Cristina Romo Castillo - Bowl w/ spoon &
Covered Dish
Civese piece were designed and produced
by Cristina Romo Castillo Disne has a studio in 
Taxco, Mexico, following the silversmithing legacy of her
mother (Emilia Castillo) and grandfather
Antonio Castillo of Los Castillo.
Website:
https://www.craftinamerica.org/artist/
cristina-romo/
Stamped Marks:
&#34;CRISTINA&#34; is the maker/brand name.
&#34;MEXICO&#34; made in or around the town of
Taxco, Mexico. &#34;PLATEADO&#34; Spanish for silver plated.
Hallmarks:
• MEXICO M.R: Stands for Marca Registrada
(Registered Trademark), an officially
protected design under Mexican commerce
laws.
• TO-35: Mexican government registration code
instituted in 1979 to track silversmiths
and workshops:
• T stands for the city of origin, Taxco.
• O signifies the first letter of the artisan or
registered workshop&#39;s family name tied to
the family registry.
• 35 is the unique identification number
assigned specifically to that maker&#39;s
registered line.
• All these pieces are individually hand-
shaped and hand-textured, and thus unique.
All the texture on the inside of these pieces
are hand &#34;planished&#34; or &#34;chased&#34; with
silversmithing tools.
• The base metal under the silver plate of
these pieces is solid brass.
• All in excellent condition, no breaks,
or chips. View images
• Bowl: 7 cm.. x 24.5 cm. x 7 cm.
• Spoon: 2 cm.. x 17 cm. x 2.5 cm.
• Lidded Bowl: 5.5 cm... x 21 cm. x 7.5 cm.
Dimensions:
• Bowl: 7 cm.. x 24.5 cm. x 7 cm. • Spoon: 2 cm.. x 17 cm. x 2.5 cm. • Lidded Bowl: 5.5 cm... x 21 cm. x 7.5 cm.
Pickup category timeslot {A}

Cristina Romo Castillo - Bowl w/ spoon &#38; Covered Dish

West Bank Hebron - Blown Glass
Cruet
• The design points to the Natsheh family
network or affiliated independent glass
furnaces operating in the Hebron region.
• For over a century, the Natsheh family
has been the predominant name behind
the area&#39;s glass factories.
• There are now only two or three active
glass-blowing facilities remaining due to
the West Bank Jewish Settlers and the
Israeli Defence Forces burning or
destroying these facilities.
• The process of applying raised glass or
canes to the surface of a hot vessel is a
historical Roman technique still used by
Palestinian glass blowers today.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 8 oz. or 227 grams
• 12.5 cm. x 9 cm. x 9 cm.
Dimensions:
12.5 cm. x 9 cm. x 9 cm.
Pickup category timeslot {A}

West Bank Hebron - Blown Glass Cruet

FOUR - Crisa/Libby Large &#34;Blue
Ribbon&#34; Tumblers
• These glasses are manufactured by
Libbey Glass through he Crisa Glass
Factory in Mexico. Libby acquired the
company in 2006.
• All four of these glasses have the
stylized &#34;C&#34; on the base, so were made
before 2006.
• These are the &#34;Smooth/Cylindrical
Version”, rather than the “Dimpled Version&#34;.
• These have several names: Blue
Ribbon, Cobalt Swirl, or Listón Azul.
• While each is hand blown int a mold,
each glass is somewhat unique because
it varies in weight, and movement of the
cobalt glass swirl.
• All in excellent condition, no breaks,
cracks, or chips. View images.
• Weight:
Varies between 285 to 295 grams
• 25 cm.  7 cm. x 7 cm.
Dimensions:
 25 cm.  7 cm. x 7 cm.
Pickup category timeslot {A}

