ALFRED JOSEPH CASSON (Canadian, 1898 - 1992). Colour lithograph. Edition: PP (Printer&#39;s Proof) #1/2. Signed in pencil lower right. Marked P.P. at lower left. (Sight) 11x13.5 inches; (Sheet) 20x24.5 inches.
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CASSON, A.J. - SIGNED LITHOGRAPH

ALFRED JOSEPH CASSON (Canadian, 1898 - 1992). Colour lithograph. Edition: PP (Printer&#39;s Proof) #1/2. Signed in pencil lower right. Marked P.P. at lower left. (Sight) 10.5x13.5 inches; (Frame) 20x24.5 inches.


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PETER CLAPHAM SHEPPARD (Canadian, 1879 - 1965). Original watercolour, boat in the water at dock. Likely from a sketchbook. Sweet little scene showing the boat&#39;s reflections in the surrounding water. 3.5x5 inches. [M14]
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SHEPPARD, PETER CLAPHAM - ORIGINAL WATERCOLOUR, BOAT IN THE WATER AT DOCK

ANDY WARHOL (American, 1928 - 1987). &#34;Flowers&#34; series. Silkscreen. Circa 1990. 35.25 x 35.25 inches. Original Andy Warhol silkscreen. Verso with stamp (“published by Sunday B Morning”) and “fill in your own signature.&#34; Fine condition. *** &#34;Perhaps the most iconic works by Andy Warhol in the 1960s, are the series of silkscreen editions that he produced depicting Marilyn Monroe, Campbell&#39;s Soup Cans, and Flowers. Limited to just 250, these iconic editions came to be known as the &#39;Factory Editions,&#39; after the vast studio that Warhol and his collaborators occupied in midtown Manhattan. In 1970, following the success of the Factory Editions, Warhol began collaborating with a Belgian print studio called Sunday B. Morning, with the intention of running further editions from the original screens and colour codes for a European market. These prints were stamped in black ink on the back to say, &#39;Fill In Your Own Signature.&#39; As a Pop Artist, Warhol was interested in disrupting distinctions between mass media and high art. By inviting the owners of these prints to sign the works themselves, Warhol was challenging the idea of authorship. Sunday B. Morning began publishing the prints again, after many years, in the late 1990s. All these prints are also stamped - now with blue ink - on the verso, with the inscriptions &#39;fill in your own signature&#39; and &#39;published by Sunday B. Morning.&#39; While ownership of Sunday B. Morning has changed hands a few times, the open edition prints are still published by the original printers in Belgium, using the same screens and printing process that they have used since their inception.&#34;
(From Andy Warhol & Sunday B. Morning). See: https://borgia-inc-gallerie-bb.myshopify.com/products/andy-warhol-american-1928-1987-flowers-sunday-b-morning-screenprint. [M14]
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WARHOL, ANDY - LARGE &#34;FLOWERS&#34; SERIES SILKSCREEN

MARC CHAGALL (Russian-French, 1887 - 1985). Vintage colour lithograph on velin d&#39;arches paper, from &#34;Lettres d&#39;Hivernage&#34; (Paris: Éditions du Seuil / Mourlot), c.1973, published in a limited edition of 2000 copies. 11x8.75 inches. *** Original lithograph. [M14]
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CHAGALL, MARC - ORIGINAL LITHOGRAPH

ALFRED JOSEPH CASSON (Canadian, 1898 - 1992). &#34;Village in Mount Albert.&#34; Colour lithograph. Edition: PP (Printer&#39;s Proof) #1/2. Signed in pencil lower right. Marked P.P. at lower left. (Sight) 14x16 inches; (Sheet) 29x24.5 inches.


