Canadian mid-century modern lounge chair manufactured by Ste-Marie + Laurent Inc., Montréal, circa 1970s. Scandinavian/Danish modern influenced design with exposed oak frame, brown tweed upholstery, button-tufted back and seat, and upholstered armrests. Original manufacturer’s label to underside. Approximately 33&#34; W x 31&#34; H. Shows general age-related wear, staining and surface wear to frame.
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Ste-Marie + Laurent Danish Modern Style Tweed Lounge Chair

Pair of Canadian mid-century modern armchairs manufactured by Ste-Marie + Laurent Inc., Montréal, dated October 1976. Scandinavian/Danish modern influenced design with exposed oak frames and brown tweed upholstery. Manufacturer’s labels to undersides. Light age-related wear to upholstery and frames.
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Pair of Ste-Marie + Laurent Danish Modern Style Tweed Armchairs

Canadian mid-century modern two-seat loveseat manufactured by Ste-Marie + Laurent Inc., Montréal, circa 1970s. Scandinavian/Danish modern influenced design with exposed oak frame, brown tweed upholstery, button-tufted seat and back cushions, and padded armrests. Manufacturer’s label and original upholstery tag to underside. Approximately 54&#34; wide x 31&#34; high. Shows general age-related wear to upholstery and frame.
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Ste-Marie + Laurent Danish Modern Style Tweed Loveseat

Vintage mid-century modern square side table, circa 1960s–70s, constructed of substantial solid rosewood with a thick plank top and square pedestal base. Features a distinctive square end-grain block inset to the centre of the top, highlighting the natural figuring of the wood. Approximately 28&#34; square x 18&#34; high. Unmarked. General surface wear, scratches and age-related marks throughout.
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Vintage Solid Rosewood Pedestal Side Table

Inuit stone sculpture depicting a large seal with a fish in its mouth, attributed to Abraham ETUNGAT, R.C.A. (1911–1999), Kinngait (Cape Dorset). Faintly inscribed with catalogue number “7810” and with a faint wave-like signature/mark to the rear portion. Approximately 12&#34; long x 6&#34; high. No damage noted. Etungat began carving in the early 1960s and is documented as producing both human and animal subjects. A comparable signed animal sculpture by Etungat was offered by First Arts.
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Abraham ETUNGAT, R.C.A. (1911–1999), Kinngait (Cape Dorset) – Seal with Fish

Vintage Arcoroc Aspen Leaf glass bowls featuring a textured, embossed leaf pattern on the underside. 
Glass bowls by  Arcoroc (France).
Pattern is Aspen (also known as Lövet in some regions), featuring a distinct pressed leaf design
Popular during the 1970s and 1980s with cool mid-century design.
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Vintage MCM Arcoroc France Aspen Leaf Bowls

Zero Image handmade wooden multi-format pinhole camera, constructed of teak with solid brass fittings and designed for 120 roll film. 69 model capable of multiple film formats, with front-mounted exposure calculator and brass maker’s plate numbered 0311/2000. Made by Zero Image, founded by designer Zernike Au in Hong Kong in 1999. Approximately 6&#34; wide. Cosmetically very clean with light age-related surface wear. Untested with film.
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Zero Image 6×9 Handmade Teak Pinhole Camera No. 0311/2000

Includes everything you see here.
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Estate Jewelry

Antique glazed ceramic relief plaque depicting two cherubs or putti in a woodland setting, moulded in high relief with rich amber, brown and cobalt blue glazes and extensive age-related crazing. Likely Continental European, late 19th to early 20th century. Plaque approximately 5&#34; x 7&#34;, presented in a later shadow-box frame measuring approximately 12&#34; x 14&#34;. Minor glaze wear noted; otherwise presents well.
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Antique Continental Majolica Cherub Ceramic Relief Plaque