FOUR - Crisa/Libby Large &#34;Blue Ribbon&#34; Tumblers

Jack Ploesser - Copper Red or &#34;Sang
de Boeuf&#34; Glaze
• Jack Ploesser born in 1952 with the
name Jörg Wolfgang Plösser was born in
Frankfurt am Main, Germany, and move
with his family to Canada in 1956.
• Jack Ploesser became the ceramic
technician at Capilano College in 1990.
• He taught pottery at the Delbrook
Recreation Centre (1994-96), the
Shadbolt Centre for the Arts (1998-99).
• He moved to the Sunshine Coast in
2000, he set up his independent
“Fire and Ash Studio&#34; in Roberts Creek.
• This vase was fired in an cone 10 gas
fired kiln with a high reduction
atmosphere changing the copper
carbonate, which is green to the copper
red or ox blood red.
• In excellent condition, no cracks,
breaks, or chips. View images.
• 14.5 cm. x 12 cm. x 12 cm.
Dimensions:
 14.5 cm. x 12 cm. x 12 cm.
Pickup category timeslot {A}

Jack Ploesser - Copper Red or &#34;Sang de Boeuf&#34; Glaze

Vietri &#34;Al Mare&#34; Octopus/Polpo) Large
Serving Platter
• VIETRI was founded in 1983 by Lee
Gravely and her two daughters, Susan
Gravely and Frances Gravely from North
Carolina, but have partnered with over 40
multigenerational potteries across Italy.
• Made in Vietri sul Mare, a coastal town
on the eastern of the Amalfi Coast in the
Campania region of southern Italy.
• This VIETRI Al Mare collection was
made between 1994 and 2005
• A whimsically pinkish red octopus
surrounded by blue concentric rings and
a sponged or stamped sea-foam green/
turquoise decorative border rim.
• In excellent condition, no breaks,
cracks or chips. View images.
• 5 cm. x 37.5 cm. x 37.5 cm.
Dimensions:
5 cm. x 37.5 cm. x 37.5 cm.
Pickup category timeslot {A}

Vietri &#34;Al Mare&#34; Octopus/Polpo) Large Serving Platter

Fiestaware Turquoise Spoon Rest
• This vase was originally designed by
Frederick Hurten Rhead in 1936. Joseph
Geisse one of the &#34;new&#34; designers,
Post-1986 Modern Adaptation made a
new mold of the original to fit the new
clay body that was introduced
• This was produced by the Homer
Laughlin China Company now the Fiesta
Tableware Company.
• &#34;HLC USA&#34; stands for Homer Laughlin
China Company, Newell.
• The &#34;Registered Trademark&#34; Circle: The
small circle debossed directly above the
letter &#34;a&#34; in &#34;Fiesta&#34; contains a tiny &#34;R&#34;
indicating it is a legally registered
trademark design.
• The Number &#34;58&#34;: This is an in-the-
mold number.
• In excellent condition, no cracks,
breaks, one small chip on rim. View
Images.
• 3 cm. x 20.4 cm. x 9 cm.
Dimensions:
3 cm. x 20.4 cm. x 9 cm.
Pickup category timeslot {A}

Fiestaware Turquoise Spoon Rest

Corrine Hunt - BOMA - &#34;Sea to Sky
Collection&#34; Large Platter
• This was designed by acclaimed
Kwakwaka&#39; wakw and Tlingit artist
Corrine Hunt. Hunt, who co-designed the
medals for the Vancouver 2010 Olympic
and Paralympic Winter Games, often
uses these designs to explore themes of
environmental elements and Pacific
Northwest Coast traditions.
• The platter features abstracted
Indigenous motifs and is typically made
in Canada from a blend of recycled
marble and crushed glass resin.
• Symbolism: The inscription
“eagle freedom in yourself” &#34;air&#34; highlights the
eagle as a symbol of freedom, strength,
and grace. In Northwest Coast
Indigenous traditions, eagles are also
sacred messengers to the creator.
• These come in three sizes. This is the 
“Large&#34; size.
• In excellent condition, no breaks,
cracks or chips. View images.
• 2 cm. x 35.3 cm. x 17.5 cm.
Dimensions:
2 cm. x 35.3 cm. x 17.5 cm.
Pickup category timeslot {A}