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CASSON, A.J. - &#34;VILLAGE IN MOUNT ALBERT,&#34; SIGNED LITHOGRAPH

THEOPHILE ALEXANDER STEINLEN (Swiss-French, 1859 - 1923). Lithograph with nude woman and soldier writing. Edition: #19/100. Edition penciled lower right, signed in pencil at lower centre edge. Small stain. (Sheet) 15 x 22.5 inches. *** Theophile Alexandre Steinlen was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with the anarchist and socialist press. Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L&#39;Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of social ills. His art influenced the work of other artists, including Pablo Picasso. [M14]
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STEINLEN, THEOPHILE A. - WW1 LITHOGRAPH, SIGNED

ALFRED JOSEPH CASSON (Canadian, 1898 - 1992). &#34;Saturday Afternoon.&#34; Colour lithograph. Edition: PP (Printer&#39;s Proof) #1/2. Signed in pencil lower right. Marked P.P. at lower left. &#39;A.C.&#39; embossed lower right. (Sight) 16.5x23 inches; (Sheet) 20x24.5 inches.
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CASSON, A.J. - &#34;SATURDAY AFTERNOON&#34; SIGNED LITHOGRAPH

JOSEPH BEUYS (German, 1921 - 1986). &#34;L&#39;UDITO&#34; from the series &#34;I CINQUE SENSI&#34; (Bolaffiarte). Photolithograph of the original series. LIMITED CLUB DEI CINQUEMILA edition, numbered 2427/5000 and signed by the artist in pencil on recto with Bolaffiarte&#39;s embossed authenticity stamp. 11.75x9.25 inches. Piece of tape on verso. *** Joseph Heinrich Beuys was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism and sociology. With Heinrich Boll, Johannes Stuttgen, Caroline Tisdall, Robert McDowell, and Enrico Wolleb, Beuys created the Free International University for Creativity & Interdisciplinary Research (FIU). Through his talks and performances, he also formed The Party for Animals and The Organisation for Direct Democracy. He was a member of a Dadaist art movement Fluxus and singularly inspirational in developing of Performance Art, called Kunst Aktionen, alongside Wiener Aktionismus that Allan Kaprow and Carolee Schneemann termed Art Happenings. [M14]
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BEUYS, JOSEPH - SIGNED PHOTOLITHOGRAPH

PETER ETRIL SNYDER (Canadian, 1944 - 2017). ORIGINAL PAINTING, horse and carriage on a cloudy day. Oil on board. Signed lower left. Artist&#39;s label on verso. A lovely evocative image featuring a woman in a red chapeau. (Sight) 11.5x15.5 inches; (Frame) 20x24 inches. [L3]
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SNYDER, PETER ETRIL - HORSE AND CARRIAGE, ORIGINAL PAINTING 

ARNOLD GROSS (Hungarian, 1929 - 2015). &#34;The Ampitheater&#34; or &#34;Laudation of the Art.&#34; Colour etching. Signed lower right. (Sight) 10x16 inches; (Frame) 16.5x22.5 inches. [R4]
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GROSS, ARNOLD - &#34;THE AMPITHEATER,&#34; SIGNED COLOUR ETCHING

MARC CHAGALL (Russian-French, 1887 - 1985). Vintage colour lithograph on velin d&#39;arches paper, from &#34;Lettres d&#39;Hivernage&#34; (Paris: Éditions du Seuil / Mourlot), c.1973, published in a limited edition of 2000 copies. 11x9 inches. *** Original lithograph. 
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GYORGY KORGA (Hungarian, 1935 - 2002). &#34;Szentendre.&#34; Acrylic on board. Signed lower right. (Sight) 31x23 inches; (Frame) 37.5x30 inches. [R4]
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KORGA, GYORGY - &#34;SZENTENDRE,&#34; ORIGINAL PAINTING

PETER CLAPHAM SHEPPARD (Canadian, 1879 - 1965). Original watercolour, dock at waterfront. Likely from a sketchbook. Sweet little scene showing the boat&#39;s reflections in the surrounding water. 3.5x5 inches. [M14]
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SHEPPARD, PETER CLAPHAM - ORIGINAL WATERCOLOUR, WATERFRONT

JENNIFER DICKSON (British-Canadian, 1936 - 2025). &#34;The Lost Garden.&#34; Mezzotint. Circa 1980. Marked &#34;Epreuve d&#39;essaui&#34; (artist&#39;s proof edition). Signed in pencil lower right; titled in pencil lower left. (Sight) 18x26 inches; (Frame) 24x32 inches. [R4]
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DICKSON, JENNIFER - &#34;THE LOST GARDEN,&#34; SIGNED MEZZOTINT

