Antique Chinese Blue & White Porcelain Plate 
Qing Dynasty Likely Kangxi ( 17th century: 1662–1722 ) or Yongzheng Period ( 18th century: 1722–1735)  清代早期 康熙或雍正时期 青花庭院花卉纹盘
Decorated with flowers and treasures in the garden 
Overall in good antique condition with a minor flea bite
D: 16cm / 6.5 inch
Dimensions:
D: 16cm / 6.5 inch
Pickup category timeslot {B}

Qing Dynasty Kangxi or Yongzheng Period Chinese Blue &#38; White Porcelain plate decorated with Flowers &#38; Treasures in the Garden

Antique Chinese Blue & White Cup and Sauser with Kangxi Mark (康熙年制款 杯碟套）
Qing Dynasty (1644 to 1912) 清代
Decorated with flowers and 4 ladies in the garden  四大美人和庭院花卉纹
Condition: Sauser: minor hairlines; Cup: hairline restored
Sauser D: 13cm / 5.25 inch
Cup H: 8cm / 3 inch
Dimensions:
Sauser D: 13cm / 5.25 inch ； Cup H: 8cm / 3 inch
Pickup category timeslot {B}

Qing Dynasty Chinese Antique Blue &#38; White Porcelain Cup and Sauser with Kangxi Mark

Period: 2nd half of 20th century 
A set of 7 pieces Chinese Blue & White Porcelain including one Teapot, two cups and two sausers
景德镇制青花玲珑瓷茶壶及两套杯碟套
Overall in good condition
Pickup category timeslot {B}

Set of 7 pieces 20th century Chinese Blue &#38; White Porcelain Teapot, cups and sausers

Period: 2nd half of 20th century 
A set of 8 pieces Chinese Blue & White and iron red decoration Porcelain with Openwork Lattice including one Soup Bowl with lid, Soup Spoon, 3 piece tea set, and 3 cups，one of them is from Republic period
景德镇制玲珑瓷温锅及盖，大汤勺，三才盖碗，三个杯子，其中一个为民国时期。
Mostly in good condition
Pickup category timeslot {B}

Set of 8 pieces 20th century Chinese Blue &#38; White and iron red decoration Porcelain with Openwork Lattice

Period: Qing Dynasty Guangxu Period (1875–1908)  清代光绪时期
Antique Chinese Blue & White Porcelain ginger jar featuring a deep cobalt blue underglaze ground with white plum blossom, including the original lid. 青花冰梅罐 带盖
Used good condition with minor fire-cracks on the lid, 整体品相良好，略带出窑窑缝
H: 14.5cm / 5.5 inch
Dimensions:
H: 14.5cm / 5.5 inch
Pickup category timeslot {B}

Qing Dynasty Guangxu Peried Chinese blue &#38; white porcelain ginger jar featuring a deep cobalt blue underglaze ground with white plum blossom

Period: 20th century
Chinese blue & white porcelain: One deep cobalt blue underglaze ground with white plum blossom vase and a small blue and white vase
景德镇制冰梅瓶，青花山水瓶
Overall in good condition
H: 13cm and 10cm
Dimensions:
H: 13cm and 10cm
Pickup category timeslot {B}

Two 20th century Chinese blue &#38; white porcelain: One deep cobalt blue underglaze ground with white plum blossom vase and a small blue and white vase

Period: 20th century
Two Chinese Blue & White Porcelain plates with double dragons chasing the fireball (双龙赶珠纹青花盘，景德镇制四字青花款，稀有567瓷器）, and One Holland deftware plate with a typical Dutch girl and beautiful view.
Overall in good condition
D: 13cm for the Delft one, and 14cm for the Dragon plates
Dimensions:
D: 13cm, 14cm x 2
Pickup category timeslot {B}

3 blue &#38; white porcelain items: 1 Holland delftware plate, 2 Chinese dragon plates

Period: 1979
2 vintage Royal Copenhagen Blue & White porcelain: 
The top plate is a vintage Royal Copenhagen decorative wall plate depicting &#34;The Little Mermaid&#34; sitting on a rock in Copenhagen harbor.
The bottom plate is the official 1979 Royal Copenhagen annual Christmas plate, titled &#34;Choosing the Christmas Tree&#34; (Vælg Juletræet).
Overall in good condition
D: 8 inch and 7 inch
Dimensions:
D: 8 inch and 7 inch
Pickup category timeslot {B}