Corrine Hunt - BOMA - &#34;Sea to Sky Collection&#34; Large Platter

Cristallo Venezia CC &#34;Uranium
Glass&#34; Murano Sommerso Large-
Scale Centrepiece Bowl
• The exaggerated, horizontally stretched
winged silhouette with curled-horn
handles is a hallmark design strictly tied
to their 1960&#39;s production era. As well, all
Murano factories phased out the use of
uranium oxide powder in their standard
production runs as of 1970.
• This piece does not have a label, but
Can be attributed to Cristallo Venezia
CC for the following reasons:
1) There are identical green-and-amber
Sommerso core bowls with the
outspread silhouette, and the scrolled
horn handles that exist in collector
databases and archive sites like 20th
Century Glass
2) Cristallo Venezia pieces feature a
highly recognizable, heavy multi-pointed
star-shaped or pedestal glass base.
3) The tightly curled, horn-like scroll handles
are a specific design trademark of this
workshop.
4) Your UV light test confirmed a uranium-
doped green glass layer wrapped sharply
alongside a non-reactive amber layer, all
encased in a thick crystal shell. This
complex, multi-layered chemical recipe
aligns exactly with the batch formulas used
by Cristallo Venezia during their prime
1950&#39;s-1960&#39;s.
• This piece is is classified as a Large-
Scale Centerpiece Bowl, because of the
weight and size, and were treated as
premium luxury investments when
bought new in the 1960&#39;s
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 5 lb. 2.5 oz. or 2 kg. 339 grams
• 12 cm. x 40 cm. x 20 cm.
Dimensions:
 12 cm. x 40 cm. x 20 cm.
Pickup category timeslot {A}

Cristallo Venezia CC &#34;Uranium Glass&#34; Murano Sommerso Large- Scale Centrepiece Bowl

Bill Helin - &#34;Raven Stash Box&#34;
• Bill Helin was born 1960 in Prince
Rupert, British Columbia. Helin grew up
immersed in the heritage of the
Northwest Coast. His father, Arthur Helin,
was a commercial fisherman, and his
grandparents were prominent leaders
his grandfather was Chief of the Gitlan
Tribe and his grandmother, Maud Helin,
was Chief of the Gitgeese Tribe.
• Bill Helin is a member of the Tsimshian
Nation. He is a, woodcarver, jeweller,
and illustrator from the Gitgeese Tribe.
• The image on the lid depicts Raven
often celebrated as a powerful creator,
trickster, and a bringer of light.
• This is a small &#34;stash box&#34; made from
natural log cross-sections with the rough
bark left intact on the exterior.
• It has a swivel lid that pivots open to
reveal a felt-lined interior compartment.
• In excellent condition, no breaks,
cracks or chips. View images.
• 4.4 cm. x 7.8 cm. x 7 cm.
Dimensions:
4.4 cm. x 7.8 cm. x 7 cm.
Pickup category timeslot {A}

Bill Helin - &#34;Raven Stash Box&#34;

Vintage Hand Thrown & Decorated
Japanese Stoneware Tea Set
• This tea set is decorated with
whimsical, hand-painted blue rabbits and
carrots in a traditional folk-art or Mingei style.
• The rustic, speckled glaze and earth-
toned rims are fired in a wood fired kiln.
• Characters on the base read as follows:
Top Character: # (Hiro)
Middle Character: « (Naga / Ei)
Bottom Component: 1F (Saku / made by
Kitaoji Rosanjin or one of his workers
from the kiln.
Reading the name together as Ex
(Hironaga) or E*IF (Made by Hironaga)
aligns with the highly celebrated
Hironaga Kiln (I ** / Hironaga-gama).
• The Hironaga Kiln I R) is located in
the Kansai region of Tsu City, Mie
Prefecture, Japan.
• These are all hand thrown, so the cups
and plates vary slightly in size.
• All in excellent condition, no breaks,
cracks or chips. View images.
• Teapot: 7.5 cm. x 13 cm. x 9.5 cm.
Bowl: 4 cm.  9 cm.  9 cm.
Plates: 1.5 cm.  11 cm. x 11 cm.
• Cups: 6.5 cm. x 5.5 cm. x 5.5 cm.
Dimensions:
See description for sizes and correct Japanese characters.
Pickup category timeslot {A}