Antique water pitcher/jug produced in the popular &#34;Togo&#34; pattern by Colonial Pottery (F. Winkle & Co.) based in Stoke-on-Trent, England.
Dating back to the late Victorian era (circa 1890–1910), this pattern features intricate transferware decorations showcasing a mix of romantic countryside vignettes and dense botanical or floral borders. While famously produced in cobalt &#34;flow blue&#34; styles, the collection shown here features the pattern rendered in a beautiful teal green/turquoise glaze. There is some hairlines and chips in a couple spots see photos.
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Antique Victorian Water Jug Set Togo by Colonial Potteries Stoke on Trernt England

Large original acrylic on paper by Canadian artist Stephen J. Arthurs (b. 1951), signed and dated &#39;83 lower right. Titled in full along the lower margin, “In Time and Space, There Is an Intersection Point for Meditation, Dreams and Knowledge. We Are That Intersection Point.” Arthurs studied at the Ontario College of Art and was the subject of a solo exhibition organized by the Art Gallery of Hamilton in 1982. This work retains its original Vision/Image &#39;83 Canadian Society for Education Through Art exhibition label and identification labels verso, recording the medium as acrylic on paper, dimensions 86 x 72 cm and an original 1983 price/insurance value of 700. Framed under glass, approximately 34&#34; x 28&#34;. Lareau Law
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Stephen J. ARTHURS (b. 1951) “In Time and Space...” Acrylic, 1983

This is a Tiffany-style stained glass table lamp featuring a floral rose pattern in pink and green with a bronze-tone cast metal base
Dimensions:
14&#34; h.
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Tiffany Style Stained Glass Shade Table Lamp

Large original painting by Haitian artist Rodrigue Mervilus (b. 1947), depicting a densely populated garden filled with colourful butterflies and flowers. Signed “R. Mervilus” lower left. Mervilus was born in Saint-Marc, Haiti and is known for brightly coloured, highly detailed folk-art compositions featuring tropical vegetation, animals and figures; his work is represented in the collection of the Huntington Museum of Art. Approximately 39&#34; x 30&#34; framed.
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Rodrigue MERVILUS (b. 1947) Haitian Butterfly Garden Painting

Large collection of assorted vintage and modern wristwatches,mens and ladies, pocket watches, and watch parts, everything is sold as is where is.
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Large Collection of Vintage Wristwatches

Large early Canadian studio pottery vase, approximately 9 in. high, with a faceted baluster body, flared rim and pedestal foot. Red earthenware body with a dramatic flowing blue, navy and grey drip glaze. Incised maker&#39;s monogram to underside, possibly &#34;PB.&#34; Appears to date to the first half of the 20th century. Minor age-related wear; otherwise good condition.
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Early Canadian Studio Pottery Drip Glaze Redware Vase

Group of collectible hardback editions published by The Folio Society, an independent publisher based in London known for its beautifully illustrated, slipcased fine editions.
The specific books shown in your collection include:
• The Folio Golden Treasury: The prominent black spine on the far right features gold lettering, showcasing this classic poetry anthology originally compiled by Francis Turner Palgrave.
• A History of England (Multi-volume Set): The blue-spined books with white/cream labels in the middle belong to a historical series published by the society.
• The Stories of Thomas Hardy: The white/light spine positioned next to the Golden Treasury is part of the fiction classics collection, and The Victorian Album.
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Vintage Folio Society Hardcover Books Minty

Royal Canadian Mint 2015 20 “Gingerbread Man” commemorative coin, struck in .9999 fine silver with specimen finish. Features a gingerbread man sliding down a snowy hill while holding a candy cane, designed by Chris and Rosina Reid. Official specifications are 7.96 g, 27 mm diameter and a maximum authorized mintage of 200,000. From the Mint’s popular “20 for 20” series. Housed in its capsule and original Royal Canadian Mint pouch with product label.
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2015 Royal Canadian Mint $20 Gingerbread Man Fine Silver Coin

Vintage miniature blue and white ceramic canal houses, closely resembling the iconic KLM Delft Blue Houses produced by Bols for KLM Royal Dutch Airlines.
Details
Traditional Dutch canal house architecture painted in a classic blue-and-white Delft style.
These miniature ceramic buildings traditionally served as liquor decanters filled with jenever (Dutch gin) given to intercontinental business class.
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Vintage KLM Delft Blue Porcelain Houses

Great Britain 1893 one shilling, Queen Victoria “Old Head” type. Struck in .925 sterling silver, with a standard weight of 5.6552 g and diameter of 23.5 mm.