ORIGINAL ANTIQUE PAINTING of a woman in a lace bonnet and black dress. Oil on canvas. Circa 1840-1860. Likely European. Academy quality work in an exquisite frame, ready to hang, a unique piece. (Sight) 11.5x9.5 inches; (Frame) 19.5x17.25 inches. [R4]
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ORIGINAL ANTIQUE PAINTING - WOMAN IN A LACE BONNET

ROBERT DUDLEY (British, 1826 - 1909). &#34;THE FAIRIES&#39; SONG&#34; - A MIDSUMMER NIGHT DREAM, SHAKESPEARE. London: circa 1890. Chromolithograph. Beautiful antique colour lithograph of a Shakespearean classic. (Sight) 7x9.5 inches; (Frame)12.5x15 inches. [R4]
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DUDLEY, ROBERT - MIDSUMMER NIGHT&#39;S DREAM, ANTIQUE CHROMOLITHOGRAPH

KAROLY MUHLBECK (Hungarian, 1869 - 1943). ORIGINAL ANTIQUE WATERCOLOUR, a cloaked man with a dog sitting outside a thatched tent. Signed &#34;Muhlbeck K,&#34; dated 1922 at lower center. (Sight) 13.5x9.5 inches; (Frame) 18x14.5 inches. Small chip on upper left corner of frame. [R4

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MUHLBEK, KAROLY - ORIGINAL WATERCOLOUR, MAN WITH DOG, 1922

ORIGINAL ABSTRACT PAINTING, entitled &#34;Chaos.&#34; Late 20th century. Pastel and acrylic on paper. Compelling work of original art. 30x22.5 inches. [M14]
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ORIGINAL ABSTRACT PAINTING, &#34;CHAOS&#34;

GIULIO PAOLINI (Italian, b.1940). &#34;Vedo,&#34; 1969 (la decifrazione del mio campo visivo) (Bolaffiarte). Photolithograph of the original series. SPECIAL CLUB DEI CINQUEMILA edition, numbered 8135 and signed by the artist in pencil on recto with Bolaffiarte&#39;s embossed authenticity stamp. (Print) 7.5 x 7.5 inhes; (Sheet) 11.75 x 9.25 inches. Piece of tape on verso. *** Giulio Paolini is an Italian artist associated with both Arte Povera and Conceptual Art. [M14]
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PAOLINI, GIULIO - &#34;VEDO,&#34; 1969. SIGNED PHOTOLITHOGRAPH

Buntin Reid Paper Company (Ottawa) Christmas greeting card with print of &#34;Christmas Night&#34; by THOREAU MACDONALD (Canadian, 1901 - 1989). With accompanying manuscript letter expressing the writer&#39;s wishes to return to the north. Lovely print, ready to frame. (Sight) 4.5x5.25 inches; (Sheet) 8.25x9.25 inches. [M14]
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MACDONALD, THOREAU - &#34;CHRISTMAS NIGHT&#34; PRINT &#38; GREETING CARD

HAROLD THORNTON (Australian, 1915 - 2004). &#34;Devon Boast.&#34; Etching. Signed in pencil lower right. Framed, ready to hang. (Sight) 15.5x6.5 inches; (Frame) 22x12 inches. [L3]
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THORNTON, HAROLD - &#34;DEVON BOAST,&#34; SIGNED ETCHING

HAROLD TOWN (Canadian, 1924 - 1990). LOT OF 5 INDUSTRIAL-THEMED ART PRINTS, ACCOMPANIED WITH AUTOGRAPHED LETTER. Circa 1954. Includes loose text leaves accompanying the prints. (Prints, sight) 10.5x7.25inches; (Sheets) 12.5x8.5 inches.


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TOWN, HAROLD - LOT OF 5 INDUSTRIAL-THEMED PRINTS, w/AUTOGRAPHED LETTER

ALFRED JOSEPH CASSON (Canadian, 1898 - 1992). Colour lithograph. Edition: PP (Printer&#39;s Proof) #1/2. Signed in pencil lower right. Marked P.P. at lower left. (Sight) 8.25x10 inches; (Sheet) 20x24.5 inches. 