Vintage Hand Thrown &#38; Decorated Japanese Stoneware Tea Set

Bo Borgström - Áseda Glasbruk
&#34;Jack-in-the-Pulpit&#34; Vase
• Aseda Glasbruk (1947-1977) The
glassworks was founded in 1947 in the
town of Aseda, located in the Smäland
region of Sweden, the heartland of
Swedish glassmaking known as the
&#34;Kingdom of Crystal&#34; or Glasriket.
• Bo Borgström (1929-2015) was the
most influential Swedish glass designer
of the MCM and &#34;pop&#34; eras during the
1960&#39;s and 1970&#39;s. He was the artistic
director of Âseda Glasbruk,
• This was hand blown during the 1960&#39;s.
It has the distinctive Scandinavian design
features a vibrant cobalt blue pulled
stem, an asymmetrical flared rim, and a
characteristic heavy clear glass base
with embedded controlled bubbles or
bullicante technique.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight: 348 grams or 12.25 oz.
•  
Dimensions:
21.5 cm x 6.5 cm. x 5.7 cm.
Pickup category timeslot {A}

Bo Borgström - Áseda Glasbruk &#34;Jack-in-the-Pulpit&#34; Vase

Sandblasted Art Glass Polar Bear Vase
• This is a modern contemporary blown
glass vase made in China within the last
ten years.
• The image shows a close-up of a
sandblasted polar bear motif on an ice
floe. The vessel has two layers; first the
black blown form, and a second layer of
an iridescent metallic golden or yellowish
over layer. When the vase was
sandblasted the iridescent was stripped
away leaving the black matte with the
raised surface of the iridescent glass.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight:
2 lb. 14 5/8 oz. or 1 kg. 322 grams
• 18.5 cm. x 19 cm. x 19 cm.
Dimensions:
 18.5 cm. x 19 cm. x 19 cm.
Pickup category timeslot {A}

Sandblasted Art Glass Polar Bear Vase

Mid Century Modern - Sasaki Crystal
Lion Dish (1950&#39;s to 1960&#39;s)
• Founded in Tokyo in 1902 by Sojiro
Sasaki, the company initially started as a
wholesale business selling oil lamps
• This lion dish was manufactured during
the 1950&#39;s to 1960&#39;s, capturing the peak
of the global Mid-Century Modern design
movement. During this post-war era.
• It was produced as an in-house
&#34;studio-crafted&#34; design by Sasaki&#39;s
dedicated product design team, but is
inspired from prominent European
modernist glass like Bertil Vallien of
Kosta Boda.
• This piece has a high density of lead
content, typically around 24% lead oxide
used by Sasaki during the mid-20th
century.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight: 1 lb. 15.75 oz. or 899 grams
• 10 cm. x 23 cm. x 8 cm.
Dimensions:
 10 cm. x 23 cm. x 8 cm.
Pickup category timeslot {A}

Mid Century Modern - Sasaki Crystal Lion Dish (1950&#39;s to 1960&#39;s)

Fiestaware Medium Flared Cobalt Blue
Flower Vase
• This vase was originally designed by
Frederick Hurten Rhead in 1936
Jonathan O. Parry, the new director,
Post-1986 Modern Adaptation made a
new mold of the original to fit the new
clay body that was introduced
• This was produced by the Homer
Laughlin China Company now the Fiesta
Tableware Company.
• This is a modern, post-1986 piece
made between 1998 and 2020
• The Raised &#34;H&#34; Mark: The lowercase,
stylized debossed &#34;H&#34; stamped directly
into the ceramic clay was added to the
molds starting in 1998.
• In excellent condition, no cracks,
breaks, one small chip on rim. View
Images.
• 24 cm. x 12.3 cm. x 12.3 cm.
Dimensions:
24 cm. x 12.3 cm. x 12.3 cm.
Pickup category timeslot {A}

