s

Dimensions:
Dimensions: 6.3&#34; L x 3&#34; H x 1.5&#34; W
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Samwillie Iqaluq  (Inuit, Belcher Islands / Sanikiluaq, 1925–1993), Mid-Century Green Argillite Waterbird Sculpture, Circa 1960s

Inuit  sculptures, set of two, representing the traditional Inuksuk (Inunnguaq) figure, an iconic symbol of Canadian Arctic culture.
 Both pieces are hand-carved from solid blocks of natural stone.
Piece 1 (Black): Carved from dark stone (likely black soapstone/serpentine). Features a traditional open-center cutout design.
Piece 2 (Green): Carved from a dense stone with beautiful natural mottling in green, brown, and grey tones (likely serpentine/granite). Solid block design.


Dimensions:
Dimensions (Each) Height: 5 inches Width: 3 inches
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Pair of Natural Stone Inuit Inuksuk Sculptures

Canadian Indigenous art piece by Labrador carver Dale Ford. 
Features a stylized figure clad in a parka, intricately hand-carved from deep green marbled serpentine stone. The face is a separate, crisp white organic antler/bone inlay depicting an open-mouthed expression typical of an Arctic singer or dancer.
Fully authenticated with incised markings on the bottom reading &#34;Dale Ford LABRADOR&#34; and &#34;Dec 2006 Goose Bay&#34;.
*Missing its small removable handheld tool accessory (slotted hand hole present).
Dimensions:
Measures roughly 5 inches tall by 4 inches wide
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Dale Ford  Signed Labrador  Indigenous Stone Carving , Dec 2006

Framed A.J. Casson Coalport Collector Plate - Anglican Church at Magnetawan
Item Description
Item: Limited Edition Fine Bone China Art Collector Plate
Artist: A.J. Casson (Alfred Joseph Casson, 1898–1992), Canadian Group of Seven
Artwork Title: Anglican Church at Magnetawan (Depicting St. George the Martyr Anglican Church, built 1880 in Ontario)
Manufacturer: Coalport (England, Est. 1750)
Distributor: Canadian Collector Plates (Milliken, Ontario)
Series: 5th Release in the Discover Canada Series (Circa 1982)
Edition Number: 3,230 out of a strict limited production run of 10,000
Dimensions: Plate Diameter: 10.7&#34; (27.3 cm)
Total Frame Size: 15&#34; x 15&#34; (38.1 cm x 38.1 cm)
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A.J. Casson &#34;Anglican Church at Magnetawan&#34; Framed Coalport Porcelain Collector Plate - Discover Canada Series #3230/10000

Collection of vintage Canadian travel souvenirs and studio art pieces. All items showcase the iconic indigenous Northwest Coast / Pacific Coast art style. 
 Included in This Lot:

1.	Frederick Design Commemorative Letter Opener (1991)
         - Comes in its original gray velvet presentation box with the authentic studio certificate paper.
              Size: 7.3 inches long.

2.	Hand-Finished Matte White Porcelain bisque Trinket Box, Signed 
       -The bottom base is hand-inscribed/signature,&#34; confirming it is a hand-finished studio
      Size: 4.5 inches wide by 2.3 inches tall.

 3-Solid Brass Totem Pole on Green Marble Base
    Size: 6 inches tall.

4-Vintage Copper-Plated 3D Totem Keychain
Size: 3 inches long.