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ORIGINAL PENCIL DRAWING OF TWO WOMEN, one of whom is posed coyly with a fan at her lips, the other with a handkerchief in her gloved hand. Late 19th century. &#34;Belle Epoch.&#34; Signed lower right, illegible (&#34;Vratan&#34;?). (Sight) 4.5x6 inches; (Frame) 10.5x11.5 inches. [R4]
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ORIGINAL PENCIL DRAWING OF TWO WOMEN

MARC CHAGALL (Russian-French, 1887 - 1985). Vintage colour lithograph on velin d&#39;arches paper, from &#34;Lettres d&#39;Hivernage&#34; (Paris: Éditions du Seuil / Mourlot), c.1973, published in a limited edition of 2000 copies. 11x9 inches. *** Original lithograph. [M14]
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JOHN ISAAC (British, b. 1968). &#34;Namibia - A New Nation, A Trust Fulfilled.&#34; United Nations&#39; Limited Edition Art Print on 100% pure rag paper. 1991. Edition: #56/500. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. 11x8.5 inches. [M14]
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ISAAC, JOHN - SIGNED LTD ED ART PRINT, UNITED NATIONS

ORIGINAL WATERCOLOUR, house and tree in a field. Circa 1900. In a beautiful black and gilt frame. (Sight) 4.75x7.75 inches; (Frame) 9.5x12.5 inches. [R4]
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ORIGINAL WATERCOLOUR IN BEAUTIFUL FRAME

LOT OF 2 VINTAGE HONG KONG POSTERS. &#34;HONG KONG - STAY AN EXTRA DAY.&#34; 33 x 23.5 inches. [M14]
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LOT OF 2 VINTAGE HONG KONG POSTERS

PAUL HESSE (American, 1895 - 1973). &#34;Evening in Chestnut Street.&#34; Coloured pencils on paper. Signed lower right. A beautiful, dynamic original work. (Sight) 19x15 inches; (Frame) 24x20 inches. *** Paul Hesse was an American artist. He initially worked in photography, but later moved onto to poster design and illustration. Read more about the artist here: https://archivesusie3d.wixsite.com/3-dlegends/paul-hesse [R4]

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HESSE, PAUL - &#34;EVENING IN CHESTNUT STREET,&#34; ORIGINAL DRAWING

After PAUL CARON (Canadian, 1874 - 1941). Old Montreal. Art print mounted to card. With informational text about the artist on the verso. (Sight) 7x5.25 inches; (Sheet) 8x6.25 inches. Some wear to edges, small tears. [M14]
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CARON, PAUL (after) - OLD MONTREAL, ART PRINT

LORENZO QUINN (Italian-American, b. 1966). &#34;Environment-Climate.&#34; United Nations&#39; Limited Edition Art Print on 100% pure rag paper. 1993. Edition: #736/750. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. 11x8.5 inches. [M14]
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QUINN, LORENZO - SIGNED LTD ED ART PRINT, UNITED NATIONS

OVERSIZE ABSTRACT PHOTOMONTAGE ON BOARD, MIXED MEDIA, with construction and industrial elements. A large and bold statement piece. 51x35 inches. [M14]
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MONUMENTAL ABSTRACT PHOTOMONTAGE ON BOARD

ORIGINAL ABSTRACT WATERCOLOUR. Dated 1953. Signed &#34;Rounds&#34; at lower right. Terrific mid-modern colour work. 16x19.5 inches.
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MCM ORIGINAL ABSTRACT WATERCOLOUR, 1953

After MARCELLIN AUZOLLE (French, 1862 - 1942). &#34;De Francaise: Verft Alle Stoffen,&#34; showing a pair of dogs. Colour print, framed. (Sight) 15.5x12 inches; (Frame) 21.5x17.25 inches. [R4]
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AUZOLLE, MARCELLIN (after) - &#34;DE FRANCAISE: VERFT ALLE STOFFEN&#34;