Fiestaware Medium Flared Cobalt Blue Flower Vase

Abhika &#34;Jellyfish M&#34; - Hand-Blown
Clear Glass Sculpture
• The Abhika &#34;Jellyfish M&#34; is a high-end
luxury version of the clear glass jellyfish
sculpture distributed out of Venice, Italy.
They are a home interior and decor store.
The &#34;M&#39; stands for medium size.
• This piece was most likely made in
Yancheng or Zibo, China as they are the
&#34;experts&#34; in &#34;non controlled bubbles&#34; as
seen in the &#34;head&#34; of the jellyfish.
• This is a free-standing design with a
bell (cap) filled with deliberate non
controlled bubbles. The cap is supported
by six long curved glass tentacles that
flare outward to form a sturdy base.
• In excellent condition, no breaks,
cracks, or chips. View Images.
• Weight: 981 grams or 2 lb. 2 5/8 oz.
18.5 cm. x 11.5 cm. x 11.5 cm.
Dimensions:
18.5 cm. x 11.5 cm. x 11.5 cm.
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Abhika &#34;Jellyfish M&#34; - Hand-Blown Clear Glass Sculpture

1950&#39;s American Cut Crystal
Corporation - Cigar Ashtray
• The American Cut Crystal Corporation
operated primarily as a U.S. importer and
distributor, rather than a manufacturer.
During the mid-20th century, they
contracted skilled glassworks overseas
most notably in Japan to produce high-
quality lead crystal pieces to sell to
Western markets.
• This piece was made by either Kagami
Crystal or Hoya Crystal both were the
main factories for less crystal products.
• This is a heavy, pressed-glass piece
elongated teardrop or horseshoe shaped
with a smooth circular central well, a
single long cigar groove, and deeply
ribbed, scalloped outer edges.
• In excellent condition, no breaks,
cracks, or chips. View images.
• Weight:
3 lb 1 1/8 oz. or 1 kg. 394 grams
• 4.4 cm. x 18.3 cm. x 12 cm.
Dimensions:
4.4 cm. x 18.3 cm. x 12 cm.
Pickup category timeslot {A}

1950&#39;s American Cut Crystal Corporation - Cigar Ashtray

Hand-Blown Aqua/Teal Art Glass Bowl
• I believe this is a vintage Mexican
glassware piece associated with MCM
from makers like Avalos or Kristaluxus
from Tlaquepaque, Mexico.
• This is a medium walled glass bowl
including organic air bubbles trapped
inside the glass walls. It has a clean,
round, freeform profile with a fire-
polished rim and a weighted base typical
of Mid-Century modern studio glass.
• The piece is formed via &#34;Optic
Molding&#34;. The glass is dipped it into a
vertically ribbed metal mold or optic
mold then twisted while the blowpipe
expands the glass. This forces the
straight ribs to warp into a spiral pattern.
• There is a concave base, or &#34;kick up&#34;
which stabilizes the bowl like a &#34;foot&#34; on
ceramics. The pontil is fire polished.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 8.75 oz. or 249 grams
• 4.5 cm. x 12.7 cm. x 12.7 cm.
Dimensions:
4.5 cm. x 12.7 cm. x 12.7 cm.
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Hand-Blown Aqua/Teal Art Glass Bowl

Hand Blown 3D Mount Fuji Whiskey
Tumbler
• It was crafted by Tajima Glass (HB
7), a renowned glass manufacturing
company located in Edogawa, Tokyo,
Japan in 2015.
• This glass shows Mt. Fuji (#tIL,
Fujisan), the famous mountain in Japan.
• The design concept is that when a
beverage like whiskey is poured inside,
the liquid reflects off the frosted peaks,
changing the appearance and mood of
the mountain.
• The vertical paper strip attached reads
TE
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Hand Blown 3D Mount Fuji Whiskey Tumbler