2 Royal Copenhagen Blue &#38; White porcelain

Period: Ming Dynasty - Wanli era (1573–1620)
Antique Chinese Blue and White porcelain bowl with Peony flowers around and a Longevity Cross in the middle and &#39;Da Ming Nian Zao&#39; mark  
明万历 青花缠枝牡丹纹碗 内里画长寿万字纹，底款落 “大明年造”
Overall in good antique condition
D: 4.7 inch / 12 cm

Dimensions:
D: 4.7 inch / 12 cm
Pickup category timeslot {B}

Ming Dynasty - Wanli era - Antique Chinese Blue and White porcelain bowl with &#39;Da Ming Nian Zao&#39; mark

Period: Ming Dynasty - 1368 to 1644 
Antique Chinese underglaze Blue & White and over glaze Iron Red and Green porcelain bowl with flowers around with the auction house tags
明中晚期 青花加红绿彩 缠枝花卉纹碗 
Overall in good antique condition, just the over glaze Iron red and green enamels got faded a few  整体品相良好，釉上红绿彩有所脱落
D: 4.7 inch / 12 cm

Dimensions:
D: 4.7 inch / 12 cm
Pickup category timeslot {B}

Ming Dynasty - Wanli era - Antique Chinese Blue &#38; White and Iron Red and Green porcelain bowl 明代青花加红绿彩 缠枝花卉纹碗 

20th Century Chinese blue and white porcelain cup warmer. 温酒器
Decorated with lotus flowers
Jing de zheng zhi mark 景德镇制 青花底款
D: 2.7 inch / 7 cm
H: 2.9 inch / 7.5 cm
Dimensions:
D: 2.7 inch / 7 cm H: 2.9 inch / 7.5 cm
Pickup category timeslot {B}

Chinese Blue and White Porcelain cup warmer

Chinese Export Blue & White porcelain plate 
Decorated with hunting games 
Chenghua Apocryphal Mark  大明成化年制 寄托款 
D: 23 cm / 9 inch
Dimensions:
D: 23 cm / 9 inch
Pickup category timeslot {B}

Chinese Export Blue &#38; White porcelain plate decorated with hunting games and Chenghua Apocryphal Mark

A framed finely reproduction of the iconic Renaissance portrait, the Mona Lisa on a wooden panel. Perfect for high end decoration.
The artwork is displayed in a classic distressed gold-toned wooden frame. 
Context: : Mona Lisa was originally painted by Leonardo da Vinci between 1503 and 1506. Unlike many modern paintings or commercial reproductions that use stretched fabric canvas or cardboard, Leonardo da Vinci executed the masterpiece on a single, solid plank of poplar wood. 
Display and Placement: Hang the framed print at eye level (around 57 to 60 inches from the floor to the center of the piece) on a neutral or accent wall to let the gold frame stand out.Lighting: Use a dedicated picture light or directional warm LED track lighting above the frame to reduce glare and highlight the details of the print.
Maintenance: Dust the wooden frame gently with a dry microfiber cloth, and avoid using liquid cleaners or hanging the print in direct, harsh sunlight to prevent fading.

H: 31 inches, W: 24 inches
Dimensions:
H: 31 inches, W: 24 inches
Pickup category timeslot {A}

A framed finely reproduction of the Mona Lisa portrait on a wooden panel. 

A large serene winter landscape painting captures a quiet, frozen river scene during the late afternoon or an overcast winter day.

The Composition: Two prominent birch or snow-covered trees stand as vertical anchors on a small outcropping of land in the foreground. Their branches are heavily dusted with white snow, contrasting against a dense, dark forest line fading into the background.
The Color Palette: The artwork utilizes a restricted, cool color scheme dominated by deep blues, icy teals, and stark whites. In contrast, the left background features soft, muted tones of lavender and faint gold illuminating low, rolling, snow-dusted hills.
The Technique: Executed with a painterly, textured style common in 20th-century landscape art, the artist used thick, impasto palette knife or brush strokes to give texture to the snow and the bark of the trees. The glassy, dark water in the lower left reflects the sky and the shoreline with smooth, horizontal brush strokes.
The Mood: The painting evokes a powerful sense of isolation, stillness, and the crisp, quiet chill of nature during peak winter.This piece strongly resembles the mid-century &#34;wet-on-wet&#34; style.