CAMERON, DAVID YOUNG (Scottish, 1865 - 1945). Amboise, France. Etching. Circa 1903. Signed on the plate lower right. Framed and ready to hang, a beautiful original antique etching of France. (Plate) 10.25&#34; x 6&#34;; (Frame) 19&#34; x 13&#34;. Slight mat burn. *** Sir David Young Cameron RA was a Scottish painter and, with greater success, etcher, mostly of townscapes and landscapes in both cases. He was a leading figure in the final decades of the Etching Revival. Cameron was well known and liked in the art world and held a great many appointments to societies and boards. On the retirement of RSA president Sir James Guthrie in 1919, it was suggested that Cameron stand for the presidency. Cameron declined however, citing too many existing responsibilities in London. [M14]
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CAMERON, DAVID YOUNG - FRANCE, SIGNED ETCHING

After A.Y. JACKSON (Canadian, 1882 - 1974). &#34;Spring, Lower Canada, 1915.&#34; Large vintage art print, beautifully framed. (Sight) 20.5x26.5 inches; (Frame) 25.5x31.5 inches. [L3]
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JACKSON, A.Y. (after) - &#34;SPRING, LOWER CANADA, 1915&#34; VINTAGE FRAMED PRINT

MARK VAN EPPS (American, d. 1990). &#34;Mask of World Peace.&#34; United Nations&#39; Limited Edition Art Print on 100% pure rag Stonehenge paper. 1986. Edition: #437/750. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. (Sight) 9.5x7.5 inches; (Sheet) 11x8.5 inches [M14]
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VAN EPPS, MARK - SIGNED LTD ED ART PRINT, UNITED NATIONS

MARJORIE C. BATES (English, 1886 - 1962). &#34;Castle from the Brocas, Windsor.&#34; Lithograph. Signed on the plate at lower left. (Sight) 5.5x7.5 inches; (Frame) 12.5x11.5 inches. Frame slightly loose. [L3]
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BATES, MARJORIE C. - &#34;CASTLE FROM THE BROCAS, WINDSOR&#34; LITHOGRAPH

ORIGINAL ANTIQUE INK SKETCH OF A KNIGHT. Framed in an arched mat. Framemaker label of Fred L. Curry, Toronto on verso. (Sight) 12x9 inches; (Frame) 17.75x14 inches. Oil stain upper right side. [L3]
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ORIGINAL ANTIQUE INK SKETCH OF A KNIGHT

ORIGINAL PAINTING, CHARMING PATIO IN THE GARDEN. Acrylic on canvas. Framed. A romantic scene for two. 13.5x17 inches. 
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ORIGINAL PAINTING, CHARMING PATIO SCENE

HEDY LUBBERS (Hungarian-Canadian, 1924 - 2013). Patchwork art on textile, a red-haired woman with a daisy. 1970. From Montreal. Artist name and date embroidered on verso. 36.5x30 inches. Tears on the top and bottom. [R4]
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LUBBERS, HEDY - TEXTILE ART, RED-HAIRED WOMAN WITH DAISY, 1970

LEAH NUVALINGA QUMALUK (Inuit, 1934 - 2010). &#34;Spear Fisher.&#34; Lithograph. Circa 1964. Signed in syllabics at lower edge. 34.5 x23 inches. Some dampstain to bottom edges; frame slightly loose. *** Leah Nuvalinga (Sala) Qumaluk was a Canadian Inuk artist. Born in Inukjuak, Quebec, Qumaluk and her husband, Josie Qumaluk, moved to Puvirnituq in 1954. She began her career as a carver before experimenting with stoneblock printing in 1960. She would go on to author at least ninety-five prints during her career, printing most of them herself as well; most of these were stonecuts. She also printed hundreds of editions for other artists, holding a regular job in a print shop to make the output possible. Early prints were dominated by mythological themes or demons conjured up by her own imagination; these were later replaced with quieter subjects such as animals or depictions of traditional life. By the late 1970s, her output had diminished, and in 1985 she retired. Her style is different from that of other Puvirnituq artists in that she did not use the border of the uncut block to frame her images. [R4]
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QUMALUK, LEAH (INUIT) - &#34;SPEAR FISHER,&#34; SIGNED LITHOGRAPH