Ollomisso - Inuit Argillite Carving of a
Loon Dated 1995
• I have not been able to pinpoint the
specific Inuit community this artist comes
from, as the phonetically spelled out
spoken Inuktitut names, spelling
variations are incredibly common.
• The style of the piece suggests either
Sanikiluag located on the Belcher Islands
in Nunavut, or the family name from the
Hudson Bay region, such as Ooloosie.
• The stone from this piece shows a dry,
uniform, dense clay-based grain
structure that is highly classic of
Sanikiluag argillite.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• Weight: 3 oz. or 86 grams
• 3 cm. x 6.5 cm. x 4 cm.
Dimensions:
 3 cm. x 6.5 cm. x 4 cm.
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Ollomisso - Inuit Argillite Carving of a Loon Dated 1995

 Ceramic Pie Bird or Pie Chimney
• This specific ceramic pie bird was
manufactured by Norpro, Inc., a
kitchenware company founded in 1973 in
Japan. It is cataloged as the Norpro
Ceramic Pie Bird (Item #3262).
• Norpro first introduced this classic
blackbird model with the yellow beak
during the late 1970&#39;s or early 1980&#39;s.
• Vents Steam: You place the hollow
ceramic bird right in the center of a
double-crust fruit pie before baking.
• Prevents Boil-Over: As the filling cooks
and bubbles, steam escapes directly up
through the hollow body and out of the
bird&#39;s open beak.
• Saves the Crust: By venting the steam,
it keeps the top pastry crust from
sagging, tearing, or becoming soggy
from trapped moisture.
• In excellent condition, no cracks,
breaks, or chips. View Images.
• 10 cm. x 4.3 cm. x 4.4 cm.
Dimensions:
 10 cm. x 4.3 cm. x 4.4 cm.
Pickup category timeslot {A}

 Ceramic Pie Bird or Pie Chimney

Birks Primrose Silver Plate
Condiment Bowl
• Birks, a Canadian silversmith and retail
jeweller was founded in Montreal in 1879
• The design or catalog number used by
Birks for this pattern and shape of
condiment dish is #204.
• This vintage Birks Primrose Plate
condiment bowl, made by Henry Birks &
Sons, Canada&#39; between the late 1930&#39;s
and the 1960&#39;s using the specific design
of the logo on the base.
• Marks on Base: (NSC&#34;) TAM 8pc
(NSC&#34;) - National Service Centre
TAM - the silversmith going the work
8pc - an 8 piece set was brought in
• In excellent condition, no breaks,
cracks, minimal surface wear. View images.
Dish w/ Cobalt Glass:
6.5 cm. x 9.5 cm. x 9.5 cm.
• Spoon: 2.5 cm. x 11.5 cm. x 3.4 cm.
Dimensions:
Dish w/ Cobalt Glass: 6.5 cm. x 9.5 cm. x 9.5 cm.                     • Spoon: 2.5 cm. x 11.5 cm. x 3.4 cm.
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Birks Primrose Silver Plate Condiment Bowl

Traditional Persian Minakari Enamel
&#34;Rosa Royal&#34; Pattern Dish
• This specific style, featuring intricate
geometric floral arrays and azure-blue
backdrops, is highly characteristic of
master artisans from Isfahan, Iran.
• It is handcrafted by applying a glass-
like oxide enamel coating onto a hand-
shaped copper base. The piece is then
fired in a high-temperature furnace to
permanently fuse the vibrant glaze to the
metal.
• The dominant color is a striking
turquoise and lapis lazuli blue, which
historically symbolizes the sky or heaven
in Persian culture (Mina translates
directly to the azure color of heaven.
• The signature on the back reads
&#34;sol&#34; (Amini) in Persian script. In the
world of Persian enamel art (Minakari),
Amini is a highly recognized family
workshop name based in Isfahan, Iran.
• In very good condition, no cracks,
breaks, but one chip on foot. View
Images.
• 3.5 cm. x 12.5 cm. x 12.5 cm.
Dimensions:
 3.5 cm. x 12.5 cm. x 12.5 cm.
Pickup category timeslot {A}