 


Dimensions:
7.3,4.5 x 2.3, 6 and 3 inches
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Canadian Pacific Coast First Nations Style Art Collectibles Items . Set of 4 

Trio of vintage and antique heavy brass vessels spanning from the late 19th to the mid-20th century. 
1- Antique Indian Ganga-Jamuna Ritual Lota Pot (Center), late 19th to early 20th Century (Circa 1880–1930, with Excellent natural aged patina.
Dimensions: Approx.  5&#34;H x 5&#34; W
2-Antique Indian Engraved Brass Prayer Lota (Left),tapered oval ritual vessel from 19th to early 20th Century (Circa 1890–1930)
Dimensions: Approx. 4.3&#34; H
3-Vintage Mid-Century Solid, Heavy-Cast Brass Chamberstick (Right),handled finger candlestick holder .
Mid-20th Century (Circa 1950s–1970s)
Dimensions: Approx. 3.5&#34; H x 4.5&#34; W Base 
Dimensions:
5&#34;H x 5&#34; W/Approx. 4.3&#34; H/3.5&#34; H x 4.5&#34; W Base 
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Antique and Vintage Mixed Traditional  Brass Trio. India

Winter forest landscape ,acrylic on board, by prominent Southern Ontario painter and member of the Don Valley Art Club, Robert James Callaghan 
Dimensions:
27 x 17 inches (32 x22 frame)
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ROBERT JAMES CALLAGHAN (CANADIAN, 20TH CENTURY) WINTER LANDSCAPE PAINTING 

Nudes Suite by Itzchak Tarkay 
Serigraphs / Color Screenprints on fine art paper,79 / 300 (A matching, low-numbered edition set)
Each of the three individual prints is hand-signed in pencil by the artist in the lower right margin (&#34;Tarkay&#34;), and hand-numbered in pencil in the lower left margin (&#34;79/300&#34;)

Dimensions:
Image/Print Size: 9&#34; x 9&#34; (22.9 x 22.9 cm) each Framed Size: 43&#34; x 23&#34; (109.2 x 58.4 cm)Overview
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Itzchak Tarkay (Israeli, 1935–2012)-Nudes Suite (Triptych featuring Nude I, Nude II, and Nude III)

Evocative early 20th-century American Tonalist cabinet landscape painting
The composition depicts a quiet, mist-shrouded meadow bracketed by soft-focused trees showing early autumn coloration. A luminous full moon breaks through a hazy, pastel-toned sky, casting its reflection onto a tranquil stream in the foreground, closely aligning with the painterly aesthetic of early 20th-century American landscape painters.

Dimensions:
Sight / Image: 7&#34; x 4.5&#34; (17.8 cm x 11.4 cm) /Framed: 9&#34; x 7&#34; (22.9 cm x 17.8 cm)
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American School (Early 20th Century), Tonalist Landscape at Twilight, Signed &#34;Walrath&#34;

Framed Chinese ancestor portrait painting of seated Chinese noblewoman. It is professionally housed in its original black wooden frame with a sturdy commercial backing panel and hanging hardware attached.
Measurement:
Dimensions:
25&#34; x 14.5&#34;
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Chinese Ancestor Portrait (祖先畫) of a Noblewoman

 &#34;Paris of My Dreams&#34; by the world-renowned master of modern impressionism, Leonid Afremov.
This specific piece is officially documented as an Original Recreation, meaning it was painted completely by hand, free-form, by Leonid Afremov himself in his studio using his iconic palette knife technique. It comes directly with its original Certificate of Authenticity (COA) issued by the Leonid Afremov Gallery (Order ID: 37678).
Dating to 2019, this canvas was painted during the final year of the artist’s life

Artist: Leonid Afremov (Belarusian-Israeli, 1955–2019)

Title: Paris of My Dreams

Medium: 100% Hand-Painted Oil on Canvas (Palette Knife Technique)

Year of Execution: 2019

Signature (Front): Signed &#34;Leonid Afremov&#34; inside the lower-right wet oil paint using the artist&#39;s signature incised method.

Inscription (Back): Hand-signed and dated &#34;Leonid Afremov 2019&#34; en verso on the canvas backing.

Provenance: Includes the official paper Certificate of Authenticity (COA) signed by a Gallery Representative.