After TOM THOMSON (Canadian, 1877 - 1917). &#34;Bateaux.&#34; Vintage art print, framed. (Sight) 13x16 inches; (Frame) 18.5x21.5 inches. *** Framed, ready to hang, a beautiful and classic print. Biographical slip on verso. [L3]
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THOMSON, TOM (after) - &#34;BATEAUX,&#34; FRAMED VINTAGE ART PRINT

A lot of 5 colour lithographs from &#34;A SELECT COLLECTION OF VIEWS AND RUINS IN ROME AND ITS VICINITY.&#34; London: published by J. Merigot, 1798. (Sight) 9x6 inches; (Sheet) 13x17.5 inches. 
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LOT OF 5 LITHOGRAPHS OF ROME, 18th CENTURY

ORIGINAL PAINTING OF THE MAYFLOWER, the ship renown for having transported the Pilgrims from England to the Americas in 1620. Oil on canvas. Signed &#34;T. Torman&#34; lower right. Framed, ready to hang. A great image of a famous ship with tremendous historical significance. (Sight) 19.5x23.5 inches; (Frame) 25x29 inches. [L3]

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ORIGINAL PAINTING OF THE MAYFLOWER, 1620 SHIP

GIACOMO MANZU (Italian, 1908 - 1991). La Lettera &#34;T&#34; from the series &#34;L&#39;Alfabeto.&#34; (Bolaffiarte). Photolithograph of the original series. LIMITED CLUB DEI CINQUEMILA edition, numbered 3446/5000 and signed by the artist in pencil on recto with Bolaffiarte&#39;s embossed authenticity stamp. Print: 8.25 x 6 inches; sheet: 11.75 x 9.25 inches. Tape remnant on verso. *** Giacomo Manzoni, known professionally as Giacomo Manzù, was an Italian sculptor. He was the subject of a famous photographic portrait by Yousuf Karsh and in 1968 his friendship with Pope John XXIII was documented in the book &#34;An Artist and The Pope&#34; by Curtis Bill Pepper. [M14]
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MANZU, GIACOMO -  &#34;T,&#34; L&#39;ALFABETO. SIGNED PHOTOLITHO

HAROLD TOWN (Canadian, 1924 - 1990). Lithograph; used for David Crombie Mayoral campaign in 1974. Edition: #62/100. Signed and dated lower right; edition penciled lower left. Framed, ready to hang. A large, striking conceptual print by renown artist Harold Town. The print is signed on the back. 
(Sight) 30x20.5 inches; (Frame) 37x26 inches. [R4]
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TOWN, HAROLD - SIGNED LITHOGRAPH

ORIGINAL SKETCH, profile of a young woman. Ink on paper. Circa 1920. Signed at lower left, illegible. (Sight)7x5.75 inches; (Frame)14.5x19.5 inches. [R4]
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ORIGINAL INK SKETCH, PROFILE OF YOUNG WOMAN

JEAN VAN NOTEN (Belgian, 1903 - 1982). BELGIAN CONGO. Brussels: O. De Rycker, S.A., c.1950s. Bright vintage colour poster by the Tourist Bureau for the Belgian Congo and Ruanda-Urundi with the General Representative in New York. 38.5x25.25 inches. Some loss to top. [M14]
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VAN NOTEN, JEAN - BELGIAN CONGO, POSTER, c.1950s

THE CANADIAN ORDER OF FORESTERS, signed and dated certificate of a Eudore Langlois printed on a lithographed poster, with the forester court&#39;s seal. Dated 1910. A very unique and beautiful piece of Canadiana. (Sight) 25x17.5 inches; (Frame) 31x24.5 inches. Some dampstain at bottom edge; glass slightly loose in frame. [L3]
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THE CANADIAN ORDER OF FORESTERS, 1910, SIGNED POSTER-CERTIFICATE