Coin is housed in a stapled cardboard 22 holder. The combined weight shown is 6.99 g; therefore the holder itself accounts for approximately 1.33 g (6.99  5.66 g)
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1893 Queen Victoria British Silver Shilling

Christofle Imperial flatware chest, a premium storage solution specifically engineered by the luxury French silversmith Tanagra. This classic green model is outfitted with a signature anti-tarnish cloth lining Artedona across its four modular drawers, accommodating extensive silverware collections ranging from 110 to 144 total flatware pieces.
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Empty Christofle Imperial Flatware Chest

Great Britain 1890 one shilling, Queen Victoria “Jubilee Head” type. Struck in .925 sterling silver, with a standard weight of 5.6552 g and diameter of 23.5 mm.

Coin is housed in a stapled cardboard 22 holder. The combined weight shown is 7.56 g; based on the coin’s standard weight of approximately 5.66 g, the holder accounts for approximately 1.90 g. Coin exhibits circulated wear.
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1890 Queen Victoria British Silver Shilling

5 sets all are in fine condition, made in England by Royal Elbert.
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Vintage Aynsley Demitasse Cups and Saucer Sets

Pair of Newfoundland .925 sterling silver coins comprising a 1912 20 cents and 1917 50 cents, both bearing the crowned portrait of King George V. The 1912 20-cent is a one-year George V type. Weights approximately 4.62 g and 11.55 g respectively. Both circulated with age-related wear and toning as shown.
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George V Newfoundland Sterling Silver Coins, 1912 &#38; 1917

 Vintage commemorative Swarovski figurine,  the Centenary Swan or related paperweight/figurine packaging from 1995.
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Vintage 1995 Swarovski Crystal Swan Figurine 1995 100th Anniversary

Hamilton (Ontario, Canada) SELLER MANAGED Estate Sale Online Auction - Gertrude Street

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Circa 1900 squat bulbous iridescent green art glass vase, ornate pierced metal mount at neck, approximate height 4.5 in, diameter about 6 in

Iridescent green art glass vase with metal collar

Vase neck showing pierced metal collar detail

Base of vase highlighting pontil and metal foot ring wear

Full profile of vase beside ruler for scale

Rich green glass with violet-blue iridescence; flattened ovoid body; dark patinated metal collar pierced with scrolling Art Nouveau motif

Antique Art Nouveau iridescent green Bohemian glass vase with pierced metal collar

This item is an antique Art Nouveau iridescent Bohemian glass vase, likely made by Wilhelm Kralik Söhne or in a highly similar Loetz style.
Characterized by its distinctive squat, bulbous silhouette, the piece features a rich green iridescent finish and is topped with an ornate, pierced Art Nouveau metal mount or collar around the neck. This type of combination—where lustrous, organic glass shapes are paired with pierced metal metalwork—was highly characteristic of Bohemian glass manufacturers operating around the turn of the 20th century (circa 1900)
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Lot #68: Antique Art Nouveau Iridescent Bohemian Art Glass Vase Wilhelm Kralik Söhne

Only Available Pickup Date/Time: Wed, October 14 2026 Category A: 01:00 PM - 07:15 PM

Pickup Location: Gertrude Street, Hamilton, ON, L8L 4B7 View Map (opens in new window)

Lot #68: Antique Art Nouveau Iridescent Bohemian Art Glass Vase Wilhelm Kralik Söhne

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Auction Details

Only Available Pickup Date/Time: Wed, October 14 2026 Category A: 01:00 PM - 07:15 PM

Pickup Location: Gertrude Street, Hamilton, ON, L8L 4B7 View Map (opens in new window)

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