H:29 inches  W:40 inches
Dimensions:
H:29 inches  W:40 inches
Pickup category timeslot {A}

A large serene winter landscape oil painting captures a quiet, frozen river scene during the late afternoon or an overcast winter day.

This is a beautifully framed exhibition or museum-style art print of &#34;Les Chrysanthèmes&#34; (Chrysanthemums), originally painted by the French Impressionist master Claude Monet in 1878.

The Artwork Subject: The image depicts a dense, bursting bouquet of white and soft-pink chrysanthemums spilling out of an ornate, vibrant red ceramic vase.
Background: The bouquet is set against an elegant, patterned wallpaper featuring delicate blue and red floral motifs, which echoes the composition of the main floral arrangement.
Color Palette: Monet employs a harmonious blend of crisp whites, soft pastel pinks, and deep reds, balanced by the muted gray-blue and soft cream tones of the background.
Style: This piece showcases typical Impressionist loose, energetic brushstrokes that focus on the interplay of light and texture rather than rigid, fine lines.
Typography: The print features clean, curated typography beneath the artwork, identifying the artist as &#34;CLAUDE MONET (1840-1926)&#34; alongside the title &#34;LES CHRYSANTHÈMES&#34;.
Header Signature: Above the artwork, a stylized reproduction of Monet&#39;s cursive signature (&#34;Monet&#34;) is prominently centered on the crisp white matting.
Framing: The piece is professionally finished with an expansive, off-white gallery mat board that provides clean breathing room around the art. It is housed in a polished, deep reddish-brown (cherry or mahogany finish) wooden frame with a subtle inner bevel.

H: 22 inches, W: 25 inches
Dimensions:
H: 22 inches, W: 25 inches
Pickup category timeslot {A}

A museum-style art print of &#34;Les Chrysanthèmes&#34; (Chrysanthemums), originally painted by the French Impressionist master Claude Monet in 1878

This is a framed museum-style art print of &#34;The Parc Monceau&#34; (sometimes titled &#34;Parisians Enjoying the Park&#34;), originally painted in 1878 by French Impressionist master Claude Monet.

The Artwork Subject: The painting captures an elegant scene of middle-class Parisian figures gathering on a shaded path in Paris&#39;s fashionable 8th arrondissement. Several women in bustled, light-colored dresses are seated on benches or walking with parasols.
Light and Shadow: Monet masterfully organizes the scene by contrasting a dark, cool, heavily shaded foreground against a luminous patch of brilliant green lawn and towering trees filtering warm spring sunlight in the background.
Brushwork: The foliage and filtering light are built using Monet&#39;s classic rapid, flickering, and broken brushstrokes that emphasize atmosphere and fleeting optical sensations over crisp physical details.
Matting and Text: The artwork is enclosed within a clean, wide, off-white gallery mat board. Directly below the image, Claude Monet&#39;s distinctive signature (&#34;Monet.&#34;) is replicated in bold script above the classic museum title text.Framing: The print is housed in an ornate, bright gold-gilded frame featuring intricate vertical ribbing along the outer border and a subtle inner textured bead liner, highlighting the traditional French impressionist aesthetic.

H: 30 inches, W: 25 inches
Dimensions:
H: 30 inches, W: 25 inches
Pickup category timeslot {A}

A museum-style art print of &#34;The Parc Monceau&#34; (sometimes titled &#34;Parisians Enjoying the Park&#34;), originally painted in 1878 by Claude Monet

A framed print presents a dramatic and moody baroque-style still-life composition that plays beautifully with deep shadow and earthy textures.

The Artwork Subject: The focal point is a dense, sculptural arrangement of dried botanicals, featuring sheaves of golden wheat, wild grasses, seed pods, and preserved autumnal flowers.
The Base: The arrangement rests inside an intriguing, textured vessel that appears to feature a classical mask or stylized face design integrated into its front surface, adding a surreal, historic charm to the work.
Lighting and Atmosphere: The image utilizes an intense chiaroscuro effect—a signature style of old-master painters. The background is a velvety, pitch-black void, which contrasts sharply against a soft, hazy light rising from below that dramatically illuminates the underside of the arrangement and the mysterious mask.