From WILLIAM BARTLETT&#39;S &#34;CANADIAN SCENERY.&#34; &#34;View from the citadel at Kingston.&#34; Engraving. Circa 1840. A lovely print from a Bartlett&#39;s monumental work of Canadian views. (Sight) 6.25x8.5 inches; (Frame) 11.25x14.25 inches. [L3]
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BARTLETT&#39;S &#34;CANADIAN SCENERY&#34; - VIEW FROM KINGSTON, c.1840 ENGRAVING

JOHN ISAAC (British, b. 1968). &#34;Endangered Species.&#34; United Nations&#39; Limited Edition Art Print on 100% pure rag paper. 1994. Edition: #671/750. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. 11x8.5 inches. [M14]
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EBERHARD ZEIDLER (German-Canadian, 1926 - 2022). ORIGINAL INK SKETCH OF TORONTO HOUSE, 268 RUSHOLME ROAD, BICKFORD PARK NEIGHBORHOOD. 1993. Signed, dated, and titled at lower right. Verso with label of DelBello Gallery. (Sight) 10.5x8.25 inches; (Frame) 19x16 inches. Some chips to frame. *** Eberhard Heinrich Zeidler, OC OOnt was a German-Canadian architect. He designed iconic structures and landmarks in Canada and internationally, most notably in Toronto. These included Ontario Place, the Toronto Eaton Centre, and the North York Performing Arts Centre, as well as redevelopments of Queen&#39;s Quay Terminal and the Gladstone Hotel. His firm also designed Canada Place in Vancouver for Expo 86. [R4]
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ZEIDLER, EBERHARD, ARCHITECT - ORIGINAL DRAWING OF TORONTO HOUSE

J.W. KING (British, 1868 - 1935). &#34;Clare Gate, King&#39;s Chapel, Cambridge.&#34; Etching. Circa 1930. (Sight) 9.5x5.25 inches; (Sheet) 16x10.5 inches.


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KING, J.W. - &#34;KING&#39;S CHAPEL, CAMBRIDGE,&#34; ANTIQUE ETCHING 

JOAN CLEMO. &#34;Rocks and Sand and Sea.&#34; Oil on panel. 1965. Signed lower right. Signed, titled, and dated on verso. An exquisite work of original art. (Sight) 17.75x 24 inches; (Frame) 22x28 inches. [L3]
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CLEMO, JOAN - &#34;ROCKS AND SAND AND SEA,&#34; ORIGINAL PAINTING

CATHEDRALS: ENGLAND AND WALES. 6 engravings presented in one frame. Circa 1845. (Frame) 37 x 27.5 inches. 6 engravings produced for Benjamin Winkles&#39; 19th century publication on cathedrals. Framed, ready to hang. [M14]
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CATHEDRALS - 6 ANTIQUE ENGRAVINGS, FRAMED

BENJAMIN LANDER (American, 1842 - 1915). Pastoral scene with two girls by the water. Etching. Circa 1883. (Print) 19.5 x 13 in; (Sheet) 24 x 17.75 in. Signed on the plate lower right; additionally stamp-signed in lower right margin. [M14]
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LANDER, BENJAMIN - PASTORAL SCENE, ANTIQUE ETCHING (c.1883)

SHAKESPEAREAN ACTORS, from Tallis&#39; &#34;Drawing Room Table Book of Theatrical Portraits&#34; (London: circa 1851). A lot of 8 engravings sold together, some with handcolouring. A lovely set of portraits in arched panels inside decorative borders, all framed uniformly. (Sight) 8.5x6.5 inches; (Frame) 15x13 inches. [R4]
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SHAKESPEAREAN ACTORS, LONDON, 1851 - LOT OF 8 ENGRAVINGS

3 ORIGINAL SWISS WATERCOLOUR SCENES. Circa 1820. 10.5x8 - 8x12 inches. One with hole. [M14]
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3 ORIGINAL SWISS WATERCOLOUR SCENES