Traditional Persian Minakari Enamel &#34;Rosa Royal&#34; Pattern Dish

Chinese Famille &#34;Turquoise&#34; 2 Bowls &
2 Plates
• Three of the pieces are hand-stamped.
slightly irregular red iron-oxide &#34;MADE IN
CHINA&#34; mark w/o other Chinese
characters or factory numbers points to
the Late Republic to Early Modern Export
period circa 1960&#39;s & 1970&#39;s.
• The one bowl has the red iron-red
backstamp reading &#34;I5(14 22&#34;
(Jiangxi Jingdézhèn Mingci), which
translates to &#34;Jiangxi Jingdezhen
Famous Porcelain&#34;, and was produced
during the mid-1950&#39;s to early 1960&#39;s.
• The earlier piece has finer detail than
the later.
• All these pieces were hand thrown, so
the variance in size. They were
decorated by hand in the &#34;assembly line&#34;
fashion of the period, so there are small
differences in each piece.
• All in excellent condition, no breaks,
cracks, or chips. View images.
• Bowl #1: 6 cm. x 11 cm. x 11 cm.
• Bowl #2: 5.6 cm. x 11.7 cm. x 11.7 cm.
• Plates #1: 1.8 cm. x 18.4 cm. x 18.4 cm.
• Plates #2: 1.9 cm. x 18.3 cm. x 18.3 cm.
Dimensions:
• Bowl #1: 6 cm. x 11 cm. x 11 cm. • Bowl #2: 5.6 cm. x 11.7 cm. x 11.7 cm. • Plates #1: 1.8 cm. x 18.4 cm. x 18.4 cm. • Plates #2: 1.9 cm. x 18.3 cm. x 18.3 cm.               **Note correct Chinese Characters on image page.**
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Chinese Famille &#34;Turquoise&#34; 2 Bowls &#38; 2 Plates

Whimsical Hand Thrown Armadillo Bowl
• Barbara Wyatt is a studio ceramic artist
and instructor. She is from Edmonds,
Washington.
• Website:
https://www.barbarawyatt.com/bio
• White stoneware clay fired to cone 6 in
an electric kiln. Various underglazes and
a clear glaze on top. The bowl shows
techniques from sgraffito, carving, wax
resist for colour placement, and slip
glazing to create the relief design.
• In excellent condition, no rips, stains, or
fading. View images.
• 5 cm x 8.5 cm. x 8.5 cm.
Dimensions:
 5 cm x 8.5 cm. x 8.5 cm.
Pickup category timeslot {A}

Whimsical Hand Thrown Armadillo Bowl

Victoria (British Columbia, Canada) SELLER MANAGED Reseller Online Auction - Balfour Avenue

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Turquoise glazed ceramic spoon rest with concentric ring design, post-1986 adaptation of 1936 Frederick Rhead model, molded underside mark "HLC Fiesta USA" and in-mold number 58, one small chip on rim, approx 3 cm H x 20.4 cm L x 9 cm W

Fiesta turquoise ceramic spoon rest

Close-up of bowl area showing rings and glaze

Turquoise ceramic with glossy glaze and signature Fiesta concentric rings

Bid Date	Bid Amount
Oct 16, 2026, 4:33:36 PM UTC	$10.00
Oct 16, 2026, 4:33:36 PM UTC	$9.00
Oct 14, 2026, 10:32:51 PM UTC	$2.00
Oct 14, 2026, 2:17:46 PM UTC	$1.00

Lot #89: Fiestaware Turquoise Spoon Rest

Only Available Pickup Date/Time: Mon, October 26 2026

Category A: 09:30 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Lot #89: Fiestaware Turquoise Spoon Rest

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Mon, October 26 2026 Category A: 09:30 AM - 02:00 PM

Pickup Location: Balfour Avenue, Victoria, BC, V9A 1S1 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Mon, October 26 2026

Category A: 09:30 AM - 02:00 PM