H:28 inches  W:24 inches
Dimensions:
H:28 inches  W:24 inches
Pickup category timeslot {A}

A framed print presents a dramatic and moody baroque-style still-life composition that plays beautifully with deep shadow and earthy textures.

A framed print panoramic reproduction of one of Claude Monet’s iconic &#34;Water Lilies&#34; (Nymphéas) masterpieces, originally painted during the later years of his life at his home garden in Giverny.

The ArtworkSubject: The composition entirely omits the horizon line or shoreline, plunging the viewer directly onto the surface of the pond. It depicts clusters of floating white and pink water lilies anchored by dark green pads.
Atmosphere and Reflection: Monet masterfully blends the actual surface of the water with deep blue, violet, and dark green reflections of the surrounding trees and weeping willows, creating a dreamy, fluid sense of infinite depth.
Style: This format belongs to Monet&#39;s famous Grande Décoration style, utilizing loose, layered, and almost abstract Impressionist brushstrokes to capture the fleeting, shifting effects of natural light on water.

H:21 inches  W:38 inches
Dimensions:
H:21 inches  W:38 inches
Pickup category timeslot {A}

A framed print panoramic reproduction of one of Claude Monet’s iconic &#34;Water Lilies&#34; 

This artwork is a reproduction after an original untitled floral still-life by the prominent French Neo-Impressionist master Henri-Jean Guillaume Martin (commonly known as Henri Martin, 1860–1943).

Many vintage and modern reproductions of this specific Henri Martin piece were produced as textured giclée prints directly mounted onto a solid board or wooden plaque, rather than stretched fabric canvas.

The ArtworkSubject: The focal point is a dense bouquet of vibrant blue flowers—resembling cornflowers, hydrangeas, or delphiniums—with small hints of white blooms spilling subtly down the right side.
Dimensions:
H:27 inches  W:23 inches
Pickup category timeslot {A}

A reproduction after an original untitled floral still-life by French Neo-Impressionist master Henri Martin

3 vintage English ironstone earthenware from the famous &#34;Old Britain Castles&#34; pattern, manufactured by Johnson Brothers.
Key Details about the Set
The Pattern: Introduced originally in 1930, this iconic pattern features meticulously detailed 18th-century steel-engraved landscapes depicting historic British castles.
The Color: While officially cataloged by collectors and retailers as &#34;Pink,&#34; the transferware ink is actually a rich, deep cranberry red or burgundy stamped onto a creamy white background.The Identified Pieces:
Standing Plate: A tea saucer or small side plate showcasing a prominent engraving of the Tower of London in the center.
Flat Saucer: A matching saucer with a scalloped edge designed to hold a cup.
Teacup: A flat-bottomed, wide-mouthed teacup featuring a smaller village or castle engraving wrapped around its exterior.
Pickup category timeslot {B}

3 vintage English ironstone earthenware from the famous &#34;Old Britain Castles&#34; pattern - All made in England

This old and used Frigidaire FFAD6022W1 is a portable 60-pint capacity dehumidifier designed for high-humidity spaces like basements and garages. It removes up to 60 pints of moisture per day, features a front-loading water bucket, and supports continuous draining.
Key Specifications:
Capacity: 60 pints per day (2.64-gallon bucket)
Power: 115V, 420 Watts, 4.1 Amps
Dimensions: 24.75&#34; H x 18.75&#34; W x 14.75&#34; D
Weight: 57 lbs
Noise Level: 53 dB to 57 dBA
Main Features:
Continuous Drain Option: Hook up a standard garden hose to drain water automatically without emptying the bucket.
Automatic Shut-Off: Stops operation when the front-loading bucket is full.
Washable Filter: Captures dust and keeps the unit running efficiently.
Portability: Includes caster wheels and side handles to move between rooms.