MOHAMMAD SAMI BURHAN (Syrian, b. 1929). &#34;Yes to Life - No to Drugs.&#34; United Nations&#39; Limited Edition Art Print on 100% pure rag French Arches paper. 1987. Edition: #495/500. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. (Print) 8x7.25 inches; (Sheet) 11x8.5 inches. [M14]
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BURHAN, MOHAMMAD SAMI - SIGNED LTD ED ART PRINT, UNITED NATIONS

ATTILIO FORGIOLI (Italian, b. 1933). &#34;Isola&#34; (Bolaffiarte). Photolithograph of the original series. LIMITED CLUB DEI CINQUEMILA edition of 5000, numbered 8301/10,000 and signed by the artist in pencil on recto with Bolaffiarte&#39;s embossed authenticity stamp. (Print) 5 x 6 inches; (Sheet) 11.75 x 9.25 inches. Piece of tape on verso. [M14]
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FORGIOLI, ATTILIO - &#34;ISOLA,&#34; SIGNED PHOTOLITHOGRAPH

After TOM THOMSON (Canadian, 1877 - 1917). &#34;The West Wind.&#34; Art print, framed. (Sight) 20.5x23.5 inches; (Frame) 26.25x29.25 inches. *** Framed, ready to hang, a beautiful and classic print. Simpson&#39;s Gallery label verso. [L3]
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THOMSON, TOM (after) - &#34;THE WEST WIND,&#34; FRAMED ART PRINT

LOT OF 2 FRAMED ART PRINTS: &#34;The Lady and the Unicorn,&#34; Flanders tapestry, and Matisse work. 9x9.25 inches; 5.5x7.5 inches.
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MATISSE / FLEMISH TAPESTRY - LOT OF 2 FRAMED ART PRINTS

ALDERETE, PEDRO (Cuban, 1961 - 2005). Photo transfer onto wood, acrylic paint on wood. Showing pair of keys. Great unique piece.
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ALDERETE, PEDRO - PHOTO TRANSFER ON WOOD

ORIGINAL WATERCOLOUR PORTRAIT OF A YOUNG BOY. Signed &#34;Cook&#34; in pencil on the mat, lower right. (Sight) 12x9 inches; (Sheet) 16x13 inches.


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ORIGINAL WATERCOLOUR PORTRAIT OF A YOUNG BOY

MARC CHAGALL (Russian-French, 1887 - 1985). &#34;Mother and Child.&#34; Vintage colour lithograph on velin d&#39;arches paper, from &#34;Lettres d&#39;Hivernage&#34; (Paris: Éditions du Seuil / Mourlot), c.1973, published in a limited edition of 2000 copies. 11x9 inches. *** Original lithograph. Framed, ready to hang. (Sight) 11x9 inches; (Frame) 17.5x13.5 inches. [M14]
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J. Spilsbury after JOSHUA REYNOLDS (British, 1723 - 1792). Esther Jacobs. Engraving. 18th century. A genuine antique engraving, framed and ready to hang. Lovely engraved portrait of a young woman originally painted by renown artist Joshua Reynolds. (Sight) 18.5x13 inches; (Frame) 26.5x20 inches. [R4]
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REYNOLDS, JOSHUA (after) - ESTHER JACOBS, 18th CENTURY ENGRAVING

ROGER BLUM (American-Canadian, b. 1950). &#34;The Lone Loon.&#34; Watercolour. 1990. Signed lower right. Artist&#39;s label on frame verso, with title, date, and note of donation to the Loon Preservation Committee. Gorgeous lake scene with an iconic Canadian symbol. Original watercolour beautifully framed with a French-style mat. (Sight) 7.5x10.5 inches; (Frame) 17x19.5 inches. [L3]
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BLUM, ROGER - &#34;THE LONE LOON,&#34; SIGNED WATERCOLOUR

CRISTOBAL GABARRON (Spanish, b. 1945). &#34;Hope for Peace.&#34; United Nations&#39; Limited Edition Art Print. Lithograph on 100% French Pure Rag Arches paper. 1986. Edition #406/500. Signed in pencil lower right; edition penciled lower left. Comes with a certificate of authenticity issued by the United Nations with details and biography of the artist. 11x8.5 inches. *** Read more about the artist here: https://gabarron.art/ [M14]
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