Condition & Visual Appeal Condition: Excellent, pristine condition. 
Dimensions:
Dimensions: 40&#34; x 30&#34; (100 cm x 75 cm)
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Leonid Afremov (1955–2019) – &#34;Paris of My Dreams&#34; – Hand-Painted Original Recreation (2019)

Vintage Southwestern accent rug showcasing the iconic &#34;Prototypical Chimayo&#34; design with a striking deep crimson-red field accented by crisp cream and navy-blue geometric motifs.
Pattern: Classic centralized eye-dazzler serrated diamond medallion flanked by dual arrow/dragonfly bands on either end.
Craftsmanship: Tight, clean loomed weave with integrated structural white cotton warp fringe ends.

Dimensions:
 Approximately 62 inches x 36 inches (approx. 5.1&#39; x 3&#39;)—a highly versatile accent.
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Southwestern Chimayo-Style Handwoven Rug / Runner (62&#34; x 36&#34;)

Original Mid-Century Canadian Landscape Painting by W. Conway
Medium: Original Oil on Canvas (Beautifully textured, heavy palette knife technique)
Canvas  Framed in a premium vintage wooden frame with a classic fabric liner insert.
Dimensions:
Size: 20&#34; x 24&#34;
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William Conway (Canadian) Original Oil Painting - &#34;The Century Mill&#34;

Vintage brass repoussé oval trinket boxes. 
Decorative lidded containers featuring  ornate Art Nouveau  floral scroll motifs. 

Dimensions:
6&#34; L x 4 &#34;W x 2&#34; H ( two biggest) / small one:4&#34; L x 3&#34; W x 2&#34;H
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Brass Repousse Embossed Oval boxes . Trio

Mississauga (Ontario, Canada) SELLER MANAGED Estate Sale Online Auction - Alpha Mills

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Vertical carved wood panel with gilt over black lacquer, late Qing dynasty circa 1880–1910, openwork high-relief scenes with robed figures among pine boughs in two cartouches, scrolling foliage border, approx 14"H x 7"W x 1.5"D.

Carved giltwood and black lacquer altar panel

Full view of vertical giltwood and black lacquer panel showing two narrative cartouches and scrolling border

Close-up of lower cartouche displaying high-relief figures and gilt detailing

Alternate angle of lower cartouche highlighting depth of carving and lacquer frame

Rich gold gilt against deep black lacquer, intricate Southern Chinese Chaozhou/Canton style carving, expressive multi-figure narrative scenes, ornate openwork scrollwork, slight age-related surface wear visible.

Carved Chinese Giltwood Lacquer Altar Panel

Late Qing dynasty (circa 1880–1910) carved wood panel, meticulously decorated in the traditional Southern Chinese (Chaozhou/Canton) style with rich gilding (giltwood) over a deep black lacquer ground.The vertical panel features two deeply carved, high-relief openwork cartouches depicting expressive, multi-figure narratives clad in traditional robes amidst naturalistic pine boughs, likely referencing classical Chinese opera or historical folklore. The central narrative fields are framed by an elegant, openwork scrolling foliage border in giltwood.
*Check all pics for condition
Dimensions:
14&#34; Height x 7&#34; Width x 1.5&#34; Depth (35.5 cm x 17.8 cm x 3.8 cm)
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Lot #54: Antique Chinese Giltwood and Black Lacquer Curved Altar Panel, Qing Dynasty (Late 19th Century)

Only Available Pickup Date/Time: Sat, September 19 2026 Category A: 09:00 AM - 12:45 PM

Pickup Location: Alpha Mills, Mississauga, ON, L5N 1H5 View Map (opens in new window)

Lot #54: Antique Chinese Giltwood and Black Lacquer Curved Altar Panel, Qing Dynasty (Late 19th Century)

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Auction Details

Only Available Pickup Date/Time: Sat, September 19 2026 Category A: 09:00 AM - 12:45 PM

Pickup Location: Alpha Mills, Mississauga, ON, L5N 1H5 View Map (opens in new window)

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