NOT TESTED, NOT SURE whether working or not
Pickup category timeslot {A}

A used Frigidaire FFAD6022W1 portable 60-pint capacity dehumidifier

This old and used NOMA AEO-W4E1 dehumidifier
NOMA actually corresponds to a smart portable air conditioner model from NOMA (often featuring built-in dehumidification modes) rather than a standalone dehumidifier. It includes Wi-Fi connectivity, a digital display, multiple fan speeds, and a programmable timer.
Key Specifications & Features
Primary Function: Portable Air Conditioner with integrated cooling, fan, and dehumidification modes.
Smart Connectivity: Wi-Fi enabled for remote control via smartphone app.
Control Elements: Digital display panel, adjustable timer, and sleep mode.Operation Modes: Multiple fan speeds and auto settings.

NOT TESTED, NOT SURE whether working or not
Pickup category timeslot {A}

A used NOMA AEO-W4E1 portable 50-pint capacity dehumidifier

The two foreground pieces make up an open sugar bowl and creamer set manufactured by Paragon, England.
The Pattern & Design: These pieces feature an elegant, heavy gold filigree lace trim around the scalloped rims and a striking, deep maroon/burgundy floral design.
The two background pieces consist of a lidded sugar bowl (minus its lid) and a matching creamer produced by the famous Wawel porcelain (Wałbrzych)
Pickup category timeslot {B}

4 vintage porcelain creamers and open sugar bowls branded with Paragon and Wawel

A beautiful Spring Flowers and Butterfly porcelain plate
Pickup category timeslot {B}

A beautiful Spring Flowers and Butterfly plate

Oakville (Ontario, Canada) SELLER MANAGED Downsizing Online Auction - Heritage Way

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Republic of China period Shiwan pottery figure of a classical Chinese scholar holding a wine vat, three-color lead glaze, height 6.5 in (16 cm).

Three-color glazed pottery scholar figurine

Front view of glazed pottery scholar holding wine vat

Left side view highlighting robe drape and wine vat

Amber-yellow glazed flowing robe with leaf-green trim, darker brownish-amber wine vat, unglazed matte clay face, hands, and bare feet, fine surface crazing throughout.

Su Sancai Shiwan pottery scholar figurine

Su Sancai&#34; (素三彩 / Three-Color Glazed) Shiwan pottery statue, likely dating to the Republic of China period.
Shiwan pottery figurine (石湾公仔) from Guangdong Province, China, representing a classical Chinese scholar, wise sage, or literary figure.
The Sancai Palette: True to the &#34;Su&#34; (plain/elemental) Sancai tradition, the design completely excludes red pigments, relying strictly on a low-fired lead glaze palette of amber-yellow, leaf-green, and creamy white/buff. The sweeping scholars&#39; robes are coated in a warm yellow glaze with green contrasts along the trim, while the wine vat features a darker brownish-amber tone.The Crackle Pattern: The fine grid of surface crazing is a natural result of age and the low-temperature firing of the lead silicates, which contract differently than the clay body over time, providing a beautiful historical patina.The Shiwan &#34;Mud Man&#34; Heritage: The realistic face, expressive long beard, hands, and bare feet are purposefully left unglazed (露胎 / raw clay), showcasing the characteristic matte skin tone of Southern Chinese studio pottery, which stands out dynamically against the highly reflective glazed garments.

H: 6.5 inches / 16 cm
Dimensions:
H: 6.5 inches / 16 cm
Pickup category timeslot {B}

Lot #68: Su Sancai" (素三彩 / Three-Color Glazed) Shiwan pottery statue, likely dating to the Republic of China period.

Only Available Pickup Date/Time: Sun, September 06 2026 Category A: 11:30 AM - 12:00 PM
Category B: 12:00 PM - 02:30 PM

Pickup Location: Heritage Way, Oakville, ON, L6M 2Z4 View Map (opens in new window)

Lot #68: Su Sancai" (素三彩 / Three-Color Glazed) Shiwan pottery statue, likely dating to the Republic of China period.

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sun, September 06 2026 Category A: 11:30 AM - 12:00 PMCategory B: 12:00 PM - 02:30 PM

Pickup Location: Heritage Way, Oakville, ON, L6M 2Z4 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Sun, September 06 2026 Category A: 11:30 AM - 12:00 PM
Category B: 12:00 PM - 02:30 PM